Iteration | ||||
---|---|---|---|---|
Studio album by | ||||
Released | June 16, 2017 | |||
Genre | Electronic | |||
Length | 49:58 | |||
Label | Ghostly | |||
Producer | Com Truise | |||
Com Truise chronology | ||||
| ||||
Singles from Iteration | ||||
|
Iteration is the second studio album by American electronic musician Seth Haley as Com Truise, released on June 16, 2017, by Ghostly International. It is the last in his series of albums about the story of a fictional astronaut named Com Truise. This part of the story involves Truise escaping with his alien lover from the planet Wave 1 in order to live in space together. Iteration is the project's first studio album since In Decay (2012). Haley went to record in Burbank, California, an area with a very "open space", in order to get excited into the material he was making. The space is reflected in the sound and production of the music, which is less compressed and more simple than Haley's previous Com Truise albums.
Promoted with three singles and a music video for "Propagation" starring Trieste Kelly Dunn, Iteration landed in the top ten of Billboard 's American Dance/Electronic Albums and Top Heatseekers charts. Reviews of the album from critics were also generally favorable; some reviewers called it Haley's best record to date, and some highlighted the improvement of Haley's compositional techniques.
Iteration is the last of a series of records by Seth Haley, Galactic Melt (2011), Wave 1 (2014), and Silicon Tare (2016), that tell the story of a space traveller named Com Truise. [1] Haley first discussed the last chapter of the story in an April 2016 interview with Magnetic magazine: "It'll have some closure within it, but I think it'll be dark and light at the same time. As much as I'm striving to put an end to this story, I think it'll be still open-ended, kind of a to-be-continued sort of thing." [2] Described by Haley as a tale about escaping an oppressed society, [3] Iteration involves Truise and his alien lover who try to escape from the planet Wave 1 to enjoy each other's company in space. [1] Haley titled the LP "Iteration" as a "weird smirky smile" to the repetitive nature of most electronic music. [4] Haley's cover artwork for Iteration features red lines representing the "iteration" aspect of the record and symbols representing the obstacles Com Truise goes through to escape from Wave 1. [3]
Iteration consists of sounds commonly heard in most Com Truise releases, such as what the press release described as "neon-streaked melodies, big drums, robotic grooves, [and] bleary nostalgia." [1] However, it is less compressed and more simple than Haley's previous releases for the project, a reflection of the increased "space" Haley went into for making the LP. [5] [6] Some of the album's moods derived from Haley suffering from homesickness and burnout while he was living in Los Angeles and doing world touring. [1] It wasn't until Haley had lived in the city for a year and a half [1] that he changed the way he produced his material, focusing on being in an area with more "open space", [3] that being Burbank, [7] and using outboard equipment instead of computer software. [3] These changes got him excited into the material he was making, thus leading Truise to create Iteration in a short amount of time. [1] As the album's official press release claimed how this excitement influenced the tone of the record, "By embracing the music's inherent nature and peerless qualities, Iteration finds new avenues of expression in its vivid, familiar surroundings." [1]
Iteration begins with "...Of Your Fake Dimension", a prelude of the album's story consisting of a Cocteau Twins-style guitar and sounds from the Elektron Analog Keys synthesizer. As Haley described "Ephmeron", "We're thrown right into the action following the last song on Silicon Tare ('du Zirconia') which saw our hero Com Truise in quite a frenzied state. At the end of the song, it feels as if all is disintegrating." The third song on the album is named "Dryswch", Welsh for "confusion", and one of the two songs on the LP along with "Ternary" showcasing Haley's experimentation with wavetable synthesis, which he was hugely into. Haley described it as a "choir of synthesizer voices singing Com Truise back to life." "Isostasy" had been performed live by Haley for a few years before Iteration was released and was one of the first tracks made for the LP. The chords on the track are performed by the Oberheim Xpander. "Memory" is the LP's most upbeat cut, a "robot funk" track about accepting that "everything turns into a memory including us", explained Haley. Its instrumentation includes staccato notes performed by Dave Smith Instruments' Prophet-6 synth and Roland Juno-106, as well as sounds from the Eurorack playing near the end of the song. [8]
"Propagation", a slow-tempo ballad about being free from an otherwise oppressed society, consists of an ARP Odyssey bass, chords performed by a Dave Smith OB6, and sounds from a Yamaha DX7. The track is followed by "Vacuume", which, according to Haley deals with "being sucked into the void without regrets or remorse" and "letting go, being in the moment and working through whatever comes your way." "Ternary" a song regarding "the things that make you who you end up becoming", said Haley, and also includes more Juno-106 staccatos and the use of Eurorack for effects. The Eurorack is also used to perform synthesized brass alongside "gliding" Prophet-6 sounds and textures from the Teenage Engineering OP-1 on "Usurper", a song about the weaknesses of leaders of a society and the ability of citizens to end oppression. "Syrthio", its title meaning "to fall", is followed by what serves as the album's "credits roll" cut "When Will You Find the Limit…" Iteration ends with the Oberheim Xpander-heavy title track. [8]
Three singles were released from Iteration: "Memory" on April 5, 2017, [9] "Isostasy" on May 9, 2017, [10] and "Propagation" on June 6, 2017. [11] "Propagation" received a music video premiered by The A.V. Club on September 20, 2017. Written and directed by Will Joines and Karrie Crouse, the video stars Trieste Kelly Dunn as an "idealized wife-bot" who "slowly becomes self-aware" and murders its owner. [12]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 6.7/10 [13] |
Metacritic | 72/100 [14] |
Review scores | |
Source | Rating |
AllMusic | [15] |
The A.V. Club | B [16] |
Exclaim! | 8/10 [17] |
Loud and Quiet | 5/10 [18] |
Mojo | [14] |
Pitchfork | 6.7/10 [19] |
PopMatters | [20] |
The Skinny | [21] |
Spectrum Culture | [22] |
Under the Radar | [23] |
According to review aggregator Metacritic, Iteration received "generally favorable reviews". [14] An Exclaim! review stated that with the album, Haley "has demonstrated growth that only a musician with a decade of experience can accomplish." [17] The album garnered significant claims from publications, such as being the "definitive release" of the Com Truise project by AllMusic, [15] "the pinnacle of Haley's career" by Gigsoup's Shaun Soman, [24] and "the kind of album necessary to help us battle through the rest of 2017" by The Skinny critic Megan Wallace. [21] Soman and Wallace particularly complimented the "variety" in the musical structure and production of the LP, [24] [21] Soman noting it to be especially noticeable through headphone listening. [24] As Wallace stated, "[Haley] displays a complete mastery of his craft, buil[d]ing up electronic sounds in an alternate language ample enough to express shifting moods and paint a series of tableaux." [21] AllMusic later put the LP on its list of "Favorite Electronic Albums" of 2017, [25] while Piccadilly Records, ranking the album number 36 on their list of the best albums of 2017, called it "a stunning collection, supremely memorable, and warmly dynamic." [26]
Chris Ingalls of PopMatters described the album as "an honest, oddly humanistic new release from an artist with a glorious keyboard arsenal who knows how to use it." [20] He highlighted the record's "moderation" in terms of its use of elements of 1980s synthesizer music, writing that "Haley injects plenty of hooks and sonic layers on Iteration, but it never seems overstuffed." [20] Pitchfork 's Saby Kulkarni praised Haley's "higher level of sophistication", writing that while the music of Com Truise usually has a "limited range", Iteration was more focused on its compositions rather than its sounds unlike previous records of the projects: "Haley goes for the gold with hooks so big and melodic they cause a kind of auditory sugar rush. The fact that he's able to do so without a single vocal in sight shows what a skilled craftsperson he’s become." [19]
The melodic aspect of Iteration was also praised in an otherwise mixed review from Under the Radar 's Stephen Mayne, who summarized the LP "veers between the futuristic past and a more modern sound that comes with a nice melodic ring and little in the way of impact." [23] A review published in Loud and Quiet stated that while the album was well-made, it lacked in "excitement" and was nothing more than "background music." [18] Mixmag 's Andrew Rafter was positive towards Iteration but felt that it should've had more songs with dark moods like "Syrthio" and the LP's title track. [27] The Line of Best Fit opined the LP is best to listen to as a "celebration" of 1980s pop music rather than "an emotionally engaging album" as it was marketed by Ghostly, reasoning that "finding the true feeling among towers of 80s pop synths and sequencers feels difficult at times." [28] A review for The 405 also criticized the marketing of the album as a record with a story, stating it was felt only "on occasion." [29]
No. | Title | Length |
---|---|---|
1. | "...Of Your Fake Dimension" | 3:28 |
2. | "Ephemeron" | 4:17 |
3. | "Dryswch" | 4:46 |
4. | "Isostasy" | 4:26 |
5. | "Memory" | 3:35 |
6. | "Propagation" | 4:11 |
7. | "Vacuume" | 3:19 |
8. | "Ternary" | 4:12 |
9. | "Usurper" | 3:43 |
10. | "Syrthio" | 4:45 |
11. | "When Will You Find the Limit..." | 5:39 |
12. | "Iteration" | 3:38 |
Total length: | 49:58 |
Chart (2017) | Peak position |
---|---|
US Top Dance/Electronic Albums (Billboard) [30] | 7 |
US Heatseekers Albums (Billboard) [31] | 4 |
Region | Date | Format(s) | Label |
---|---|---|---|
Various [1] | June 16, 2017 | Ghostly International |
The Moog synthesizer is a modular synthesizer invented by the American engineer Robert Moog in 1964. Moog's company, R. A. Moog Co., produced numerous models from 1965 to 1981, and again from 2014. It was the first commercial synthesizer and established the analog synthesizer concept.
Ghostly International is an American independent record label founded in 1999 by Samuel Valenti IV and currently headquartered in Brooklyn, New York City. Chief artists include Matthew Dear, Dabrye, Com Truise, Tycho, Gold Panda, School of Seven Bells, Mux Mool, and Shigeto.
Alessandro Cortini is an Italian musician best known for his work with modular synthesizers, and being the keyboard, guitar, and bass player in the American industrial band Nine Inch Nails. As a member of Nine Inch Nails, Cortini is the first Italian inducted into the Rock and Roll Hall of Fame in 2020.
El Ten Eleven is an American post-rock duo based out of Los Angeles, California. They are known for combining guitar/bass doubleneck or fretless bass, with heavy looping, or vamping, and the use of an effects pedal, over acoustic or electric drumming. They have released ten full-length albums, 2 EPs and a remix album, earning generally positive reviews.
Iteration means the act of repeating in the contexts of mathematics, computing and project management, particularly software development.
Kate Simko is an American composer, electronic music producer and founder of her ensemble London Electronic Orchestra.
Angel Deradoorian, also known mononymously as Deradoorian, is a musician based in Los Angeles, California. She is best known for her work with Dirty Projectors as full-time member from 2007 to 2012. She left to pursue a solo career. In 2015 she released a solo studio album, The Expanding Flower Planet.
Animal Collective is an American experimental pop band formed in Baltimore, Maryland. Its members consist of Avey Tare, Panda Bear, Geologist, and Deakin. The band's work is characterized by an eclectic exploration of styles, including psychedelia, freak folk, noise, and electronica, with the use of elements such as loops, drones, sampling, vocal harmonies, and sound collage. AllMusic's Fred Thomas suggests that the group "defined the face of independent experimental rock during the 2000s and 2010s."
Seth Haley, known by his stage name Com Truise, is an American electronic musician and DJ. His stage name is a spoonerism of the name of American actor Tom Cruise.
Feel It Break is the debut studio album by Canadian electronic music band Austra. It was released on May 13, 2011, by Domino. The album received generally positive reviews from music critics, who complimented its production and the vocals of lead singer Katie Stelmanis and compared the band to artists such as Kate Bush, Cocteau Twins, Fever Ray, Zola Jesus, and Depeche Mode. It was shortlisted for the 2011 Polaris Music Prize, and received a Juno Award nomination for Electronic Album of the Year. Feel It Break spawned three singles: "Beat and the Pulse", "Lose It", and "Spellwork".
Dive is the second studio album by American ambient musician Scott Hansen's project Tycho. Taking around five years to produce and write, Dive, according to Hansen, is a set of "artifacts from a future which might have more in common with our past than our present." It is an electronica record with a sound and style that was compared to the works of Scottish group Boards of Canada by multiple professional music journalists. Dive was released on November 8, 2011, by the label Ghostly International to mostly positive reviews from critics, and it landed on Billboard's United States Top Dance/Electronic Albums and Top Heatseekers Albums charts.
In Decay is a compilation album by American electronic musician Seth Haley's project Com Truise, released on July 16, 2012, by the independent record label Ghostly International. It is a collection of tracks that, prior to the release, were only available as tracks found on Haley's internet mixtape series, Komputer Kasts, and his SoundCloud account. These early tracks, some of which were produced before the release of his debut EP, Cyanide Sisters (2010), showcase Haley exploring an electropop funk music sound that would later come to define Com Truise. Critical reception upon release was mixed; a common praise was the album's sound design, while frequent criticisms were its repetition, and lack of distinct tone and feel of each track. A follow-up compilation album, In Decay, Too, was released in 2020.
Galactic Melt is the debut studio album by American electronic musician Com Truise, released on June 5, 2011 by the independent record label Ghostly International.
Wave 1 is the third extended play released under synthwave musician Seth Haley's pseudonym Com Truise. Haley described his releases as Com Truise as parts of a story about the world's first "Synthetic Astronaut" on his adventure to a planet, and Wave 1 is where he lands on a kind-of replica of Earth. Musically, Haley had to get inspiration from several artists as this part of the story is also where the music starts to change.
Continent is the debut studio album by Canadian electronic musician Michael Silver, known by his stage name as CFCF. It was released on October 27, 2009 by the label Paper Bag Records. Continent is a downtempo dance album that was described by one reviewer as "dance music that doesn't want you to dance." It includes elements from a variety of styles such as IDM, balearic, synthpop, rave, and disco and differs from later CFCF albums more focused on new age and ambient compositions. Continent features a cover of the song "Big Love" by Fleetwood Mac. The LP garnered very favorable reviews from professional music reviewers, praises going towards its compositions, arrangements and use of musical styles.
Phantom Brickworks is the eighth studio album by English producer Stephen Wilkinson, known by his stage name Bibio. Released on 3 November 2017, it's his sixth album for Warp Records and his first entirely ambient record. The album is a set of improvised compositions consisting of simple piano, synth, and guitar loops surrounded by tape hiss and field recordings. Making the songs based on the concept that "places can be haunted by meaning," Wilkinson mentally went into both real and fantasy places when producing the tracks. The album was well-received by reviewers, who called it Bibio's most accomplished record, and landed at number 11 on Time Out New York's list of the best albums of 2017.
The discography of American synthwave musician Com Truise consists of three studio albums, two compilation albums, eight music videos, four extended plays (EP), 22 singles, three production credits, one writing credit, and 49 remixes.
Persuasion System is a mini-LP by American musician Seth Haley under his stage name Com Truise. It was released on May 17, 2019, by Ghostly International. It received generally favorable reviews from critics.
Silicon Tare is the fourth extended play by American musician Seth Haley under his stage name Com Truise. It was released on April 1, 2016, by Ghostly International. Haley described his releases as Com Truise as parts of a sci-fi story about the world's first "synthetic astronaut", which started on his first studio album, Galactic Melt (2011), and Silicon Tare is where the astronaut makes contact with the Wave 1 colony. The EP was influenced in part by Haley moving to the West Coast.
In Decay, Too is a compilation album by American electronic musician Seth Haley's project Com Truise, released on December 4, 2020, by the independent record label Ghostly International. The record is a collection of tracks that, before its release, were previously unheard by fans, similarly to his previous compilation album, In Decay. The collection was assembled by Polychora, an archivist of Com Truise's material dating back to his Komputer Cast days. Lead track off the album is "False Ascendancy," released on October 14, 2020. It was followed by "Compress—Fuse", released on November 18.