| Invitation | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1976 | |||
| Recorded | October 17, 1974 | |||
| Genre | Jazz | |||
| Length | 57:56 | |||
| Label | SteepleChase | |||
| Andrew Hill chronology | ||||
| ||||
Invitation is an album by American jazz pianist Andrew Hill, recorded in 1974 and released on the Danish SteepleChase label. [1] The album features five of Hill's original compositions and one jazz standard performed by Hill in a trio with bassist Christopher White and drummer Art Lewis. The CD added an alternate take as a bonus track.
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| The Penguin Guide to Jazz Recordings | [3] |
The Allmusic review by Ken Dryden awarded the album 4 stars stating "Such fascinating music will be of great interest to fans of Andrew Hill". [2]
Black Fire is a studio album by American jazz pianist and composer Andrew Hill, released on Blue Note Records in 1964. It was Hill's debut for the label. Initially, drummer Philly Joe Jones was scheduled to play on the album, but was replaced by Roy Haynes after scheduling issues. The rest of the band consists of tenor saxophonist Joe Henderson and bassist Richard Davis. The Allmusic review by Stephen Thomas Erlewine calls the album "an impressive statement of purpose that retains much of its power decades after its initial release... a modern jazz classic."
Smoke Stack is a studio album by American jazz pianist Andrew Hill, recorded in 1963 and released in 1966 on Blue Note Records. It was his second recording as leader on the label. "Ode to Von" is dedicated to saxophonist Von Freeman, whilst "Verne" is dedicated to Hill's first wife, Laverne Gillette. 30 Pier Ave. is the address of The Lighthouse, a jazz club in Hermosa Beach, CA. The album is notable for the participation of acoustic bassists Richard Davis and Eddie Khan, who play simultaneously throughout. Drummer Roy Haynes returns from Hill’s previous sessions.
Asante is an album by jazz pianist McCoy Tyner released on the Blue Note label. It was recorded in 1970 and features performances by Tyner with alto saxophonist Andrew White, guitarist Ted Dunbar, bassist Buster Williams, drummer Billy Hart, percussionist Mtume and vocalist "Songai" Sandra Smith appearing on two tracks.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
Portrait of Cannonball (1958) is the ninth album by jazz saxophonist Cannonball Adderley, and his first release on the Riverside label, featuring performances by Blue Mitchell, Bill Evans, Sam Jones, and Philly Joe Jones.
Cannonball Takes Charge is an album by jazz saxophonist Cannonball Adderley released on the Riverside label featuring performances by Adderley with Wynton Kelly, Paul Chambers, and Jimmy Cobb with Percy and Albert Heath replacing Chambers and Cobb on two selections.
My Conception is an album by jazz pianist Sonny Clark, recorded for the Blue Note label and performed by Clark with Donald Byrd, Hank Mobley, Paul Chambers, and Art Blakey. It was originally released in 1979 in Japan, as GXF 3056, featuring six tracks recorded in 1959 including an alternate take of "Royal Flush", a track that had appeared on the album Cool Struttin'. The 2000 limited CD reissue also comprised the three additional tracks originally recorded for Sonny Clark Quintets, an album which never saw the light of the day until being released later only in Japan.
Blue Hour is a collaboration album by jazz saxophonist Stanley Turrentine and The Three Sounds recorded for the Blue Note label and performed by Turrentine with Gene Harris, Andrew Simpkins and Bill Dowdy. The album was reissued in 2000 with an additional disc of unreleased recordings, as Blue Hour: The Complete Sessions.
True Blue is a jazz album by tenor saxophonist Tina Brooks recorded on June 25, 1960, and released on the Blue Note label. In the hard-bop idiom, it was Brooks' only performance as leader to be released during his lifetime, and features performances by Brooks, Freddie Hubbard, Duke Jordan, Sam Jones and Art Taylor.
Lift Every Voice is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1969 and released on the Blue Note label in 1970. The original album features Hill with a large choir performing five original compositions and the 2001 CD reissue added six additional compositions recorded in 1970 as bonus tracks.
Change is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1966 for the Blue Note label. The album had a complicated release history- it was originally scheduled for issuance in 1967 as BST 84233, but was held back from release until 1975, when the tracks appeared under Sam Rivers' name, as part of a double LP set called Involution, which combined them with tracks recorded under Rivers' leadership. The first release of this material under Hill's name did not occur until 1995 as part of the Mosaic box set The Complete Blue Note Andrew Hill Sessions (1963-66). The album features Hill with saxophonist Sam Rivers, bassist Walter Booker and drummer J.C. Moses performing six of his originals. In 2007, two alternate takes were added to the CD release. The shorter take of "Violence" was initially chosen as the master track for that piece.
Pax is a studio album by American jazz pianist Andrew Hill, featuring performances recorded in 1965 but not released on the Blue Note label until 1975. The album features Hill with tenor saxophonist Joe Henderson, trumpeter Freddie Hubbard, bassist Richard Davis and drummer Joe Chambers performing six of his compositions, with one alternate take added to the 2006 CD release.
Eternal Spirit is an album by American jazz pianist Andrew Hill, recorded in 1989 and released on the Blue Note label. The album features six of Hill's original compositions performed by his quintet with alto saxophonist Greg Osby, vibraphonist Bobby Hutcherson, bassist Rufus Reid and drummer Ben Riley. Three alternate takes were added to the CD release as bonus tracks.
Blue Black is an album by American jazz pianist Andrew Hill recorded in 1975 and released on the Japanese East Wind label. The album features five of Hill's original compositions performed by a quartet with saxophonist/flautist Jimmy Vass, bassist Chris White and drummer Leroy Williams.
Divine Revelation is an album by American jazz pianist Andrew Hill recorded in 1975 and released on the Danish SteepleChase label. The album features four of Hill's original compositions performed by a quartet and one jazz standard performed solo. The CD added one alternate take as a bonus track.
Bluesnik is an album by American saxophonist Jackie McLean recorded in 1961 and released on the Blue Note label. It features McLean in a quintet with trumpeter Freddie Hubbard, pianist Kenny Drew, bassist Doug Watkins and drummer Pete La Roca.
Structurally Sound is an album by American jazz saxophonist Booker Ervin recorded in 1966 and released on the Pacific Jazz label. The album was rereleased on CD in 2001 on the Blue Note label with four bonus tracks.
Sonny Stitt/Bud Powell/J. J. Johnson is an album by saxophonist Sonny Stitt compiling tracks recorded with trombonist J. J. Johnson or pianist Bud Powell in 1949–50 and released on the Prestige label in 1957. The 1990 CD reissue added five bonus tracks to the original LP. The cover art was done by cartoonist Don Martin of MAD magazine fame.
The Modern Art of Jazz by Zoot Sims is an album by American jazz saxophonist Zoot Sims recorded in 1956 and released on the Dawn label.
Baby Breeze is an album by trumpeter/vocalist Chet Baker which was recorded in 1964 and released on the Limelight label.