| Hustlin' | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | March/April 1965 [1] | |||
| Recorded | January 24, 1964 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
| Genre | Jazz | |||
| Length | 41:06 | |||
| Label | Blue Note BST 84162 | |||
| Producer | Alfred Lion | |||
| Stanley Turrentine chronology | ||||
| ||||
Hustlin' is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with Shirley Scott, Kenny Burrell, Bob Cranshaw, and Otis Finch. [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [3] |
| The Penguin Guide to Jazz Recordings | [4] |
The Allmusic review by Scott Yanow awarded the album 4 stars and states "The Turrentine-Scott team never made an unworthy disc; all are easily recommended, including this one". [3]
Midnight Blue is a 1963 album by jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note. Jazz Improv magazine lists the album among its top five recommended recordings for Burrell, indicating that "[i]f you need to know 'the Blue Note sound', here it is". In 2005, NPR included the album in its "Basic Jazz Library", describing it as "one of the great jazzy blues records". The album has been re-issued by Blue Note.
That's Where It's At is a 1962 jazz album by saxophonist Stanley Turrentine, recorded by Rudy Van Gelder for Blue Note Records. It features the first collaborations between Stanley Turrentine and pianist Les McCann who would only reunite one more time in 1984 for two tracks on Turrentine's Straight Ahead. Rounding up the rhythm section is Herbie Lewis on bass and Otis "Candy" Finch on drums. Lewis was in Les McCann's group, The Les McCann Ltd., and Finch was in organist Shirley Scott 's band. McCann wrote four of the tracks, Turrentine one, and Turrentine's brother, Tommy Turrentine, two. A Rudy Van Gelder remastered edition of the album was released on CD in 2005 with an alternate take of "Light Blue" as a bonus track.
Joyride is a 1965 studio album by jazz saxophonist Stanley Turrentine.
In Memory Of is an album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1964 but not released until the 1980s, and performed by Turrentine with Blue Mitchell, Curtis Fuller, Herbie Hancock, Bob Cranshaw, and Otis Finch.
Mr. Natural is the twelfth album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1964 but not released until 1980 as LT 1075, and performed by Turrentine with Lee Morgan, McCoy Tyner, Bob Cranshaw, Elvin Jones and Ray Barretto.
Rough 'n' Tumble is an album by jazz saxophonist Stanley Turrentine issued in 1966 on Blue Note Records. The album reached No. 20 on the Billboard Top Soul Albums chart.
The Spoiler is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with Blue Mitchell, James Spaulding, Pepper Adams, McCoy Tyner, Julian Priester, Bob Cranshaw, and Mickey Roker with arrangements by Duke Pearson.
Common Touch is an album by jazz saxophonist Stanley Turrentine featuring Shirley Scott recorded for the Blue Note label in 1968 and performed by Turrentine with Shirley Scott, Jimmy Ponder, Bob Cranshaw and Leo Morris. The CD reissue added one bonus track recorded in a different session and originally released on Ain't No Way. The other four tracks may be found on the CD reissue of Easy Walker.
Let It Go is an album by jazz saxophonist Stanley Turrentine recorded for the Impuse! label in 1966 and performed by Turrentine with Shirley Scott, Ron Carter and Mack Simpkins. The CD release added four bonus tracks, three of which originally released on Scott's Everybody Loves a Lover recorded in 1964 and featuring Bob Cranshaw and Otis Finch in place of Carter and Simpkins.
Everybody Loves a Lover is an album by jazz organist Shirley Scott recorded for the Impuse! label in 1964 and performed by Scott with Stanley Turrentine, Bob Cranshaw and Otis Finch. The album has not appeared on CD yet, but the first three tracks were released on the CD reissue of Turrentine's Let it Go.
Little Big Horn is an album by jazz cornetist Nat Adderley released on the Riverside label featuring performances by Adderley with Junior Mance, Kenny Burrell/Jim Hall Bob Cranshaw, and Mickey Roker.
Up with Donald Byrd is an album by American trumpeter Donald Byrd featuring performances by Byrd with Jimmy Heath, Stanley Turrentine, Herbie Hancock and Kenny Burrell recorded in 1964. It was released on the Verve label in 1965 as V/V6 8609.
I'm Tryin' to Get Home is an album by American trumpeter Donald Byrd featuring performances by Byrd with a large brass section and vocalists recorded in 1964 and released on the Blue Note label in 1965 as BLP 4188.
Midnight Special is an album by the American jazz organist Jimmy Smith, recorded in 1960 and released on the Blue Note label. The album was recorded at the same session that produced Back at the Chicken Shack (1960).
Queen of the Organ is a live album by American jazz organist Shirley Scott recorded in 1964 for the Impulse! label. The CD reissue added four additional performances from the same concert as bonus tracks.
Soul Duo is an album by American jazz organist Shirley Scott and flugelhornist Clark Terry recorded in 1966 for the Impulse! label.
Hip Twist is an album by organist Shirley Scott featuring saxophonist Stanley Turrentine which was recorded in 1961 and released on the Prestige label.
Blue Flames is a collaboration album by organist Shirley Scott and saxophonist Stanley Turrentine recorded in 1964 and released on the Prestige label.
Soul Song is an album by organist Shirley Scott recorded in 1968 and released on the Atlantic label.
Otis "Candy" Finch, Jr. was an American jazz drummer.
