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Ivy Ling Po | |||||||||||
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Born | 16 November 1939 | ||||||||||
Occupation(s) | Actress, singer | ||||||||||
Years active | 1949–1980s | ||||||||||
Spouses | |||||||||||
Children | Benson Sy (b. 1956) Kenneth Bi (b. 1967) Daniel Bi (b. 1974) | ||||||||||
Awards | Asian Film Festival Best Actress 1964 Lady General Hua Mu-lan Golden Horse Awards – Special Jury Award 1963 The Love Eterne Best Actress 1967 Too Late for Love | ||||||||||
Chinese name | |||||||||||
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Musical career | |||||||||||
Origin | Hong Kong | ||||||||||
Genres | Huangmei opera Cantonese opera Amoy opera | ||||||||||
Instrument | Singing | ||||||||||
Huang Yuet-chu (born 16 November 1939 in Shantou, Republic of China), professionally known by her stage name Ivy Ling Po, is a retired Hong Kong actress and Chinese opera singer. She gained widespread fame during the 1960s for her roles in several popular Huangmei opera films, most notably The Love Eterne (1963), which propelled her to stardom across Asia. Her role in the film is considered a defining performance in the genre, solidifying her status as a cultural icon. [2] [3] [4]
Ling Po initially acted in Amoy Hokkien films under the stage name Xiaojuan (Chinese :小娟; Pe̍h-ōe-jī :Sió-koan), and then appeared in Cantonese films under the stage name Shen Yan (Chinese :沈雁; Jyutping :Sam2 Ngaan6), before joining the Shaw Brothers Studio to act in Mandarin films as (Ivy) Ling Po (Chinese :凌波; pinyin :Líng Bō).
Huang Yu-Chun was born on November 16, 1939 in Shantou, Guangdong. As a young child, she was sold to a family in Xiamen, where she took on the name Jun Haitang (Chinese :君海棠; Pe̍h-ōe-jī :Kun Hái-tông) and worked as a domestic maid. She would continue to go by many names throughout her life. [5] After reaching preadolescence, her adoptive mother forced her to enter the Hong Kong movie industry to exploit her. [1] Ling Po claimed that she did not have a childhood and was often scolded and physically punished by her adoptive mother. [6] When Ling Po was under 18, her adoptive mother sold her to the Filipino-Chinese businessman Shi Weixiong. Ling Po had a son, Shi Yonghui, with him.[ citation needed ]
In 1957, Shi Weixiong funded the establishment of the Huasha Film Company, which specialized in producing Mandarin-language films. Wu Baoxi, along with Ling Po, listed as Xiao Juan and starring in most of Huasha's productions, served as the producer. It was not until the filming of The Love Eterne that Ling Po, who was unwilling to follow her adoptive mother's arrangement to attend Shi Weixiong's dinner, moved into the Shaw dormitory with the protection and support of director Li Hanxiang, allowing her to break away from the control of her adoptive parents. [7]
Ivy Ling Po resided in Xiamen before moving to Hong Kong. Her first screen appearance was in the Ha-Yuen movie Love of Young People (1951) at the age of twelve, under the name of Xiao Juan. In addition to appearing in more than 50 Hokkien movies, she was dubbed for other movie companies, particularly Huangmei operas for Shaw Brothers. [8] [9]
While Ling Po was dubbing the Shaw Brothers' opera Dream of the Red Chamber, she caught the attention of Li Han-hsiang, who cast her as Liang Shanbo in The Love Eterne (Liang Shanbo yu Zhu Yingtai, also known as Liang Zhu or The Butterfly Lovers ) in 1962 with Betty Loh Ti. [10] The judges at the second Golden Horse Awards were so impressed by her performance that they created a special award for her, citing her Outstanding Performance. In 1963, a publicity appearance brought traffic in Taipei to a halt, as thousands of women came to see Ivy Ling Po. [11]
In 1964, Ling Po received the coveted title of Asian Movie Queen, when she won the Best Actress award at the 11th Asian Film Festival for her performance in Lady General Hua Mulan . [12] The following year, she would win the Most Versatile Talent award at the 12th Asian Film Festival, for her role as a young prince in The Grand Substitution and a scholar in The Mermaid .[ citation needed ]
She became the leading figure in the Huangmei opera genre and was usually cast in male roles. Every year, without fail, Ling Po would make lists of the top ten stars in Hong Kong, based on polls conducted by magazines and newspapers.
To avoid being typecast, she auditioned for various roles in wuxia and contemporary genres. For playing the ill-fated wife of Kwan Shan in Too Late for Love , [13] one of her contemporary outings, she won the Golden Horse Best Actress award.
In 1975, Ivy Ling Po won the Golden Horse Best Supporting Actress award for her role as a neglected empress in Li Han-hsiang's The Empress Dowager , despite limited screen time in the sprawling epic. After her contract with Shaw Brothers Studio ended in 1975, she went on to appear in other films and television series with her husband. She won another Golden Horse for Best Actress, for My Father, My Husband, My Son, in which she aged from a teenager to an old woman. Her last screen appearance was in the movie Golden Swallow (1987), playing an evil witch. [9] She retired after that and emigrated with her husband, Chin Han, and her three sons to Toronto, Ontario, Canada in 1989.[ citation needed ]
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Ivy Ling Po had a career revival in 2002, when she teamed up with another veteran Shaw actress, Hu Chin, to stage Butterfly Lovers . Two original cast members, Li Kun and Jen Chieh, recreated their respective roles. She toured extensively with this stage version of her signature movie, bringing it to Malaysia, Singapore, Taiwan, and the United States. This stage version was successful, and Ivy Po restaged it two years later in Taiwan. A double DVD set was released in 2003 by Rock Records.
Ivy Ling Po has staged numerous concerts in Taiwan, the United States, and Malaysia. Her two concerts at Genting Malaysia in 2005 included Hu Chin, Chin Hsiang Lin, and Yueh Hua.
In 2006, Ivy Ling Po returned to the Hong Kong Coliseum as part of a large group of singers for the Everlasting Golden Hits concert. She sang her signature songs from The Love Eterne , even duetting with Lisa Wang, who sang the part of Zhu Yingtai. She also performed her version of "Jiao Dao" from The Crimson Palm. A three-CD set was released in Hong Kong by Kinston Entertainment, and a DVD/VCD release followed a few months later.
In April 2004, Ivy Ling Po was among the first Hong Kong celebrities invited to open the Avenue of Stars in Tsim Sha Tsui. Her handprints and signature are now prominently displayed there. In January 2006, Ivy Ling Po was awarded the WIFTI-HK Professional Achievement Award, with the re-release and screening of the remastered The 14 Amazons at the Hong Kong Visual Arts Centre. In October 2006, Ivy Ling Po, Hu Chin, and Xie Lei performed at Star City in Sydney, Australia. Ivy Ling Po was also the special guest star at the Frances Yip S.U.C.C.E.S.S. concert, held at the Queen Elizabeth Theatre in Vancouver on October 30, 2006.
Titles & dates of release courtesy of Hong Kong Film Archive.
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Ivy Ling Po is married to Chin Han. Their children include film director Kenneth Bi. [14]
Shaw Brothers (HK) Limited was the largest film production company in Hong Kong, operating from 1925 to 2011.
Betty Loh Ti, known as Loh Tih for short, was a Hong Kong actress originally from Shanghai. Known as the "Classic Beauty", she was one of the most celebrated actresses of Hong Kong cinema. She is most famous for her roles in the 1960 film The Enchanting Shadow, for which she was called "China's most beautiful actress" by the jury of the 1960 Cannes Film Festival, and The Love Eterne, which earned her the Golden Horse Award for Best Leading Actress in 1963. She died from barbiturate overdose at the age of 31.
The Mermaid is a 1965 Hong Kong Huangmei opera film. It was directed by Kao Li and produced by Shaw Brothers Studio, based on Yulan Ji.
The Empress Dowager is a 1975 Hong Kong historical film directed by Li Han-hsiang and produced by the Shaw Brothers Studio, starring Lisa Lu as Empress Dowager Cixi.
Huangmei Opera or Huangmei tone is a form of Chinese opera originating from Anqing, Anhui province, as a form of rural folk song and dance. It is also referred to as Anhui Opera. It has been in existence for the last 200 years and possibly longer. Huangmei opera is one of the most famous and mainstream opera in China, and is a class of the typical Anhui opera. The original Huangmei opera was sung by women in Anqing areas when they were picking tea, and the opera was called the Picking Tea Song. In the late Qing dynasty, the songs were popular in Anhui Huaining County adjacent regions, combined with the local folk art, Anqing dialect with singing and chants, and gradually developed into a newborn's operas. The music is performed with a pitch that hits high and stays high for the duration of the song. It is unique in the sense that it does not sound like the typical rhythmic Chinese opera. In the 1960s Hong Kong counted the style as much as an opera as it was a music genre. Today it is more of a traditional performance art with efforts of revival in mainland China, Hong Kong, and Taiwan, and mostly sung in Mandarin. In 2006, Huangmei Opera was selected for the first batch of China's national intangible cultural heritage.
Jing Ting was a Chinese singer and dubbing artist, sometimes known as the Marni Nixon of Hong Kong cinema.
Lady General Hua Mu-lan is a 1964 Hong Kong Huangmei opera musical film, directed by Yueh Feng, depicting the story of Hua Mulan.
Inside The Forbidden City is a 1965 Hong Kong Huangmei opera musical film. Depicted is the famous tale known as "Civet for Crown Prince" which allegedly took place in China's Song dynasty.
Shek Wing-cheung, better known by his stage name Shih Kien, Sek Kin, Sek Gin or Shek Kin, was a Hong Kong actor and martial artist. Shih is best known for playing antagonists and villains in several early Hong Kong wuxia and martial arts films that dated back to the black-and-white period, and is most familiar to Western audiences for his portrayal of the primary villain, Han, in the 1973 martial arts film Enter the Dragon, which starred Bruce Lee.
The Three Smiles is a 1969 Mandarin-language Hong Kong film, directed by Yueh Feng. It is considered the last film of the huangmei opera films golden age.
The Female Prince is a 1964 Shaw Brothers Studio Hong Kong Huangmei opera musical film directed by Chow Sze-Loke, written by Chang Cheh and starring Ivy Ling Po.
Linda Lin Dai, born Ching Yuetyue (程月如), was a Chinese actress of Hong Kong films made in Mandarin during the 1950s–60s. She was a star actress of the Shaw Brothers Studio. She was the daughter of Cheng Siyuan (程思遠), the secretary of the KMT Chinese President Li Zongren, and Vice Chairman of the CPPCC.
Between Tears and Laughter is a 1964 Hong Kong drama film directed by Lo Chen. Set in Republic of China (1912–49) era Peking (Beiping), the story revolves around a college student and three young women: a wealthy daughter of a government bureaucrat, a traditional singer in a band and a street kung-fu/acrobat performer.
Kwan Shan was a Hong Kong film actor. Kwan appeared as a romantic lead actor in Mandarin-language films created in Hong Kong, especially during the 1960s. His roles included several Shaw Brothers Studio productions.
Li Ching, also spelled Lee Ching ;, was a prominent Hong Kong actress and producer from the early 1960s to the late 1970s.
Ronald Bi Jen-hsu, known by his stage name Chin Han, is a retired Hong Kong actor, director, screenwriter and producer born in mainland China. He has appeared in over 50 Mandarin-language films in Hong Kong and Taiwan, many of them produced by the Shaw Brothers Studio in the 1960s and the 1970s.
Duel for Gold is a 1971 Hong Kong martial arts film directed by Chor Yuen and produced by Shaw Brothers Studio, starring Ivy Ling Po, Lo Lieh, Chin Han, Wang Ping, Tsung Hua and Chen Chun. The screenplay was written by Ni Kuang.
The Love Eterne is a 1963 Hong Kong musical film of the Huangmei opera genre directed by Li Han Hsiang. An adaptation of the Chinese legend of the Butterfly Lovers, it tells of the doomed romance between the male Liang Shanbo and the cross-dressed female Zhu Yingtai.
Fate in Tears and Laughter is a 1930 Chinese novel by Zhang Henshui, set in 1920s Beiping. A few chapters were translated into English by Sally Borthwick for the anthology Chinese Middlebrow Fiction: From the Ch'ing and Early Republican Eras (1984).
The Magic Lotus Lantern is a Chinese fairy tale from the Tang dynasty (618–907).