Kaberry and Chard was an Australian architectural firm known for designing theatres, picture theatres and town halls from around 1920 until the end of 1939. It was based in Sydney, New South Wales, and designed many theatres in every state of Australia, as well as commercial buildings. The firm's partner's were Lewis Kaberry (1879–1962) and Clifford Chard (born 1884).
Kaberry and Chard was founded by architects Lewis Kaberry and Clifford M. Chard in 1920. [1] Based in Sydney, Kaberry and Chard grew to be a large general practice, designing buildings of all kinds, but were known especially for their design of theatres. [2] They designed over 57 theatres around Australia. [3]
In July 1936, Chard visited Maryborough, Queensland, to discuss proposed alterations to the Bungalow Theatre there. [4] He also undertook a research visit to the United States, as well as studying art in France and Italy, after which he started using landscape painting as an adjunct to his work. [2]
Also in 1936, Kaberry visited England to study the development of housing conditions and factory construction, gaining valuable knowledge for the firm which was used on his return in commercial architecture. [2]
The partnership was dissolved on 1 January 1940, although both architects continued to practise independently in the same offices at 67 Castlereagh Street in Sydney. [5]
Lewis Kaberry [lower-alpha 1] was born in 1879 [7] in Pontefract, Yorkshire, England. [8] [lower-alpha 2] His parents were Isaac Kaberry and Mary Ann Knibbs. [7] In 1891 he was living in Bilton, Harrogate. [7] He attended Harrogate College, [2] a boys' school in Harrogate. [12]
Kaberry then worked at architects Tennant and Bagley in Yorkshire before moving to London to work at the office of John Hudson FRIBA. Working as an architectural draughtsman at the Royal Naval College, Greenwich, [2] he served his Articles as an architect under the British Admiralty [13] and worked for the Admiralty in Bermuda. [2] After the 1906 San Francisco earthquake, he lived there and helped to rebuild some of the buildings. [13] He was appointed as chief draughtsman with the Bell Telephone Company in San Francisco in 1908, a position he held until 1913. [9] In an undated letter to the San Francisco Chronicle , Kaberry described how he designed a new telephone exchange in Chinese style, inspired by an illustration of the Empress of China's bedroom for the interior wall treatment. [13]
He married Hetty [9] [7] (or Hettie) Emily Coggins (1884–1975) [14] in London in 1909. [9] Both were Christian Scientists. They had three children, the eldest being anthropologist Phyllis Kaberry (1910–1977), who was born in San Francisco, followed by two boys. [15] [14] One son was called Norman. [13] The family moved first to New Zealand in 1913, then to Newcastle, New South Wales, finally settling in the Sydney suburb of Manly in 1914. [15] where he formed a partnership with Clifford Chard. [13] Phyllis Kaberry attended Fort Street Girls' High School in the suburb of Petersham. [16]
Lewis Kaberry died in 1962. [14]
Clifford Markham Chard was born on 13 November 1884 [17] in Armidale, New South Wales, [18] the son of J. S. Chard, [17] who was the district surveyor, [19] [20] having moved from Sydney in 1880. [21] He was a member of the Royal Society of New South Wales, [22] and on the committee of the New England Jockey Club. [23]
Clifford attended The Armidale School. [2] He trained for his articles in the office of Spain and Cosh. [2]
He studied through the Sydney Technical College, passing second year model drawing with an honours grade in 1899. [24] In 1902 he passed freehand drawing with a first-class pass from Armidale; [25] in 1903 he passed first-year drawing with honours from Armidale; [26] and in 1904, the first-year black and white drawing course (then under the NSW Technical Education Branch), also with honours. [27]
He worked for the government's Public Works Department as well as in private practice, before joining the Australian Imperial Forces overseas during World War I. [2]
After the war he joined in private practice with Kaberry to form Kaberry and Chard in 1920. [2] After a research visit to the United States, he also visited France and Italy to study art, and started using landscape painting as an adjunct to his work. [2]
After the partnership with Kaberry was dissolved, Chard continued to work until at least 1941, when he designed extensions to a factory in the Sydney suburb of Alexandria. [28]
Kaberry and Chard were described in a 1923 article in Everyones [lower-alpha 3] as "the two foremost theatrical designers and builders in Australia", who were "responsible for the erection of a great number of the most modern picture theatres in this country". The article is based on an interview with the two architects, in which they discuss design principles of the theatre, [6] in which they stress the importance of consulting a specialist. [31]
According to Norman Kaberry, Kaberry and Chard designed and supervised the building of over 150 theatres in every state in Australia (not Northern Territory). According to the Office of Environment & Heritage, there were 57 theatre design jobs (new theatres, major and minor alterations) by the firm carried out in New South Wales. Only three remain with an auditorium close to the original design (Roxy Community Theatre, Leeton; Athenium Theatre, Junee; and Montreal Community Theatre, Tumut). Only Leeton and Junee still possess the architects' distinctive "superficial walls" each side of the stage opening. [13]
As of February 2024 [update] , the website Cinema Treasures lists 31 theatres either fully designed or with major renovations designed by the firm, with 13 demolished and only six still open. Theatres designed by Kaberry and Chard, with those still open marked **, include: [32]
Thunderbolt is a 1910 Australian feature film based on the life of the bushranger Captain Thunderbolt. It was the directorial debut of John Gavin who later claimed it was the first "four-reel movie" made in Australia. It has also been called the first film made in New South Wales.
The Enmore Theatre is a theatre and entertainment venue in Enmore, New South Wales, Australia.
Castlereagh Street is a 1.6-kilometre-long (1 mi) major street located in the Sydney central business district in New South Wales, Australia. The street runs north-to-south, in a one way direction only.
The Thebarton Theatre, also known as the Thebbie Theatre or simply Thebbie/Thebby, is an entertainment venue located in the inner-western Adelaide suburb of Torrensville, South Australia. Built in 1926 as a combined town hall / picture theatre and officially known as Thebarton Town Hall and Municipal Offices, the building was opened in June 1928. It was listed on the South Australian Heritage Register on 23 September 1982.
Harrogate College, formerly known as Harrogate College of Further Education and later Harrogate College of Arts and Technology, is a further education college in Harrogate, North Yorkshire, England. It offers several levels of qualifications, including further and higher education courses. Since August 2019 it is a member of the Luminate Education Group.
The Blue Mountains Mystery is a lost 1921 Australian silent film directed by Raymond Longford and co-directed by Lottie Lyell.
Captain Thunderbolt is a 1953 Australian action film from director Cecil Holmes about the bushranger Captain Thunderbolt. It was one of the few all-Australian films of the 1950s.
Fellers is a 1930 Australian comedy about three friends in the Australian Light Horse during the Palestine Campaign of World War I starring Arthur Tauchert, who was the lead in The Sentimental Bloke (1919). The film is mostly silent with a recorded music score as an accompaniment, but the last reel was synchronised with a few minutes of dialogue and a song.
The Hayseeds is a 1933 Australian musical comedy from Beaumont Smith. It centres on the rural family, the Hayseeds, about whom Smith had previously made six silent films, starting with Our Friends, the Hayseeds (1917). He retired from directing in 1925 but decided to revive the series in the wake of the box office success of On Our Selection (1932). It was the first starring role in a movie for stage actor Cecil Kellaway.
The Bushwhackers is a 1925 Australian silent film directed by Raymond Longford loosely based on Alfred Tennyson's 1864 poem Enoch Arden. It is considered a lost film.
Sunrise is a 1926 Australian silent film co-directed by Raymond Longford, who took over during filming.
Walter Franklyn Barrett, better known as Franklyn Barrett, was an Australian film director and cinematographer. He worked for a number of years for West's Pictures. It was later written of the filmmaker that "Barrett's visual ingenuity was to be the highlight of all his work, but... his direction of actors was less assured".
The Tenth Straw is a 1926 Australian silent film heavily inspired by the novel For the Term of His Natural Life. Little is known of the director and cast, but most of the film survives today.
The Price is a 1924 Australian silent film made with a largely amateur cast under the direction of Dunstan Webb. It is considered a lost film.
Dope is a 1924 Australian silent film about a respected citizen who is blackmailed by someone from his past. It is considered a lost film.
The Fire on the Snow is a 1941 Australian verse play by Douglas Stewart about the Terra Nova Expedition to Antarctica by Robert Falcon Scott. It premiered on ABC radio on 6 June 1941 to great acclaim and inspired a series of Australian verse dramas on ABC radio.
Ned Kelly is a 1942 radio play by Douglas Stewart about the outlaw Ned Kelly.
The Highwayman is an Australian musical comedy with book, music and lyrics by Edmond Samuels. Set in Bendigo during the Gold Rush in the 1860s, the story concerns the love of an innkeeper's daughter for a highwayman.
The Empire Theatre is a former theatre in Sydney, New South Wales, Australia. It was a live music venue for a few years before 1929, when it became a cinema. Around 1940 it had a dual role and by 1950 it was hosting various kinds of stage shows, increasingly musicals, and was finally destroyed by fire in the early 1960s.
This article was published in hardcopy in Australian Dictionary of Biography, Volume 14, (Melbourne University Press), 1996; online in 2006