I Remember Clifford (album)

Last updated
I Remember Clifford
IRememberClifford.jpg
Studio album by
ReleasedMarch 1992
StudioSound on Sound (New York City, New York)
Genre Be-bop jazz
Length61:51
Label GRP
Producer Rudy Pérez
  • Carl Griffin
  • Papito Hernández
  • Arturo Sandoval
Arturo Sandoval chronology
Flight to Freedom
(1991)
I Remember Clifford
(1992)
Dream Come True
(1993)
Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [1]
DownBeat Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [2]
The Penguin Guide to Jazz Star full.svgStar full.svgStar full.svgStar empty.svg [3]
VoxStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [4]

I Remember Clifford is a 1992 album by Arturo Sandoval, the second album he made after leaving his native Cuba.

Contents

The entire album is a tribute to Clifford Brown, who was a great influence on Sandoval and who died in an auto accident in 1956, when he was 25 years old.

Title

The album is named for Clifford Brown, [3] who was killed on June 26, 1956 in a car accident which also killed pianist Richie Powell, and Powell's wife. [5]

Sandoval's written tribute to Brown in the liner notes for the album ends:

Everybody that I've spoken to, who knew Brownie, coincided in describing his heart and his simplicity as an artist. Modesty, feelings, dignity and virtuosity; not a bad legacy. ... It is with all my heart and soul that I offer this sincere effort to one of the greatest trumpet players of all time; a man who left his mark as a person and as an artist.

The album is named after the composition "I Remember Clifford", a threnody by Benny Golson, which was also written in memory of Brown.

In addition to a rendition of the Golson piece (using only a trumpet and piano - a tribute to the two musicians who died together), the album contains a long list of Brown's best-known standards (some composed by Brown himself). One final inclusion is a new composition, "I Left This Space for You", written by Sandoval in tribute, in which Sandoval plays only a restrained melody.

One very unusual feature, heard on five of the tracks, is the use of overdubbing to create a trumpet 'choir' of four harmonized trumpets, all played by Sandoval (a concept credited to Orlando 'Papito' Hernández, who had experience with multiple trumpets from his time playing with Herb Alpert). The 'choir' is used to play arrangements of some of Brown's own solos; the different trumpet lines are closely synchronized. Sandoval's own playing features in his own solos, especially on "Cherokee", which he takes at a faster pace than Brown's own rapid original.

The album received two nominations in the 1992 Grammy Awards ('Best Jazz Instrumental Performance - Individual or Group', and 'Best Arrangement on an Instrumental', for "Cherokee"). It was picked by critic Leonard Feather as one of the ten best jazz albums of 1992.

Track listing

  1. "Daahoud" (Brown) - 4:57
  2. "Joy Spring" (Brown) - 5:42
  3. "Parisian Thoroughfare" (Bud Powell) - 5:57
  4. "Cherokee" (Ray Noble) - 5:07
  5. "I Remember Clifford" (Benny Golson) - 4:11
  6. "The Blues Walk" (Brown) - 6:45
  7. "Sandu" (Brown) - 5:17
  8. "I Get a Kick Out of You" (Cole Porter) - 5:11
  9. "Jordu" (Duke Jordan) - 8:25
  10. "Caravan" (Ellington, Mills, Tizol) - 4:26
  11. "I Left This Space for You" (Sandoval) - 5:53

Personnel

Performers

Production

Related Research Articles

"I Remember Clifford" is an instrumental jazz threnody written by jazz tenor saxophonist Benny Golson in memory of Clifford Brown, the influential and highly regarded jazz trumpeter who died in an auto accident at the age of 25. Brown and Golson had done a stint in Lionel Hampton's band together. The original recording was by Donald Byrd in January 1957.

<i>Vocalese</i> (album) 1985 studio album by The Manhattan Transfer

Vocalese is the ninth studio album by Jazz band The Manhattan Transfer, released in 1985 on the Atlantic Records. Recording sessions took place during 1985. Production came from Tim Hauser and Martin Fischer. This album is considered to be The Manhattan Transfer's most critically acclaimed album. It received 12 Grammy nominations, making it second only to Michael Jackson's Thriller as the most nominated individual album. It also received extremely high ratings from music critics, including a 4.5 out of 5 stars rating from Allmusic. The album peaked at number 2 on the Top Jazz Albums and number 74 on the Billboard 200. The album's title Vocalese refers to a style of music that sets lyrics to previously recorded jazz instrumental pieces. The vocals then reproduce the sound and feel of the original instrumentation. Jon Hendricks, proficient in this art, composed all of the lyrics for this album.

<i>Black Diamond</i> (The Rippingtons album) 1997 studio album by The Rippingtons

Black Diamond is the tenth album by American Jazz group The Rippingtons. Released in 1997, it was their first project for the Windham Hill label after the transfer of Peak Records from GRP earlier that year. The album reached number one on Billboard's contemporary jazz chart.

<i>The Swingin Miss "D"</i> 1957 studio album by Dinah Washington

The Swingin' Miss D is the sixth studio album by Dinah Washington, arranged by Quincy Jones. It was recorded in December 1956 and released in September 1957.

<i>Lee Morgan, Vol. 3</i> 1957 studio album by Lee Morgan

Lee Morgan, Vol. 3 is the third album by American jazz trumpeter Lee Morgan, recorded on March 24, 1957 and released on Blue Note later that year. The sextet features saxophonists Gigi Gryce and Benny Golson and rhythm section Wynton Kelly, Paul Chambers and Charlie Persip.

<i>A Tribute to Cannonball</i> 1979 studio album by Bud Powell and Don Byas

A Tribute to Cannonball is a studio album by jazz pianist Bud Powell and tenor saxophonist Don Byas, released on Columbia in March 1979, featuring a session recorded at the Studio Charlot in Paris on 15 December 1961, with Pierre Michelot on bass and Kenny Clarke on drums, and trumpeter Idrees Sulieman guesting on four tracks. The session was produced by Cannonball Adderley, who would also produce Powell's follow-up A Portrait of Thelonious recorded two days later.

<i>Danzón (Dance On)</i> 1994 studio album by Arturo Sandoval

Danzón is an album by Arturo Sandoval, released through GRP Records in 1994. In 1995, the album won Sandoval the Grammy Award for Best Latin Jazz Performance and the Billboard Latin Music Award for Latin Jazz Album of the Year.

<i>Hot House</i> (Arturo Sandoval album) 1998 studio album by Arturo Sandoval

Hot House is an album by Arturo Sandoval, released through N2K Records in 1998. In 1999, the album won Sandoval the Grammy Award for Best Latin Jazz Performance.

<i>Paul Chambers Quintet</i> 1958 studio album by the Paul Chambers Quintet

Paul Chambers Quintet is the fourth studio album by American jazz bassist Paul Chambers recorded on May 19, 1957 and released on Blue Note the following year. The quintet features trumpeter Donald Byrd, tenor saxophonist Clifford Jordan, pianist Tommy Flanagan and drummer Elvin Jones.

<i>A Time for Love</i> (Arturo Sandoval album) 2010 studio album by Arturo Sandoval

A Time for Love is a studio album by Cuban performer Arturo Sandoval. It was released by Concord Records on May 11, 2010. The album was produced by Jorge Calandrelli and Gregg Field and features collaborations by Chris Botti, Kenny Barron and Monica Mancini.

<i>Dave Grusin Presents GRP All-Star Big Band Live!</i> 1993 live album by GRP All-Star Big Band

Dave Grusin Presents GRP All-Star Big Band Live! is a jazz album by the GRP All-Star Big Band.

<i>Birks Works</i> 1957 studio album by Dizzy Gillespie

Birks' Works is an album by trumpeter Dizzy Gillespie recorded in 1957 and released on the Verve label. The original album featured 10 tracks and was reissued as Birks Works: The Verve Big Band Sessions, a 2 CD compilation featuring unreleased tracks, alternate takes and tracks from Gillespie's previous 1956 albums Dizzy in Greece and World Statesman.

<i>Take a Number from 1 to 10</i> 1961 studio album by Benny Golson

Take a Number from 1 to 10 is an album by saxophonist Benny Golson, featuring performances recorded in late 1960 and early 1961 and originally released on the Argo label.

<i>Dear Diz (Every Day I Think of You)</i> 2012 studio album by Arturo Sandoval

Dear Diz (Every Day I Think of You) is an album by Cuban jazz trumpeter Arturo Sandoval that won the Grammy Award for Best Large Jazz Ensemble Album in 2013. The album is Sandoval's tribute to his friend, Dizzy Gillespie. Musicians on the album include Gary Burton, Eddie Daniels, Joey DeFrancesco, and Bob Mintzer.

<i>Swingin</i> (Arturo Sandoval album) 1996 studio album by Arturo Sandoval

Swingin' is a jazz album by Arturo Sandoval released in 1996.

<i>Color Rit</i> 1989 studio album by Lee Ritenour

Color Rit is an album by American jazz guitarist Lee Ritenour that was released in 1989 by GRP Records. The album reached No. 4 on the Billboard magazine Contemporary Jazz chart.

<i>Festival</i> (Lee Ritenour album) 1988 studio album by Lee Ritenour

Festival is an album by American jazz guitarist Lee Ritenour that was released in 1988 by GRP Records. The album is a collaboration between musicians from New York City, Los Angeles, and Brazil. Festival reached No. 3 on the Billboard Contemporary Jazz chart.

<i>Big Boss Band</i> 1990 studio album by George Benson

Big Boss Band is the 1990 studio album of American musician George Benson on Warner Bros. featuring the Count Basie Orchestra. This is Benson's second consecutive album which returns to his jazz roots after his successful pop career in the 1980s, and also his debut as sole producer of an album. The genre is mainly big band swing with some Michel Legrand and R&B thrown in.

<i>Flight to Freedom</i> 1991 studio album by Arturo Sandoval

Flight to Freedom is an album by Cuban jazz trumpeter, pianist and composer Arturo Sandoval, first released on the GRP label in 1991.

<i>The Beginning and the End</i> (Clifford Brown album) 1973 compilation album by Clifford Brown

The Beginning and the End is a Clifford Brown compilation album. The album opens with two tracks that Clifford Brown recorded with Chris Powell's Blue Flames in 1952, and ends with recordings of a session held at Music City Club in Philadelphia in 1956. According to the liner notes, they are "The first and last recorded performances of one of the greatest soloists in the history of Jazz." According to Nick Catalano's biography of Clifford Brown, the Music City Club session could have taken place on May 31, 1955.

References

  1. link
  2. DownBeat (June 1992) p. 35.
  3. 1 2 Cook, Richard; Morton, Brian (1992). The Penguin Guide to Jazz on CD, LP & Cassette (1st ed.). Penguin. pp. 955–956. ISBN   978-0-14-015364-4.
  4. Vox (December 1992) p. 97.)
  5. Catalano, Nick (2000). Clifford Brown – The Life and Art of the Legendary Jazz Trumpeter. Oxford University Press. ISBN   978-0-19-514400-0.