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"Heart Of Lothian" | ||||
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Single by Marillion | ||||
from the album Misplaced Childhood | ||||
B-side | "Chelsea Monday (live)" | |||
Released | 18 November 1985 | |||
Recorded | Hansa Ton Studios, Berlin, March–May 1985 | |||
Genre | Neo-prog | |||
Length | 3:40 | |||
Label | EMI | |||
Songwriter(s) | Derek Dick, Mark Kelly, Ian Mosley, Steve Rothery, Pete Trewavas, | |||
Producer(s) | Chris Kimsey for Wonderknob Ltd | |||
Marillion singles chronology | ||||
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Audio sample | ||||
"Heart of Lothian" is a song by British neo-prog band Marillion. It is the fifth track on the 1985 concept album Misplaced Childhood . The song was released as the third single from Misplaced Childhood on 18 November 1985 in the UK, the Netherlands, West Germany, Canada (on Capitol Records), South Africa and Australia. [1] "Heart of Lothian" became the third Top 30 UK single from Misplaced Childhood, peaking at number 29. The song also peaked at number 51 on the German singles chart.
The single version of Heart of Lothian actually begins with the last two sections of Bitter Suite: part d, Misplaced Rendezvous (minus the vocals that appear on the album) and part e, Windswept Thumb, before segueing into part a of Heart of Lothian, Wide Boy, but ends without including part b, Curtain Call.
The 7" and 12" formats of the single both featured a live version of "Chelsea Monday", originally a track from Marillion's debut 1983 album Script for a Jester's Tear as the b-side. This was recorded at the Muziekcentrum Vredenburg in Utrecht on 15 October 1985. The 12" also includes the extended album version of "Heart of Lothian" as well as the single edit. [2] In the US, the song was first used as the b-side for "Kayleigh", the band's European hit single. In 1986, "Heart of Lothian" reappeared as a b-side to the US-only single release "Lady Nina", which had in turn appeared as a b-side on the European release of the lead single from Misplaced Childhood, "Kayleigh".
As all of Misplaced Childhood, the title track was produced by Chris Kimsey, while the live recording of "Chelsea Monday" was mixed by Mark Freegard. The cover art was designed by Mark Wilkinson and in the background features the Dugald Stewart Monument, a well-known Edinburgh landmark. There are other references to Edinburgh in the song— the title itself refers to the Heart of Midlothian, one line reads "And anarchy smiles on the Royal Mile".
A CD replica of the single was also part of a collectors box-set released in July 2000 which contained Marillion's first twelve singles and was re-issued as a 3-CD set in 2009 (see The Singles '82–'88 ).
Marillion are a British neo prog band, formed in Aylesbury, Buckinghamshire, in 1979. They emerged from the post-punk music scene in Britain and existed as a bridge between the styles of punk rock and classic progressive rock, becoming the most commercially successful neo-prog band of the 1980s.
Misplaced Childhood is the third studio album by the British neo-prog band Marillion, released in 1985. It is a concept album loosely based on the childhood of Marillion's lead singer, Fish, who was inspired by a brief incident that occurred while he was under the influence of LSD.
"Kayleigh" is a song by British neo-prog band Marillion. It was released as the first single from the concept album Misplaced Childhood. It is the band's most successful single in the UK, where it peaked at number two and stayed on the UK Singles Chart for a total of 14 weeks. It also became the band's most successful single worldwide, reaching the top 10 in Ireland, Norway, and West Germany. In the United States, it gave the band their sole appearance on the Billboard Hot 100 chart, reaching number 74 in October 1985.
Seasons End is the fifth studio album by British neo-prog band Marillion, released in 1989. The album was the first to feature current lead vocalist Steve Hogarth, following the departure of former vocalist Fish in late 1988. It reached number 7 on the UK Albums Chart.
Made Again is a 1996 double live album by Marillion, their first live recording with singer Steve Hogarth. The first disc contains material recorded in London on the Holidays in Eden tour (1991) and in Rotterdam on the Afraid of Sunlight tour (1995); the second disc consists of a full live version of the album Brave recorded in Paris in 1994. Outside of the UK, distribution would be handled by the then independent record label Castle Communications, who would also release the band's next three studio albums.
Best of Both Worlds is a two-disc compilation album by British neo-prog band Marillion released in 1997 by EMI Records, who the band had been signed to from their debut in 1982 until being dropped in 1995. The title refers to Marillion's two distinct "eras" with lead singers Fish (1980—1988) and Steve Hogarth. By the time this compilation was released, both line-ups had recorded four studio albums each. The second best-of since the 14-track one-disc compilation A Singles Collection from 1992, this one additionally contains material from Brave (1994) and Afraid of Sunlight (1996). Two different covers were created for the compilation, one by Mark Wilkinson, who had worked for the band during the Fish years, and one by Bill Smith Studio, who took over after Fish's and Wilkinson's departure. The booklet was printed so that either of the covers could be displayed in the jewel case according to personal preference. The track list, comprising 29 songs, was put together by Lucy Jordache, then the manager responsible for the band in EMI, in close collaboration with the band's fans' mailing list, "Freaks". Jordache also motivated singers Fish and Hogarth to contribute liner notes—at a time when both camps were not yet on friendly terms again—by telling each of them the other had already agreed to do so.
B'Sides Themselves is a compilation of single B-sides by the British neo-prog band Marillion, which was released on CD only in January 1988. This was the first time that those B-sides were made available in the then still relatively new Compact Disc format. However, vinyl LP and cassette versions were issued in June 1988.
Bouillabaisse is a compilation double album by Fish released in 2005. It is the third "best-of" collection after Yin and Yang (1995) and Kettle of Fish (1998), however, it covers Fish's entire solo career up to the previous year's studio album Field of Crows. The songs are divided into two sets: Disc 1, entitled "Balladeer", and disc 2, entitled "Rocketeer". It also features the single edits Marillion's three biggest hits, "Kayleigh", "Lavender" (1985) and "Incommunicado" (1987). It also features an edited version of "Goldfish and Clowns" from Sunsets on Empire (1997) which has never been released due to the planned single being ultimately cancelled.
"Lavender" is a song by the British neo-prog band Marillion. It was released as the second single from their 1985 UK number one concept album Misplaced Childhood. The follow-up to the UK number two hit "Kayleigh", the song was their second Top Five UK hit, entering the chart on 7 September 1985, reaching number five and staying on the chart for nine weeks. None of the group's subsequent songs have reached the Top Five and "Lavender" remains their second highest-charting song. As with all Marillion albums and singles between 1982 and 1988, the cover art was created by Mark Wilkinson.
Brief Encounter is a compilation EP by the British neo-prog band Marillion. It contains two studio and three live tracks that EMI's American label Capitol Records released there in 1986, coinciding with the band's tour of the U.S. and Canada that year. The band was Rush's support act on the Power Windows tour and also played headline gigs at smaller theatres. The "mini album" contained five tracks: the band's European breakthrough single "Kayleigh" ; its b-side "Lady Nina"; "Freaks", released in Europe as the b-side of the follow-up single "Lavender"; and live recordings of the first two albums' title tracks, Fugazi (1984) and Script for a Jester's Tear (1984).
The Best of Marillion is a compilation album from the band Marillion. The songs come from both the Fish era and Steve Hogarth era of the band. It was released in mainland Europe only.
Live from Loreley is a live album by the British neo-prog band Marillion, recorded at a concert at the Freilichtbühne Loreley Loreley, St. Goarshausen, Germany on 18 July 1987. The recording, made during the first leg of the 1987 Clutching at Straws tour, documents the band at the peak of their commercial success in the 1980s when they had original frontman Fish on vocals. The show was attended by an audience of 20,000; support acts were Magnum, The Cult (cancelled), and It Bites. It comprises songs from the four studio albums they released up to that point, i.e. Script for a Jester's Tear (1983), Fugazi (1984), Misplaced Childhood (1985), and Clutching at Straws (1987). The non-album debut single "Market Square Heroes" is also included.
Early Stages is a box set containing live recordings of Marillion with their former singer Fish. The recordings were made by the BBC for radio broadcast, and are from five concerts performed by the band in the UK between 1982 and 1987. The packaging was designed by Mark Wilkinson, who had designed all Marillion covers of the 1980s and went on to work with Fish after his departure. The set was released to retail by EMI on 17 November 2008.
Lady Nina is a song by the British neo-prog band Marillion. First released in 1985 on the B-side to the #2 UK hit single "Kayleigh", it was the only single from the EP Brief Encounter released in the United States by Capitol Records in April 1986. A music video was also shot to promote it. While the EP climbed to #67 on the Billboard 200 album charts, "Lady Nina" did not make the Billboard Hot 100, but did reach #30 on the Mainstream Rock charts.
"Welcome to the ‚Garden Party‘" is a 1986 single by British neo-prog band Marillion released exclusively in West Germany to accompany a series of concerts the band played at festivals in that country as second bill to Queen, following their commercial breakthrough with the album Misplaced Childhood and the hit singles "Kayleigh" and "Lavender" the year before. The single was released on 7" and 12" vinyl; neither version contained any new or previously unreleased material. The 7" and 12" versions contained completely different recordings from each other. The A-side, "Garden Party", originally the second single from the band's debut album, Script for a Jester's Tear, had reached #16 on the UK Singles Chart in 1983, but—like all Marillion singles before "Kayleigh"—had failed to chart in Germany. However, the single received little airplay and failed to enter the German top 100.
Sugar Mice is a song by British neo-prog band Marillion. It was released as the second single from their fourth studio album, Clutching at Straws (1987). Released on 13 July 1987, it peaked at number 22 in the UK Singles Chart, becoming the band's eighth top-30 hit in a row. Outside the UK, it charted in the Netherlands and West Germany.
Warm Wet Circles is a song by the British neo-prog band Marillion. It was the third single from their fourth studio album Clutching at Straws, released on 26 October 1987.
"Freaks" is a song by British neo-prog band Marillion. First released in 1985 on the B-side to the number five UK hit single "Lavender", in November 1988 it was released in a live version on a double A-side single together with the band's 1985 number two hit, "Kayleigh". The single was intended to promote the forthcoming double-live album The Thieving Magpie, which documents the band's history with singer Fish, who had left the band in October 1988; as such, this was Marillion's last single to feature Fish on vocals and cover art by Mark Wilkinson, who would go on to collaborate with Fish.
"Cover My Eyes " is the lead single from the 1991 album Holidays in Eden by British neo-prog band Marillion. A straightforward pop song, it peaked at number 34 on the UK Singles Chart, but reached number 14 in the Netherlands, becoming the band's biggest hit there since "Kayleigh" (1985). The band performed on Top of the Pops on 6 June 1991, despite the song at the time being outside the top 40.
"Thankyou Whoever You Are" and "Most Toys" are songs recorded by British neo-prog band Marillion which appeared on their 14th studio album, Somewhere Else. They were released on a double A-side single in the United Kingdom and in the Netherlands in June 2007. "Thankyou" is a slow, slightly orchestral ballad arranged in the band's trademark style. In stark contrast, "Most Toys" is simple, rocky and fast, with an anti-consumerism message. It has a running time of 2:49, one of the band's shortest recordings to date, along with the musically similar "Hooks in You" from 1989).