Stay on These Roads is the third studio album by Norwegian band A-ha, released on 3 May 1988 by Warner Bros. Records. Six singles were released from the album.
"Somewhere I Belong" is a song by American rock band Linkin Park. It was released to US radio on February 24, 2003, as the first single from their second studio album, Meteora (2003), and is the album's third track. It entered the top ten on several music charts, including the New Zealand Singles Chart, where it peaked at No. 1 in April 2003.
"E-Bow the Letter" is the first single from American rock band R.E.M.'s 10th studio album, New Adventures in Hi-Fi (1996). It was released on August 19, 1996, several weeks before the album's release. During the same month, R.E.M. signed a then record-breaking five-album contract with Warner Bros. Records. The song features American singer-songwriter and "Godmother of Punk" Patti Smith performing backing vocals. Smith was cited as a major influence by band members Michael Stipe and Peter Buck, and she also provided backing vocals for "Blue", the closing track on the band's final studio album, Collapse into Now, in 2011.
"Find the River" is a song by American rock band R.E.M., released on November 29, 1993, as the sixth and final single from their eighth album, Automatic for the People (1992).
"The Sun Always Shines on T.V." is a song by Norwegian band A-ha, released as the third single from their debut studio album, Hunting High and Low (1985). The song was written by guitarist Pål Waaktaar. In some commercial markets the single was not as popular as their previous (debut) single "Take On Me", which had achieved the top spot in the United States and several other countries around the world, but in the United Kingdom and Ireland it improved upon the number-two charting of "Take On Me", reaching number one on the UK Singles Chart for two weeks in January 1986, having been released there on 16 December 1985. Its success secured for the band the prestige of having achieved number-one single status in both the primary Anglo-American popular music charts on either side of the Atlantic.
The discography of A-ha, a Norwegian synthpop/rock band, consists of eleven studio albums, eight compilation albums, six box sets, ten extended plays, and fifty singles. This list does not include solo material or other projects recorded by A-ha band members.
"I've Been Losing You" is a song by Norwegian band A-ha, released as the lead single from their second studio album, Scoundrel Days (1986). It reached number one in Denmark and Norway, and number eight in the United Kingdom. It achieved worldwide sales of over 1.1 million copies.
"Touchy!" is a song by Norwegian band A-ha, released on 15 August 1988 as the third single from their third studio album, Stay on These Roads (1988).
"The Blood That Moves the Body" is a song by Norwegian band A-ha, released on 6 June 1988 as the second single from the band's third studio album, Stay on These Roads.
"Train of Thought" is a song by Norwegian band A-ha, released in March 1986 as the fourth single from their debut studio album, Hunting High and Low (1985). The lyrics for this song were based on the existentialist authors and poets Gunvor Hofmo, Knut Hamsun and Fyodor Dostoevsky – Pål's favourites at the time.
"Cry Wolf" is a song by Norwegian band A-ha, released as the second single from their second studio album, Scoundrel Days (1986).
"Manhattan Skyline" is a song by Norwegian band A-ha, released in February 1987 as the third single from their second studio album, Scoundrel Days (1986). It reached number 13 on the UK Singles Chart.
"The Living Daylights" is the theme song from the 1987 James Bond film of the same name, performed by Norwegian band A-ha. It was written by guitarist Pål Waaktaar. A revised version of the song was included on the band's third studio album, Stay on These Roads (1988).
"Stay on These Roads" is a song by Norwegian band A-ha, released on 14 March 1988 as the lead single from their third studio album of the same name (1988). It achieved success in many European countries.
"Everywhere" is a song by British-American rock band Fleetwood Mac from their 14th studio album, Tango in the Night (1987). The song was written by Christine McVie, who also performed lead vocals, and produced by Lindsey Buckingham and Richard Dashut. In the United States, "Everywhere" was released as the fourth single from Tango in the Night in November 1987, while in the United Kingdom, it was issued as the album's fifth single on 21 March 1988.
"Hold Me" is a single by British-American rock group Fleetwood Mac. The song was the first track to be released from the album Mirage (1982), the thirteenth album by the band. Lindsey Buckingham was main producer with Richard Dashut and Ken Caillat. Christine McVie and Buckingham were the lead vocalists.
"You Are the One" is a song by Norwegian band A-ha, released as the fourth single from their third studio album, Stay on These Roads (1988). It was remixed by Justin Strauss for single release. The music video was filmed in New York City.
"Take On Me" is a song by the Norwegian synth-pop band a-ha. The original version, recorded in 1984 and released in October of that same year, was produced by Tony Mansfield and remixed by John Ratcliff. The 1985 international hit version was produced by Alan Tarney for the group's debut studio album, Hunting High and Low (1985). The recording combines synth-pop with a varied instrumentation, including acoustic guitars, keyboards, and drums.
"Move to Memphis" is a song by Norwegian band A-ha, which was released in October 1991 as a single from their greatest hits album Headlines and Deadlines: The Hits of A-ha (1991). It was written by Paul Waaktaar-Savoy and Magne Furuholmen, and produced by A-ha. "Move to Memphis" reached number two in Norway and number 47 in the United Kingdom.
"A Dream's a Dream" is a song by British R&B band Soul II Soul, released in 1990 as the second single from their second album, Vol. II: 1990 – A New Decade (1990). It features American-born British singer Victoria Wilson-James and received favorable reviews from music critics. The single was successful all over Europe, reaching number-one in Greece and the top 10 in Finland, Italy, the Netherlands, Norway and the UK. Additionally, it was a top 20 hit in Austria, Belgium, Germany, Ireland, Sweden and Switzerland. Outside Europe, it peaked at number three on the Billboard Dance Club Songs chart in the US, number eight in New Zealand and number 27 in Australia.
