Transvision Vamp were an English pop rock band. Formed in 1986 by Nick Christian Sayer and Wendy James, the band enjoyed chart success in the late 1980s, particularly in 1989. James, the lead singer and focal-point of the group, attracted media attention with her sexually charged and rebellious image. The band had 10 UK chart hits and also enjoyed considerable success in Australia. Transvision Vamp's top single was 1989's "Baby I Don't Care", which reached number three in the UK and Australian charts.
Wendy Patricia James is an English singer-songwriter most notable for her work with the pop band Transvision Vamp.
"Dance for Me" is a song by American singer Mary J. Blige featuring American rapper Ahkim Miller from Blige's fifth studio album, No More Drama (2001). Produced by Dame Grease, the track was written by the artists alongside Bruce Miller with an additional writing credit going to Sting for the sampling of the 1979 song "The Bed's Too Big Without You" by English rock band the Police. For the No More Drama 2002 re-release, the version featuring Ahkim Miller was replaced with the more widely-known version featuring Common. The subsequent single release was the version with Common.
"Real Love" is a song by American singer Jody Watley from her second studio album, Larger Than Life (1989). The single reached the number-one spot on the US Billboard Hot Black Singles and Dance Club Play charts. On the US Billboard Hot 100, "Real Love" peaked at number two for two weeks in May 1989. The song was also nominated for a Soul Train Music Award for Best Female Single.
"Straight Up" is a single by American singer-songwriter Chanté Moore, released in August 2000. It was written by R&B singer Lil' Mo and produced by Jermaine Dupri. The song served as the lead single for Chanté Moore's fourth album, Exposed (2000). "Straight Up" reached number 83 on the US Billboard Hot 100, number 22 on the Billboard Hot R&B/Hip-Hop Singles & Tracks, and number 11 on the UK Singles Chart. A music video directed by Bille Woodruff was created for the song.
"Tell That Girl to Shut Up" is a song written by American singer-songwriter Holly Beth Vincent and originally recorded by her band Holly and the Italians in 1979. A cover version by UK pop rock band Transvision Vamp was released in 1988 as the second single from their debut album Pop Art. In Australia, "Tell That Girl to Shut Up" was released in 1989 as the third single from the album, following the 1988 release of "Revolution Baby".
"Baby I Don't Care" is a song by English pop rock band Transvision Vamp and the first single taken from their second album, Velveteen (1989). It was released in 1989 and remains their highest-charting single, peaking at number three in both the United Kingdom and Australia. It was ranked at number 25 on the Australian end-of-year chart for 1989. The song was later featured as the title track on the band's 2002 compilation album, Baby I Don't Care.
Velveteen is the second studio album by English rock band Transvision Vamp, released in June 1989 by MCA Records. The album includes the single "Baby I Don't Care", which reached number 3 in the United Kingdom and Australia. Velveteen reached number 1 on the UK Albums Chart and number 2 in Australia, where it became the 39th best-selling album of the year.
Pop Art is the debut studio album by the English pop rock band Transvision Vamp. It was released in October 1988 and features the band's first top ten hit "I Want Your Love". The album reached No. 4 in the UK, and peaked at No. 13 in Australia, where it was the 25th highest-selling album of 1989.
"Got to Have Your Love" is a song by American hip hop and electro funk group Mantronix, featuring vocals from American recording artist Wondress. It was released by Capitol Records in December 1989 as the lead single from Mantronix's fourth studio album, This Should Move Ya (1990). The song is written by band members Bryce Wilson and Kurtis Mantronik along with Johnny D. Rodriguez, and produced by Mantronix. It reached number four in the UK, number seven in Finland and number eight in Ireland. It is recognized as the group's signature song.
"You Came" is a song by English singer Kim Wilde from her sixth studio album, Close (1988). It was released on 4 July 1988 as the album's second single. The song was written by Wilde and her brother Ricky Wilde, after the birth of his first child, Marty.
"Four Letter Word" is the fourth single from English pop singer Kim Wilde's sixth studio album, Close (1988). The song was issued as a single in November 1988, marking Wilde's last release of a track written by her father and brother, who had written the majority of her early hits together. "Four Letter Word" became Wilde's third consecutive UK top-10 single from Close, reaching number six. It also peaked within the top 10 in Belgium, Denmark, Ireland, and the Netherlands. An extended version as well as a "late night" remix of "Four Letter Word" were released on the 12-inch and CD singles.
"I Get Weak" is a song by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Diane Warren and produced by Rick Nowels, the song was released as the second single from Heaven on Earth in January 1988. "I Get Weak" reached number two on the US Billboard Hot 100, number four on Canada's RPM 100 Singles chart, and number 10 on the UK Singles Chart. The track features background vocals by Carnie Wilson of Wilson Phillips.
"Dance Floor Anthem (I Don't Wanna Be in Love)", known as "Dance Floor Anthem" on the album, is a song by American pop punk band Good Charlotte on their fourth studio album, Good Morning Revival (2007). The song became the band's best-selling single in Australia, reaching number two for three nonconsecutive weeks and earning a platinum certification. In the US, the song peaked at number 25 on the Billboard Hot 100 and was also certified platinum.
The discography of Beastie Boys, an American hip hop group, consists of eight studio albums, four compilation albums, five video albums, seven extended plays, 40 singles and 44 music videos.
"Are You Ready for Love" is a song recorded by English musician Elton John in 1977 and first released in the UK in 1979 as the first single from the EP The Thom Bell Sessions. It was written by LeRoy Bell, Thom Bell and Casey James, and was originally produced in Philadelphia by Thom Bell, who had already produced a series of hits for the Spinners, the Delfonics and the Stylistics. While the song "Mama Can't Buy You Love" from the EP charted in 1979, this song and the other track on the three-track 12-inch vinyl disc, "Three Way Love Affair", were only minor footnotes at the time. The song originally peaked at number 42 on the UK Single Charts in 1979.
"Love Train" is a song by English singer Holly Johnson, released on 9 January 1989 as the lead single from his debut solo album, Blast (1989). It was written by Johnson and produced by Andy Richards and Steve Lovell with additional production by Stephen Hague. The song reached No. 4 in the United Kingdom, spending 11 weeks on the chart, and was certified silver by British Phonographic Industry (BPI) in February 1989. In the United States, the song reached No. 65 on the Billboard Hot 100.
"(I Just Wanna) B with U" is a song by English pop rock band Transvision Vamp released as the lead single from their third and final studio album, Little Magnets Versus the Bubble of Babble (1991). It was also the first of their singles to be co-written by Wendy James. After a two-year gap since their previous single, "Born to Be Sold", "B with U" reached number 30 on the UK Singles Chart and number 16 in Australia.
"If Looks Could Kill" is a song by English alternative rock band Transvision Vamp. It was the second single taken from their third album, Little Magnets Versus the Bubble of Babble (1991), and served as the band's final single. Released on 10 June 1991, the song reached number 41 on the UK Singles Chart and number 38 in New Zealand.
"Landslide of Love" was the third single to be taken from English pop rock band Transvision Vamp's second album, Velveteen (1989). It was a top-20 UK hit in 1989, spending five weeks on the UK Singles Chart and peaking at number 14.
