JT | ||||
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Studio album by | ||||
Released | June 22, 1977 | |||
Recorded | March 15 – April 24, 1977 | |||
Studio | Sound Factory (Hollywood) | |||
Genre | Soft rock | |||
Length | 37:57 | |||
Label | Columbia | |||
Producer | Peter Asher | |||
James Taylor chronology | ||||
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Singles from JT | ||||
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JT is the eighth studio album by American singer-songwriter James Taylor. It was released on June 22, 1977, via Columbia Records, making it his first album released for the label. Recording session took place from March 15 to April 24, 1977, at The Sound Factory in Los Angeles with Val Garay. Production was handled by Peter Asher.
The album peaked at number 4 on the Billboard 200 albums chart in the United States and was Taylor's highest-charting album since Mud Slide Slim and the Blue Horizon . By January 31, 1997, it was certified 3 times Platinum by the Recording Industry Association of America. At the 20th Annual Grammy Awards, it was also nominated for Grammy Award for Album of the Year, but lost to Rumours by Fleetwood Mac. In The Village Voice's annual Pazz & Jop critics poll for the year's best albums, JT finished at No. 23. [1] It would be the first and only time James Taylor would place an album in the poll's top 30 during its entire existence.
The album spawned three singles: "Handy Man" (Taylor's final top 10 hit), "Your Smiling Face" and "Honey Don't Leave L.A." "Handy Man", a Jimmy Jones cover, peaked at #4 on the Billboard Hot 100 and topped the Adult Contemporary and won the Grammy Award for Best Male Pop Vocal Performance. "Your Smiling Face", the other big hit, peaked at #20 on the Billboard Hot 100 and #6 on the Adult Contemporary chart. The record also contains other Taylor classics such as "Secret O' Life" and "Terra Nova", with the participation of Taylor's then-wife Carly Simon.
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Christgau's Record Guide | B [3] |
The Encyclopedia of Popular Music | [4] |
MusicHound Rock | [5] |
The Rolling Stone Album Guide | [6] |
Robert Christgau, who had been skeptical of Taylor's previous work, expressed surprise when the album exceeded his expectations, writing that "James sounds both awake and in touch...'Handy Man' is a transcendent sex ballad, while 'I Was Only Telling a Lie' and 'Secret 'o Life' evoke comparisons with betters on the order of the Stones and Randy Newman, so that the wimpy stuff — which still predominates — sounds merely laid-back in contrast. Best since Sweet Baby James ...some of this is so wry and lively and committed his real fans may find it obtrusive." [3]
Peter Herbst in Rolling Stone wrote that "JT is the least stiff and by far the most various album Taylor has done. That's not meant to criticize Taylor's earlier efforts...but it's nice to hear him sounding so healthy." [7]
John Rockwell in The New York Times complimented JT as "one of [Taylor's] stronger efforts in recent years" writing that Taylor "is at his most overtly effective on the single, 'Handy Man.' This old Otis Blackwell song was probably not designed for Mr. Taylor's sexily intimate way of singing it, but the decision to do it that way was an inspired one, and the arrangement is really quite wonderful. Nothing else on the record seems quite so good, but the level is pleasingly high." Rockwell also argues that Taylor "has never quite recaptured the inspiration of his early Sweet Baby James album, and JT doesn't do it, either. Perhaps the most obvious way that the new songs don't equal the old is their relative lack of memorable melody. Mr. Taylor's songs sound more like conversational recitations than tunes. They're still interesting, though, and some of the accompaniments are really delightful." [8]
All songs written by James Taylor, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Your Smiling Face" | 2:50 | |
2. | "There We Are" | 3:02 | |
3. | "Honey Don't Leave L.A." | Danny Kortchmar | 3:05 |
4. | "Another Grey Morning" | 2:44 | |
5. | "Bartender's Blues" | 4:12 | |
6. | "Secret O' Life" | 3:34 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Handy Man" | 3:17 | |
2. | "I Was Only Telling a Lie" | 3:24 | |
3. | "Looking for Love on Broadway" | 2:23 | |
4. | "Terra Nova" |
| 4:32 |
5. | "Traffic Jam" | 1:58 | |
6. | "If I Keep My Heart Out of Sight" | 3:01 | |
Total length: | 37:57 |
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA) [15] | 3× Platinum | 3,000,000^ |
^ Shipments figures based on certification alone. |
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"Handy Man" is a song written by singer Jimmy Jones and songwriter Otis Blackwell. Recordings by Del Shannon and also The Sparks Of Rhythm list Charles Merenstein as a co-writer, as does BMI. The Sparks Of Rhythm version on the Apollo 541 single version released in 1959 credits Andrew Barksdale and Merenstein as writers omitting Jimmy Jones. The song is noted for Jones singing "Come-a, come-a come-a come-a, come come-a, yeah" lyrics, which are heard at the beginning as well as in the coda of the song, before the song's fade.
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