Plot
The narrative follows Anish (Roshan Mathew), a podcast host who, on the eve of his daughter’s baptism, plans a night out with friends. Unexpectedly, he receives a call from his former college lover Anjana (Zarin Shihab), who is soon leaving for the United States. Their chance reunion leads to candid conversations and emotional confrontations over the course of one night, exploring themes of love, memory, closure and the lingering impact of past relationships.
Critical reception
Writing for The Week , Sajin Shrijith described the film as being “laden with poignant moments and humour,” noting that the two lead actors complement Prasanth Vijay’s direction with “stirring performances” that appeal to both the heart and intellect. [7] In The Hindu , S. R. Praveen characterised the film as a “deeply felt conversational drama,” observing that Vijay crafts the narrative with an “uncommon turn” that distinguishes it from more conventional romantic films. [8]
Janani K, reviewing the film for India Today , referred to it as “a mature, nuanced take on love, loss and second chances,” calling it a bittersweet drama anchored by the performances of Roshan Mathew and Zarin Shihab. [9] Anna Mathews of The Times of India echoed this sentiment, writing that Ithiri Neram “breaks the mould of today’s style of filmmaking” and suggesting that its approach could appeal to audiences across generations. She highlighted the film’s “brave decision to take the narrative at a slow pace,” commending its script and direction and noting that the story of lost love was “beautifully woven,” with strong performances that kept viewers engaged throughout. [10]
Vishal Menon of The Hollywood Reporter India wrote that the film leaves viewers feeling “the pleasures of returning to a dreamlike moment in the past and the pain that only long-lost love can make you feel,” highlighting the chemistry between the lead actors and the film’s nostalgic tone. [11] Vivek Santhosh of The New Indian Express described it as “a tender and talk-heavy drama,” praising its sincerity and the emotional weight carried by its performances. [12] In The Indian Express , Anandu Suresh noted that while the film follows narrative stylistics reminiscent of ’96, it differentiates itself through the way it “manages to instil a sense of tension” within its largely conversational framework. [13]
Rasmi Binoy, writing for The News Minute , offered a positive assessment, stating that rather than forcing the audience to take a stand, the film presents “a scenario that could happen to any of us,” and remarking that it “emphatically marks Prasanth Vijay’s arrival in the mainstream.” [14] A more critical perspective came from Maria Teresa Raju, also writing for The News Minute, who questioned certain narrative and emotional choices, expressing reservations about the film’s thematic framing despite acknowledging the strength of its performances. [15]
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