Land of the Lost | |
---|---|
Genre | |
Created by | David Gerrold (uncredited) |
Developed by | Sid & Marty Krofft and Allan Foshko |
Starring | |
Theme music composer | Linda Laurie |
Composers | Jimmie Haskell Michael Lloyd (arranged by John D'Andrea) (season 2) |
Country of origin | United States |
No. of seasons | 3 |
No. of episodes | 43 (list of episodes) |
Production | |
Running time | about 27 min per episode |
Production company | Sid & Marty Krofft Television Productions |
Original release | |
Network | NBC |
Release | September 7, 1974 – December 4, 1976 |
Related | |
Land of the Lost (1991 remake series) |
Land of the Lost is a children's adventure television series created (though uncredited) by David Gerrold and produced by Sid and Marty Krofft, who co-developed the series with Allan Foshko. [1] It is a live-action show mixed with stop-motion animated dinosaurs, originally aired on Saturday mornings from 1974 to 1976, [2] on the NBC television network. [3] CBS used it as a summer replacement series from June 22 to December 28, 1985, and June 2 to September 5, 1987. [4] It has since become a 1970s American cult classic. [5] [6] Krofft Productions remade the series in 1991, and adapted it into a feature film in 2009.
Land of the Lost details the adventures of the Marshall family (father Rick and his children Will and Holly), who are trapped in an alternate universe or time warp inhabited by dinosaurs, a primate-like people called Pakuni, and aggressive humanoid/lizard creatures (described as similar to insects [7] ) called Sleestak. The episode storylines focus on the family's efforts to survive and find a way back to their own world, but the exploration of the exotic inhabitants of the Land of the Lost is also an ongoing part of the story. [8]
An article on renewed studio interest in feature-film versions of Land of the Lost and H.R. Pufnstuf commented that "decision-makers in Hollywood, and some big-name stars, have personal recollections of plopping down on the family-room wall-to-wall shag sometime between 1969 and 1974 to tune in to multiple reruns of the Kroffts' Saturday morning live-action hits," and quoting Marty Krofft as saying that the head of Universal Studios, Ronald Meyer, and leaders at Sony Pictures all had been fans of Krofft programs. [9]
A number of well-respected writers in the science-fiction field contributed scripts to the series (mostly in the first and second seasons), including Larry Niven, [10] Theodore Sturgeon, [10] [11] Ben Bova, [10] and Norman Spinrad, and a number of people involved with Star Trek , such as D.C. Fontana, [10] Walter Koenig, [10] [12] [13] and David Gerrold. [10] Gerrold, Niven, and Fontana also contributed commentaries to the DVD of the first season. [6]
The prolific Krofft team was influential in live-action children's television, producing many shows that were oddly formatted, highly energetic, and filled with special effects, with most of them following a "stranger in a strange land" storyline. Most of these shows were comedic in nature, but Land of the Lost was considerably more serious, especially during its first season, though as the series progressed, the dramatic tone diminished. [14]
The Marshalls are brought to the mysterious world by means of a dimensional portal, [15] a device used frequently throughout the series and a major part of its internal mythology. This portal opens when they are swept down a gigantic 1,000-foot waterfall. In "Circle", which explains the time paradox, this portal is actually opened by Rick Marshall himself while in Enik's cave, as a way for the current Marshalls to return to Earth, resolving the paradox and allowing Enik to also return to his time.
Outfitted only for a short camping trip, the resourceful family from California takes shelter in a natural cave and improvises the provisions and tools that they need to survive. Their most common and dangerous encounters are with dinosaurs, particularly a Tyrannosaurus rex they nickname "Grumpy", which frequents the location of their cave. However, many of the dinosaurs are herbivores, posing no threat to the Marshalls, unless unintentionally provoked. One is a particularly tame young brontosaurus that Holly looks on as a pet and nicknames "Dopey".
They also encounter the mostly hostile Sleestak (a race of reptilian humanoids/insectoid), and the primate-like creatures called Pakuni (one of whom, Cha-Ka, they befriend), as well as a variety of dangerous creatures, strange geography and unfamiliar technology.
The main goal of the three is to find a way to return home. They are occasionally aided in this by the Altrusian castaway Enik.
At the start of the third season, Rick Marshall (played by Spencer Milligan) abruptly disappeared while trying to use one of the pylons to get home, leaving his children behind; his disappearance is explained to having been accidentally returned to Earth alone. Rick is immediately replaced by his brother Jack, who stumbled upon his niece and nephew after having embarked on a search of his own to find them.
Though the term "time doorway" is used throughout the series, Land of the Lost is not meant to portray an era in Earth's history, but rather an enigmatic zone whose place and time are unknown. Indeed, within the first few minutes of the pilot, the Marshall family father tells his children that he spotted three moons in the sky. The original creators of these time portals were thought to be the ancestors of the Sleestak, called Altrusians, though later episodes raised some questions about this.
Many aspects of the Land of the Lost, including the time doorways and environmental processes, were controlled by the Pylons, metallic obelisk-shaped booths that were larger on the inside than the outside and housed matrix tables – stone tables studded with a grid of colored crystals. Uncontrolled time doorways result in the arrival of a variety of visitors and castaways in the land.
Land of the Lost is notable for its epic-scale concept, which suggested an expansive world with many fantastic forms of life and mysterious technology, all created on a children's series' limited production budget. To support the internal mythology, linguist Victoria Fromkin was commissioned to create a special language for the Pakuni, which she based on the sounds of West African speech and attempted to build into the show in a gradual way that would allow viewers to learn the language over the course of many episodes. [14] [16] The series' intention was to create a realistic fantasy world, albeit relying heavily on children's acceptance of minor inconsistencies.
In a 1999 interview, first-season story editor and writer David Gerrold claimed that he largely created the show based on photographs of various science-fiction topoi that were bound together in a book and given him by Sid Krofft and Allan Foshko. [17]
It was a marked departure from the Krofft team's previous work, which mostly featured extremely stylized puppets and sets such as those in H.R. Pufnstuf and Lidsville . [14]
The series for the first two seasons was shot on a modular indoor soundstage at General Service Studios in Hollywood, and made economical use of a small number of sets and scenic props that were rearranged frequently to suggest the ostensibly vast jungles, ancient cities, and cave systems. As is traditional in many effect scenes, miniatures or scale-version settings were used for insertion of live-action scenes. Additional locations were often rendered using scale miniatures and chroma key.
Spencer Milligan departed the show at the beginning of its third season for financial reasons. In addition to a salary increase, he believed the rest of the cast and he should receive compensation for using their images on various merchandise (mostly rack toys by Larami, [18] including a generic pack of toy dinosaurs believed to originate in Taiwan), but also a coloring book from Whitman Publishing, a Little Golden Book, View-Master reels and a Milton Bradley board game. [19] His character, Rick Marshall, was replaced by his brother Jack, played by actor Ron Harper, with a stand-in wearing a wig with his back to the camera portraying Rick for a brief scene being transported home. [20] [21] [22]
Nonhuman characters were portrayed by actors in latex rubber suits or heavy creature makeup. Dinosaurs in the series were created using a combination of stop motion animation miniatures, rear-projection film effects, and occasional hand puppets for close-ups of dinosaur heads. The series marked a rare example of matting filmed stop-motion sequences with videotape live action, so as to avoid the telltale blue 'fringe' produced in matting with less exacting processes. Though this occasionally worked very well, the difference in lighting between the video and film sequences sometimes brought inadvertent attention to the limitations of the process.[ citation needed ]
Special-effects footage was frequently reused. Additional visual effects were achieved using manual film overlay techniques, the low-tech ancestor to later motion control photography.
The series was originally shown by NBC on Saturday mornings, along with primarily animated shows for children. It later aired in daily syndication from 1978 to 1985 as part of the "Krofft Superstars" package. In 1985, it returned to late Saturday mornings on CBS as a replacement for the canceled Pryor's Place (also a Krofft production) followed by another brief return to CBS in the summer of 1987. It was later shown in reruns on the Sci Fi Channel in the 1990s. Reruns of this series were aired on Saturday mornings on MeTV and are streamed online at any time on their website.
From 2004 to 2005, Rhino Entertainment held the rights to the show, and released seasons one through three, and a complete series package, with several bonus features, including commentaries, on all of the releases. The DVDs of the series earned a Saturn nomination for best retro TV series release in 2004.
On May 26, 2009, Universal Studios released two complete series releases, one in original packaging, and the other enclosed in a reproduction of the Land of the Lost vintage '70s lunchbox; the only bonus feature was a look at the film starring Will Ferrell. On October 13, 2009, Universal released the three seasons individually; the DVDs are identical to Universal's Complete Series Boxes. (However, the Region 4 version of the 2009 box set does include the commentaries and interviews, but not the look at the Ferrell film.) The series is also available in digital media format.
Despite a relatively short run, the show continued to be aired extensively through syndication. Based on that success, a remake of the series began in 1991 and ran for two seasons. [23]
In 2009, a feature film was released, which parodied the original series for adult audiences. It was directed by Brad Silberling and starred comedian Will Ferrell, with the Krofft brothers serving as co-producers.
In 2015, Sid and Marty Krofft reportedly were working on a reboot to Land of the Lost following what they called "that other movie". [24] In a 2018 podcast interview with both Sid and Marty Krofft, they reconfirmed that they are still working on an updated remake of Land of the Lost and that this time it will be an hour-long series.
Sid Krofft and Marty Krofft, known as The Krofft Brothers and born as Cydus and Moshopopoulos Yolas, were a Canadian sibling team of television creators, writers and puppeteers. Through their production company, Sid & Marty Krofft Pictures, they made numerous children's television and variety show programs in the U.S., particularly in the 1970s, including H.R. Pufnstuf, Land of the Lost, and Sigmund and the Sea Monsters. Their fantasy programs often featured large-headed puppets, high-concept plots, and extensive use of low-budget special effects.
H.R. Pufnstuf is an American children's television series created by Sid and Marty Krofft. It was the first independent live-action, life-sized-puppet program, following on from their work with Hanna-Barbera's program The Banana Splits Adventure Hour. The seventeen episodes were originally broadcast Saturday from September 6, 1969, to December 27, 1969. The broadcasts were successful enough that NBC kept it on the schedule as reruns until September 4, 1971. The show was shot at Paramount Studios and its opening was shot at Big Bear Lake, California. Reruns of the show returned on ABC Saturday morning from September 2, 1972, to September 8, 1973, and on Sunday mornings in some markets from September 16, 1973, to September 8, 1974. It was syndicated by itself from September 1974 to June 1978 and in a package with six other Krofft series under the banner Krofft Superstars from 1978 to 1985. Reruns of the show were featured on TV Land in 1999 as part of its Super Retrovision Saturdaze Saturday morning-related overnight prime programming block and in the summer of 2004 as part of its TV Land Kitschen weekend late-night prime programming block, and it was later shown on MeTV from 2014 until 2016.
The Bugaloos is an American children's television series, produced by brothers Sid and Marty Krofft, that aired on NBC on Saturday mornings from 1970 to 1972. Reruns of the show aired in daily syndication from 1978 to 1985 as part of the "Krofft Superstars" package with six other Krofft series. The show features a musical group composed of four British teenagers in insect-themed outfits, constantly beset by the evil machinations of the talent-challenged Benita Bizarre, played by comedian Martha Raye.
Land of the Lost is a half-hour Saturday-morning children's television series that debuted on ABC in the fall of 1991, a remake of the original series of the same name which ran from 1974 to 1976. Re-runs were later picked up by Nickelodeon from 1995 to 1997. Tiger Toys received the license to produce a toyline based on the series, which included regular and "talking" action figures, several dinosaurs and playsets, an electronic "Crystal Sword", as well as an electronic LCD game and a board game.
Sigmund and the Sea Monsters is an American children's television series that ran from September 8, 1973 to October 18, 1975, produced by Sid and Marty Krofft and aired on Saturday mornings. It was syndicated by itself from December 1975 to June 1978 and later as part of the Krofft Superstars show from 1978 to 1985.
Far Out Space Nuts is a Sid and Marty Krofft children's television series that aired in 1975 for one season, and produced 15 episodes. It was one of only two Krofft series produced exclusively for CBS. Reruns of the show aired in daily syndication from 1978 to 1985 as part of the "Krofft Superstars" package with six other Krofft series.
Walker Edmiston was an American actor and puppeteer.
Land of the Lost is a 2009 American science fiction adventure comedy film directed by Brad Silberling, written by Chris Henchy and Dennis McNicholas and starring Will Ferrell, Danny McBride, Anna Friel and Jorma Taccone, loosely based on the 1974 Sid and Marty Krofft television series of the same name. The film was theatrically released on June 5, 2009 by Universal Pictures.
Bigfoot and Wildboy was a live action children's television series on ABC. It began in 1977 as a part of The Krofft Supershow on Saturday mornings. Each episode was 15 minutes long, with cliffhanger endings resolved the following week. It became its own series in 1979 with twelve 30-minute episodes. There were a total of 28 episodes produced.
The Krofft Supershow is a Saturday morning children's variety show, produced by Sid and Marty Krofft. It aired for two seasons from September 11, 1976, to September 2, 1978, on ABC.
The Krofft Superstar Hour is a Saturday morning children's variety show, produced by Sid and Marty Krofft. After eight episodes, the show was renamed The Bay City Rollers Show. It aired for one season from September 9, 1978 to January 27, 1979 on NBC. NBC also ran other repeat Krofft shows in an unrelated umbrella titled slot, Krofft Superstars, from 1978 to 1985.
Kathleen Coleman is an American former child actor, singer, and author, known for playing Holly Marshall on the 1970s children's TV show Land of the Lost.
"Cha-Ka" is the first episode of the first season of the 1974 American television series Land of the Lost. Written by David Gerrold and directed by Dennis Steinmetz, it first aired in the United States on September 7, 1974, on NBC.
"The Sleestak God" is the second episode of the first season of the 1974 American television series Land of the Lost. Written by David Gerrold and directed by Dennis Steinmetz, it first aired in the United States on September 14, 1974 on NBC.
"Downstream" is the fourth episode of the first season of the 1974 American television series Land of the Lost. Written by Larry Niven and directed by Dennis Steinmetz, it first aired in the United States on September 28, 1974 on NBC. The episode guest stars Walker Edmiston.
"The Stranger" is the sixth episode of the first season of the 1974 American television series Land of the Lost. Written by Walter Koenig and directed by Bob Lally, it first aired in the United States on October 12, 1974 on NBC. The episode guest stars Walker Edmiston.
"Album" is the seventh episode of the first season of the 1974 American television series Land of the Lost. Written by Dick Morgan and directed by Bob Lally, it was first broadcast in the United States on October 19, 1974, on NBC. The episode guest stars Erica Hagen.
"Skylons" is the eighth episode of the first season of the 1974 American television series Land of the Lost. Written by Dick Morgan and directed by Bob Lally, it first aired in the United States on October 26, 1974 on NBC.