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Jennifer Charles | |
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Background information | |
Born | Washington D.C., U.S. | November 15, 1968
Genres | |
Occupation(s) | Singer, songwriter |
Instrument(s) | Vocals, guitar, Wurlitzer |
Years active | 1990–present |
Labels | |
Website | www |
Jennifer Asher Charles (born Zipken; November 15, 1968) is an American singer and songwriter. Along with Oren Bloedow, she co-founded the New York band Elysian Fields. Her work is known for its emotional intensity, with her writing exploring nature, love, loss, death, myth, and identity, often with philosophical and literary influences. She has a contralto voice.[ citation needed ]
Jennifer was the firstborn child of Peter Charles (né Zipken) and Jeri Charles (née Valentine). She has a younger brother, Joshua. When Jennifer was an infant, her father had her birth name (and that of the whole family) changed from Zipken to Charles, which had been his professional name for years on the radio as a disc jockey, and which he had decided to change legally once his own father died. Charles is of Russian Jewish and Irish descent, and grew up in a mostly secular Jewish household. Her parents separated when she was four, and Jennifer and her brother were raised by their mother, seeing her father every two weeks. She grew up in houses filled with music, because her mother had been a classical music programmer at WMAL-FM, and because her father had been a late night jazz DJ at WAVZ out of New Haven, CT. Her mother also used to be a torch singer in Washington clubs, so Jennifer also learned early on the songs of Édith Piaf, Ruth Etting, Marlene Dietrich, Billie Holiday, and Judy Garland. And from her grandmother, she absorbed most of the Tin Pan Alley and blues songs of the 1920s and 1930s. The music of popular AM radio at the time of her childhood was multiform, and Jennifer fell asleep with a transistor radio most nights.
The homes Jennifer grew up in with her mother in Washington, D.C. were unconventional, and she was exposed to many cultures as her mother and her mother's good friend (another single mother) formed something of a group house, taking in writers and filmmakers (Stephen Jimenez and Henry Jaglom among them), and a French chef as boarders. As young children, she and her brothers would travel door to door, performing a kind of children's vaudeville act, singing Tin Pan Alley songs and tap dancing. Jennifer was a shy girl, so when she started doing children's theater at age 10, her stage debut at Trinity Theater was that of a cat who had no speaking lines but was a mime and dancer who was onstage the length of the play. It was an original role that the director let Jennifer create as she felt she did not fit into any of the written parts. She was also writing herself, and published her first poem, called "Riddle-Song Of The Sun," that same year. At age 11, she started a newspaper with her best friend called The Pre-Teen Times where they sold subscriptions that came out quarterly. At age 12, she became passionate about the music of South Asia after her mother returned from a journey across India and Nepal with a bag full of cassettes for her, with Jagjit and Chitra Singh's The Gold Disc being her favorite. She took flamenco lessons as a young teen, and continued to do children's theater and community theater. She studied acting for a summer at Catholic University, and had principal roles in productions at Little Theatre of Alexandria, Olney Theatre Center, and Folger Shakespeare Theatre. She attended the Washington International School, where she studied Spanish and Latin, then the Edmund Burke School, a college prep school she left after she had begun working in professional theatre at Studio Theatre and Source Theatre, and the school could not accommodate her rehearsal schedule. For her last two years of high school, Jennifer attended Duke Ellington School of the Arts, where she was a theater major. An advanced academic program also landed her part-time at George Washington University, where she studied writing and anthropology.
Jennifer's youth in the melting pot of Washington, D.C. was instrumental in her music influence and taste. Her mother had season tickets to the National Symphony Orchestra, which they attended on Friday nights, and her father would take her to hear live jazz at places like Blues Alley, One Step Down, and Charlie's Georgetown, where she saw the likes of Anita O'Day, Mel Tormé, Dizzy Gillespie, Ahmad Jamal, Oscar Peterson, George Shearing, and Jamaican jazz pianist Monty Alexander. In her teens, Jennifer would often travel to New York and London, both with friends and on her own. She was turned on to the different sounds in each city - The Lounge Lizards, Diamanda Galas, Lydia Lunch, Blondie, and The Velvet Underground in New York; and The Specials, Gang of Four, Siouxsie, The Slits, The Buzzcocks, The Birthday Party, Cocteau Twins, and The Fall in the UK. But she was also steeped in the contemporary scenes of her own hometown, dancing at Tracks, Poseurs, and Badlands, and frequenting live music venues like D.C. Space, 9:30 Club, Fort Reno Park, and Cafe Lautrec to see punk bands like Bad Brains, Beefeater, and Rites of Spring. She also grew up going to go-go concerts, seeing Chuck Brown, Trouble Funk, Junk Yard Band, E.U., and Rare Essence, and went to hear Ethiopian music in the clubs and restaurants of DC's Adams Morgan neighborhood. As a junior in high school, Jennifer moved out on her own and supported herself with theater work and various odd jobs, including as an artist model at the Corcoran School of the Arts and as a singing waitress in a piano bar called The Top Hat Club.
In 1987, she moved to New York to continue her theatre and academic studies, receiving her Bachelor of Fine Arts from NYU's Tisch school in just three years. Upon graduating she appeared in various off-broadway theater productions, had a stint singing in a dive piano bar and curated a performance/poetry series at the original Knitting Factory.
Elysian Fields was founded in 1995 and have released eleven full-length records (including one produced by Steve Albini that was shelved). They have also contributed to many compilation albums, including the first song on John Zorn's Serge Gainsbourg tribute album. This song, their rendition of "Les Amours Perdues", also appeared in Lea Pool's film Emporte Moi.
Besides Elysian Fields, Charles has other projects. She and Bloedow recorded La Mar Enfortuna for Zorn's Tzadik label, featuring renditions of Sephardic and Ladino songs. [1] She has studied classical Indian singing with teacher Gulamji. [ citation needed ]
In late 2007, she and Bloedow put out a second Tzadik full-length, under the band name La Mar Enfortuna, called "Conviviencia". Charles sings in five languages on the record, including Ladino, Spanish, Aramaic, Arabic, and Greek.
Charles also makes up a quarter of the band Lovage, along with Dan the Automator, Mike Patton and Kid Koala. [2] The band recorded its debut album titled Music to Make Love to Your Old Lady By in 2001. Charles co-wrote and sang most of the material on the album. She has also worked with bands like Firewater, turning in performances on "The Circus" and "Mr. Cardiac" from 1996's Get Off the Cross, We Need the Wood for the Fire , as well as Xian Hawkin's "Sybarite", the Foetus record, Love , as well as working with Matt Johnson of The The, and on several of John Zorn's records.
Charles recorded in French with the French composer Jean-Louis Murat for the album A bird on a poire in 2004, which was nominated for a Victoires de la Musique award in the category Best Pop or Rock Album.
She had a guest spot on ex-Nine Inch Nails drummer Chris Vrenna's solo project Tweaker. She sang and co-composed the track "Crude Sunlight", which appeared on the 2004 album 2 a.m. Wakeup Call . Charles co-composed music with Johnny Klimek and Reinhold Heil ( Run Lola Run ) for the film Tangled. Elysian Fields' version of Bob Dylan's "Tangled up in Blue" can be heard in the film's credits.
She produced the latest Oren Bloedow solo record She Goes With me to a Blossom World, which came out in 2008.
Charles was back on stage in 2008 in the Off Broadway production "Lightning at Our Feet", inspired by poet Emily Dickinson, under the direction of Obie winner Bob McGrath, with film maker Bill Morrison and composer Michael Gordon, which was part of the Next Wave festival at Brooklyn Academy of Music in December 2008, where she sang and acted, channeling the iconic 19th century poet.
John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. Rolling Stone noted that "[alt]hough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".
William Winant is an American percussionist.
Elysian Fields is an American band based in Brooklyn, New York, founded in 1995 by the co-composers Jennifer Charles and Oren Bloedow (guitar). Their music has sometimes been described as "noir rock", due to its sultry, dark and mysterious inflections, be it sonically or lyrically. The band uses mainly acoustic instruments, predominantly guitar, piano, bass and drums, with the occasional appearance of eastern instruments, classical strings, and subtle electronics, the focal point being the voice of Charles in the forefront.
Oren Bloedow is an American singer, guitarist and bassist. He founded the band Elysian Fields in 1995 with Jennifer Charles. His father, Jerry Bloedow, was a playwright, poet, and film editor whose theater, the Hardware Poet's Playhouse, participated in the New York avant-garde scene in the 1950s and 1960s.
Firewater is an American band founded by American singer/instrumentalist Tod A. in New York City in 1995, after the breakup of his previous group Cop Shoot Cop. A self-described "world punk" band, Firewater incorporate diverse elements of world music with punk rock rhythms, including cabaret, ska, jazz, folk and most notably Eastern European influences such as klezmer and gypsy music, which has led to their inclusion in the gypsy punk genre.
Susie Ibarra is a contemporary composer and percussionist who has worked and recorded with jazz, classical, world, and indigenous musicians. One of SPIN's "100 Greatest Drummers of Alternative Music," she is known for her work as a performer in avant-garde, jazz, world, and new music. As a composer, Ibarra incorporates diverse styles and the influences of Philippine Kulintang, jazz, classical, poetry, musical theater, opera, and electronic music. Ibarra remains active as a composer, performer, educator, and documentary filmmaker in the U.S., Philippines, and internationally. She is interested and involved in works that blend folkloric and indigenous tradition with avant-garde. In 2004, Ibarra began field recording indigenous Philippine music, and in 2009 she co-founded Song of the Bird King, an organization focusing on the preservation of Indigenous music and ecology.
Eyvindur Y. Kang is an American composer and multi-instrumentalist. His primary instrument is viola, but has also performed on violin, tuba, keyboards and others.
Jamie Saft is an American keyboardist and multi-instrumentalist and composer. He was born in New York City and raised a Conservative Jew, and studied at Tufts University and the New England Conservatory of Music.
Shelley Hirsch is an American vocalist, performance artist, composer, improviser, and writer. She won a DAAD Residency Grant in Berlin 1992, a Prix Futura award in 1993, and multiple awards from Creative Capital, the Foundation for Contemporary Arts, the New York State Council for the Arts, four from NYFA and six from Harvestworks Digital Media Arts Center. She was a recipient of the Guggenheim Fellowship in Music Composition in 2017.
Sylvie Courvoisier is a composer, pianist, improviser and bandleader. She was born and raised in Lausanne, Switzerland, and has been a resident of New York City since 1998. She won Germany’s International Jazz Piano Prize in 2022 and was named Pianist of the Year for 2023 in the international critics poll of Spanish jazz publication El Intruso. NPR’s Kevin Whitehead has encapsulated the distinctive character of Courvoisier’s art this way: “Some pianists approach the instrument like it’s a cathedral. Sylvie Courvoisier treats it like a playground.”
Filmworks XII: Three Documentaries is an album containing three scores by John Zorn for documentary films released on Zorn's own label, Tzadik Records, in 2002. It features music that Zorn wrote and recorded for Homecoming (2002), a tribute documentary about the dance program at Performance Space 122 in New York by Charles Dennis, Shaolin Ulysses (2002) a film by Mei-Juin Chen and Martha Burr that follows Shaolin monks living and training in the United States, and Family Found (2002), a portrait of outsider artist Morton Bartlett which was directed by Emily Harris.
Great Jewish Music: Marc Bolan is a tribute album featuring the music of English singer/songwriter Marc Bolan of the band T.Rex. Produced by Danny Cohen, it was released on John Zorn's label Tzadik Records in 1998 as part of their series on "Radical Jewish Culture", following similar prior tributes to Burt Bacharach and Serge Gainsbourg.
Wu Fei is a virtuoso Chinese American composer, performer, and improviser from Beijing, China. She performs on the Chinese guzheng, an ancient zither with twenty-one strings, as well as sings. She currently resides in Nashville. Wu Fei has composed for a variety of musical genres, including choir, string quartet, chamber ensemble, Balinese gamelan, orchestral, film, and modern dance.
Ben Perowsky is an American drummer, percussionist, composer, and music producer. He is the drummer on stage in the 8 TONY award winning Broadway musical Hadestown. Perowsky leads the Ben Perowsky Trio, Moodswing Orchestra and Upstream Trio with Chris Speed and John Medeski. He is a founding member of the electric jazz group Lost Tribe. A prolific sideman, Perowsky has performed with Roy Ayers, John Scofield, The Lounge Lizards, Joan As Police Woman, Elysian Fields, Darryl Jenifer, Uri Caine, Dave Douglas, Mike Stern, Bob Berg, Walter Becker, Steven Bernstein., and John Zorn.
This is a discography for guitarist Marc Ribot, including both his own albums and significant recordings to which he has contributed. The year in brackets indicates the date of first release.
La Mar Enfortuna is the Sephardic side project from the alt rock group Elysian Fields, Oren Bloedow and Jennifer Charles. La Mar Enfortuna is a modern interpretation of lost or forgotten music, mostly of the Sephardim, from the 11th to the 16th century, with songs sung in Ladino, Arabic, Aramaic, Spanish, Greek, and English. They incorporate the sounds of jazz, folk, rock, Middle Eastern, and Latin musics. Besides Charles and Bloedow, the core group as it now stands includes Doug Wieselman, Ted Reichman and Robert DiPietro.
Psychopharmacology is the third album by Firewater, released on April 17, 2001 through Jetset Records.
Timba Harris is a violinist, violist, trumpet player, and composer. He is an active touring and recording member of Trey Spruance's Secret Chiefs 3, a founding member of the band Estradasphere, and one half of the electroacoustic chamber duo Probosci. His large ensemble works have been recorded for John Zorn's Tzadik Records, and his playing and orchestral arrangements can be found on recordings throughout the experimental rock world and on video games and film. Harris has performed in theaters, halls, clubs, and festivals in over 45 countries throughout North America, South America, Europe, the Middle East, Asia, and Australia. He has been based in several locations during his career, including Los Angeles, Santa Cruz, Seattle, New York, England, and France.
Curtis Rae Hasselbring is an American jazz trombonist, guitarist and composer.
Bleed Your Cedar is the debut album by the American band Elysian Fields, released in 1996. It was a commercial disappointment.