Jean-Luc Chaignaud

Last updated

Jean-Luc Chaignaud (born 3 August 1959) is a French soloist baritone, singer of operas, lieder and oratorio.

Contents

Biography

Born in Pantin, Chaignaud studied singing with Régine Crespin and Gabriel Bacquier at the Conservatoire de Paris, then entered the École d'Art Lyrique of the Paris Opera where he participated in the master classes of Christa Ludwig and Hans Hotter. After making his debut in 1988 at the musical May in Bordeaux and at the Ossiachersee Festival in Austria, he was hired by Herbert von Karajan for the role of Silvano in Un ballo in maschera by Verdi, along Plácido Domingo, Josephine Barstow and Sumi Jo, recorded for Deutsche Grammophon (1989). A staging by John Schlesinger of this production, this time under the baton of Sir Georg Solti, is directed for the Salzburg Festival in 1989 and 1990 and also filmed (Arthaus/TDK, 1990).

His training with the German mezzo-soprano Christa Ludwig is decisive for her career, as she recounts in her memoirs "My voice and me" during a dithyrambic passage on the talent of this baritone of a "very beautiful voice" and who "sings well with musicality". During a first and only audition for the role of Figaro at the Vienna State Opera, director Eberhard Wächter immediately gave Chaignaud a multi-year contract, propelling him into a career on major international stages. [1]

During the 1991-1992 season at the Vienna State Opera, he embodied the character of Belcore in Donizetti's L'elisir d'amore alongside the Italian tenor Luciano Pavarotti and Marcello in Puccini's La bohème with the Italian soprano Mirella Freni. His work with these two great performers, "mythical couple of opera", with whom he shared the stage several times in Vienna and Paris, had a great influence on his approach to singing and on the evolution of his career. In 1993, the French critics praised him for his work [2] with the Italian soprano Mirella Freni. His work with these two great performers,"mythical couple of opera", with whom he shared the stage several times in Vienna and Paris, had a great influence on his approach to singing and on the evolution of his career. In 1993, the French critics praised him for his work. The first French national daily newspaper Le Figaro described Jean-Luc Chaignaud as a "stage prodigy", "dazzling with humanity and tenderness" and praised his voice "marvellously conducted, iridescent with beautiful colours". [3]

Chaignaud's great interpretive and musical qualities go hand in hand with his powerful voice and "his solid profession". [4] Mainly known for the roles of Lescaut in the operas Manon by Massenet alongside Renée Fleming, Marcello in La Bohème by Puccini alongside Roberto Alagna, and Escamillo in Carmen by Bizet directed by Franco Zeffirelli, he sings in a repertoire that includes operas by Mozart, Verdi, Donizetti, Puccini and Bizet, in major theatres such as the Metropolitan Opera of New York, the Paris Opera, the Vienna State Opera, La Scala of Milan, the Grand theatre of Liceu of Barcelona, Carnegie Hall in New York, the Royal Albert Hall London, the Bavarian State Opera of Munich and the Peking opera.

Over the course of more than thirty years of his international career, Chaignaud has performed a wide variety of repertoires and styles throughout the world: The Italian repertoire of Bel canto but also the Baroque, lieder, oratorio and contemporary Music such as Ça Ira by Roger Waters. His recordings include an exceptional recital at the Louvre of the Lieder eines fahrenden Gesellen by Mahler with the Quatuor Arditti under the direction of Michel Béroff on the occasion of the reopening of the museum in 1989, Adriana Lecouvreur by Cilea with Mirella Freni (La sept Arte/Opéra national de Paris, France Musique, 1994), Massenet's Manon with Renée Fleming (Arthaus, 2009), Donizetti's L'elisir d'amore with Rolando Villazón (Virgin Classics, 2010) and a tribute to the Franco-Monegasque poet-songwriter-performer Léo Ferré at the Opéra de Monte-Carlo (OPMC Classics, 2014).

He has collaborated with conductors such as Herbert von Karajan, Sir Georg Solti, Riccardo Muti, Giuseppe Sinopoli, Richard Bonynge, Seiji Ozawa, Pierre Boulez, Valery Gergiev, Jeffrey Tate, Christian Thielemann, Daniel Oren, Charles Dutoit and Christoph Eschenbach.

Roles (selection)

Discography (selection)

Related Research Articles

Ileana Cotrubaș is a Romanian operatic soprano whose career spanned from the 1960s to the 1980s. She was much admired for her acting skills and facility for singing opera in many different languages.

<span class="mw-page-title-main">Mirella Freni</span> Italian soprano (1935–2020)

Mirella Freni, OMRI was an Italian operatic soprano who had a career of 50 years and appeared at major international opera houses. She received international attention at the Glyndebourne Festival, where she appeared as Zerlina in Mozart's Don Giovanni and as Adina in Donizetti's L'elisir d'amore.

<span class="mw-page-title-main">Marcelo Álvarez</span> Argentine lyric tenor (born 1962)

Marcelo Raúl Álvarez is an Argentine lyric tenor who achieved international success starting in the mid-1990s.

<span class="mw-page-title-main">Daniel Oren</span> Israeli musician (born 1955)

Daniel Oren is an Israeli conductor.

<span class="mw-page-title-main">Giuseppe Taddei</span> Italian opera singer

Giuseppe Taddei was an Italian baritone, who, during his career, performed multiple operas composed by numerous composers.

Barbara Frittoli is an Italian operatic soprano, specializing in operas by Verdi and Mozart. She has sung leading roles in opera houses throughout Europe and in the United States, such as La Scala in Milan and the Metropolitan Opera in New York. Her signature roles include Mimì in La bohème, the Countess in The Marriage of Figaro, Donna Elvira in Don Giovanni, Desdemona in Otello.

Alessandro Corbelli is an Italian baritone opera singer. One of the world's pre-eminent singers specializing in Mozart and Rossini, Corbelli has sung in many major opera houses around the world and won admiration for his elegant singing style and sharp characterizations, especially in comic roles.

<span class="mw-page-title-main">Rolando Panerai</span> Italian baritone (1924–2019)

Rolando Panerai was an Italian baritone, particularly associated with the Italian repertoire. He performed at La Scala in Milan, often alongside Maria Callas and Giuseppe Di Stefano. He was known for musical understanding, excellent diction and versatile acting in both drama and comic opera. Among his signature roles were Ford in Verdi's Falstaff and the title role of Puccini's Gianni Schicchi.

<span class="mw-page-title-main">Ingvar Wixell</span> Swedish baritone

Karl Gustaf Ingvar Wixell was a Swedish baritone who had an active international career in operas and concerts from 1955 to 2003. He mostly sang roles from the Italian repertory, and, according to The New York Times, "was best known for his steady-toned, riveting portrayals of the major baritone roles of Giuseppe Verdi — among them Rigoletto, Simon Boccanegra, Amonasro in Aida, and Germont in La traviata".

Hong Hei-Kyung, often known in the west as Hei-Kyung Hong, is a South Korean operatic lyric soprano.

Antonio Laudino Carangelo is an Italian operatic tenor.

Alain Vanzo was a French opera singer and composer, one of few French tenors of international standing in the postwar era. He, along with such singers as Henri Legay and the Canadian Léopold Simoneau, represented a traditional French lyric style during a period when larger Italian and German vocal styles had become popular.

Mario Sereni was an Italian baritone, who sang leading roles at the New York Metropolitan Opera for many years.

<span class="mw-page-title-main">Afro Poli</span> Italian opera singer

Afro Poli was an Italian operatic baritone, particularly associated with the Italian repertory.

<span class="mw-page-title-main">Joy Clements</span> American soprano

Joy Clements was an American lyric coloratura soprano who had a substantial opera and concert career from 1956 through the late 1970s. She notably sang regularly with both the New York City Opera and the Metropolitan Opera during the 1960s through the early 1970s. She also traveled regularly for performances with opera companies and orchestras throughout the United States but only appeared in a relatively few number of performances internationally.

This list includes opera productions of the Opera Group and Opera Company of Boston from 1958 to 1990.

<span class="mw-page-title-main">Nino Machaidze</span> Georgian operatic soprano

Nino Machaidze is a Georgian operatic soprano. She performs in 19th-century Romantic repertoire, primarily in operas by Rossini and Verdi as well as French operas. Beginning her career at La Scala, she gained international attention after being cast as Juliette in Gounod's Roméo et Juliette at the 2008 Salzburg Festival, after which she earned the nickname "Angelina Jolie of Opera" from the Austrian press.

<span class="mw-page-title-main">Sébastien Guèze</span> French opera singer

Sébastien Guèze is a classical French tenor. He sings the French and Italian romantic repertory including Donizetti, Verdi, Puccini, Gounod, Bizet and Massenet.

Béatrice Uria Monzon is a French mezzo-soprano.

<span class="mw-page-title-main">René Massis</span> French contemporary baritone (born 1947)

René Massis is a French contemporary baritone.

References

  1. (p. 266), Ma voix et moi (...und ich wäre so gern Primadonna gewesen), Christa Ludwig, Éditions Les Belles Lettres/Archimbaud, 1996.
  2. Adrienne Lecouvreur, Gérard Mannoni, Le Quotidien de Paris, 23 December 1993; Ticket gagnant, Alain Lompech, Le Monde, 22 December 1993; Adrienne Lecouvreur: for the voices, Hervé Pennven, Présent, 25 December 1993.
  3. Pour Mirella, Pierre Petit, Le Figaro, 22 December 1993 ; Jean-Luc Chaignaud, Baryton admirable, dir. François Hauter, Le Figaro, 30 December 1993.
  4. Le Barbier de Séville at the Opéra de Nice, Christian Jarniat, La Tribune de Nice, 6 March 2009. See also press articles written by Jacques Doucelin in Le Figaro and on concertclassic.com.