Crown jewels are the objects of metalwork and jewellery in the regalia of a current or former monarchy. They are often used for the coronation of a monarch and a few other ceremonial occasions. A monarch may often be shown wearing them in portraits, as they symbolize the power and continuity of the monarchy. Additions to them may be made, but, since medieval times, the existing items have been typically passed down unchanged, symbolizing the continuity of a monarchy.
The Crown Jewels of the United Kingdom, originally the Crown Jewels of England, are a collection of royal ceremonial objects kept in the Jewel House at the Tower of London, which include the coronation regalia and vestments worn by British monarchs.
St Edward's Crown is the centrepiece of the Crown Jewels of the United Kingdom. Named after Saint Edward the Confessor, versions of it have traditionally been used to crown English and British monarchs at their coronations since the 13th century.
The Imperial State Crown is one of the Crown Jewels of the United Kingdom and symbolises the sovereignty of the British monarch. It has existed in various forms since the 15th century. The 1937 version is worn by a new monarch for the first time in the royal procession following their coronation and subsequently used at State Openings of Parliament. The crown is adorned with 3,170 precious stones, including the Cullinan II diamond, St Edward's Sapphire, the Stuart Sapphire, and the Black Prince's Ruby.
The Black Prince's Ruby is a large, irregular cabochon red spinel weighing 170 carats (34 g) set in the cross pattée above the Cullinan II diamond at the front of the Imperial State Crown of the United Kingdom. The spinel is one of the oldest parts of the Crown Jewels of the United Kingdom, with a history dating back to the middle of the 14th century. It has been in the possession of England's rulers since it was given in 1367 to its namesake, Edward of Woodstock. The stone is believed to have originated from the Badakhshan mines in present day Afghanistan and Tajikistan, the principal source of large spinel gems in the Middle Ages.
The Holy Crown of Hungary, also known as the Crown of Saint Stephen, named in honour of Saint Stephen I of Hungary, was the coronation crown used by the Kingdom of Hungary for most of its existence; kings were crowned with it since the twelfth century. The Crown symbolized the King's authority over the Lands of the Hungarian Crown, and it was a key mark of legitimacy. Through the history of Hungary, more than fifty kings were crowned with it, with the last being Charles IV in 1916. The only kings not so crowned were Wladyslaw I, John Sigismund Zápolya, and Joseph II.
Louis I of Orléans was Duke of Orléans from 1392 to his death in 1407. He was also Duke of Touraine (1386–1392), Count of Valois (1386?–1406) Blois (1397–1407), Angoulême (1404–1407), Périgord (1400–1407) and Soissons (1404–07).
John of Berry or John the Magnificent was Duke of Berry and Auvergne and Count of Poitiers and Montpensier. His brothers were King Charles V of France, Duke Louis I of Anjou and Duke Philip the Bold of Burgundy. He was Regent of France from 1380 to 1388 during the minority of his nephew Charles VI.
The Imperial Crown of the Holy Roman Empire, a hoop crown with a characteristic octagonal shape, was the coronation crown of the Holy Roman Emperor, probably from the late 10th century until the dissolution of the Holy Roman Empire in 1806. The crown was used in the coronation of the King of the Romans, the title assumed by the Emperor-elect immediately after his election. It is now kept in the Imperial Treasury at the Hofburg in Vienna, Austria.
The French Crown Jewels and Regalia comprise the crowns, orb, sceptres, diadems and jewels that were symbols of Royal or Imperial power between 752 and 1870. These were worn by many Kings and Queens of France as well as Emperor Napoleon. The set was finally broken up, with most of it sold off in 1885 by the Third Republic. The surviving French Crown Jewels, principally a set of historic crowns, diadems and parures, are mainly on display in the Galerie d'Apollon of the Louvre, France's premier museum and former royal palace, together with the Regent Diamond, the Sancy Diamond and the 105-carat (21.0 g) Côte-de-Bretagne red spinel, carved into the form of a dragon. In addition, some gemstones and jewels are on display in the Treasury vault of the Mineralogy gallery in the National Museum of Natural History.
The Austrian Crown Jewels are the regalia and vestments worn by the Holy Roman Emperor, and later by the Emperor of Austria, during the coronation ceremony and other state functions. The term refers to the following objects: the crowns, sceptres, orbs, swords, rings, crosses, holy relics and royal robes, as well as several other objects connected with the ceremony. The collection dates from the 10th to the 19th centuries, and it reflects more than a thousand years of European history. It is kept in the Imperial Treasury at the Hofburg Palace in Vienna, Austria.
The Dunstable Swan Jewel is a gold and enamel brooch in the form of a swan made in England or France in about 1400 and now in the British Museum, where it is on display in Room 40. The jewel was excavated in 1965 on the site of Dunstable Friary in Bedfordshire, and is presumed to have been intended as a livery badge given by an important figure to his supporters; the most likely candidate was probably the future Henry V of England, who was Prince of Wales from 1399.
The Holy Thorn Reliquary was probably created in the 1390s in Paris for John, Duke of Berry, to house a relic of the Crown of Thorns. The reliquary was bequeathed to the British Museum in 1898 by Ferdinand de Rothschild as part of the Waddesdon Bequest. It is one of a small number of major goldsmiths' works or joyaux that survive from the extravagant world of the courts of the Valois royal family around 1400. It is made of gold, lavishly decorated with jewels and pearls, and uses the technique of enamelling en ronde bosse, or "in the round", which had been recently developed when the reliquary was made, to create a total of 28 three-dimensional figures, mostly in white enamel.
The Royal Gold Cup or Saint Agnes Cup is a solid gold covered cup lavishly decorated with enamel and pearls. It was made for the French royal family at the end of the 14th century, and later belonged to several English monarchs before spending nearly 300 years in Spain. It has been in the British Museum since 1892, where it is normally on display in Room 40, and is generally agreed to be the outstanding surviving example of late medieval French plate. It has been described as "the one surviving royal magnificence of the International Gothic age". According to Thomas Hoving, former director of the Metropolitan Museum of Art in New York, "of all the princely jewels and gold that have come down to us, this is the most spectacular—and that includes the great royal treasures."
The Crown of Princess Blanche, also called the Palatine Crown or Bohemian Crown, is the oldest surviving royal crown known to have been in England, and probably dates to 1370–80.
The Cheapside Hoard is a hoard of jewellery from the late 16th and early 17th centuries, discovered in 1912 by workmen using a pickaxe to excavate in a cellar at 30–32 Cheapside in London, on the corner with Friday Street. They found a buried wooden box containing more than 400 pieces of Elizabethan and Jacobean jewellery, including rings, brooches and chains, with bright coloured gemstones and enamelled gold settings, together with toadstones, cameos, scent bottles, fan holders, crystal tankards and a salt cellar.
The Tudor Crown, also known as Henry VIII's Crown, was the imperial and state crown of English monarchs from around the time of Henry VIII until it was destroyed during the Civil War in 1649. It was described by the art historian Sir Roy Strong as "a masterpiece of early Tudor jeweller's art", and its form has been compared to the crown of the Holy Roman Empire.
The Three Brothers was a piece of jewellery created in the late 14th century, which consisted of three rectangular red spinels arranged around a central diamond. The jewel is known for having been owned by a number of important historical figures. After its commission by Duke John the Fearless of Burgundy, the jewel was part of the Burgundian crown jewels for almost 100 years, before passing into the possession of German banker Jakob Fugger.
The jewels of Mary, Queen of Scots (1542–1587), are mainly known through the evidence of inventories held by the National Records of Scotland. She was bought jewels during her childhood in France, adding to those she inherited. She gave gifts of jewels to her friends and to reward diplomats. When she abdicated and went to England many of the jewels she left behind in Scotland were sold or pledged for loans, first by her enemies and later by her allies. Mary continued to buy new jewels, some from France, and use them to reward her supporters. In Scotland her remaining jewels were worn by her son James VI and his favourites.
The jewels of Anne of Denmark (1574–1619), wife of James VI and I and queen consort of Scotland and England, are known from accounts and inventories, and their depiction in portraits by artists including Paul van Somer. A few pieces survive. Some modern historians prefer the name "Anna" to "Anne", following the spelling of numerous examples of her signature.
Miniature painting of the Three Brothers. The pearls are shown dark, probably due to a painting convention of the time. [14]
Cameo portrait of a prince, commissioned by John, Duke of Berry circa 1416 as part of a cross by Hermann Ruissel for the Sainte Chapelle in Bourges. The cross was made of silver gilt, studded with pearls, precious stones and cameos. The cameos were removed during the French Revolution, and the cross itself was melted down. [15]
Cameo of an enthroned prince being crowned by two Victories, also removed from the destroyed cross of the Bourges Sainte Chapelle
