Is He Dead? | |
---|---|
Written by | Mark Twain |
Characters | (In order of appearance) Agamemnon Buckner ("Chicago") Contents |
Date premiered | December 9, 2007 |
Place premiered | Lyceum Theatre |
Original language | English |
Genre | Comedy, Satire |
Setting | Paris and Barbizon, 1846 |
Is He Dead? is a play by Mark Twain based on his earlier 1893 short story. The play, written by Twain in 1898, was first published in print in 2003 [1] after Mark Twain scholar Shelley Fisher Fishkin read the manuscript in the archives of the Mark Twain Papers at the University of California at Berkeley. The play was long known to scholars but never attracted much attention until Fishkin arranged to have it published in book form. She later played a primary role in getting the play produced on Broadway. Contemporary American playwright David Ives adapted the play for the modern stage before its inaugural performance in 2007. [2] [3] Is He Dead? is now published and licensed for theatrical use by Playscripts, Inc. [4]
The play focuses on a fictional version of the great French painter, Jean-François Millet, as an impoverished artist in Barbizon, France who, with the help of his colleagues, stages his death in order to increase the value of his paintings, and afterwards dresses as a woman to keep his secret safe. Combining elements of burlesque, farce, and social satire, the comedy relies on such devices as cross-dressing, mistaken identities, and romantic deceptions to tell its story, which raises questions about fame, greed, and the value of art.
The next day, Dutchy and O'Shaughnessy are driving up the prices of Millet's paintings, while Chicago has leaked to the press that Millet has come down with a terminal disease and has gone to the Barbary Coast to live out his remaining days. (This becomes a running gag as whenever a character asks where the Barbary Coast is, no one can answer.) Millet comes out dressed as the Widow and complains about his costume but Chicago assures him the plan will work (even though the Widow has trouble acting like a woman.) Indeed, everyone is overjoyed when Thorpe comes back to buy some paintings and buys three paintings (two of which aren't even Millet's) for 100,000 francs, instantly freeing them of their debt. The Widow is then forced to have tea with Mdme. Bathilde and Mdme. Caron alone, but they take her strange behavior as signs of grief over her brother's death. The Leroux family arrives to wait for Andre. Cecile becomes suspicious with the way the Widow and Chicago interact with each other while Marie is depressed over Millet. Andre arrives and the Widow hands him two checks to pay off the debts and stands up against his cruel behavior. Andre declares that since now the paintings are worth far more than the checks, he will take them instead. When the Widow asks if there is anything she can do to stop him, he says he will not do it if the Widow marries him. The Widow faints into Dutchy and O'Shaughnessy's arms as the act ends.
Act 2 begins months later in the Widow's new luxurious apartment in downtown Paris. Everyone is now rich because of the value of the paintings and the Widow has a butler named Charlie. Millet has since been declared dead and today is the day of Millet's funeral. Andre has continued attempting to court the Widow and Papa Leroux has even become smitten with "her" and proposes while they are alone. The Widow struggles to keep him at bay, when Inspector Lefoux (actually Cecile in disguise) comes to question the Widow over Millet's death and her relationship with Chicago. To keep the two at bay, the Widow admits Chicago is her lover. When Charlie announces more visitors, the Widow has them wait in separate rooms. Mdme. Bathilde and Mdme. Caron arrive with Marie, grieving over Millet's "death". The Widow talks to Marie alone, while the other two wait with Leroux in another room. Marie tells the Widow that Andre truly loves "her" and "she" should marry him. Andre then arrives and tells the Widow the second she says yes to marriage, the contract is destroyed. Once he is gone, Chicago, Dutchy, and O'Shaughnessy arrive with Millet's casket (which is closed and filled with bricks). The trio are excited by the stir Millet's death has caused: prices are higher than ever and the King of France is even attending the funeral. As they celebrate, Marie comes back and shames them. As Marie and the Widow continue talking, Marie says she will never marry and then the Widow gets an idea.
The Widow reveals the disguise and tells an overjoyed Marie to tell Andre to come at 6:00. Suddenly, O'Shaughnessy comes in panicking. The King of France and other royals have come to view the remains. Chicago is out of ideas for once and Dutchy invites the royals in to view the body. The coffin is opened and they are all repulsed by the terrible smell (Dutchy filled the coffin with limburger cheese in case someone wanted to look). As they leave, the friends celebrate as Lefoux comes back and questions Chicago. He sees through the disguise and tells "Lefoux" that he is in love with Cecile. The two embrace and go off into another room where Chicago explains everything. Just before Andre arrives, the Widow takes Dutchy and O'Shaughnessy into another room and tells them the Widow's plan. Alone, Andre reveals he lied to Marie and only wants to marry the widow for her money. Knowing he is in the room, the trio stage a conversation and actions that make it seem as though the Widow has ceramic body parts and false hair. Andre, disgusted, tears up the contract and runs off as the Widow chases him. Dutchy and O'Shaughnessy are left alone with Charlie who reveals that he is actually Inspector Gaston of the Paris Police. He brings everyone except the Widow and Andre into the room where he exposes Millet's remains as bricks and that Lefoux is actually Cecile (there actually is a real Inspector Lefoux who is on vacation). Leroux reveals that instead of the Widow, he will marry either Bathilde or Caron. Gaston is about to send everyone to prison when Millet comes into the room dressed in his normal clothes. He tells Gaston that he was at the Barbary Coast on a break and came back to find his funeral going on. When Gaston tells him his sister stated he was dead, Millet tells him he has no sister. Everyone is overjoyed at Millet's return and Gaston leaves to find "the Widow". Millet and Marie are reunited and will be wed, along with Leroux and one of the ladies and Cecile and Chicago. Chicago reminds Millet that the entire country thinks he is dead, but Millet assured him that France will not admit she was wrong and that now he is a celebrity. Millet proposes a toast to the groups benefactor: the Widow Daisy Tillou.
Adapted by David Ives, a former Guggenheim Foundation Fellow in playwriting, and directed by Michael Blakemore, Is He Dead? had its world premiere at the Lyceum Theatre. Martin Pakledinaz designed costumes. The Broadway production began previews on November 8 and was set to open on November 29, 2007, but due to the 2007 Broadway stagehand strike, it was postponed to December 9, 2007.
It received favorable reviews in The New York Times [5] and Variety , [6] but closed on March 9, 2008, after 105 performances. [7]
Brunhild, also known as Brunhilda or Brynhild, is a female character from Germanic heroic legend. She may have her origins in the Visigothic princess and queen Brunhilda of Austrasia.
Francis Davis Millet was an American academic classical painter, sculptor, and writer who died in the sinking of the RMS Titanic on April 15, 1912.
Gaston Louis Alfred Leroux was a French journalist and author of detective fiction.
The Phantom of the Opera is a novel by French author Gaston Leroux. It was first published as a serial in Le Gaulois from 23 September 1909 to 8 January 1910, and was released in volume form in late March 1910 by Pierre Lafitte. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century, and by an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of Der Freischütz. It has been successfully adapted into various stage and film adaptations, most notable of which are the 1925 film depiction featuring Lon Chaney, and Andrew Lloyd Webber's 1986 musical.
The Most Happy Fella is a 1956 musical with a book, music, and lyrics by Frank Loesser. The story, about a romance between an older man and younger woman, is based on the 1924 play They Knew What They Wanted by Sidney Howard. The show is described by some theatre historians and critics as operatic. The original Broadway production ran for 14 months and it has enjoyed several revivals, including one staged by the New York City Opera.
Gundaharius or Gundahar, better known by his legendary names Gunther or Gunnar, was a historical king of Burgundy in the early 5th century. Gundahar is attested as ruling his people shortly after they crossed the Rhine into Roman Gaul. He was involved in the campaigns of the failed Roman usurper Jovinus before the latter's defeat, after which he was settled on the left bank of the Rhine as a Roman ally. In 436, Gundahar launched an attack from his kingdom on the Roman province of Belgica Prima. He was defeated by the Roman general Flavius Aetius, who destroyed Gundahar's kingdom with the help of Hunnish mercenaries the following year, resulting in Gundahar's death.
David Ives is an American playwright, screenwriter, and novelist. He is perhaps best known for his comic one-act plays; The New York Times in 1997 referred to him as the "maestro of the short form". Ives has also written dramatic plays, narrative stories, and screenplays, has adapted French 17th and 18th-century classical comedies, and adapted 33 musicals for New York City's Encores! series.
Gigi is a 1958 American musical romantic comedy film directed by Vincente Minnelli and processed using Metro-Goldwyn-Mayer's Eastmancolor film process Metrocolor. The screenplay by Alan Jay Lerner is based on the 1944 novella by Colette. The film features songs with lyrics by Lerner and music by Frederick Loewe, arranged and conducted by André Previn. Costume design was done by Cecil Beaton.
Valmont is a 1989 romantic drama film directed by Miloš Forman and starring Colin Firth, Annette Bening, and Meg Tilly. Based on the 1782 French novel Les Liaisons dangereuses by Choderlos de Laclos, and adapted for the screen by Jean-Claude Carrière, the film is about a scheming widow (Merteuil) who bets her ex-lover (Valmont) that he cannot corrupt a recently married honorable woman (Tourvel). During the process of seducing the married woman, Valmont ends up falling in love with her. Earlier, Merteuil learns her secret lover (Gercourt) has discarded her and is about to marry her cousin's daughter- the virginal 15 year old Cécile. As revenge, the jilted Merteuil employs Valmont to seduce Cécile before her marriage to Gercourt.
The Imaginary Invalid, The Hypochondriac, or The Would-Be Invalid is a three-act comédie-ballet by the French playwright Molière with dance sequences and musical interludes by Marc-Antoine Charpentier. It premiered on 10 February 1673 at the Théâtre du Palais-Royal in Paris and was originally choreographed by Pierre Beauchamp.
Mlle. Modiste is an operetta in two acts composed by Victor Herbert with a libretto by Henry Blossom. It concerns hat shop girl Fifi, who longs to be an opera singer, but who is such a good hat seller that her employer, Mme. Cecil, discourages her in her ambitions and exploits her commercial talents. Also, Fifi loves Etienne de Bouvray, who returns her love, but his uncle, Count Henri, opposes their union. The operetta features the song "Kiss Me Again".
Les p'tites Michu is an opérette in three acts, with music by André Messager and words by Albert Vanloo and Georges Duval. The piece is set in Paris in the years following the French Revolution and depicts the complications ensuing after the identities of two girls become confused in their infancy.
Aurore is a 2005 Quebec biographical drama film that was directed by Luc Dionne and produced by Denise Robert and Daniel Louis. It is based on the true story of Aurore Gagnon, one of Quebec's best-known victims of child abuse. The movie is also a remake of Jean-Yves Bigras's 1952 movie La petite Aurore: l'enfant martyre .
The Adventures of Tom Sawyer is a musical comedy based on the 1876 novel by Mark Twain conceived and written by Ken Ludwig, with music and lyrics by Don Schlitz. The musical is the story of a fourteen-year-old boy growing up in the heartland of America. This Broadway musical version of Mark Twain's novel is set in 1840 in St. Petersburg, Missouri, a bustling town on the banks of the Mississippi River. In the course of the story, Tom matches wits with his stern Aunt Polly, falls in love with the beautiful, feisty Becky Thatcher, and goes on the adventure of his life with Becky and Huckleberry Finn. Along the way he meets a terrifying villain named Injun Joe, Tom's bratty half-brother Sid, and all the other boys and girls in the village.
Suzy is a 1936 American drama film directed by George Fitzmaurice and starring Jean Harlow, Franchot Tone and Cary Grant. The film was partially written by Dorothy Parker, based on a novel by Herbert Gorman. The Academy Award-nominated theme for Suzy, "Did I Remember?", was sung by Virginia Verrill (uncredited).
Flanders is a 2006 French drama film, written and directed by Bruno Dumont. It tells the story of André Demester, a man whose girlfriend betrays him out of frustration with his lack of emotion. He is then sent to fight in an unnamed Middle Eastern country, where he experiences the horrors of war.
"Coming, Eden Bower!" is a short story by Willa Cather. It was first published in Smart Set in August 1920, and it was republished in Youth and the Bright Medusa under the title of Coming, Aphrodite, with minor alterations.
Thieves is a 1996 French drama film directed by André Téchiné, starring Daniel Auteuil, Catherine Deneuve and Laurence Côte. The plot follows a cynical police officer, who comes from a family of thieves, and a lonely philosophy professor, both romantically involved with a self-destructive petty criminal. With a puzzling structure, the story is told through a series of flashbacks presented from four different perspectives.
Let Us Be Gay is a 1930 American pre-Code romantic comedy-drama film produced and distributed by MGM. It was directed by Robert Z. Leonard and stars Norma Shearer. It was based on and filmed concurrently with the 1929 play by Rachel Crothers which starred Tallulah Bankhead and ran for 128 performances at London's Lyric Theater. Critics generally preferred Tallulah's rendition to Shearer's.
Christopher Bean is a 1933 American pre-Code comedy film directed by Sam Wood and written by Laurence E. Johnson and Sylvia Thalberg, based on the 1932 play, The Late Christopher Bean, by Sidney Howard. The film stars Marie Dressler, Lionel Barrymore, Helen Mack, Beulah Bondi, and Russell Hardie. The film was released on November 17, 1933, by Metro-Goldwyn-Mayer. It was Dressler's final role before her death from cancer in July 1934.