I Didn't Mean to Haunt You | ||||
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Studio album by | ||||
Released | November 10, 2022 | |||
Studio | Trend Def (Los Angeles) | |||
Genre | ||||
Length | 57:39 | |||
Label |
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Producer | Quadeca | |||
Quadeca chronology | ||||
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Singles from I Didn't Mean to Haunt You | ||||
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I Didn't Mean to Haunt You is the third studio album by the American musician Quadeca, released on November 10, 2022, through DeadAir Records and AWAL. Following his second album From Me to You in 2021, Quadeca contacted Jesse Taconelli of DeadAir to release I Didn't Mean to Haunt You after coming up with its concept. Inspired by numerous musicians, it is a concept album in the folktronica, art pop, indietronica, and alternative R&B genres. Its story revolves around a ghost in a purgatory-like state, defying typical expectations of the afterlife. Quadeca decided to keep the songs minimal to avoid overcomplicating the music, allowing the listener to connect with the album's character's journey. The album was promoted by two singles, "Born Yesterday" and "Tell Me a Joke". It was positively received by publications; Anthony Fantano considered "Born Yesterday" one of the best songs of 2022.
Quadeca released his second studio album From Me to You in 2021. [1] It received an average rating from Anthony Fantano; he thought it was ambitious and praised its production, though he disliked the vocals and lyrics. [2] It contained elements of electronic and folk music. [3] The following year, Quadeca announced that he was "sitting on the greatest ever posthumous album". The announcement garnered speculation from fans that it was an album by Quadeca's late friend Sad Frosty. Instead, it was a reference to I Didn't Mean to Haunt You being written from the perspective of a ghost who took his own life. After he had created the concept of the album, he contacted Jesse Taconelli of DeadAir Records to release the album because of his fascination for the record label. [3]
In an interview with Paper, Quadeca stated that creating I Didn't Mean to Haunt You was less of a "pivot and more like an evolution" for himself as an artist. He also dismissed his older material, commenting on how he made his debut album Voice Memos (2019) in high school with hopes of fitting in. Throughout his career, he has had multiple ideas for music to create, though he did not always have the means to create them. As he grew up, he expanded his music taste; as he first listened to the indie rock band the Microphones, he thought to himself, "Oh shit, you can do that?". [3] He was also inspired by numerous other musicians, such as Luiz Bonfá, Duster, Björk, Jane Remover, Simon & Garfunkel, Caroline Polachek, Lingua Ignota, the Flaming Lips, Viper, and Virtual Dream Plaza. [4] Other influences include the music of King Krule, Slauson Malone, FKA Twigs, and Sevdaliza. He would also listen to music in the shoegaze genre, such as My Bloody Valentine's 1991 album Loveless. When making I Didn't Mean to Haunt You, he was focused on worldbuilding and reminded himself to "stay in the world of the album". He had a story and concept in mind for it, and did not "want to do too much" with the music. He treated each song as if they were fragile, forcing him to keep the "minimal moments minimal". As work on the album progressed, he focused on making it more about feeling rather than being superficial. [3]
The album's concept of being written from the perspective of a ghost was inspired by many things in Quadeca's life, including suicidal ideation. Although it did not affect the album's story, he felt that "death in general was in the air" after one of his close friends died. He was drawn to soundscapes that felt both heavenly and unsettling, often listening to music that gave a sense of ascension while creating the album. He decided to only feature guitar-playing and singing on the song "Picking Up Hands" because he felt it was right to do so. On "House Settling", he wanted the song to have a guest appearance so it could sound "abrasive". He sent a pitch to Danny Brown on Twitter after believing nobody else could execute the verse correctly. 10 minutes after he sent the message, Brown responded, "Yeah, I'm gonna kill this for you. Don't worry." [3] The album was recorded at Trend Def Studio in Los Angeles, and was mastered by Christian Wright at Abbey Road Studios in London. [5]
I Didn't Mean to Haunt You is a folktronica, [6] art pop, indietronica, and alternative R&B album. [4] Fred Thomas of AllMusic called it "genre-bending" [7] and Spill Magazine's Ljubinko Zivkovic mentioned its "huge vocal harmonies and rap interludes". [6] Thomas further acknowledged the album trading in Quadeca's "hard beats and loud rap flows" for "softer textures and intricate arrangements". [7] It is a concept album about being a ghost in a purgatory-like state, defying typical expectations of the afterlife. Quadeca described it as "an album about grief for a ghost", and stated that the entire idea behind the album is that the ghost merely wants to be noticed. [3] The album was entirely produced by Quadeca and contains guest appearances from Brown, the Sunday Service Choir, and Thor Harris. [3] [8]
The opening track of I Didn't Mean to Haunt You is "Sorry4Dying", a song that mixes together elements of piano ballads, hip-hop, and alternative R&B. Its shimmering keyboards are followed by ambient and industrial passages. [9] "Tell Me a Joke" displays Quadeca singing over ambient-textured layers; Jade Gomez from Paper described it as sounding "reminiscent of a ghost peering into the other world, begging for someone to hear". [8] "Don't Mind Me" was written about a ghost witnessing people sort through their belongings. [3] Fantano compared the "pop appeal" of the track to the music of Porter Robinson. [10] Quadeca's singing is met with a guitar on the following "Picking Up Hands". [3] A glitch, folktronica, and rap ballad, "Born Yesterday" was written from the ghost's point of view. During the song's climax, Quadeca raps, "It gets so bright, I disappear". [1] "The Memories We Lost in Translation" serves as an extension of the previous track's instrumental interlude. [11] Quadeca described "House Settling" as one of the album's most desperate points. It is after a story arc where the ghost wants to be noticed after being dispirited. [3] The track presents experimental arrangements that intensely build up to "horror movie pianos", as described by Fantano. He also said Brown's verse "reinforce[s] the nightmarish imagery of the song". [12] "Knots", which was compared to the rock band Liars by Fantano, contains an influence of post-punk, as well as electronic and glitch elements. [13] "Fantasyworld" begins with two to three minutes of piano and vocals. The writing sees non-existence as a form of escape, with the lyrics depicting a "fantasy world" and the choice to enter it. [3] The track builds up to a chaotic climax of saturation and distortion which was compared to the Microphones by Fantano. [14] The penultimate track "Fractions of Infinity" contains a guest appearance from the Sunday Service Choir. [8] The final track, "Cassini's Division", is about the idea that humans exist against their own will, striving for nothingness, and finding beauty in the void. [3]
The lead single of I Didn't Mean to Haunt You, "Born Yesterday", was released on September 19, 2022, alongside its music video. [1] The album was officially announced alongside the release of its second and final single, "Tell Me a Joke", on October 25. [8] Though its release date was scheduled for November 11, [8] Quadeca's distributor accidentally released the album early, [3] leading it to be released by DeadAir Records and AWAL on November 10. [15] Taconelli originally thought the album should have been released in February 2023, though Quadeca said, "Jesse, this needs to come out in 2022". Following the album's release, people online had thought Quadeca was "trying too hard to appeal to music lovers", to which Quadeca responded: "I'm just trying to make a good album." Though, he described the reception as "overwhelmingly positive". [3]
Review scores | |
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Source | Rating |
The Needle Drop | 7/10 [a] |
Spill Magazine | 8/10 [6] |
I Didn't Mean to Haunt You was positively received. [7] In a positive review for Spill Magazine, Zivkovic believed that "it all meshes together" in the album's and risks and concept, calling the latter "a tricky proposition in itself". [6] Fantano deemed the album Quadeca's best, though he felt the second half of the album was inferior to the first. [17] "Born Yesterday" was described by Jordan Darville of The Fader as representing a "a significant leap forward" from Quadeca's previous work. [1] Danny Brown's verse on the song "House Settling" was described by Mike Lesuer of Flood Magazine as pushing the song "into the realm of the goosebump-inducing" and further praised the track and album as a whole. [18] Fantano named "Born Yesterday" as the seventh best track of 2022. He called it a "mind-blowing song" and lauded its constant changes, emotions, vocals, and guitars. [19]
All tracks are written by Ben Lasky (Quadeca), except where noted. All tracks are produced by Quadeca.
No. | Title | Writer(s) | Length |
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1. | "Sorry4Dying" | 4:44 | |
2. | "Tell Me a Joke" | 5:04 | |
3. | "Don't Mind Me" | 5:09 | |
4. | "Picking Up Hands" | 4:59 | |
5. | "Born Yesterday" | 6:01 | |
6. | "The Memories We Lost in Translation" | 1:42 | |
7. | "House Settling" (featuring Danny Brown) |
| 4:52 |
8. | "Knots" | 4:11 | |
9. | "Fantasyworld" | 7:18 | |
10. | "Fractions of Infinity" (with Sunday Service Choir) |
| 5:23 |
11. | "Cassini's Division" (with Thor Harris) |
| 8:16 |
Total length: | 57:39 |
Credits adapted from the liner notes of I Didn't Mean to Haunt You. [5]
Region | Date | Format(s) | Label | Edition | Ref. |
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United States | November 10, 2022 | DeadAir | Original | [20] | |
October 11, 2023 | Reissue | [21] | |||
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