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| Established | 1937 |
|---|---|
| Founder | László Moholy-Nagy |
| Dean | Anijo Mathew [1] |
| Location | , , United States |
| Campus | Main campus |
| Nickname | ID |
| Website | id |
The Institute of Design at the Illinois Institute of Technology is a graduate school of the Illinois Institute of Technology, a private university in Chicago, Illinois, United States. Founded in 1937 as The New Bauhaus, the school focuses on systemic and human-centered design.
The Institute of Design at Illinois Tech is a school of design founded in 1937 in Chicago by László Moholy-Nagy, a Bauhaus teacher (1923–1928).
After a spell in London, Bauhaus master Moholy-Nagy, at the invitation of Chicago's Association of Art and Industry, moved to Chicago in 1937 to start a new design school, which he named The New Bauhaus. [2] The philosophy of the school was basically unchanged from that of the original, and its first headquarters was the Prairie Avenue mansion that architect Richard Morris Hunt, designed for department store magnate Marshall Field.
Due to financial problems the school briefly closed in 1938. However, Walter Paepcke, Chairman of the Container Corporation of America and an early champion of industrial design in America, soon offered his personal support, and in 1939, Moholy-Nagy re-opened the school as the Chicago School of Design. In 1944, this became the Institute of Design, and in 1949 it became part of the new Illinois Institute of Technology university system and also the first institution in the United States to offer a PhD in design.
Moholy authored an account of his efforts to develop the curriculum of the School of Design in his book Vision in Motion.
Archival materials are held by the Ryerson & Burnham Libraries at the Art Institute of Chicago. The Institute of Design Collection includes articles, letters, photographs, and other materials documenting the institute's history and works by faculty and students. Select archival film materials are held at Chicago Film Archives, who store and provide access to a handful of Institute of Design films.
The Institute of Design offers two professional degrees, the Master of Design (MDes) and the Master of Design Methods (MDM), as well as a research degree, the PhD, which was the first doctoral program in design in the United States, a MDes/MPA program, and a dual MDes/MBA degree program, also the first of its kind, with the IIT Stuart School of Business.
At one time, the Institute of Design offered a Bachelor of Science in Design degree, with specialties in Photography, Product Design and Communication Design. The Bachelor's program was halted in 1998.
The Institute of Design annually organizes two large design conferences in the Chicago area: The Strategy Conference for international executives and designers who come together to address how businesses can use design to explore emerging opportunities, and the Design Research Conference, organized by students, exploring emerging trends in design research.
New Bauhaus - American School of Design
The School of Design in Chicago
The Institute of Design
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László Moholy-Nagy was a Hungarian painter and photographer as well as a professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration of technology and industry into the arts. The art critic Peter Schjeldahl called him "relentlessly experimental" because of his pioneering work in painting, drawing, photography, collage, sculpture, film, theater, and writing.
Walter Paepcke was a U.S. industrialist and philanthropist prominent in the mid-20th century. A longtime executive of the Chicago-based Container Corporation of America, Paepcke is best noted for his founding of the Aspen Institute and the Aspen Skiing Company in the early 1950s, both of which helped transform the town of Aspen, Colorado into an international resort destination and popularize the sport of skiing in the United States.
The London-based Isokon firm was founded in 1929 by the English entrepreneur Jack Pritchard and the Canadian architect Wells Coates to design and construct modernist houses and flats, and furniture and fittings for them. Originally called Wells Coates and Partners, the name was changed in 1931 to Isokon, a name derived from Isometric Unit Construction, bearing an allusion to Russian Constructivism.
Serge Ivan Chermayeff was a Russian-born British architect, industrial designer, writer, and co-founder of several architectural societies, including the American Society of Planners and Architects.
The Moholy-Nagy University of Art and Design, former Hungarian University of Arts and Design, is located in Budapest, Hungary. Named after László Moholy-Nagy, the university offers programs in art, architecture, designer and visual communication.
Lucia Moholy was a photographer and publications editor. Her photos documented the architecture and products of the Bauhaus, and introduced their ideas to a post-World War II audience. However Moholy was seldom credited for her work, which was often attributed to her husband László Moholy-Nagy or to Walter Gropius.
Robert Brownjohn was an American graphic designer known for blending formal graphic design concepts with wit and 1960s pop culture. He is best known for his motion picture title sequences, especially From Russia with Love and Goldfinger.
György Kepes was a Hungarian-born painter, photographer, designer, educator, and art theorist. After immigrating to the U.S. in 1937, he taught design at the New Bauhaus in Chicago. In 1967 he founded the Center for Advanced Visual Studies at the Massachusetts Institute of Technology (MIT) where he taught until his retirement in 1974.
Sibyl Moholy-Nagy was an architectural and art historian. Originally a German citizen, she accompanied her second husband, the Hungarian Bauhaus artist László Moholy-Nagy, in his move to the United States. She was the author of a study of his work, Moholy-Nagy: Experiment in Totality, plus several other books on architectural history.
Sidney Jonas Budnick was an American abstract artist. He was born and raised in New York City.
Milton Halberstadt (1919–2000) was a US photographer in fine art and commercial photography who left a body of work covering genres from abstract art to commercial photography.
Nathan Lerner was a Chicago photographer and industrial designer involved in the New Bauhaus.
Jay Doblin was an American industrial designer and educator, best known for his contribution to the field of design in particular his work related to systems thinking, design methods and design theory in general. Throughout his professional career he worked with some of the most important design firms of their time, including Raymond Loewy Associates, Lippincott & Margulies, and Unimark International, which he founded together with Massimo Vignelli and Bob Noorda.
The Neues Sehen, also known as New Vision or Neue Optik, was a movement, not specifically restricted to photography, which was developed in the 1920s. The movement was directly related to the principles of the Bauhaus. Neues Sehen considered photography to be an autonomous artistic practice with its own laws of composition and lighting, through which the lens of the camera becomes a second eye for looking at the world. This way of seeing was based on the use of unexpected framings, the search for contrast in form and light, the use of high and low camera angles, etc. The movement was contemporary with New Objectivity with which it shared a defence of photography as a specific medium of artistic expression, although Neues Sehen favoured experimentation and the use of technical means in photographic expression.
Margaret De Patta was an American jewelry designer and educator, active in the mid-century jewelry movement.
The Bauhaus was seen as a progressive academic institution, as it declared equality between the sexes and accepted both male and female students into its programs. During a time when women were denied admittance to formal art academies, the Bauhaus provided them with an unprecedented level of opportunity for both education and artistic development, though generally only in weaving and other fields considered at the time to be appropriate for women.
Alysa Nahmias is an American filmmaker and the founder of Ajna Films.
Arthur Sidney Siegel was an American photographer and educator.
900 910 North Lake Shore are a pair of glass and steel buildings, perpendicular to one another, designed by architect Ludwig Mies van der Rohe, in the Streeterville neighborhood of Chicago. Completed in 1956, they marked the refinement of Mies' highrise building design concept. The buildings are built to a Modernist International style that was considered to be a departure from the dominant aesthetic at the time they were built, and even criticized as too minimal. The "glass houses" are more often appreciated for the views they offer of Lake Michigan and downtown Chicago. The buildings were referred to as “giant mirrors for lake beauty”.
Bauhaus was a quarterly avant-garde art and design magazine which existed in the period between 1926 and 1931 with some interruptions. It was launched by a German art movement with the same name and financed by an art group called Kreis der Freunde des Bauhauses. It had significant effects on the Danish art magazines such as Kritisk Revy and Linien.
41°52′44.3″N87°38′31.6″W / 41.878972°N 87.642111°W
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