I Remember Clifford | ||||
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Studio album by | ||||
Released | March 1992 | |||
Studio | Sound on Sound (New York City, New York) | |||
Genre | Be-bop jazz | |||
Length | 61:51 | |||
Label | GRP | |||
Producer | Rudy Pérez
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Arturo Sandoval chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
DownBeat | [2] |
The Penguin Guide to Jazz | [3] |
Vox | [4] |
I Remember Clifford is a 1992 album by Arturo Sandoval, the second album he made after leaving his native Cuba.
The entire album is a tribute to Clifford Brown, who was a great influence on Sandoval and who died in an auto accident in 1956, when he was 25 years old.
The album is named for Clifford Brown, [3] who was killed on June 26, 1956, in a car accident which also killed pianist Richie Powell, and Powell's wife. [5]
Sandoval's written tribute to Brown in the liner notes for the album ends:
Everybody that I've spoken to, who knew Brownie, coincided in describing his heart and his simplicity as an artist. Modesty, feelings, dignity and virtuosity; not a bad legacy. ... It is with all my heart and soul that I offer this sincere effort to one of the greatest trumpet players of all time; a man who left his mark as a person and as an artist.
The album is named after the composition "I Remember Clifford", a threnody by Benny Golson, which was also written in memory of Brown.
In addition to a rendition of the Golson piece (using only a trumpet and piano - a tribute to the two musicians who died together), the album contains a long list of Brown's best-known standards (some composed by Brown himself). One final inclusion is a new composition, "I Left This Space for You", written by Sandoval in tribute, in which Sandoval plays only a restrained melody.
One very unusual feature, heard on five of the tracks, is the use of overdubbing to create a trumpet 'choir' of four harmonized trumpets, all played by Sandoval (a concept credited to Orlando 'Papito' Hernández, who had experience with multiple trumpets from his time playing with Herb Alpert). The 'choir' is used to play arrangements of some of Brown's own solos; the different trumpet lines are closely synchronized. Sandoval's own playing features in his own solos, especially on "Cherokee", which he takes at a faster pace than Brown's own rapid original.
The album received two nominations in the 1992 Grammy Awards ('Best Jazz Instrumental Performance - Individual or Group', and 'Best Arrangement on an Instrumental', for "Cherokee"). It was picked by critic Leonard Feather as one of the ten best jazz albums of 1992.
"I Remember Clifford" is an instrumental jazz threnody written by jazz tenor saxophonist Benny Golson in memory of Clifford Brown, the influential and highly regarded jazz trumpeter who died in an auto accident at the age of 25. Brown and Golson had done a stint in Lionel Hampton's band together. The original recording was by Donald Byrd in January 1957.
Hummin’ to Myself is the twenty-fourth studio album by American singer, songwriter, and producer Linda Ronstadt. The album debuted at #3 on the Billboard Top Jazz Albums chart where it remained for six months. It peaked at #166 on the main Billboard album chart. It was her final solo album before her retirement in 2011, though she would record one more collaborative album in 2006 titled Adieu False Heart.
Black Diamond is the tenth album by American Jazz group The Rippingtons. Released in 1997, it was their first project for the Windham Hill label after the transfer of Peak Records from GRP earlier that year. The album reached number one on Billboard's contemporary jazz chart.
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A Tribute to Cannonball is a studio album by jazz pianist Bud Powell and tenor saxophonist Don Byas, released on Columbia in March 1979, featuring a session recorded at the Studio Charlot in Paris on 15 December 1961, with Pierre Michelot on bass and Kenny Clarke on drums, and trumpeter Idrees Sulieman guesting on four tracks. The session was produced by Cannonball Adderley, who would also produce Powell's follow-up A Portrait of Thelonious recorded two days later.
Danzón is an album by Arturo Sandoval, released through GRP Records in 1994. In 1995, the album won Sandoval the Grammy Award for Best Latin Jazz Performance and the Billboard Latin Music Award for Latin Jazz Album of the Year.
Hot House is an album by Arturo Sandoval, released through N2K Records in 1998. In 1999, the album won Sandoval the Grammy Award for Best Latin Jazz Performance.
Paul Chambers Quintet is the fourth studio album by the American jazz bassist Paul Chambers. It was released through Blue Note Records in April 1958. The recording took place on May 19, 1957. The quintet features trumpeter Donald Byrd, tenor saxophonist Clifford Jordan, pianist Tommy Flanagan and drummer Elvin Jones.
A Time for Love is a studio album by Cuban performer Arturo Sandoval. It was released by Concord Records on May 11, 2010. The album was produced by Jorge Calandrelli and Gregg Field and features collaborations by Chris Botti, Kenny Barron and Monica Mancini.
Dave Grusin Presents GRP All-Star Big Band Live! is a jazz album by the GRP All-Star Big Band.
Birks' Works is an album by trumpeter Dizzy Gillespie recorded in 1957 and released on the Verve label. The original album featured 10 tracks and was reissued as Birks Works: The Verve Big Band Sessions, a 2 CD compilation featuring unreleased tracks, alternate takes and tracks from Gillespie's previous 1956 albums Dizzy in Greece and World Statesman.
Take a Number from 1 to 10 is an album by saxophonist Benny Golson, featuring performances recorded in late 1960 and early 1961 and originally released on the Argo label.
Dear Diz (Every Day I Think of You) is an album by Cuban jazz trumpeter Arturo Sandoval that won the Grammy Award for Best Large Jazz Ensemble Album in 2013. The album is Sandoval's tribute to his friend, Dizzy Gillespie. Musicians on the album include Gary Burton, Eddie Daniels, Joey DeFrancesco, and Bob Mintzer.
Swingin' is a jazz album by Arturo Sandoval released in 1996.
Color Rit is an album by American jazz guitarist Lee Ritenour that was released in 1989 by GRP Records. The album reached No. 4 on the Billboard magazine Contemporary Jazz chart.
Festival is an album by American jazz guitarist Lee Ritenour that was released in 1988 by GRP Records. The album is a collaboration between musicians from New York City, Los Angeles, and Brazil. Festival reached No. 3 on the Billboard Contemporary Jazz chart.
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The Beginning and the End is a Clifford Brown compilation album. The album opens with two tracks that Clifford Brown recorded with Chris Powell's Blue Flames in 1952, and ends with recordings of a session held at Music City Club in Philadelphia in 1956. According to the liner notes, they are "The first and last recorded performances of one of the greatest soloists in the history of Jazz." According to Nick Catalano's biography of Clifford Brown, the Music City Club session could have taken place on May 31, 1955.