Johann Heinrich Lips (29 April 1758, Kloten - 5 May 1817, Zürich) was a Swiss copper engraver; mostly of portraits.
Kloten is a municipality in the district of Bülach in the canton of Zürich in Switzerland, and belongs to the Glatt Valley.
Zürich or Zurich is the largest city in Switzerland and the capital of the canton of Zürich. It is located in north-central Switzerland at the northwestern tip of Lake Zürich. The municipality has approximately 409,000 inhabitants, the urban agglomeration 1.315 million and the Zürich metropolitan area 1.83 million. Zürich is a hub for railways, roads, and air traffic. Both Zürich Airport and railway station are the largest and busiest in the country.
His father was the village surgeon and barber. [1] His Latin teacher, the local pastor, introduced him to Johann Caspar Lavater who was impressed by Lips' talent for drawing, persuaded his parents to let him study art, and arranged an apprenticeship for him with the painter, Johann Caspar Füssli. Later, he was also able to obtain a position with the etcher, Johann Rudolf Schellenberg, in Winterthur. [2]
Johann Caspar Füssli was a Swiss portrait painter and writer.
Winterthur is a city in the canton of Zürich in northern Switzerland. It has the country's sixth-largest population, estimated at over 108,000 people, and is the ninth largest agglomeration with about 138,000 inhabitants. Today Winterthur is a service and high-tech industrial satellite city within Greater Zürich, located about 20 kilometres (12 mi) northeast of downtown Zürich, and only 20 minutes by train.
From 1774 to 1776, he worked with Schellenberg to produce the illustrations for Lavater's famous work Physiognomische Fragmente zur Beförderung der Menschenkenntniß und Menschenliebe, a major treatise on physiognomy. [2] Following that, he briefly worked with Johann Caspar's son, Johann Heinrich Füssli, better known as Henry Fuseli.
Physiognomy is a practice of assessing a person's character or personality from their outer appearance—especially the face. It is often linked to racial and sexual stereotyping. The term can also refer to the general appearance of a person, object, or terrain without reference to its implied characteristics—as in the physiognomy of an individual plant or of a plant community.
Henry Fuseli was a Swiss painter, draughtsman and writer on art who spent much of his life in Britain. Many of his works, such as The Nightmare, deal with supernatural subject-matter. He painted works for John Boydell's Shakespeare Gallery, and created his own "Milton Gallery". He held the posts of Professor of Painting and Keeper at the Royal Academy. His style had a considerable influence on many younger British artists, including William Blake.
From 1780 to 1782, with financial assistance, he made a study tour of Germany which included time at the Drawing Academy in Mannheim and a visit to Düsseldorf, where he discovered the works of Anthony van Dyck. [1] From 1782 to 1789, he spent much of his time in Rome, where he became part of the German artistic community; befriending Johann Heinrich Wilhelm Tischbein, who was touring Italy with Goethe. [2] Although grateful to Lavater for his continuing support, he felt trapped in Rome and his natural tendency to hypochondria intensified. [1]
Mannheim is a city in the southwestern part of Germany, the third-largest in the German state of Baden-Württemberg after Stuttgart and Karlsruhe with a 2015 population of approximately 305,000 inhabitants. The city is at the centre of the larger densely populated Rhine-Neckar Metropolitan Region which has a population of 2,400,000 and is Germany's eighth-largest metropolitan region.
Düsseldorf is the capital and second-largest city of the most populous German federal state of North Rhine-Westphalia after Cologne, as well as the seventh-largest city in Germany. with a population of 617,280. At the confluence of the Rhine and its tributary Düssel, the city lies in the centre of both the Rhine-Ruhr and the Rhineland Metropolitan Regions with the Cologne Bonn region to its south and the Ruhr to its north. Most of the city lies on the right bank of the Rhine. The city is the largest in the German Low Franconian dialect area. "Dorf" meaning "village" in German, the "-dorf" suffix is unusual in the German-speaking area for a settlement of Düsseldorf's size.
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy.
In 1789, thanks to a recommendation from Goethe, he was able to become a Professor at the Weimar Princely Free Drawing School. While there, he illustrated works by Goethe and Friedrich Schiller and created portraits of numerous German creative artists and intellectuals. He quit his position five years later, following a rift with Goethe, and returned to Zürich. In 1796, he was married and, the following year, became a citizen there. [1] During this time, he illustrated the complete works of Christoph Martin Wieland. After 1801, he was a regular participant in the exhibitions of the Zürcher Künstlergesellschaft (art society). [2] He left a legacy of almost 1,500 engravings.
The Weimar Princely Free Drawing School was an art and literature educational establishment. It was set up in 1776 in Weimar by the scholar and ducal private-secretary Friedrich Justin Bertuch (1747–1822) and the painter Georg Melchior Kraus (1737–1806), as part of Weimar Classicism. It was financed by the young Charles Augustus, Grand Duke of Saxe-Weimar-Eisenach and heavily promoted by Goethe, who also taught there. Among its pupils were Charles Augustus's future mistress Karoline Jagemann. It lasted until 1930.
Johann Christoph Friedrich von Schiller was a German poet, philosopher, physician, historian, and playwright. During the last seventeen years of his life (1788–1805), Schiller struck up a productive, if complicated, friendship with the already famous and influential Johann Wolfgang von Goethe. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works he left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on Xenien, a collection of short satirical poems in which both Schiller and Goethe challenge opponents of their philosophical vision.
Christoph Martin Wieland was a German poet and writer. He is best-remembered for having written the first Bildungsroman, as well as the epic Oberon, which formed the basis for Carl Maria von Weber's opera of the same name. His thought was representative of the cosmopolitanism of the German Enlightenment, exemplified in his remark: "Only a true cosmopolitan can be a good citizen."
Johann KasparLavater was a Swiss poet, writer, philosopher, physiognomist and theologian.
Anton Graff was an eminent Swiss portrait artist. Among his famous subjects were Friedrich Schiller, Christoph Willibald Gluck, Heinrich von Kleist, Frederick the Great, Friederike Sophie Seyler, Johann Gottfried Herder, Gotthold Ephraim Lessing, Moses Mendelssohn and Christian Felix Weisse. His pupils included Emma Körner, Philipp Otto Runge and Karl Ludwig Kaaz.
Johann Rudolph Schellenberg was a Swiss artist, writer and entomologist best known for his illustrations of insects.
Johann Heinrich Wilhelm Tischbein, known as the Goethe Tischbein, was a German painter from the Tischbein family of artists.
Johann Kaspar Füssli, also written Johann Caspar Fuesslins or Fuessly, was a Swiss painter, entomologist and publisher.
Warja Lavater was born in Winterthur, Switzerland. She was a Swiss artist and illustrator noted primarily for working in the artist's books genre by creating accordion fold books that re-tell classic fairy tales with symbols rather than words.
Christian Gottlob Hammer, baptized as Gottlieb,, was an influential German landscape painter and engraver.
Johann Gaudenz Gubert Graf von Salis-Seewis was a Swiss poet.
Johann Heinrich Ramberg was a German painter and printmaker.
Ludwig Lavater was a Swiss Reformed theologian working in the circle of his father-in-law, Heinrich Bullinger. He served as Archdeacon at the Grossmünster in Zurich and briefly Antistes of the Zurich church as the successor of Rudolf Gwalther.
Johann Rudolf Huber was an eminent Swiss portrait artist. Among his famous subjects were Charles III William, Margrave of Baden-Durlach, Joseph I, Holy Roman Emperor and Albrecht von Haller.
Friederike Brun, née Münther, was a Danish author and salonist.
Jakob Emanuel Handmann was a Swiss painter specialised in portrait painting. He was a contemporary of the Swiss painters Anton Graff, Jean Preudhomme, Angelica Kauffman, Johann Jakob Schalch, Johann Caspar Füssli and his son Johann Heinrich Füssli.
Jean Preudhomme or Preud'ho(m)me or Prudhomme was a Swiss painter. He was a contemporary of the Swiss painters Anton Graff, Johann Jakob Schalch, Angelica Kauffman, Jakob Emanuel Handmann, Johann Caspar Füssli and his son Johann Heinrich Füssli.
Johann Jakob Schalch was a Swiss painter. He was a contemporary of the Swiss painters Anton Graff, Jean Preudhomme, Angelica Kauffman, Jakob Emanuel Handmann, Johann Caspar Füssli. His son Johann Heinrich Füssli was also a noted painter.
The Lavater brothers were Johann Heinrich Lavater and Johann Jacob Lavater (1594–1636), both Swiss physicians and naturalists.
Rudolf Füssli was a Swiss painter, art historian and Lexicographer.
Johann Jacob Hess was protestant Swiss theologian and clergyman.
The International Standard Book Number (ISBN) is a numeric commercial book identifier which is intended to be unique. Publishers purchase ISBNs from an affiliate of the International ISBN Agency.
Wikimedia Commons has media related to Johann Heinrich Lips . |