Edita Gruberová was a Slovak coloratura soprano. She made her stage debut in Bratislava in 1968 as Rosina in Rossini's Il barbiere di Siviglia, and successfully auditioned at the Vienna State Opera the following year, which became her base. She received international recognition for roles such as Mozart's Queen of the Night in Die Zauberflöte and Zerbinetta in Ariadne auf Naxos by Richard Strauss.
Anja Silja Regina Langwagen is a German soprano singer.
Harry Alfred Robert Kupfer was a German opera director and academic. A long-time director at the Komische Oper Berlin, he worked at major opera houses and at festivals internationally. Trained by Walter Felsenstein, he worked in the tradition of realistic directing. At the Bayreuth Festival, he staged Wagner's Der fliegende Holländer in 1978 and Der Ring des Nibelungen in 1988. At the Salzburg Festival, he directed the premiere of Penderecki's Die schwarze Maske in 1986 and Der Rosenkavalier by Richard Strauss in 2014.
Reri Grist is an American coloratura soprano, one of the pioneer African-American singers to enjoy a major international career in opera.
Ruth Berghaus was a German choreographer, opera and theatre director, and artistic director.
L'Upupa und der Triumph der Sohnesliebe is an opera by Hans Werner Henze with a German libretto by the composer, inspired by Arab and Persian legends. This is Henze's 15th, and self-stated final, opera, and the first where he has written his own libretto.
Diana Damrau is a German soprano who achieved international fame for her performances, primarily in opera, but also in concert and lieder. She has been successful in coloratura soprano roles since her early career, and gradually proceeded into heavier roles of the 19th-century Italian bel canto repertoire. Her signature roles include the Queen of the Night in The Magic Flute, Zerbinetta in Ariadne auf Naxos, Lucia in Lucia di Lammermoor, and Violetta in La traviata.
Wilma Lipp was an Austrian operatic soprano and academic voice teacher. A long-time member of the Vienna State Opera, she was particularly associated with the role of the Queen of the Night in Mozart's Die Zauberflöte, a role she performed internationally more than 400 times. She was awarded the title Kammersängerin at age 28, and was an honorary member of the Vienna State Opera, among other honours.
Cyndia Sieden is an American coloratura soprano on the opera and concert stages.
Karin Ott is a Swiss operatic coloratura soprano.
Lenneke Ruiten is a Dutch soprano. Ruiten studied at the Music Conservatory in Alkmaar and the Conservatorium van Amsterdam, the Royal Conservatory of The Hague, Hochschule für Musik und Theater München, and at the Franz Schubert Institut in Baden bei Wien near Vienna.
Carla Spletter was a German operatic soprano.
Claudia Barainsky is a German operatic soprano. She has performed internationally, and won awards for her roles in contemporary operas such as Bernd Alois Zimmermann's Die Soldaten and Aribert Reimann's Medea.
Caroline Stein is a German operatic coloratura soprano and an academic voice teacher. She has appeared internationally, including contemporary opera, creating the Angel in Dusapin's Faustus, the Last Night at the Berlin State Opera.
Simone Schneider is a German operatic soprano. As a member of Staatstheater am Gärtnerplatz, she performed coloratura roles such as the Mozart's Queen of the Night. As a member of the Staatsoper Stuttgart from 2006, she has performed a wide range of leading roles including Donizetti's Maria Stuarda and the Feldmarschallin in Der Rosenkavalier by Richard Strauss. She performed as a guest in major opera houses in Germany and Europe.
Colette Lorand was a Swiss operatic soprano who made an international career. Known as a coloratura soprano, she created several roles in world premieres, including Sibylle in Carl Orff's De temporum fine comoedia in 1973 at the Salzburg Festival, and Regan in Aribert Reimann's Lear at the Nationaltheater München in 1978, also in the French premiere of this opera in Paris in 1982.
Sylvia Geszty was a Hungarian-German operatic coloratura soprano who appeared internationally, based first at the Staatsoper Berlin in East Berlin and from 1970 at the Staatstheater Stuttgart. She is remembered as Mozart's Queen of the Night and an ideal Zerbinetta in Ariadne auf Naxos, but also performed Baroque opera and in the world premiere of Kurt Schwaen's Leonce und Lena.
Ruth-Margret Pütz was a German operatic coloratura soprano and an academic voice teacher. She was a member of the Staatsoper Stuttgart for many decades, a frequent guest at the Vienna State Opera, and appeared at other major international opera houses and festivals. One of her signature roles was Konstanze in Mozart's Die Entführung aus dem Serail. She is regarded as one of the leading coloratura sopranos of the 1960s.
Julia Bauer is a German operatic coloratura soprano who has appeared at major opera houses and also in concert and recital. She has had leading roles such as Zerbinetta and Lulu, and was Freia, Helmwige, Forest Bird, Woglinde and Third Norn in Der Ring in Minden.
Hildegard Uhrmacher, married name Hildegard Kronstein-Uhrmacher, is a German operatic soprano who appeared at European opera houses in coloratura soprano roles such as Mozart's Konstanze, but also in contemporary works including Marie in Bernd Alois Zimmermann's Die Soldaten. She was a professor of voice at the Musikhochschule Hannover and the Hochschule für Musik Detmold. Her 2006 autobiography is entitled Hilde, du schaffst das.
