Kyle Bobby Dunn (born February 27, 1986) is a Canadian composer and performer of ambient and drone-based music. One interviewer characterized the artist's work as containing a classical music influence which "operates outside of categories" and is typified by the use of electric guitar, organ and "meticulous post-processing".[1]
His 2019 album From Here to Eternity, a nearly three-hour long work that included collaborations with other artists unlike previous works, was described by an interviewer at Inverted Audio as "an astonishing insight into the imagination of one of contemporary ambient music's most singularly gifted artists".[1] Dunn is known for extended, drone-based compositions. His albums have been reviewed in publications including Pitchfork and Dusted.[2][3]
Notable works
American label Sedimental originally released Fragments And Compositions Of Kyle Bobby Dunn in spring 2008.[4] Dunn's next album, Fervency was released in 2009.[5]
His 2014 release, Kyle Bobby Dunn and the Infinite Sadness, expanded his work into a three-hour format.[9] After a five-year hiatus, Dunn returned with From Here to Eternity (2019). In 2025, he released Mixture of Frailties.[10]
Reviews
His work has been described as "compositions that are patience incarnate".[5]The Fanzine noted that one of his albums "captures a mood somewhere between sadness and strength; it's the sound of a respite that occurs after having survived an ordeal; it's sound as memory, as memorial".[11]
Resident Advisor described Kyle Bobby Dunn and the Infinite Sadness as a deeply immersive listening experience, saying that "delicate musical figures" emerge gradually "in a beautiful light", giving the impression of sound that "had always been there and always would be". The review highlighted the tension between the music's sincerity and its humorous or ironic presentation, citing track titles such as "Boring Foothills of Foot Fetishville" and "Variations on a Theme by St. Dipshit". Despite this juxtaposition, the critic concluded that Dunn's approach underscores the genuine emotional weight of the work, calling it "some joyous shit".[12]
Canada's Exclaim! called From Here to Eternity "a masterful articulation of the power of ambient music", covering its expansive 18 tracks and Dunn's ability to uncover "infinitesimal moments of contemplation" within sweeping, long-form drones. The review described the opening of "Boul. Goin" as having "synth drones that sound organic, giving an impression of boundless and serene landscapes,” and compared the album to Aphex Twin's Selected Ambient Works Vol. 2 for its "glimpses of levity".[13]
Discography
Full length releases
Music for Medication (Ltd. CDR 2002, Housing)
Music for Medication (CD reissue 2005, This Generation Tapes)
Applications for Guitar (Ltd. CDR 2006, Housing)
Fragments & Compositions of Kyle Bobby Dunn (CD 2008, Sedimental; LP 2014, Low Point)
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