Mighty Mouse: The New Adventures | |
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Genre | Action Adventure Comedy Superhero |
Developed by | Ralph Bakshi |
Directed by | Ralph Bakshi John Kricfalusi Kent Butterworth |
Starring | Patrick Pinney Maggie Roswell Dana Hill Charlie Adler Michael Pataki |
Country of origin | United States |
No. of seasons | 2 |
No. of episodes | 19 (38 segments) |
Production | |
Executive producers | John W. Hyde (Season 1) Tom Klein (Season 2) |
Producer | Ralph Bakshi |
Running time | 24 minutes |
Production companies | Bakshi Animation Bakshi-Hyde Ventures Viacom Productions Terrytoons |
Original release | |
Network | CBS |
Release | September 19, 1987 – October 22, 1988 |
Mighty Mouse: The New Adventures is an American animated television series. It is a revival of the Mighty Mouse cartoon character. Produced by Bakshi-Hyde Ventures (a joint venture of animator Ralph Bakshi and producer John W. Hyde) and Terrytoons, the show aired on CBS on Saturday mornings from fall 1987 through the 1988–89 season. [1] It was briefly rerun on Saturday mornings on Fox Kids in November and December 1992.
The quality of Mighty Mouse as compared with other 1980s animated television series is considered by animation historian Jerry Beck to "foreshadow the higher quality [animation] boom coming in the next decade." [2] It was one of the first Saturday morning cartoons on CBS to be broadcast in stereo.
The series was a commercial half-hour format (22 minutes plus commercials), and each episode consisted of two self-contained 11-minute cartoon segments. It differed from the earlier incarnations of Mighty Mouse in many ways.
The show gave Mighty Mouse the secret identity of Mike Mouse, and a sidekick in the form of the orphan Scrappy Mouse (who knows the hero's secret identity). The cast included heroic colleagues such as Bat-Bat and his sidekick Tick the Bug Wonder and the League of Super-Rodents, [3] and introduced antagonists like Petey Pate, Big Murray, Madame Marsupial and the Cow. The original Mighty Mouse villain, Oil Can Harry, made a couple of appearances. Pearl Pureheart was not always the damsel in distress and many episodes did not feature her at all. Mighty Mouse's light-operatic singing was eliminated except for his trademark, "Here I come to save the day!" (a trait previously used in The New Adventures of Mighty Mouse and Heckle & Jeckle ), which was sometimes interrupted. The tone of the show was much more irreverent than previous incarnations; the character of Bat-Bat, for example, was a bat who dressed as Batman and drove the "Man-Mobile" – a human-looking car with legs instead of wheels. In another episode, Scrappy Mouse expresses concern for Mighty Mouse's whereabouts, but only because he owes Scrappy money.
Unlike other American animated TV shows of the time (and even Mighty Mouse's past theatrical shorts), the show's format was loose and episodes did not follow a particular formula. Some episodes offered parodies of shows like The Honeymooners ("Mighty's Wedlock Whimsy") and the 1960s Batman series ("Night of the Bat-Bat" and "Bat with a Golden Tongue"); movies like Fantastic Voyage ("Mundane Voyage"); Japanese monster films (the opening of "Mighty's Wedlock Whimsy"); and comic books ("See You in the Funny Papers"). The series sometimes lampooned other cartoons ("Don't Touch That Dial!") and specifically Alvin and the Chipmunks ("Mighty's Benefit Plan").
The series resurrected other Terrytoons characters, but acknowledged the passage of time: perennial menace Oil Can Harry returns to chase Pearl Pureheart once more ("Still Oily After All These Years"), the 1940s characters Gandy Goose and Sourpuss and the 1960s character Deputy Dawg are revived (with Gandy and Dawg frozen in time in blocks of ice) in "The Ice Goose Cometh", "Gaston Le Crayon" has a cameo ("Still Oily After All These Years") and Bakshi's own 1960s creations the Mighty Heroes appear, aged, in the episode "Heroes and Zeroes". Fellow Terrytoons characters Heckle and Jeckle also made an appearance in "Mighty's Wedlock Whimsy".
In April 1987, Bakshi set up a meeting with Judy Price, the head of CBS's Saturday morning block. Price rejected Bakshi's prepared pitches, including one featuring John Kricfalusi's Ren & Stimpy characters, [4] but asked what else he had. He told her that he had the rights to Mighty Mouse and she agreed to purchase the series. However, Bakshi did not own the rights and did not know who did. While researching the rights, he learned that CBS had acquired the entire Terrytoons library in 1955 and forgotten about it. According to Bakshi, "I sold them a show they already owned, so they just gave me the rights for nothin'!" [5]
Kricfalusi's team wrote story outlines for 13 episodes in a week and pitched them to Price. By the next week, Kricfalusi had hired animators he knew who had been working at other studios. They ended up hiring Jeff Pidgeon, Rich Moore, Carole Holiday, Andrew Stanton and Nate Kanfer. [6] Mighty Mouse: The New Adventures went into production in the month it was greenlighted; it was scheduled to premiere on September 19, 1987. This haste required the crew to be split into four teams, led by supervising director Kricfalusi, Fitzgerald, Steve Gordon and Bruce Woodside. Each team was given a handful of episodes and operated almost entirely independently of the others. Although the scripts required approval by CBS executives, Kricfalusi insisted that the artists add visual gags as they drew.
Despite the time constraints, CBS was pleased with the way Bakshi Productions addressed the network's notes. [7] Kricfalusi did not return for the second season and took some of the crew to work on The New Adventures of Beany and Cecil for ABC. [8]
Kricfalusi described Mighty Mouse: The New Adventures as the origin of the "'Creator-Driven' revolution" and that he hired artists "dissatisfied with the formula cartoons they were forced to work on at other studios" and as a "witty, satirical and wildly imaginative" series [9] and "quite a revolution when compared to the cartoons being made everywhere else." [10] Kricfalusi said that he supervised the development of the cartoon in all aspects except the final editing.
Kricfalusi said that he restored the "old time-director-unit system" in which three or four directors theoretically supervise all of the creative aspects of each individual cartoon. He said that two of the directors felt "kind of" reluctant to participate as they did not "really approve" of the direction. Kricfalusi intended for the cartoon to be "like a Warner Bros. cartoon", and that the show does not have his personal humor style. He described the team as "slightly cautious" in presenting ideas to CBS's executives. [10] Artists were allowed to use their own style in the episodes that they worked on, and that one can determine which artist drew which cartoon based on the styles present. Kricfalusi described Ken Boyer's scenes as "cute and dynamic", Istvan Majoros's scenes as "extremely crazy-looking", his own scenes as "very specifically acted", Lynne's scenes as "very girly and cartoony at the same time" and Jim Smith's scenes as "manly and well composed". [6]
While an article about the series in Amazing Heroes #129 made it appear like Bakshi was the director of the show, Kricfalusi clarified that Bakshi was the producer and that Bakshi's creative involvement was the highest during the first several weeks of the production, after which he stood out of the way and let the team go about its business. [11]
In order to bring down the budget so that layouts could be completed in-house, a step normally done overseas by cheap foreign labor, the show opted to build three entire cartoon segments from vintage Terrytoons cartoon stock footage: "Mighty's Musical Classics", "Animation Concerto" and the bulk of "Scrappy's Playhouse". A dream sequence in "The Ice Goose Cometh" also utilized Terrytoons footage.
Additionally, three segments were clip-shows that re-used animation from previous episodes: "Stress for Success", "Anatomy of a Milquetoast" and "Mighty's Tone Poem". [12] Kricfalusi said that the process of using the older animation was not a creative process. [6]
No. overall | No. in season | Title | Original air date | |
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1 | 1 | "Night on Bald Pate" "Mouse from Another House" | September 19, 1987 | |
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2 | 2 | "Me-Yowww!" "Witch Tricks" | September 26, 1987 | |
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3 | 3 | "Night of the Bat-Bat" "Scrap-Happy" | October 3, 1987 | |
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4 | 4 | "Catastrophe Cat" "Scrappy's Field Day" | October 10, 1987 | |
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5 | 5 | "The Bagmouse" "The First Deadly Cheese" | October 17, 1987 | |
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6 | 6 | "This Island Mouseville" "Mighty's Musical Classics" | October 24, 1987 | |
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7 | 7 | "The Littlest Tramp" "Puffy Goes Berserk" | October 31, 1987 | |
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8 | 8 | "The League of Super-Rodents" "Scrappy's Playhouse" | November 7, 1987 | |
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9 | 9 | "All You Need Is Glove" "It's Scrappy's Birthday" | November 14, 1987 | |
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10 | 10 | "Aqua-Guppy" "Animation Concerto" | November 21, 1987 | |
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11 | 11 | "The Ice Goose Cometh" "Pirates with Dirty Faces" | November 28, 1987 | |
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12 | 12 | "Mighty's Benefit Plan" "See You in the Funny Papers" | December 5, 1987 | |
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13 | 13 | "Heroes and Zeroes" "Stress for Success" | December 12, 1987 | |
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No. overall | No. in season | Title | Original air date | |
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14 | 1 | "Day of the Mice" "Still Oily After All These Years" | September 17, 1988 | |
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15 | 2 | "Mighty's Wedlock Whimsy" "Anatomy of a Milquetoast" | September 24, 1988 | |
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16 | 3 | "Bat with a Golden Tongue" "Mundane Voyage" | October 1, 1988 | |
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17 | 4 | "Snow White & the Motor City Dwarfs" "Don't Touch That Dial!" | October 8, 1988 | |
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18 | 5 | "Mouse and Supermouse" "The Bride of Mighty Mouse" | October 15, 1988 | |
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19 | 6 | "A Star Is Milked" "Mighty's Tone Poem" | October 22, 1988 | |
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On January 5, 2010, CBS Home Entertainment (distributed by Paramount) released the complete series on three DVDs, with every installment of the Saturday morning cartoon uncut and presented in the original full screen video format. The collection includes the uncut version of "The Littlest Tramp", in which the controversial scene begins at 9:41 in the episode, but features an error in the version of "Mighty's Wedlock Whimsy" included on the set, where the penultimate live action shot of layout artist Ed Bell is substituted with an animatic version of the shot. The actual shot as aired appears in the included documentary.
Among the extras are the documentary "Breaking the Mold: The Re-Making of Mighty Mouse" and commentary tracks for several episodes. Also included are three original Terrytoons theatrical Mighty Mouse cartoon shorts, as taken from Paramount's vaults, which are the first-ever official release of Terrytoons material on DVD.
The show's content sometimes crossed into controversial territory. In "Mighty's Wedlock Whimsy", it is hinted that peripheral male characters Gandy Goose and Sourpuss are showering together, and — in a dream sequence — that Pearl Pureheart has a child with Mighty Mouse's unhinged nemesis, the Cow. [14]
During the production of the episode "The Littlest Tramp", editor Tom Klein expressed concern that a sequence showing Mighty Mouse sniffing the remains of a crushed flower resembled cocaine use. Bakshi did not initially view the footage; he believed that Klein was overreacting, but agreed to let him cut the scene. Kricfalusi expressed disbelief over the cut, insisting that the action was harmless and that the sequence should be restored. Following Kricfalusi's advice, Bakshi told Klein to restore the scene, which had been approved by network executives and the CBS Standards and Practices department. The episode aired on October 31, 1987, initially without controversy. [7]
On June 6, 1988, Donald Wildmon, head of the American Family Association (AFA), alleged that "The Littlest Tramp" depicted cocaine use, instigating a media frenzy. Concerning Bakshi's involvement with Mighty Mouse: The New Adventures, the AFA claimed that CBS "intentionally hired a well-known pornographer to do a cartoon for children, and then allowed him to insert a scene in which the cartoon hero is shown sniffing cocaine." Bakshi responded, "You could pick a still out of Lady and the Tramp and get the same impression. Fritz the Cat wasn't pornography. It was social commentary. This all smacks of burning books and the Third Reich. It smacks of McCarthyism. I'm not going to get into who sniffs what. This is lunacy!" [7]
Bakshi defended the episode, saying, "I despise drugs. I would be out of my mind to show a cartoon character snorting cocaine in a cartoon", [15] and stating that Wildmon had interpreted the scene out of context. [16] "Mighty Mouse was happy after smelling the flowers because it helped him remember the little girl who sold it to him fondly. But even if you're right, their accusations become part of the air we breathe. That's why I cut the scene. I can't have children wondering if Mighty Mouse is using cocaine." On CBS's order, Klein removed the sequence from the master broadcast footage.
Wildmon claimed that the edits were "a de facto admission that, indeed, Mighty Mouse was snorting cocaine". [7] Bakshi agreed to the removal of the offending 3½ seconds from future airings of the episode because of his concern that the controversy might lead children to believe that what Wildmon was saying was true. Wildmon's group then demanded the removal of Bakshi but, on July 25, 1988, CBS released a statement in support of him. [17]
The show was considered revolutionary at the time and, along with 1988's Who Framed Roger Rabbit , inspired a wave of animated shows that were much zanier [18] than those that had dominated children's animation in the previous two decades. It is credited by some as the impetus for the "creator-driven" animation revolution of the 1990s. [12]
The series was a springboard for many cartoonists and animators who would later become famous, among them John Kricfalusi (creator of The Ren & Stimpy Show ), Bruce Timm (creator of Batman: The Animated Series ), Jim Reardon (writer for Tiny Toon Adventures and WALL-E , and director for The Simpsons ), Tom Minton (writer and producer for many Warner Bros. Animation productions, including Tiny Toons, Animaniacs , The Sylvester & Tweety Mysteries , Baby Looney Tunes and Duck Dodgers ), Lynne Naylor (co-founded Spümcø with Kricfalusi, character designer for Batman: The Animated Series and storyboard artist for The Powerpuff Girls and Cow and Chicken ), Rich Moore (animation director for Futurama , director for The Simpsons and director of Wreck-It Ralph , Zootopia and Ralph Breaks the Internet ), and Andrew Stanton (director of Finding Nemo , WALL-E and Finding Dory ) and others. [19] The Loud House creator Chris Savino says the show's classic cartoon style, which contrasted with the dominant style of TV animation at the time, spurred him to become an animator. [20]
Kricfalusi supervised the production for the first season and directed eight of its 26 segments. [21] Kent Butterworth supervised the second season, after John Kricfalusi's departure to work on the similarly short-lived 1988 animated series The New Adventures of Beany and Cecil .
A Mighty Mouse comic book series was published by Marvel Comics. [22] It lasted for 10 issues from 1990 to 1991 after and took place after this series.
Shortly after the events of Mighty Mouse: The New Adventures, Scrappy abandons Mighty and Pearl to spend all his time at the Four Fingers Video Arcade. When the Four Fingers Video Arcade closes down, Scrappy vanishes. It is revealed that Mighty Mouse's enemy, the Glove, was behind the Four Fingers Video Arcade. Mighty saves Scrappy in the end, but Scrappy is still "zapped" into playing video games. Scrappy is then sent to rehab and is back to normal a few issues later. In the 10th and final issue of the comic, Scrappy substitutes for Pearl Pureheart when she gives up her role in the comic.
The Ren & Stimpy Show, commonly referred to as simply Ren & Stimpy, is an American comedy animated television series created by John Kricfalusi and developed by Kricfalusi, Bob Camp, Jim Smith and Lynne Naylor for Nickelodeon. Originally produced by Spümcø, the series aired on Nickelodeon from August 11, 1991, to December 16, 1995, with its last episode airing on MTV on October 20, 1996, spanning for a total of five seasons and 52 episodes. The series follows the misadventures of Ren Höek, an emotionally unstable and psychotic chihuahua dog; and Stimpy, a good-natured and dimwitted Manx cat. It is the third to be aired of the original three Nickelodeon animated series known as "Nicktoons", alongside Doug and Rugrats, and is considered to be one of the progenitor series of the brand.
Ralph Bakshi is an American animator, filmmaker and painter. In the 1970s, he established an alternative to mainstream animation through independent and adult-oriented productions. Between 1972 and 1994, he directed nine theatrically released feature films, predominantly urban dramas and fantasy films, five of which he wrote. He has also been involved in numerous television projects as director, writer, producer and animator.
Mighty Mouse is an American animated character created by the Terrytoons studio for 20th Century Fox. He is an anthropomorphic superhero mouse, originally called Super Mouse, and made his debut in the 1942 short The Mouse of Tomorrow. The name was changed to Mighty Mouse in his eighth film, 1944's The Wreck of the Hesperus, and the character went on to star in 80 theatrical shorts, concluding in 1961 with Cat Alarm.
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Modern animation in the United States from the late 1980s to 2004 is frequently referred to as the renaissance age of American animation. During this period, many large American entertainment companies reformed and reinvigorated their animation departments, following the dark age, and the United States had an influence on global and worldwide animation.
Terrytoons was an American animation studio headquartered in New Rochelle, New York that produced animated cartoons for theatrical release from 1929 to 1973. It was founded by Paul Terry, Frank Moser, and Joseph Coffman, and operated out of the "K" Building in downtown New Rochelle. The studio created many cartoon characters including Fanny Zilch, Mighty Mouse, Heckle and Jeckle, Gandy Goose, Sourpuss, Dinky Duck, Little Roquefort, the Terry Bears, Dimwit, and Luno; Terry's pre-existing character Farmer Al Falfa was also featured often in the series.
Spümcø, Inc. was an American animation studio that was active from 1989 to 2005 and based in Los Angeles, California. The studio was best known for working on the first two seasons of The Ren & Stimpy Show for Nickelodeon and for various commercials. The studio won several awards, including an Annie Award for Best Animated Short Subject for the music video of the song "I Miss You" by Björk.
The Ripping Friends: The World's Most Manly Men! is an animated television series created by John Kricfalusi, creator of The Ren & Stimpy Show on Nickelodeon. The series aired for one season on Fox Kids, premiering on September 22, 2001 and ending on January 26, 2002. The show was subsequently picked up for syndication by Adult Swim, where it reran from 2002 to 2004. The show occasionally airs in Canada on Teletoon. The show also aired briefly in the United Kingdom on the CNX channel and on ABC in Australia.
Michael John Kricfalusi, known professionally as John K., is a Canadian illustrator, blogger, and former animator and voice actor. He is the creator of the animated television series The Ren & Stimpy Show, which was highly influential on televised animation during the 1990s. From 1989 to 1992, he was heavily involved with the first two seasons of the show in virtually every aspect of its production, including providing the voice of Ren Höek and other characters. In 2009, he won the Inkpot Award.
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Heckle and Jeckle are postwar animated cartoon characters created by Paul Terry, originally produced at his own Terrytoons animation studio and released through 20th Century Fox. The characters are a pair of identical anthropomorphic yellow-billed magpies who usually cause problems to others and for themselves with their bizarre antics. Heckle speaks in a tough New York style manner, while Jeckle has a more polite British accent. They were voiced at different times by Dayton Allen (1946–66), Sid Raymond (1947), Roy Halee, and Frank Welker (1979).
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Paul Houlton Terry was an American cartoonist, screenwriter, film director and producer. He produced over 1,300 cartoons between 1915 and 1955 including the many Terrytoons cartoons. His studio's most famous character is Mighty Mouse, and also created Heckle and Jeckle, Gandy Goose and Dinky Duck.
Tom Minton is an American animator, producer, writer, and storyboard artist. He created and wrote the "Toby Danger" episode of Freakazoid!, wrote the lyrics to the song "Brainstem" and served as the chief model for the Warner Bros. character the Brain in Pinky and the Brain. He was story editor of Ralph Bakshi's Mighty Mouse: The New Adventures, a 1987 series art-directed by John Kricfalusi.
"Bart Stops to Smell the Roosevelts" is the second episode of the twenty-third season of the American animated television series The Simpsons. It originally aired on the Fox network in the United States on October 2, 2011. The episode was the first to feature Superintendent Chalmers as the central character and Chalmers' flashbacks references the films The Breakfast Club and Fight Club. In the episode, Principal Skinner challenges Superintendent Chalmers to take over Bart's education after one of his pranks. Chalmers accepts and starts teaching Bart about Theodore Roosevelt and manliness. After he takes Bart and his friends on an unauthorized field trip which results in one of the children breaking an arm, Chalmers is fired. Bart and his friends then take over the school in an effort to save his job.
Mighty Mouse Playhouse is an American Saturday morning television anthology series featuring animated short films starring Mighty Mouse. The series aired on CBS from 1955 to 1967. The series was credited with both popularizing the Mighty Mouse character in popular culture far beyond what the original film shorts had done and putting Saturday morning cartoons on the map.
Lynne Rae Naylor is a Canadian animator, artist, designer, director, and producer for television. She is best known for co-creating DreamWorks' The Mighty Ones, co-founding the animation studio Spümcø with John Kricfalusi, Bob Camp, and Jim Smith, and co-developing The Ren & Stimpy Show for Nickelodeon. She also worked on Batman: The Animated Series, The Powerpuff Girls, Samurai Jack, Super Robot Monkey Team Hyperforce Go!, Hi Hi Puffy AmiYumi, My Life as a Teenage Robot, and Wander Over Yonder.
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