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Hong Kong cultural policy refers to the development and preservation of Hong Kong's arts and cultural heritage. Globally, Hong Kong is perhaps best known for its role as an international financial centre and shopping hub, and not for its artistic and cultural offerings.[ citation needed ] The popular stereotype of the city holds that its residents are far too focused on getting and spending to concern themselves with the ephemeral affairs of art and culture.[ citation needed ]
Yet in recent years the city's government, residents, and the media have brought more attention to the development of the city's arts scene and preservation of the former British colony's unique cultural heritage. It has been argued that the role of art and culture in Hong Kong has taken on increasing prominence in city's search for an identity in the ten years since China resumed sovereignty over the territory. The limitations on democracy in post-colonial Hong Kong may lead more residents to seek expression or confirmation of their identities through arts and culture. [1]
The administration of arts and culture in Hong Kong has undergone major changes since Hong Kong's handover to China in 1997. Cultural matters, previously under the auspices of the two Municipal Councils, now fall mainly under the purview of the Leisure and Cultural Services Department (LCSD) and the Hong Kong Arts Development Council (ADC). The government's formal cultural policy statement is available on the website of the Home Affairs Bureau. [2]
The ADC is a statutory body established in 1995 to replace the former Council of Performing Arts. The ADC is responsible for promoting broad development of the arts, makes recommendations to the government on cultural policy and development and provides funding for cultural organisations. However, the ADC has been criticised for lacking the executive power and resources to implement policies directly. [3] The current chief executive of the ADC, Jonathan Yu, took up his position in April 2005 after more than two decades with the Kowloon–Canton Railway Corporation.
The LCSD organises artistic and cultural activities and manages a number of cultural facilities. LCSD manages 15 performance venues and 16 museums throughout Hong Kong. The Antiquities and Monuments Office, part of the LCSD, is responsible for heritage conservation and education in Hong Kong.
The Culture and Heritage Commission (CHC) was set up in April 2000 to advise on cultural policy and funding priorities. Its Policy Recommendation Report, [4] submitted in April 2003, has been adopted as the blueprint for Hong Kong's cultural policy. The CHC set forth six general principles to guide Hong Kong's cultural policy: The six principles are "people-oriented", "pluralism", "freedom of expression and protection of intellectual property", "holistic approach", "partnership" and "community-driven."
Other proposed policy reforms include increased corporatisation of government-sponsored cultural organisations, small scale public-private partnerships, and the controversial West Kowloon Cultural District Development Project.
The government has commissioned a number of studies on Hong Kong's creative industries and cultural policy. Yet to date, many of the ongoing policy issues have not been resolved. Critics have complained of the government's over-reliance on advisory committees and consultations in managing cultural affairs on the grounds that it is inefficient and contrary to global trends in arts administration. [3]
The Hong Kong government allocates around US $300 million (US$43 per capita) per year. for culture and arts, which accounts for about 1 percent of total government spending. The HKSAR Government claims that this is "broadly comparable to that in some Western countries" [5] such as France. However, in monetary terms, France's per capita spend for culture is 197.20 Euro/US$250 per year. [6] There is due to the fact that Hong Kong's public spending as a percentage of GDP is low compared with other developed nations. On average Government expenditures were more than 40% of GDP in OECD countries in 2001. [7] In 2008 the French government’s expenditure amounted to over 50% of its total GDP, [8] whereas Hong Kong’s figure is around 19%. [9]
In the 2006-2007 Policy Address, [10] Hong Kong Chief Executive Donald Tsang announced that the Arts and Sport Development Fund would receive US $5 million to support cultural activities.
The ADC receives an annual subvention of around US $12 million from the Home Affairs Bureau and around US $3 million on average from the Arts and Sports Development Fund. In addition to providing grants to arts groups, the ADC has established an Arts Service Centre in Sheung Wan to provide office space and facilities for smaller arts organizations.
The LCSD provides funding for the annual Hong Kong Arts Festival and nine professional performing companies: the Hong Kong Philharmonic Orchestra, Hong Kong Chinese Orchestra, Hong Kong Sinfonietta, Hong Kong Dance Company, Hong Kong Ballet, City Contemporary Dance Company, Hong Kong Repertory Theatre, Chung Ying Theatre, Zuni Icosahedron and Theatre Ensemble . In addition to individual events, it also organizes two arts festivals per year: the summer International Arts Carnival for families and children, and a themed arts festival in the fall.
Globally, Hong Kong's most noted contribution in terms of arts and culture has come through its film industry, which is the world's third largest (after Hollywood and Bollywood). Hong Kong films have received worldwide critical acclaim and have been remade into blockbuster films by Hollywood, while Hong Kong directors and actors (such as John Woo, Jackie Chan, Michelle Yeoh and Chow Yun-fat) have gone on to find crossover success in Hollywood.
Hong Kong's film industry has suffered since its last heyday of the 1980s and early 1990s, and the government has recently introduced measures to boost the film industry but this has failed miserably. The death of the Arts in Hong Kong is in large part due to an atmosphere of fear and self-censorship that the Hong Kong Chinese imposed upon themselves after the 1997 handover.
In the 2006-2007 Policy Address the Chief Executive proposed the establishment of a Hong Kong Film Development Council to support film production in the city. In his 2007-2008 budget, [11] Financial Secretary Henry Tang announced that US$40 million would be earmarked for a new fund to finance film production and professional development within the industry.
Hong Kong is home to numerous cultural events and festivals throughout the year.
The Hong Kong Academy for Performing Arts is Hong Kong's only tertiary institution devoted to the performing arts, film, television and related technical arts.
After the demolition of the Star Ferry Pier in December 2006 led to widely publicised protests, the government is reviewing its policies on heritage conservation. The Antiquities and Monuments Office has published a list of 491 graded historic structures [12] throughout the territory, though no decision has been made on the extent of protection for these buildings.
Hong Kong's collective memory, as manifested in its street markets, food culture, and artisanal traditions, is also being integrated into the city's cultural policy. [13]
The Government of the Hong Kong Special Administrative Region, commonly known as the Hong Kong Government or HKSAR Government, is the executive authorities of Hong Kong. It was formed on 1 July 1997 in accordance with the Sino-British Joint Declaration of 1983, an international treaty lodged at the United Nations. This government replaced the former British Hong Kong Government (1842–1997). The Chief Executive and the principal officials are appointed by the State Council of the People's Republic of China in accordance with the outcome of local processes. The Government Secretariat is headed by the Chief Secretary of Hong Kong, who is the most senior principal official of the Government. The Chief Secretary and the other secretaries jointly oversee the administration of Hong Kong, give advice to the Chief Executive as members of the Executive Council, and are accountable for their actions and policies to the Chief Executive and the Legislative Council.
The Leisure and Cultural Services Department (LCSD), is a department in the Government of Hong Kong. It reports to the Culture, Sports & Tourism Bureau, headed by the Secretary for Culture, Sports and Tourism. It provides leisure and cultural activities for the people of Hong Kong, which was also one of the tasks of the former Urban Council, and Regional Council and Home Affairs Bureau. It manages various public facilities around Hong Kong including public libraries, swimming pools, and sports centres. The well-known Hong Kong Cultural Centre and Hong Kong Space Museum are among several museums also managed by the department. It was established in 2000 and its headquarters is in Shatin, New Territories.
1960s in Hong Kong continued with the development and expansion of manufacturing that began in the previous decade. The economic progress made in the period would categorise Hong Kong as one of Four Asian Tigers along with Singapore, South Korea, and Taiwan.
The Home and Youth Affairs Bureau is a policy bureau of the Hong Kong Government. The bureau has general responsibility over local administration, with a remit covering youth affairs, family planning, women's affairs, social development, fire safety, and matters related to the district councils. One of the important roles of the Home and Youth Affairs Bureau is to enhance liaison and communication with all sectors of the community including the Legislative Council and the general public. The Bureau was established on 1 July 1997 as the Home Affairs Bureau, succeeding the Home Affairs Branch of the colonial government secretariat. It was reorganized at the beginning of the Lee government in 2022 as the Home and Youth Affairs Bureau, with some of its functions transferred to the new Culture, Sports and Tourism Bureau. It has its headquarters in the West Wing of the Central Government Complex in Tamar.
Hong Kong Shue Yan University is a private liberal arts university on North Point, Hong Kong Island, Hong Kong.
The Antiquities and Monuments Office (AMO) is a Hong Kong government organization established in 1976 under the Antiquities and Monuments Ordinance to protect and preserve historic monuments. Housed in the Former Kowloon British School, the AMO is responsible for identifying, recording and researching buildings and items of historical interest, as well as organising and coordinating surveys and excavations in areas of archaeological significance. The Commissioner for Heritage's Office under the Development Bureau of the Hong Kong government currently manages the Office.
The Sports Federation and Olympic Committee of Hong Kong, China is the National Olympic Committee of Hong Kong. As such it is a separate member of the International Olympic Committee (IOC). It is also a member of the Olympic Council of Asia. The current president is Timothy Fok. The headquarters building is called the Hong Kong Olympic House, located beside Hong Kong Stadium.
Hing-yan Chan is a composer and music educator. He is the James Chen & Yuen-Han Chan Endowed Professor in Music of University of Hong Kong. Chan received his D.M.A. from the University of Illinois at Urbana–Champaign, majoring in composition and minoring in ethnomusicology.
Arts South Australia was responsible for managing the South Australian Government's funding for the arts and cultural heritage from about 1996 until late 2018, when it was progressively dismantled, a process complete by early 2019. Most of its functions were taken over by the Department of the Premier and Cabinet (DPC) under Premier Steven Marshall, while some went to the Department for Education and others to the Department for Innovation and Skills.
Cattle Depot Artist Village is located on 63 Ma Tau Kok Road, Ma Tau Kok, Kowloon, Hong Kong. The site was originally used as a slaughterhouse from 1908 to 1999. It was renovated and developed into a village for artists in 2001. It is now home to around 20 art groups.
The Constitutional and Mainland Affairs Bureau is a ministerial-level policy bureaux of the Government of Hong Kong responsible for the implementation of the Basic Law, including electoral matters and promotion of equal opportunities and privacy protection. The bureau also functions as the intermediary between the HKSAR Government and the Central People's Government and other Mainland authorities under the principles of "One Country, Two Systems", including the coordination of liaison between the HKSAR Government and Central authorities, promoting regional co-operation initiatives between Hong Kong and the Mainland, and overseeing the operation of offices of the HKSAR Government on the Mainland.
Zuni Icosahedron is a Hong Kong-based international experimental theatre company. Founded in 1982, Zuni is one of the nine major professional performing arts groups subsidised by the HKSAR government and has produced more than 190 original productions of alternative theatre and multimedia performances. As well as theatre works, Zuni is also active in video, sound experimentation and installation art, as well as working in the areas of arts education, arts criticism, cultural policy research and international cultural exchange.
Public swimming pools in Hong Kong are managed by the Leisure and Cultural Services Department (LCSD). There are 44 public swimming pools in Hong Kong; 9 in Hong Kong Island, 13 in Kowloon, and 22 in the New Territories. LCSD manages public swimming pools according to Law of Hong Kong Chapter 132 sections 42 to 45.
The Hong Kong Arts Development Council (HKADC) is a statutory body in Hong Kong tasked with development of the arts in the territory.
The Secretary for Innovation, Technology and Industry, formerly Secretary for Innovation and Technology, is a Hong Kong Government position created in 2015 by the Leung Chun-ying government after years-long opposition of the pan-democracy camp.
Innovation, Technology and Industry Bureau (ITIB) is one of the policy bureaus under the Government Secretariat of the Government of Hong Kong and is responsible for policy matters on the development of innovation and technology and information technology which are the key drivers in this endeavour. The Bureau is led by the Secretary for Innovation, Technology and Industry, currently Dong Sun.
Jordan Pang Ka-ho is a Hong Kong District Councillor. He was a student leader and served as the Vice-President (External) of the Hong Kong University Students' Union (HKUSU) and Acting Chairperson of the Current Affairs Committee, HKUSU Council. In 2019, whilst a university student, he defeated the incumbent pro-Beijing politician, "triple councillor" Horace Cheung and became the District Councillor of Sai Wan in the Central and Western District Council, making him the second youngest District Councillor in Hong Kong's history. Pang’s focus areas as District Councillor include urban planning, improving public space and strengthening public participation.
Culture, Sports and Tourism Bureau (CSTB) is one of the fifteen policy bureaux of the Hong Kong Special Administrative Region. The bureau is responsible for the policy portfolios of culture, sports and tourism. The agency was established on 1 July 2022. The current Secretary for Culture, Sports and Tourism is Kevin Yeung.
The Secretary for Culture, Sports and Tourism is the head of the Culture, Sports and Tourism Bureau for the Hong Kong Government, which is responsible for cultural, arts, and sports affairs previously handled by the Home Affairs Bureau, and works related to movie, creative industry, and tourism originally under the Commerce and Economic Development Bureau, in order to promote Hong Kong's culture better.