"Israelites" | ||||
---|---|---|---|---|
Single by Desmond Dekker & the Aces | ||||
from the album The Israelites | ||||
B-side | "My Precious World (The Man)" by Beverley's All Stars | |||
Released | October 1968 [1] | |||
Recorded | 1968 | |||
Genre | Ska, reggae | |||
Length | 2:47 | |||
Label | Pyramid Records - PYR 6058 (UK) Uni Records 55129 (USA) | |||
Songwriter(s) | Desmond Dekker and Leslie Kong | |||
Producer(s) | Leslie Kong | |||
Desmond Dekker & the Aces singles chronology | ||||
|
"Israelites" is a song written by Desmond Dekker and Leslie Kong that became a hit for Dekker's group, Desmond Dekker & the Aces, [2] reaching the top of the charts in numerous countries in 1969. Sung in Jamaican Patois, some of the song's lyrics were not readily understood by many British and American listeners at the time of its release. [3] Despite this, the single was the first UK reggae #1 and among the first to reach the US top ten (peaking at #9). [4] It combined the Rastafarian religion with rude boy concerns, [5] to make what has been described by Allmusic as a "timeless masterpiece that knew no boundaries". [6]
Originally issued in Jamaica as "Poor Me Israelites", [7] it remains the best known Jamaican reggae hit to reach the United States Hot 100's top 10, [5] and was written almost two years after Dekker first made his mark with the rude boy song "007 (Shanty Town)". [2] Dekker composed the song after overhearing an argument: "I was walking in the park, eating popcorn. I heard a couple arguing about money. She was saying she needs money and he was saying the work he was doing was not giving him enough. I related to those things and began to sing a little song: 'You get up in the morning and you're slaving for bread.' By the time I got home, it was complete." [8] The title has been the source of speculation, [9] but most settle on the Rastafarian Movement's association with the Twelve Tribes of Israel. In the 1960s, Jamaican Rastafarians were largely marginalized as "cultish" and ostracized from the larger society, including by the more conservative Christian church in Kingston. Destitute ("slaving for bread") and unkempt ("Shirt dem a-tear up, trousers a-gone"), some Rastafarians were tempted to a life of crime ("I don't want to end up like Bonnie and Clyde"). The song is a lament of this condition.
The vocal melody is syncopated and centred on the tone of B flat. The chords of the guitar accompaniment are played on the offbeat and move through the tonic chord [B flat], the subdominant [E flat], the dominant [F], and the occasional [D flat], [5] viz, [B flat] - [E flat] - [F] - [B flat] - [D flat]. It was one of the first reggae songs to become an international hit, despite Dekker's strong Jamaican accent which made his lyrics difficult for many listeners to understand outside of Jamaica. [10]
Despite "Israelites" being recorded and released in 1968, the Uni 45 discography shows its copyright as 1969. [11] In June 1969, the record reached the Top Ten in the United States, peaking at #9 on the Billboard Hot 100 singles chart. "Israelites" hit #1 in the United Kingdom, [12] the Netherlands, Jamaica and West Germany.
"Israelites" brought a Jamaican beat to the British top 40 for the first time since Dekker's #14 hit "007 (Shanty Town)" in 1967. [2]
The disc was released in the UK in March 1969 and was #1 for one week, selling over 250,000 copies. [13] A global million sales was reported in June 1969. [13]
Dekker had two more UK Top 10 hits over the next year, "It Miek" and his cover of Jimmy Cliff's song "You Can Get It If You Really Want". [2] [12]
Dekker recorded on the Pyramid record label, and when its catalogue was acquired by Cactus Records in 1975, "Israelites" was re-issued in a first-time stereo mix. [2] Just over six years after the original release, the song again reached a Top Ten position in the United Kingdom. [2]
In 1980, Dekker released a new recording of the song on UK label Stiff Records, performed in an uptempo Two Tone style. It was taken from an album of similar re-recordings of his old hits, Black & Dekker.
The song has appeared in numerous movies and television programs, [14] including the soundtracks of the 1989 American film Drugstore Cowboy and the 2010 British film Made in Dagenham .
On November 3, 2019, "Israelites" was prominently featured in the third episode of HBO's Watchmen . Potentially because of this usage, the song charted again, entering the Billboard Digital Reggae Song Sales Chart at #2. [15]
Chart (1969) | Peak position |
---|---|
Australia ( Go-Set ) [16] | 3 |
Australia (Kent Music Report) [17] | 5 |
Austria (Ö3 Austria Top 40) [18] | 2 |
Belgium (Ultratop 50 Flanders) [19] | 3 |
Belgium (Ultratop 50 Wallonia) [20] | 8 |
Canada Top Singles ( RPM ) [21] | 9 |
Ireland (IRMA) [22] | 7 |
Netherlands (Single Top 100) [23] | 1 |
South Africa (Springbok Radio) [24] | 12 |
Sweden (Kvällstoppen) [25] | 2 |
Switzerland (Schweizer Hitparade) [26] | 6 |
UK Singles (OCC) [27] | 1 |
US Billboard Hot 100 [28] | 9 |
US Cash Box Top 100 [29] | 8 |
West Germany (Official German Charts) [30] | 1 |
Chart (1975) | Peak position |
---|---|
UK Singles (OCC) [27] | 10 |
Chart (1969) | Position |
---|---|
Australia (Kent Music Report) [31] | 60 |
Belgium (Ultratop 50 Flanders) [32] | 21 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [33] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
Desmond Dekker was a Jamaican ska, rocksteady and reggae singer-songwriter and musician. Together with his backing group the Aces, he had one of the earliest international reggae hits with "Israelites" (1968). Other hits include "007 " (1967), "It Mek" (1969) and "You Can Get It If You Really Want" (1970).
Leslie Kong was a Jamaican reggae producer.
Trojan Records is a British record label founded by Jamaican Duke Reid in 1968. It specialises in ska, rocksteady, reggae and dub music. The label currently operates under the Sanctuary Records Group. The name Trojan comes from the Croydon-built Trojan truck that was used as Duke Reid's sound system in Jamaica. The truck had "Duke Reid - The Trojan King of Sounds" painted on the sides, and the music played by Reid became known as the Trojan Sound.
"Rivers of Babylon" is a Rastafari song written and recorded by Brent Dowe and Trevor McNaughton of the Jamaican reggae group The Melodians in 1970. The lyrics are adapted from the texts of Psalms 19 and 137 in the Hebrew Bible. The Melodians' original version of the song appeared on the soundtrack album for the 1972 movie The Harder They Come, which made it internationally known.
"Red Red Wine" is a song originally written, performed and recorded by American singer Neil Diamond in 1967 that appears on his second studio album, Just for You. The lyrics are written from the perspective of a person who finds that drinking red wine is the only way to forget his woes.
"Crying in the Chapel" is a song written by Artie Glenn and recorded by his son Darrell Glenn. The song was released in 1953 and reached number six on the Billboard chart.
"Mother and Child Reunion" is a song by the American singer-songwriter Paul Simon. It was the lead single from his second studio album, Paul Simon (1972), released on Columbia Records. The song reached No. 4 on the Billboard Hot 100 chart in March 1972.
Windel Beneto Edwards, better known by his stage name Gyptian, is a Jamaican reggae singer. He often appears with roots reggae songs within the reggae subgenre dancehall.
"Uptown Top Ranking" is a song by Jamaican teenage singers Althea Forrest and Donna Reid, recorded when they were 17 and 18 years old respectively. Released in 1977, the song comprises the girls ad-libbing to deejay track "Three Piece Suit" by Trinity. The lyrics were written by the duo and Errol Thompson. It was produced by Joe Gibbs, using a re-recording of the riddim of the 1967 Alton Ellis song "I'm Still in Love", which had already been re-popularised in the 1970s by Marcia Aitken's cover "I'm Still in Love With You Boy", and "Three Piece Suit" by Trinity, to which "Uptown" was an "answer record".
"How Long" is the debut single by the English band Ace, from their 1974 debut album, Five-A-Side. It reached No. 3 on both the US and Canadian charts, and No. 20 on the UK Singles Chart.
"Don't Turn Around" is a popular song written by Albert Hammond and Diane Warren. It was originally recorded by American singer Tina Turner and released as the B-side to her 1986 hit single "Typical Male". It has since been included on Turner's compilation album The Collected Recordings: Sixties to Nineties (1994), as well as featuring in the Tina musical since 2018.
"Double Barrel" is a 1970 reggae single by Dave and Ansell Collins. It was the second reggae tune to top the UK charts, two years after Desmond Dekker's number 1 breakthrough hit "Israelites". The record reached number 1 on the UK Singles Chart for the first two weeks in May 1971, selling 300,000 copies, after only 33 radio plays. In the U.S., "Double Barrel" peaked at number 22 on the Billboard Hot 100 the week of 7 August 1971 and number 4 on WLS on 28 June 1971, two years to the week after "Israelites" made a nearly identical climb to peak at the same position on the same chart. The record also reached number 1 in Mexico on October 23, 1971 and number 8 in Australia.
"Dreadlock Holiday" is a reggae song by 10cc. Written by Eric Stewart and Graham Gouldman, it was the lead single from the band's 1978 album, Bloody Tourists.
"The Last Waltz" is a ballad, written by Barry Mason and Les Reed. It was one of Engelbert Humperdinck's biggest hits, spending five weeks at number 1 on the UK Singles Chart, from September 1967 to October 1967, and has since sold over 1.17 million copies in the United Kingdom.
Black Slate are a reggae band based in the United Kingdom, formed in 1974. They toured heavily around London and backed Jamaican musicians such as Dennis Brown, Delroy Wilson, and Ken Boothe when they played in the UK. They toured the UK in their own right for the first time in 1978, and released four albums between 1979 and 1985.
It Mek was a 1969 hit song by the Jamaican musicians Desmond Dekker & the Aces. After being re-released in June 1969, the single reached number 7 in the UK Singles Chart. The track was written by Dekker and his record producer, Leslie Kong, and was recorded in Jamaica with the brass accompaniment added in the UK. It spent eleven weeks in the UK chart, and by September 1970 had sold over a million copies worldwide. A gold record was presented by Ember Records, the distributors of Dekker's recordings.
The Aces, originally known as The Four Aces, were a Jamaican vocal group who are best known for their work with Desmond Dekker.
"You Can Get It If You Really Want" is a reggae song written and originally recorded by Jamaican singer songwriter Jimmy Cliff and released as a single in July 1970. Another version, recorded by Jamaican singer Desmond Dekker and released within a few weeks of Cliff's version, became a hit single in a number of markets, reaching number 2 on the UK Singles Chart.
"007 (Shanty Town)" is a 1967 rocksteady song by Jamaican band Desmond Dekker and the Aces, released as a single from their debut album of the same name. It was also a hit for Musical Youth in 1983. "007 (Shanty Town)" has been called "the most enduring and archetypal" rude boy song. Its title and lyrics refer to the cool imagery of films such as the James Bond series and Ocean's 11, admired by "rudies".
Anthony Mossop, known professionally as Tony Tribe and Tony Kingston, was a Jamaican vocalist. He charted at No. 46 on the UK Singles Chart with a reggae version of Neil Diamond's "Red Red Wine", becoming Trojan Records's first UK chart entry, and inspired UB40's version, which charted at No. 1 on the UK Singles Chart and the Billboard Hot 100. He also performed at the 1969 Caribbean Reggae Festival. He then moved to Canada and released several singles there including "I Am the Preacher", which charted at No. 65 on the RPM charts, and then an album.