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| "Jamaica Farewell" | |
|---|---|
| Song by Harry Belafonte | |
| from the album Calypso | |
| Language | English |
| Released | 1956 |
| Genre | Mento |
| Songwriter(s) | Irving Burgie |
"Jamaica Farewell" is a Jamaican-style folk song (mento). [1] The lyrics for the song were written by Lord Burgess (Irving Burgie), an American-born, half-Barbadian songwriter. It is about the beauties of the West Indian Islands.
The song appeared on Harry Belafonte's 1956 album Calypso . It reached number 14 on the Billboard Pop chart. [2]
Many, including Belafonte himself, have said that the song was popular in the West Indies since long before Burgess. It is believed that Burgess compiled and modified the song from many folk pieces to make a new song. Burgess acknowledged his use of the tune of another mento, "Iron Bar". [1] The line "ackee, rice, saltfish are nice" refers to the Jamaican national dish.
Artists who have covered "Jamaica Farewell" include: [3]
This song has been translated into many languages. For example, in Bengali, there exist several translations, some of which are quite well known. One Bengali version of the song became an important anthem for the Naxalite revolutionary movement in the 1970s and thus has significance for Bengali intellectuals in Kolkata society. The Bangladeshi band Souls also sang their own translated version in early 1990s, which instantly became a hit in Bangladesh.[ citation needed ]
The song "Iron bar" was published along with Swedish lyrics by Ulf Peder Olrog in 1947 as "Mera bruk i baljan boys" in his "Rosenblom i Västindien" sheet music album. Olrog had earlier in 1947 travelled in the West Indies and wrote down some "native songs" in Jamaica, of which 3 were published with Swedish lyrics. The song was a large record hit with singer Anders Börje. Later on, "Jamaica Farewell" was covered with lyrics in Swedish by Schytts as Jamaica farväl, scoring a 1979 Svensktoppen hit. [5] Streaplers recorded a 1967 Swedish-language version of the song, with the lyrics "Långt långt bort". Their version became a 1968 Svensktoppen hit. [6]
German translations are "Abschied von Kingston Town" ("Farewell from Kingston Town") by Bruce Low and "Weil der Sommer ein Winter war" ("For the Summer was a Winter") by Nana Mouskouri.[ citation needed ]
The Vietnamese translation is "Lời Yêu Thương" ("Love Words") by Đức Huy
This song was featured in the 2009 video game, Rabbids Go Home , at numerous points in the game. It further was featured in episode 8 of season 1 of the TV series, Barry .
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
The music of Jamaica includes Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles.
Mento is a style of Jamaican folk music that predates and has greatly influenced ska and reggae music. It is a fusion of African rhythmic elements and European elements, which reached peak popularity in the 1940s and 1950s. Mento typically features acoustic instruments, such as acoustic guitar, banjo, hand drums, and the rhumba box — a large mbira in the shape of a box that can be sat on while played. The rhumba box carries the bass part of the music.
"Marianne" is a traditional calypso song made popular by Trinidadian calypsonian Roaring Lion. Writing credits on the Easy Riders recording are Terry Gilkyson, Richard Dehr, and Frank Miller.
"Day-O " is a traditional Jamaican folk song. The song has mento influences, but it is commonly classified as an example of the better known calypso music.
"Mary's Boy Child", also known as "Mary's Little Boy Child", is a 1956 Christmas song, written by Jester Hairston. It is widely performed as a Christmas carol.
Calypso is the third studio album by recording artist Harry Belafonte, released by RCA Victor (LPM-1248) in 1956. The album became his second consecutive number-one album on the Billboard Top Pop Albums chart, where it peaked for 31 weeks. Calypso was the first Long Play record album to sell over one million copies.
BAO! is the second studio album by Benny Anderssons orkester, released in June 2004 on Benny's own Mono Music label. Recording for the album took place in the first half of 2004 at Polar Studios and Sveriges Radio Studio 4, Stockholm.
"Linstead Market" is a Jamaican folk song of the mento type that tells of a mother who goes to the market with her ackee fruit but does not sell any, with the result that her children will go hungry.
"Choucoune" is a 19th-century Haitian song composed by Michel Mauléart Monton with lyrics from a poem by Oswald Durand. It was rewritten with English lyrics in the 20th century as "Yellow Bird". Exotica musician Arthur Lyman made the song a hit in 1961.
"Matilda" is a calypso song. Some songwriting credits are given as Harry Thomas, some credits are given as Norman Span.
"Jumbie Jamberee" is a calypso song credited to Conrad Eugene Mauge, Jr. In 1953 Lord Intruder released the song as the B-side to "Disaster With Police". The song is also known as "Zombie Jamboree" and "Back to Back". The introduction to the Kingston Trio's version humorously credits "Lord Invader and his Twelve Penetrators" with authorship of the song instead of Lord Intruder.
Irving Louis Burgie, sometimes known professionally as Lord Burgess, was an American musician and songwriter, regarded as one of the greatest composers of Caribbean music. He composed 34 songs for Harry Belafonte, including eight of the 11 songs on the Belafonte album Calypso (1956), the first album of any kind to sell one million copies. Burgie also wrote the lyrics of the National Anthem of Barbados. To date, songs penned by Irving Burgie have sold more than 100 million copies worldwide.
A notable year in the history of Jamaican music was 1907, when Walter Jekyll's Jamaican Song and Story was first published. The contents of this book include four parts entitled "Anancy Stories", "Digging Sings", "Ring Tunes", and "Dancing Tunes". Each part has an introduction, songs, stories, and melodies.
Lord Flea was the stage name of Norman Byfield Thomas, a Jamaican mento musician credited with "helping start the calypso craze in U.S." With his band The Calypsonians, Flea toured America throughout the late 1950s, and released an album on the Capitol label. The band also performed in two calypso-related films.
Count Lasher was the stage-name of Terence Parkins, a Jamaican singer and songwriter. Born in the mountainous parish of Saint Thomas, Lasher predominantly utilized first rural, and then urban mento styles in his music, although in later years he recorded some ska and reggae singles. Successful and prolific in output, Count Lasher remains an overlooked figure in the history of Jamaican music.
"Island in the Sun" is a song written by Harry Belafonte and Irving Burgie, and performed by Harry Belafonte for the 1957 film Island in the Sun and on his 1957 album Belafonte Sings of the Caribbean.
"Mama Look at Bubu" is a song written by Trinidadian calypsonian Lord Melody, Harry Belafonte and Lord Burgess, and performed by Harry Belafonte featuring Bob Corwin's Orchestra & Chorus featuring Millard Thomas, Franz Casseus and Victor Messer on guitars. Although Belafonte gets co-writing credit on his 1957 release, the song first appeared on Lord Melody's single "Mama Look a Boo Boo" in 1955, and his debut album "Calypso Fiesta – Limbo In Trinidad" in 1956, with solo writing credit to Lord Melody.
"Last Night I Had the Strangest Dream" is a song written by American folk singer-songwriter Ed McCurdy in 1950. Due to McCurdy's connection with fellow musicians, it was common in repertoires within the folk music community. The song had its first album release when Pete Seeger recorded it as "Strangest Dream" for his 1956 album Love Songs For Friends & Foes. Seeger would later re-visit the song for his 1967 album Waist Deep in the Big Muddy and other Love Songs. The strong anti-war theme of the song led it to be recorded by multiple other artists, including The Weavers (1960), Joan Baez (1962), The Kingston Trio (1963), Simon & Garfunkel (1964), and Johnny Cash who released two versions of the song during the 2000s.
Pop 'n' Mento is the third album by Jamaican mento band the Jolly Boys, released in September 1989 by American label First Warning and British label Cooking Vinyl. The album was produced by American singer-songwriter Jules Shear, who discovered the Jolly Boys performing in a Port Antonio hotel. He digitally recorded the group in one take, using a minimal set-up to accommodate the group's acoustic instruementation. The record features a set of mento standards, and mixed elements from the genre's past with contemporary sounds.
