Eurythmics were a British pop duo formed in 1980, consisting of Scottish vocalist Annie Lennox and English musician and producer Dave Stewart. They were both previously in the Tourists, a band that broke up in 1980. They released their first studio album, In the Garden, in 1981 to little success, but achieved global acclaim with their second album, Sweet Dreams (1983). The title track became a worldwide hit, reaching number two in the UK Singles Chart, and number one in Canada and the US Billboard Hot 100. Eurythmics went on to release a string of hit singles and albums, including "Love Is a Stranger", "There Must Be an Angel " and "Here Comes the Rain Again", before splitting in 1990.
The Tourists were a British rock and pop band. They achieved brief success in the late 1970s before the band split in 1980. Two of its members, singer Annie Lennox and guitarist Dave Stewart, went on to international success as Eurythmics.
Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). They featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been hailed as pioneers of the German krautrock scene.
Holger Schüring, known professionally as Holger Czukay, was a German musician best known as a co-founder of the krautrock group Can. Described as "successfully bridg[ing] the gap between pop and the avant-garde", Czukay was also notable for having created early important examples of ambient music, for having explored "world music" well before the term was coined, and for having been a pioneer of sampling.
Konrad "Conny" Plank was a German record producer and musician. He is known for his innovative work as a sound engineer and producer in Germany's krautrock and kosmische music scene in the 1970s. Plank was involved in releases by Neu!, Kraftwerk, Cluster, Harmonia, Ash Ra Tempel, Guru Guru, Kraan, and other German groups of the era. He later produced for new wave acts such as D.A.F., Eurythmics and Ultravox. As a billed performer, Plank also formed the group Moebius & Plank, releasing 5 albums between 1979 and 1986.
"Never Gonna Cry Again" is the debut single by the British new wave duo Eurythmics, released in 1981. It was taken from their debut album In the Garden. Co-produced by krautrock producer Conny Plank, the track also featured two members of the krautrock band Can. The sleeve design of the single features a picture of Annie Lennox.
"Belinda" is a 1981 music recording by the British new wave duo Eurythmics. It was the band's second single, and the second of two singles to be taken from their debut album In the Garden. The song was co-produced by Conny Plank and featured Robert Görl of D.A.F. and members of Can.
Flux + Mutability is the second collaboration between David Sylvian and Holger Czukay. It was released in September 1989. The music consists of two instrumental tracks improvised by the participants.
Flow Motion is the seventh studio album by German rock band Can. It was released in October 1976 and features the UK hit single "I Want More".
Saw Delight is an album by the German rock band Can. It features two new band members who were ex-members of the band Traffic, Rosko Gee and Rebop Kwaku Baah, with Can's bassist Holger Czukay giving up the bass in favour of experimental effects.
Out of Reach is the ninth studio album by the German krautrock band Can, released as an LP in 1978 on Harvest Records. It is their tenth official studio album, discounting compilations such as Unlimited Edition.
Rite Time is the eleventh and final studio album by the German rock band Can. Though Can had not yet split up, it is considered a reunion album because of the time elapsed since the band's previous album, Can, was released in 1979. The album consists of sessions recorded in the South of France in late 1986, edited extensively by the band over the course of subsequent years. Rite Time features the vocals of the band's original singer, Malcolm Mooney, who had left the group in 1970 after their debut album Monster Movie. Upon the album's initial release, "In the Distance Lies the Future" only appeared on the CD version, but it was included on the 2014 vinyl reissue.
Can Live Music is a double live album by the band Can, released in 1999 and recorded in the UK and West Germany between 1972 and 1977. It was originally included in the now out-of-print Can box set, Can Box.
Can, also known as Inner Space, is the tenth studio album by experimental rock band Can, released in 1979. Former bassist Holger Czukay's involvement with this album was limited to tape editing. It was Can's last album before the reunion album Rite Time, ten years later, and was released after the band's break-up.
On the Way to the Peak of Normal is the third album by Holger Czukay, released in 1981 through Electrola.
Full Circle is a collaborative album between musicians Holger Czukay, Jah Wobble and Jaki Liebezeit, released in 1982 through Virgin Records.
Der Osten ist Rot is the fourth album by Holger Czukay, released in 1984 through Virgin Records.
Rome Remains Rome is the fifth album by Holger Czukay, released in 1987 through Virgin Records. One single was released, Blessed Easter, which samples Pope John Paul II's Easter message.
La Luna is an album by Holger Czukay, released on June 13, 2000. The album originally consisted of one extended work, "La Luna", recorded four years earlier and described as "an electronic night ceremony". According to Czukay,
It seems to me that certain types of albums almost create themselves. In such cases the composer is merely the conduit for a pre-existing energy waiting to be transformed into sound. My experience with La Luna was very much like that. The album […] is in many ways a product of something similar to the automatic writing techniques of the Surrealists. I had purchased a new sampler and began experimenting with the machine without reference to the instruction manual and filled the brain of the machine to its full capacity with 'sonic memories'. In the late hours of the evening the machine came to life and spoke! The recording you hear is the transcript of this transcendental conversation between man and machine.
Phew is the debut album by Japanese singer Phew, released in June 1981 by Japanese label Pass Records run by Yoshitaka Goto and recorded at Conny Plank studio in Cologne, with Holger Czukay & Jaki Liebezeit in January and February 1981.
