Johnny Mathis | ||||
---|---|---|---|---|
Studio album by | ||||
Released | July 16, 1956 [1] | |||
Recorded | March 14 – April 6, 1956 | |||
Studio | CBS 30th Street Studio New York City | |||
Genre | Jazz | |||
Length | 45:17 | |||
Label | Columbia | |||
Producer | George Avakian [2] | |||
Johnny Mathis chronology | ||||
| ||||
Alternate cover | ||||
Review scores | |
---|---|
Source | Rating |
Allmusic | [3] |
Johnny Mathis is the first studio album by vocalist Johnny Mathis that was released by Columbia Records in 1956. [1] The subtitle A New Sound in Popular Song can be found on the back cover but not on the front of the album or the disc label; in fact, this Mathis LP has been referred to as "the jazz album". [1] [3]
This release did not make it onto Billboard magazine's Best Selling Pop Albums chart, which had 15 positions available at the time. [4]
Columbia/Legacy released the album on compact disc for the first time as a 40th Anniversary Edition on May 7, 1996, and included a previously unreleased recording of "I'm Glad There Is You". [5]
In the UK the album was originally issued by Fontana Records with alternate artwork and a different track listing. On May 14, 2001, this version had its first pressing on compact disc as one of two albums on one CD, the other album being its 1957 follow-up, Wonderful Wonderful . [6]
In the liner notes for the original album, Columbia Records executive and album producer George Avakian wrote of a visit to a nightclub to hear Mathis during a trip to San Francisco in the summer of 1955: "I gave in to the blandishments of my good friend Helen Noga... and agreed to go listen to a 19-year-old local boy." [2] The young singer's talent was immediately apparent: "Before Johnny finished his second song, I knew I was going to sign him.... Obviously he had more training than most pop singers; his extraordinary breath control and sweeping range indicated that. He could do as many different things as four very different singers might, and do them well. All he needed was experience and seasoning." [2] Avakian knew this would take time and returned in January 1956 to see how his skills were developing. "Johnny's repertoire, already unusually broad, had grown enormously, and so had his poise and control. He had learned what to do with his hands, how to make and maintain close contact with his audience, and to program his songs most effectively. Best of all, he had grown so much in quality that I had no doubt that the time had come to record." [2]
Avakian also described what he had in mind for this project: "I visualized a series of intimate small-band sessions with a variety of arrangers, each given carte blanche as to instrumentation and treatment within the overall interpretation of each song as taped as a guide by Johnny in San Francisco." [2] As the head of the jazz department at Columbia, however, he had developed an ear for that vocal style. "Johnny's singing is thoroughly jazz-oriented, so naturally arrangers were chosen who had a thorough command of the jazz idiom, as well as the ability to write imaginatively for a pop vocalist." [2] He explained that these arrangers had "done a certain amount of what might be called experimental writing. Under the circumstances, it is not surprising that these arrangements contain many elements seldom encountered in pop vocal accompaniments." [2]
Despite this album's failure to chart, Avakian also produced the Wonderful Wonderful LP for Mathis the following year.
The album's first compact disc release in 1996 included one bonus track that was previously unavailable:
The album's CD release as part of the 2017 box set The Voice of Romance: The Columbia Original Album Collection included "I'm Glad There Is You" and one other track, which had not been available before:
The 1996 CD [1] and 2017 box set [7] provided the session dates. The musicians for each song were listed on the back cover of the original album [2] and in the liner notes of the box set.
The liner notes for the 1996 release of the album on compact disc include a list of the songs that were also recorded at these sessions but went unused and were destroyed in 1958: [1]
Miles Ahead is an album by Miles Davis that was released in October 1957 by Columbia Records. It was Davis' first collaboration with arranger Gil Evans following the Birth of the Cool sessions. Along with their subsequent collaborations Porgy and Bess (1959) and Sketches of Spain (1960), Miles Ahead is one of the most famous recordings of Third Stream, a fusion of jazz, European classical, and world musics. Davis played flugelhorn throughout.
Swingtime! is an album by the Canadian Brass, released in 1995. The album featured arrangements of several jazz standards.
Jukebox Ella: The Complete Verve Singles, Vol. 1 is a 2003 compilation album by the American jazz singer Ella Fitzgerald. The album contains all the singles Fitzgerald recorded for Verve Records label between 1956 and 1965.
Gordon Goodwin's Big Phat Band, or simply The Big Phat Band, is an 18-piece jazz orchestra that combines the big band swing of the 1930s and 1940s with contemporary music such as funk and jazz fusion. The band is led by Gordon Goodwin, who arranges, composes, plays piano and saxophone. Since its origin, the Big Phat Band has received several Grammy Awards and many Grammy nominations.
Mel Tormé, Rob McConnell and the Boss Brass is a 1986 studio album by Mel Tormé, accompanied by Rob McConnell's Boss Brass Big band. Tormé and McConnell's follow up album, Velvet & Brass was released in 1995.
XXL is the second studio album by Gordon Goodwin's Big Phat Band, released on September 23, 2003. It includes guest performances by saxophonist Michael Brecker, Brian McKnight, vocal group Take 6, clarinetist Eddie Daniels, and singer Johnny Mathis.
Donald Douglas Lamond Jr. was an American jazz drummer.
The Swingin' Miss D is the sixth studio album by Dinah Washington, arranged by Quincy Jones. It was recorded in December 1956 and released in September 1957.
This Is How I Feel About Jazz is a 1957 album by American musician Quincy Jones, his first full-length album as a bandleader after a recording debut with the 1955 split album Jazz Abroad.
The Greatest!! Count Basie Plays, Joe Williams Sings Standards is an album by vocalist Joe Williams and pianist/bandleader Count Basie and His Orchestra recorded in 1956 and released on the Verve label. It was Williams' second album with Basie following Count Basie Swings, Joe Williams Sings.
Super Hits is a greatest hits album from Miles Davis. Released in 2001, it reached #22 on Billboard's Jazz Albums chart.
Wonderful, Wonderful is the second album by American pop singer Johnny Mathis. It was released on July 8, 1957, on the Columbia Records label but does not include his hit song of the same name or any of his songs that were released as singles that year. The liner notes on the back of the original album cover proclaim that "he stamps as his very own such familiar rhythm tunes as 'Too Close for Comfort' and 'That Old Black Magic', injects new life in well-known ballads such as 'All Through the Night', gives new hearings to several fine standards that have been neglected in recent years, and even introduces a brand new ballad ."
The Spirit of '67 is an album by American jazz clarinetist Pee Wee Russell and composer/arranger Oliver Nelson featuring performances recorded in 1967 for the Impulse! label.
Basic Miles: The Classic Performances of Miles Davis is a compilation album by American jazz musician Miles Davis, released in 1973 by Columbia Records and recorded from 1955 through 1962.
Cool & Collected is a compilation album by American jazz musician Miles Davis, released in 2006 by Columbia Records and recorded from 1955 through 1984.
Dinah Washington Sings Fats Waller is a seventh studio album by blues, R&B and jazz singer Dinah Washington released on the Emarcy label, and reissued by Verve Records in 1990 as The Fats Waller Songbook. In the album Washington covers 12 songs that have been penned or performed by jazz pianist, organist, singer and songwriter Fats Waller. Allmusic details the album in its review as saying: "Dinah Washington Sings Fats Waller appropriately brings together Waller's vivacious songs and Washington's demonstrative vocal talents. The jazz diva effortlessly handles Waller classics while turning in particularly emotive renditions. Adding nice variety to the already strong set, Washington's husband at the time, saxophonist Eddie Chamblee, joins the singer for playful duets on "Honeysuckle Rose" and "Everybody Loves My Baby".
Jacky June was a Belgian jazz saxophonist, clarinetist, and bandleader.
The Complete Commodore & Decca Masters is a 3CD box set of recordings by Billie Holiday, released by Hip-O Records in 2009, compiling all the master takes released as 78rpm singles by Commodore and Decca Records. It includes an essay by Ashley Kahn.
Bud and Bird is a live album by Gil Evans that won the Grammy Award for Best Large Jazz Ensemble Album in 1989. Evans conducted the orchestra, which included Hamiet Bluiett, Bill Evans, and Johnny Coles.
Blue Notes is an album by American jazz saxophonist Johnny Hodges and orchestra featuring performances recorded in 1966 and released on the Verve label.