Author | Tony Hillerman |
---|---|
Cover artist | Peter Thorpe |
Language | English |
Series | Joe Leaphorn/Jim Chee Navajo Tribal Police Series |
Genre | Detective fiction |
Set in | Navajo Nation in Southwestern United States |
Published | 1999 HarperCollins |
Publication place | USA |
Media type | Print and audio |
Pages | 275 |
ISBN | 0-06-019289-5 |
OCLC | 42475625 |
Preceded by | The First Eagle (1998) |
Followed by | The Wailing Wind (2002) |
Hunting Badger is a crime novel by American writer Tony Hillerman, the fourteenth in the Joe Leaphorn/Jim Chee Navajo Tribal Police series, first published in 1999.
Armed robbers at a Ute Indian gambling casino shoot two security guards, one fatally. Sgt. Chee gets involved in the hunt for the robbers, while retired Lt. Leaphorn gets drawn in by one who will not go to the FBI or local police. Chee and Leaphorn work together again.
One reviewer considers this to be "Hillerman at his best." [1] while another calls it a "Pleasing lesser work from the doyen of the regional mystery." [2] The novel "continues to hold a high place on every national best-seller list." [3] The basics of the plot were inspired by the "intensive manhunt that followed the murder of Officer Dale Claxton on May 4, 1998. . . only with more satisfying results." [1] Most reviewers praised the descriptions of the dramatic landscape ("the scenery spectacular", [4] "the most picturesque country in the Southwest", [1] "the scenic Southwest's beauty" [5] ) and one notes "several new insights into the mysteries of Navajo culture and a story with enough twists and surprises to make readers glad they checked in." [4]
Sophisticated robbers shoot the security guards at the Ute Casino, turn off the electricity and then steal the cash bagged and ready to be picked up for deposit to the bank. Cap Stoner is killed outright, while young Teddy Bai is severely wounded, but immediately suspected by the FBI as the "inside man" for the robbery. Chee returns from a long vacation in Alaska to be drawn into the investigation at the request of Officer Manuelito, who does not believe Bai is guilty. Roy Gershwin draws Leaphorn into the investigation by saying that he knows who did it, leaving a list of three names with Leaphorn. Why does he choose Leaphorn, and not the police or the FBI? The FBI announces that the perpetrators fled in an airplane stolen from Mr. Timms.
Chee and his friend Cowboy Dashee revisit the site where the escape vehicle was found with two sets of footprints, and visit the Timms place nearby. They track the aircraft to the second landholding of Timms, so the criminals are still on the loose. Leaphorn travels with Prof. Bourebonette, who is working near where the men on Gershwin's list live. Leaphorn finds Everett Jory in his house, shot dead, leaving a suicide note on his computer screen. The note names his two confederates in the crime, George Badger Ironhand and Alexander Buddy Baker, who misled Jory as to the use of the money. The pick-up truck parked at his place is the second seen at the Casino. The FBI gets active in the case again. The officer in charge, Mr. Cabot, directs a huge systematic search of the area near Jory's home (near the border of Arizona with Utah), with the local police forces doing the searching. Prof. Bourebonette interviews a Ute woman with Leaphorn in company. The woman relates the story of Ironhand from the early 20th century, a man who fooled the Navajos in pursuit of him. He had a son who was a skilled fighter in the Vietnam War, still alive. About the same time, Chee visits his uncle Frank Sam Nakai, finding him mistakenly in a hospital. Once he and Manuelito move Nakai back to his home, Nakai warns Chee of Ironhand and the coal mine, and gives Chee his final lesson on the Nightway ceremonial. Then Nakai dies of lung cancer.
Leaphorn learns from retired FBI agent Kennedy (the start of the retired cops group) that the broken radio found in the abandoned vehicle had wires cut inside, like a careful sabotage. He realizes that the robbers are hidden where they get no news, so will be appearing soon; one of them fishes for old newspapers at a gas station and drives off just as Chee drives in to fill up his gas tank. The station owner gives enough description to indicate it is Ironhand. The vehicle, stolen like the first one, is found abandoned near Gothic Creek Canyon. In the second day of searching, Chee sprains his ankle. After talking with Leaphorn, he calls on the head of the EPA project at the airport that is using a helicopter to scan for uranium, which is usually found in or near old coal mines. They agree to an extra bit of flying, and Chee finds the long mine shaft likely built by Mormons in the prior century, since abandoned, not visible from the search area, and once used by the original Ironhand. Cabot is scornful of this information, claiming they searched that place already, finding no signs of habitation.
Roy Gershwin meets with Leaphorn again, claiming to be afraid he will be killed as an informer. Chee calls to report the success in finding the mine shaft while Gershwin is present, and Gershwin sees Leaphorn mark it on a map. Chee falls on his injured ankle, so Manuelito takes him to the clinic and then home, where Leaphorn meets them with his new theory of the crime. Leaphorn learned that Jory had lawsuits against both Timms and Gershwin, and that Gershwin is in poor financial condition, worse if Jory's lawsuit prevails. Gershwin likely typed that suicide note after killing Jory. They visit Timms, learning that Gershwin is just ahead of them. They proceed to the top of the mine shaft, finding Gershwin's vehicle there. They position themselves out of sight, with Leaphorn directing their actions. They hear gunshots from the mine. Gershwin walks from the old structure and Leaphorn confronts him, holding a rifle. Gershwin admits to shooting at both Baker and Ironhand, saying it was self-defense. Baker lies dead. Leaphorn introduces Chee, while Manuelito radios for support. Gershwin goes for his own pistol, so Chee tells Gershwin to drop it, which he does. Ironhand shoots Gershwin from beneath the plywood over the mine shaft. Gershwin lies dead. When Cabot arrives, Leaphorn tells him to look in Gershwin's truck for the casino money, which he finds intact. Riding away from the crowded scene, Chee begins to realize that Leaphorn likes him, and that he is beginning to like Bernadette Manuelito.
In the interviews that Professor Louisa Bourebonette holds with an old Ute woman, old enmities began to upset Joe Leaphorn. Besides the murdering thief of the current story, he reflects on the history in the 19th century, when Utes joined with the U.S. Army under Kit Carson to put the Navajos down and ultimately to drive them out of their homeland. From the time of the Spanish, the Utes and Paiutes had been enemies to the Navajos, though all living in the same large area of the Colorado Plateau.
In the Author's Note, Hillerman explains that the EPA team and the helicopter pilot and co-pilot were based on real people conducting the project to map exposed uranium on the Navajo Reservation, as a start to remediation from the uranium mining done for federal government projects.
In his 2011 book Tony Hillerman's Navajoland: Hideouts, Haunts, and Havens in the Joe Leaphorn and Jim Chee Mysteries, author Laurance D. Linford has listed the following 48 geographical locations, real and fictional, mentioned in Hunting Badger. [6]
Kirkus Reviews finds this a lesser work from Hillerman, but pleasing, and with the best tricks at the end:
On May 4, 1998, a Colorado police officer was shot and killed when he pulled over a stolen water truck. One of the three thieves killed himself soon thereafter; the other two remain at large despite the FBI’s scorched-earth (and, Hillerman hints in a brief introduction, insensitive) search tactics. But what if Sgt. Jim Chee and retired Lt. Joe Leaphorn, of the Navajo Tribal Police, had been on the job? Hillerman (The First Eagle, 1998, etc.) here reimagines the crime as a Ute Casino holdup that leaves the security chief dead and one of his rent-a-cops, whom the police wrongheadedly assume to have been the inside man, wounded. Chee, back in Shiprock to investigate the theft of an ancient Cessna presumably used in the robbers’ high-country getaway, soon finds his path crisscrossing that of Leaphorn, called back into action still again by old rancher Roy Gershwin’s insistence that he can name the perps. Nosing around among his friends, acquaintances, former colleagues, and former adversaries, Leaphorn soon walks in on a suicide scene that confirms Gershwin’s confidence. But how can even a wily old veteran like Leaphorn track down the surviving thieves, especially the one dubbed —Badger— who’s reputed to be a witch? Pleasing lesser work from the doyen of the regional mystery—a master who, like his hero, keeps his best tricks till last. [2]
Publishers Weekly says there are new insights into Navajo culture and many twists and turns in first class writing:
Picking up a new Hillerman book has the high comfort level of revisiting a favorite old Western hotel like the Bishop's Lodge in Santa Fe or the Ahwani at Yosemite--the accommodations will always be first class and the scenery spectacular. Not that Hillerman ignores the passage of time: his two Navajo cops, Jim Chee and Joe Leaphorn, age and change as we all do. There's a moment in the novel when Chee meets with his retired former boss at the Anasazi Inn dining room in Farmington, N. Mex. "He had looked right past the corner table and the stocky old duffer sitting there with a plump middle-aged woman without recognizing Joe Leaphorn.... He had seen the Legendary Lieutenant in civilian attire before, but the image he carried in his mind was of Leaphorn in uniform." As for the prickly Sergeant Chee, he has to contend with physical problems as well as with the end of one romance and the beginning of another--not to mention the very real possibility of being picked off by a sniper during the search for the men who robbed a casino owned by the Ute tribe. In a rare author's note, Hillerman talks about an actual 1998 case in which the FBI turned the killing of a Colorado police officer into a gigantic fiasco. The shadow of that failed investigation hangs over the search in this book, leading to many anti-FBI jibes (If the Federal Bureau of Ineptitude says it, it must be true, another retired cop tells Leaphorn). As usual in recent Hillerman books, the action goes on mostly inside the minds of his two lead characters. But there is one splendid helicopter ride into Gothic Creek Canyon that should speed up the calmest heart, several new insights into the mysteries of Navajo culture and a story with enough twists and surprises to make readers glad they checked in. [4]
Nicholas Allison remarks that all the cardinal virtues of Hillermn's writing are evident, including pellucid prose and characters who seem to rise off the page:
The marvellous Hunting Badger is Tony Hillerman's 13th novel featuring Navajo Tribal Police officers Joe Leaphorn and Jim Chee. Here the two cops (who appeared in separate books early on but whose paths now routinely cross) are working two angles of the same case: Catching the right-wing militiamen who pulled off a violent heist at an Indian casino. Hillerman serves up plenty of action and enough plot twists to keep readers off balance, leading up to a satisfyingly tense climax in which Leaphorn and Chee stalk a killer in his hideout. But through it all, the cardinal Hillerman virtues are in evidence: Economical, pellucid prose; a panoply of Indian-country characters who seem to rise right up off the page; vivid evocations of the Southwest's bleak beauty and rich insights into Navajo life and culture. (Hillerman once told an interviewer that the highest compliment he'd ever received was hearing that many Navajo readers assumed that he himself was Navajo--he's not.)
While first-time readers will find plenty to enjoy in Hunting Badger, it holds special pleasures for long-time fans. There's more and deeper contact between Leaphorn and Chee and we continued to see deeper into the prickly Leaphorn's human side (though presented without fuss or sentimentality). Chee finally begins to get over Janet Pete (it took about six books) and inch toward a new love interest. And in a moving section involving Chee's spiritual teacher Frank Sam Nakai, the shaman provides a key insight into the case.
In a world teeming with "sense of place" mysteries--set in Seattle, Alaska, the Arizona desert or Chicago--it can be a shock to return to Hillerman, who started it all, and realise just how superior he is to the rest of the pack. [7]
Library Journal recommends this mystery, weaving Navajo and Ute myths into the fabric of an action-packed story:
Navajo tribal police officers Joe Leaphorn (ret.) and Jim Chee are united again, this time in an effort to catch heavily armed right-wing militiamen who robbed an Indian casino and who may or may not be involved in a previous mishandled manhunt. Navajo and Ute myths and history are successfully woven into a modern mystery. Insights into Leaphorn's and Chee's personalities are unveiled against the backdrop of the scenic Southwest's beauty, other interesting characters, and peeks into Navajo life. The tale, which is well-read by George Guidall, also contains plenty of action and surprises, along with dynamic central characters struggling to live in the modern world without sacrificing their culture. Recommended. [5]
In an interview with the author about his writing style and method for devising plots, Jeff Guinn (of the Fort Worth Star-Telegram) says that "Hunting Badger . . . continues to hold a high place on every national best-seller list. It moves at a brisk pace and is characterized, as always, by the author's insights into tribal culture. It bespeaks the care Hillerman took to make it at least a little different from previous Leaphorn/Chee adventures." [3]
Gary Dretzka, writing in the Chicago Tribune , notes that the "novel was inspired by the intensive manhunt that followed the murder of Officer Dale Claxton on May 4, 1998, near Cortez, Colo., and the subsequent wounding of three other police officers. . . . To this day, Navajo tribal police shake their heads in wonder at how badly botched the whole thing was. That scenario is repeated in Hunting Badger, only with more satisfying results." Dretzka explains that "Hillerman stages the manhunt in some of the most picturesque country in the Southwest and, as usual, easily transports the reader to the edge of a high mesa from which to observe the mayhem. Besides introducing a few new legends and colorful residents of the Nation, the author also has a good bit of fun playing matchmaker. This is Hillerman at his best." [1]
Anthony Grove Hillerman was an American author of detective novels and nonfiction works, best known for his mystery novels featuring Navajo Nation Police officers Joe Leaphorn and Jim Chee. Several of his works have been adapted for film and television.
Lieutenant Joe Leaphorn is a fictional character created by the twentieth-century American mystery writer Tony Hillerman. He is one of the two officers of the Navajo Tribal Police who are featured in a number of Hillerman's novels. The other officer is Jim Chee.
Jim Chee is one of two Navajo Tribal Police detectives in a series of mystery novels by Tony Hillerman. Unlike his superior Joe Leaphorn, the "Legendary Lieutenant", Chee is a staunch believer in traditional Navajo culture; indeed, he is studying to be a traditional healer at the same time that he is a police officer.
The Fallen Man is a crime novel by American writer Tony Hillerman, the twelfth in the Joe Leaphorn/Jim Chee Navajo Tribal Police series, first published in 1996.
Dance Hall Of The Dead is a crime novel by American writer Tony Hillerman, the second in the Joe Leaphorn/Jim Chee Navajo Tribal Police series, first published in 1973. It features police Lieutenant Joe Leaphorn. It is set primarily in Ramah Reservation and the Zuni village in New Mexico, both in the American Southwest.
Talking God is a crime novel by American writer Tony Hillerman, the ninth in the Joe Leaphorn/Jim Chee Navajo Tribal Police series, published in 1989.
Listening Woman is a crime novel by American writer Tony Hillerman, the third in the Joe Leaphorn/Jim Chee Navajo Tribal Police series, first published in 1978. The novel features Joe Leaphorn.
Skinwalkers is a crime novel by American writer Tony Hillerman, the seventh in the Joe Leaphorn/Jim Chee Navajo Tribal Police series, published in 1986. The film version, Skinwalkers, was adapted for television for the PBS Mystery! series in 2002.
People of Darkness is a crime novel by American writer Tony Hillerman, the fourth in the Joe Leaphorn/Jim Chee Navajo Tribal Police series, first published in 1980. This is the first novel in the series to feature Officer Jim Chee.
The Ghostway is a crime novel by American writer Tony Hillerman, the sixth in the Joe Leaphorn/Jim Chee Navajo Tribal Police series. It was first published in 1984 and features Jim Chee.
A Thief of Time is a crime novel by American writer Tony Hillerman, the eighth in the Joe Leaphorn/Jim Chee Navajo Tribal Police series, first published in 1988. It was adapted for television as part of the PBS Mystery! series in 2004.
Coyote Waits is a crime novel by American writer Tony Hillerman, the tenth in the Joe Leaphorn/Jim Chee Navajo Tribal Police series, first published in 1990.
Sacred Clowns is a crime novel by American writer Tony Hillerman, the eleventh in the Joe Leaphorn/Jim Chee Navajo Tribal Police series, first published in 1993.
The First Eagle is a crime novel by American writer Tony Hillerman, the thirteenth in the Joe Leaphorn/Jim Chee Navajo Tribal Police series, first published in 1998.
The Wailing Wind is a crime novel by American writer Tony Hillerman, the fifteenth in the Joe Leaphorn/Jim Chee Navajo Tribal Police series, first published in 2002. It is a New York Times best-seller.
The Sinister Pig is a crime novel by American writer Tony Hillerman, the sixteenth in the Joe Leaphorn/Jim Chee Navajo Tribal Police series, first published in 2003. It was a New York Times best-seller.
Skeleton Man is a crime novel by American writer Tony Hillerman, the seventeenth in the Joe Leaphorn/Jim Chee Navajo Tribal Police series, first published in 2004. It was a New York Times best-seller
The Shape Shifter is a crime novel by American writer Tony Hillerman, the eighteenth in the Joe Leaphorn/Jim Chee Navajo Tribal Police series, first published in 2006. It was a New York Times best-seller and the last Chee/Leaphorn novel by Hillerman published before Hillerman's death on October 26, 2008.
Song of the Lion is a 2017 release and the third Leaphorn/Chee mystery written by Anne Hillerman, daughter of the series originator Tony Hillerman. The title is derived from Navajo culture, which speaks of a cougar, Náshdóítsoh, who protects the Navajo people. After her father's 2008 death, Anne continued the series. The Navajo Nation on which the story takes place, is a geographical area that spans 27,000 square miles over the connecting borders of the US states of Arizona, New Mexico and Utah. According to the NN itself, it encompasses 500 Indian tribes on 318 reservations.
Spider Woman's Daughter is a crime novel by American writer Anne Hillerman, released in 2013. It is the first [[Leaphorn/Chee mystery written by her, the daughter of the series originator Tony Hillerman. The title of the book is derived from Native American legends. Spider Woman was the one who taught the Navajo people how to weave. Officer Bernadette Manuelito is the daughter of a weaver, and married to Officer Jim Chee. He nicknamed her "Spider Woman's Daughter" for her ability to weave together a complex array of evidence to solve a crime. In her debut effort to continue the series, Anne Hillerman has given the reader an exceptionally detailed plot and long list of characters. One reviewer at Goodreads.com counted 46 named characters.