Danny Boy and Other Songs I Love to Sing is the eighth studio album by American pop singer Andy Williams and was released early in 1962 by Columbia Records. This was his first project after leaving Cadence Records, where his albums each had a specific theme, and his first in a series of LPs that covered songs established on stage and screen and other hits from the pop chart and the Great American Songbook. This trend would not be interrupted until his 1966 album The Shadow of Your Smile hinted at a shift toward contemporary material with its inclusion of songs first recorded by the Beatles.
Warm and Willing is the tenth studio album by American pop singer Andy Williams and was released in 1962 by Columbia Records. Allmusic's William Ruhlmann explained that Williams and producer Robert Mersey "followed the Sinatra concept-album formula of creating a consistent mood, in this case a romantic one, and picking material mostly from the Great American Songbook of compositions written for Broadway musicals in the 1920s and '30s by the likes of George and Ira Gershwin, then giving them slow, string-filled arrangements over which Williams could croon in his breathy, intimate tenor voice."
The Wonderful World of Andy Williams is the thirteenth studio album by American pop singer Andy Williams and was released by Columbia Records to coincide with the December 31, 1963, broadcast of The Andy Williams Show. Various tracks were recorded with members of his family, including The Williams Brothers, who joined him for a remake of his first top 10 hit, "Canadian Sunset", from 1956.
In the Arms of Love is the nineteenth studio album by American pop singer Andy Williams and was released on December 19, 1966, by Columbia Records and was the last of twelve consecutive Williams studio LPs produced by Robert Mersey.
Love, Andy is the twenty-first studio album by American pop singer Andy Williams, released on October 16, 1967, by Columbia Records to coincide with the NBC special of the same name, which aired on November 6. The LP had a mix of covers of old and recent hits that included two songs from the 1940s that also had chart success in 1966 via Chris Montez: "The More I See You" and "There Will Never Be Another You".
Happy Heart is the twenty-third studio album by American pop singer Andy Williams, released in the spring of 1969 by Columbia Records and continued the trend of his recent albums in relying exclusively on contemporary material. This particular project eschewed offerings from Broadway and Hollywood that had been predominant on his LPs with Columbia.
The Andy Williams Show is the twenty-sixth studio album by American pop singer Andy Williams that was released in the fall of 1970 by Columbia Records. In his review on AllMusic.com, William Ruhlmann writes that "The Andy Williams Show LP was not a soundtrack recording from the TV series, and it was not really a live album, although it gets categorized as such. What appears to be the case is that Columbia Records took a group of Williams' studio recordings, most of them made during the summer of 1970 and consisting of his versions of recent soft rock hits, and added a lot of canned applause along with some of the kind of musical interludes used to usher numbers on and off on the show, including bits of its "Moon River" theme music at the start and the finish."
Love Theme from "The Godfather" is the twenty-ninth studio album by American pop singer Andy Williams, released on March 21, 1972, by Columbia Records. The two new songs on what was otherwise another LP of covers of hits by other artists were the title track and "Music from Across the Way", which came from the songwriters behind his recent hits "Happy Heart" and "(Where Do I Begin) Love Story".
Solitaire is the thirty-first studio album by American pop singer Andy Williams, released in the fall of 1973 by Columbia Records and was an attempt to move away from his formulaic series of recent releases that relied heavily on songs that other artists had made popular.
The Way We Were is the thirty-second studio album by American pop singer Andy Williams, released in the spring of 1974 by Columbia Records and was a return to singing songs that his audience was already familiar with after Solitaire, his previous LP that was less reliant on covers of recent pop hits, did not perform well.
You Lay So Easy on My Mind is the thirty-fourth studio album by American pop singer Andy Williams, released in November 1974 by Columbia Records. The idea for this LP was mentioned in an interview with Williams in the November 3, 1973, issue of Billboard magazine that emphasized his desire to move away from recording albums of Easy Listening covers of hits by other artists, noting that he was "planning an album to be cut in Nashville with Columbia's high-flying country-pop producer, Billy Sherrill." The article coincided with the release of his first attempt to shift directions, Solitaire, which performed poorly. A return to the Easy Listening hits formula, The Way We Were, followed in the spring of 1974 but failed to even chart, so this next attempt to eschew soft rock songs leaned heavily on Country hits.
Andy is the thirty-sixth studio album by American pop singer Andy Williams, released in the fall of 1976 by Columbia Records. Williams is not as focused on covering pop hits and standards on this album and instead relies mainly on original or lesser-known songs. In the liner notes for the album's 2002 CD release, writer Richard M. Erickson explains that the album "was recorded at six different studios to accommodate Andy's touring schedule. One recording session was at a portable studio set up at a Marriott hotel."
Two Time Winners is the third studio album by American pop singer Andy Williams and was released in the spring of 1959 by Cadence Records. This, his third LP for the label, is composed of songs that had been successful on two previous occasions or in two different ways.
To You Sweetheart, Aloha is the fourth studio album by American pop singer Andy Williams and was released late in the summer of 1959 by Cadence Records. This, his fourth LP for the label, has a Hawaiian theme that coincides with the admission of the 50th of the United States.
Andy Williams' Best is a compilation album by American pop singer Andy Williams that was released late in 1961 by Cadence Records. This second album to compile the singer's material features 10 songs that made the Billboard Hot 100 along with two of their corresponding B-sides.
Andy Williams' Greatest Hits Vol. 2 is a compilation album by American pop singer Andy Williams that was released in June 1973 by Columbia Records. This collection follows in the footsteps of its predecessor, Andy Williams' Greatest Hits, in that it is not limited to his biggest and most recent hit singles, although his final two US Top 40 entries were included. It also has an album track not released as a single, a couple of hits from his time with Cadence Records, two other singles that could have been included on the first volume, and two Easy Listening chart entries that never made the Billboard Hot 100.
I Still Believe in Santa Claus is a Christmas album by American pop singer Andy Williams that was released by Curb Records in 1990. It was his fourth solo album of Christmas music, following The Andy Williams Christmas Album (1963), Merry Christmas (1965) and Christmas Present (1974). As with the 1965 LP, this album focuses exclusively on 20th-century compositions, including two new songs: "Christmas Needs Love to Be Christmas" and "My Christmas Vow ", the latter of which Williams describes in the liner notes as "a new lyric set to an old Hawaiian melody".
Nashville is the forty-first studio album by American pop singer Andy Williams, released by Curb Records in 1991. It's Williams's second album of country music, the first being You Lay So Easy on My Mind in 1974, and was reissued with a different track order under the title Best of Country on September 7, 1999.
I Don't Remember Ever Growing Up is the forty-third and final studio album by American pop singer Andy Williams, released in the UK by the Demon Music Group in 2007. In the liner notes of the album Williams writes, "Over the past few years I have come across songs that I really wanted to record. I picked 13 of my favorites and set out to make a new record." While the title track is the only new song, the other 12 selections were chart hits for other artists or, as is the case with "Desperado" by the Eagles, received critical acclaim without having been released as a single.
We'll Sing in the Sunshine is the tenth studio album by Australian-American pop singer Helen Reddy that was released in 1978 by Capitol Records. The album included two songs that were also covered by Johnny Mathis in the first half of that year: "All I Ever Need", which came out on his March release, You Light Up My Life, and "Ready or Not", on which he duetted with Deniece Williams for their June release, That's What Friends Are For. Reddy also ventures into Beatles territory with their rockabilly number "One After 909" and takes on Jeff Lynne's "Poor Little Fool" with accompaniment in the vein of Electric Light Orchestra. This was her first album not to reach Billboard's Top LP's & Tapes chart. On February 23, 2010, it was released for the first time on compact disc as one of two albums on one CD, the other album being her 1977 release, Ear Candy. "Blue" was originally featured on the 1977 animated film Raggedy Ann & Andy: A Musical Adventure.
