I Let It In and It Took Everything | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 7 February 2020 | |||
Genre | ||||
Length | 49:19 | |||
Label | SharpTone | |||
Producer | Loathe, George Lever | |||
Loathe chronology | ||||
| ||||
Singles from I Let It In and It Took Everything | ||||
|
Review scores | |
---|---|
Source | Rating |
Kerrang! | 4/5 [1] |
Metal Hammer | ![]() ![]() ![]() ![]() ![]() |
Metal Storm | 7.5/10 [3] |
Pitchfork | 7.8/10 [4] |
Punk News | ![]() ![]() ![]() ![]() ![]() |
I Let It In and It Took Everything is the second studio album by British heavy metal band Loathe. It was released on 7 February 2020 through SharpTone Records. The album received positive reviews; Metal Hammer named it as the 12th-best metal album of 2020. [6]
Critics have categorised the album as metalcore, [7] post-metal [1] [8] and djenty nu metalcore. [9]
Max Heilman of Riff Magazine called the album "a grand metalcore vision" and that it pushes "the boundaries of what heavy music can be while avoiding gimmicks altogether". [7] Metal Hammer writer Remfry Dedman called it "impossible to pigeonhole". [2] Kerrang! writer Jake Richardson, described the album as blending "their metallic crunch with ambient sounds, melodic guitars and elements of niche genres like shoegaze", and praising it for being able to "switch from vast sounding post-rock to chugging, dissonant metal with consummate ease". [1] Sam Houlden of PunkNews described the album as "hardcore new romantic" due to its incorporation of "disparate, light and dark soundscapes". As well as moving between "pounding hardcore sections with tech-level syncopation, but also soaring, melodic chorus and post-chorus sections that take the song to a totally different place before the track culminates with an elongated electro-glitch-infused breakdown". [5] In an article for Metal Hammer, the album was referred to as opening "the band's sound up to lush, shoegaze textures and shimmering guitars". [2] Rock 'N' Load magazine praised the album for its incorporation of elements of nu metal and modern metalcore into its post-metal style. [8] The album's eleventh track, "Heavy Is the Head That Falls with the Weight of a Thousand Thoughts", borders black metal. [5] [2] Multiple journalists have compared the album to Deftones, citing frontman Kadeem France's similar vocal style to Chino Moreno's. [10] [1] [2] Loudwire described it as "a jaw-smacking awakening to the new breed of hardcore that gyrates with elastic, djenty grooves and trace of industrial-like propulsion. With their nothing-to-lose fits of rage, Loathe are primed for a breakout on their second record". [11]
The album makes use of contrast between dual clean and unclean vocals, as well as downtuned guitars, low-pitched atmospherics [12] and shoegaze guitar textures. [2]
No. | Title | Length |
---|---|---|
1. | "Theme" | 1:23 |
2. | "Aggressive Evolution" | 3:27 |
3. | "Broken Vision Rhythm" (featuring Harry Rule of God Complex) | 2:36 |
4. | "Two-Way Mirror" | 5:00 |
5. | "451 Days" | 1:39 |
6. | "New Faces in the Dark" | 3:12 |
7. | "Red Room" | 2:03 |
8. | "Screaming" | 5:55 |
9. | "Is It Really You?" | 4:48 |
10. | "Gored" | 3:08 |
11. | "Heavy Is the Head That Falls with the Weight of a Thousand Thoughts" | 4:18 |
12. | "A Sad Cartoon" | 5:16 |
13. | "A Sad Cartoon (Reprise)" | 1:15 |
14. | "I Let It In and It Took Everything..." (featuring Vincente Void of Darke Complex) | 5:20 |
Total length: | 49:19 |
A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.
Metalcore is a fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy guitar riffs often utilizing percussive pedal tones and double bass drumming. Vocalists in the genre typically perform screaming, more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However, the death growl is also a popular technique within the genre.
Calculating Infinity is the debut studio album by American metalcore band the Dillinger Escape Plan. Recorded at Trax East Recording Studio in South River, New Jersey, it was produced by engineer Steve Evetts with the band's guitarist Ben Weinman and drummer Chris Pennie, and released on September 28, 1999, by Relapse Records. Calculating Infinity is the band's only full-length album to feature original vocalist Dimitri Minakakis, who left the band in 2001.
We Are the Romans is the second and final studio album by American metalcore band Botch. It was originally released in November 1999 through Hydra Head Records. Since its release, it has been seen as an influential album on metalcore and hardcore music.
Post-metal is a music genre rooted in heavy metal but exploring approaches beyond metal conventions while being related to and similar to post-rock. It emerged in the 1990s with bands such as Neurosis and Godflesh, who transformed metal texture through experimental composition. In a way similar to the predecessor genres post-rock and post-hardcore, post-metal offsets the darkness and intensity of extreme metal with an emphasis on atmosphere, emotion, and even "revelation", developing an expansive but introspective sound variously imbued with elements of ambient, noise, psychedelic, progressive, and classical music, and often shoegaze and art rock. Songs are typically long, with loose and layered structures that discard the verse–chorus form in favor of crescendos and repeating themes. The sound centres on guitars and drums, while any vocals are often but not always screamed or growled and resemble an additional instrument.
Imprint is the second studio album by American metal band Vision of Disorder, released on July 28, 1998, through Roadrunner Records. It was recorded between April 1 and April 19, 1998, with producer Dave Sardy. The album's title is a reference to a permanently scarring knife incident that happened to vocalist Tim Williams. The album's artwork is a hospital photo of William's injury, manipulated on the computer by guitarist Mike Kennedy.
Reborn is the fourth album by the Christian metal band Living Sacrifice. The album was released in 1997, and later re-released and remastered in 2004. In 2020, the band announce a vinyl re-release of Reborn, which sold out quickly.
In This Defiance is the second full-length album release by California hardcore band Strife.
Letlive, stylized letlive., was an American rock band from Los Angeles, California. The band's final lineup consisted of lead vocalist Jason Aalon Butler, guitarist Jeff Sahyoun, bassist Ryan Jay Johnson and drummer Loniel Robinson. Butler was the band's only constant member. The band has released four full-length albums and one EP, with their final album If I'm the Devil being released on June 10, 2016. The band was last signed to Epitaph Records.
Beatdown hardcore is a subgenre of hardcore punk with prominent elements of heavy metal. Beatdown hardcore features aggressive vocals, gang vocals, heavy guitar riffs and breakdowns and lyrics discussing unity, brotherhood, volatile interpersonal relationships and machismo. The genre has its origins in late 1980s New York hardcore bands such as Breakdown, Killing Time and Madball, and was pioneered in the mid-1990s by bands like Bulldoze, Terror Zone and Neglect. The definition of the genre has expanded over time to incorporate artists increasingly indebted to metal, notably Xibalba, Sunami and Knocked Loose.
Forever is the third studio album by the American hardcore punk band Code Orange and its first on a major label, Roadrunner Records, following a stint on the indie label Deathwish Inc. It was released on January 13, 2017.
Loathe are an English heavy metal band from Liverpool. Formed in 2014, the group consists of lead vocalist Kadeem France, guitarist and second vocalist Erik Bickerstaffe, drummer Sean Radcliffe and bassist Feisal El-Khazragi.
The Cold Sun is the debut studio album by British heavy metal band Loathe. The album was released on 14 April 2017 through SharpTone Records. The Cold Sun is a concept album about two protagonists in a post-apocalyptic world.
Strength in Numb333rs is the debut studio album by the American rock band Fever 333, released on January 18, 2019.
Higher Power are an English hardcore punk band formed in Leeds, West Yorkshire in 2014. They have released two full-length studio albums, one EP, one live album and one demo. Their second album, 27 Miles Underwater, was their major label debut through Roadrunner Records. In a 2020 poll by Revolver magazine, they were voted the most likely contemporary band to breakthrough into the mainstream. They are a part of the New Wave of British Hardcore.
Underneath is the fourth studio album by American hardcore punk band Code Orange, released on March 13, 2020 through Roadrunner Records. It is their first album to be produced by Nick Raskulinecz. The album was also produced by Jami Morgan and Will Yip. It was preceded by three singles: "Underneath", "Swallowing the Rabbit Whole", and "Sulfur Surrounding". The album continues the band's metalcore and hardcore punk sound with a heavier emphasis on industrial and electronic elements. The album received critical acclaim with critics praising the use of glitches, electronics, and overall production.
Malevolence are an English metalcore band formed in Sheffield, South Yorkshire, in 2010. They have released three studio albums and one EP and established their own record label called MLVLTD Music.
Weight of the False Self is the eighth studio album by American metalcore band Hatebreed. The album was released on November 27, 2020, through Nuclear Blast.
They Fear Us is the second studio album by British metalcore band Ithaca. It was released through Hassle Records on July 29, 2022.
The Above is the fifth studio album by American hardcore punk band Code Orange, released on September 29, 2023, through Blue Grape Music. It is their first album to be entirely self-produced, their first with the label Blue Grape Music, and their first to feature drummer Max Portnoy. It was preceded by three singles: "Grooming My Replacement / The Game", "Take Shape", and "Mirror".