Let the Beat Hit 'Em

Last updated

"Let the Beat Hit 'Em"
Let the beat hit'em.jpg
Single by Lisa Lisa and Cult Jam
from the album Straight Outta Hell's Kitchen
Released1991
Recorded1991
Genre Hip hop
Length4:38
Label Columbia
Songwriter(s) Robert Clivillés, David Cole, Alan Friedman, Duran Ramos
Producer(s) David Cole & Robert Clivillés
Lisa Lisa and Cult Jam singles chronology
"Kiss the Tears Away"
(1989)
"Let the Beat Hit 'Em"
(1991)
"Where Were You When I Needed You"
(1991)
Music video
"Let the Beat Hit 'Em" on YouTube

"Let the Beat Hit 'Em" is a song by American urban contemporary band Lisa Lisa and Cult Jam, released as the first single from their fourth and final studio album, Straight Outta Hell's Kitchen (1991). The song spent one week at number-one on the US R&B chart in the week of September 14, 1991, and also reached No. 37 on the Billboard Hot 100. [1] On the US dance charts, it was the third and final number-one for the group. [2] It also peaked at number-one on the Canadian RPM dance chart.

Contents

Samples

On "Let the Beat Hit 'Em", Lisa Lisa and Cult Jam sampled "Ghetto Heaven" by The Family Stand, The Emotions' 1977 single "Best of My Love" and "Set It Off" by Strafe. [3] and Donald Byrd Think Twice.

"Let the Beat Hit 'Em" was also sampled by Kylie Minogue on the track "Too Much of a Good Thing" off her 1991 album Let's Get To It . [3]

Critical reception

Jose F. Promis from AllMusic viewed "Let the Beat Hit 'Em" as a "surprise 1991 house-dance smash". [4] J.D. Considine from The Baltimore Sun felt the music is "relentlessly danceable", describing the song as "insistent". [5] Larry Flick from Billboard wrote that here, the trio "ends a two-year recording silence with an insinuating pop/hip-hopper. Trademark production style of David Cole and Robert Clivillés is a fine complement to Lisa's appealing vocals. Pumped house version has already begun to jam in the clubs, while top 40 and urban radio should be joining the party any second now." [6] He added that the track "sported a deliciously contagious groove and Lisa's most spirited vocal in eons." [7]

Pan-European magazine Music & Media stated that it's produced by the "hottest team around lately", "for whom nothing can stop these beats anymore." They also noted that "just like on C&C's records, the main line of the chorus will remain in the listener's head for weeks." [8] A reviewer from People Magazine felt the song "reflect the producers' trademark '90s disco sound, minus the rock muscle that makes the Music Factory hum". [9] Al Walentis from Reading Eagle said the song "serves up the trio's most irresistible hook" since their 1987 hit "Head to Toe". [10] Stewart Walker from Toledo Blade remarked that "Let The Beat Hit 'Em" exemplified the "high-energy club feel" of the first half of the Straight Outta Hell's Kitchen album". [11]

Music video

A black-and-white music video was made to accompany the song, directed by German director Marcus Nispel.

Impact and legacy

In 1995, British DJ Pete Tong picked "Let the Beat Hit 'Em" as one of his "classic cuts", adding, "One of Clivilles & Cole's best remixes. You often find if you go into the studio where people are remixing there are loads of 12 inches lying on the floor because people are constantly inspired by what others are doing. In '91/'92 it was the perfect execution of what was going on in New York City." [12]

In 1996, British DJ and presenter Trevor Nelson chose the song as one of his favourites, "I chose this because C&C Music Factory wanted to make the perfect commercial dance record and, out of all the competition, this is the one, C&C is the best producer of dance records. Even though it's faster than most stuff I play now, it's always worked on the dance floor. It's not the coolest record I've ever bought but it's the most fun." [13]

In 1997 dance vocalist Shèna [14] [15] did a cover of "Let The Beat Hit Em" based on Clivilles' "Part Two" remix from 1991 [16] and charted at number 28 in the UK Chart. This version was then used by Dutch DJ duo Sound De-Zign for their "Happiness" track in 2001, which reached number 19 in the UK chart in 2001, a song which chart analyst James Masterton thinks may have been the direct inspiration for a number one hit of 2022. [16] [17]

In 2012, Polish Porcys ranked "Let the Beat Hit 'Em" number 68 in their list of "100 Singles 1990–1999". [18]

In 2022, "B.O.T.A (Badddest Of Them All)" by Eliza Rose [19] and Interplanetary Criminal sampled the LL w/Love RC Mix [20] of the record, which charted at number 49 [21] in the United Kingdom as "Let the Beat Hit 'Em, Part 2" [22] in 1991, [23] with "B.O.T.A" becoming a number 1 hit in that country [24] and a number one in Ireland. [25]

Track listings

Charts

Chart (1991)Peak
position
Australia (ARIA) [26] 72
Belgium (Ultratop 50 Flanders) [27] 42
Canada Dance (RPM) [28] 1
Europe (Eurochart Hot 100) [29] 33
Europe (European Dance Radio) [30] 24
France (SNEP) [31] 36
Ireland (IRMA) [32] 27
Netherlands (Dutch Top 40) [33] 35
Netherlands (Single Top 100) [34] 30
UK Singles (OCC)17
UK Dance ( Music Week ) [35] 2
US Billboard Hot 100 37
US Hot R&B Singles ( Billboard )1
US Hot Dance Club Play ( Billboard )1
US Hot Dance Music/Maxi-Singles Sales ( Billboard )1

There is also an unrelated song with the same title which has appeared in Konami's various Bemani music games.

See also

Related Research Articles

C+C Music Factory was an American musical group formed in 1989 by David Cole and Robert Clivillés. The group is best known for their five hit singles: "Gonna Make You Sweat ", "Here We Go ", "Things That Make You Go Hmmm...", "Just a Touch of Love", and "Keep It Comin'". The band stopped recording in 1996, following Cole's death. In 2010, C+C Music Factory reformed with Eric Kupper replacing Cole. Original member Freedom Williams acquired trademark rights to the name in 2003 and still tours under that moniker.

<span class="mw-page-title-main">Emotions (Mariah Carey song)</span> 1991 single by Mariah Carey

"Emotions" is a song recorded by American singer-songwriter Mariah Carey for her second studio album of the same name (1991). It was written and produced by Carey, Robert Clivillés, and David Cole of C+C Music Factory and released as the album's lead single on August 13, 1991 by Columbia Records. The song's lyrics has its protagonist going through a variety of emotions from high to low, up to the point where she declares, "You got me feeling emotions." Musically, it is a gospel and R&B song heavily influenced by 1970s disco music and showcases Carey's upper range and extensive use of the whistle register. Jeff Preiss directed the song's music video.

<span class="mw-page-title-main">Lisa Lisa and Cult Jam</span> American urban contemporary band

Lisa Lisa and Cult Jam were an urban contemporary band and one of the first freestyle music groups to emerge from New York City in the 1980s. Cult Jam consisted of vocalist Lisa Lisa, guitarist/bassist Alex "Spanador" Moseley, and drummer/keyboardist Mike Hughes. They were assembled and initially produced by Full Force.

<span class="mw-page-title-main">I'm Every Woman</span> 1978 single by Chaka Khan

"I'm Every Woman" is a song by American singer Chaka Khan, released as her debut solo single from her first album, Chaka (1978). It was Khan's first hit outside her recordings with the funk band Rufus. "I'm Every Woman" was produced by Arif Mardin and written by the successful songwriting team Nickolas Ashford and Valerie Simpson. The single established Chaka's career outside the group Rufus, whom she would leave after their eighth studio album Masterjam was released in late 1979.

<span class="mw-page-title-main">I'm Outta Love</span> 2000 single by Anastacia

"I'm Outta Love" is the debut single of American singer Anastacia. Written by Anastacia, Sam Watters, and Louis Biancaniello and produced by the latter two, it was released on February 29, 2000, as the lead single from her debut album, Not That Kind (2000). The song became a major hit in Europe and Australia, reaching number one in Wallonia, Australia and New Zealand; it was the most successful song of 2000 in the latter two regions. It additionally reached the top five in several others, including France, Ireland, Italy, the Netherlands, and Switzerland.

<span class="mw-page-title-main">Gonna Make You Sweat (Everybody Dance Now)</span> 1990 single by C+C Music Factory

"Gonna Make You Sweat (Everybody Dance Now)" is a song by American dance music group C+C Music Factory, released by Columbia in late 1990 as the debut and lead single from their first album, Gonna Make You Sweat (1990). The song is sung by singer Martha Wash and rapper Freedom Williams. It charted internationally and achieved great success in the United States, Austria, Germany, and Sweden, where it reached number one on the charts. The music video for the song was directed by Marcus Nispel. Billboard magazine ranked "Gonna Make You Sweat (Everybody Dance Now)" among the "500 Best Pop Songs of All Time" in 2023.

<span class="mw-page-title-main">Jump to the Beat</span> 1980 single by Stacy Lattisaw

"Jump to the Beat" is a song written by Narada Michael Walden and Lisa Walden. It was originally released by American singer Stacy Lattisaw in 1980 when it became a big hit in the UK, peaking at No. 3. It was later covered by Australian singer Dannii Minogue on her debut album, Love and Kisses in 1991.

<span class="mw-page-title-main">Move Ya Body</span> 2004 single by Nina Sky

"Move Ya Body" is the debut single of American musical duo Nina Sky featuring rapper Jabba. It was released on April 12, 2004, as the lead single from their debut album, Nina Sky (2004). The song became the duo's only solo single to reach the top 40 of the Billboard Hot 100. The song was ranked at number 250 on Blender's "500 Greatest Songs Since You Were Born" and is well known for the use of the recurring ostinato on the bongos known as the "Coolie Dance" riddim. This has been the subject and musical motif of many musical samples.

<i>Straight Outta Hells Kitchen</i> 1991 studio album by Lisa Lisa and Cult Jam

Straight Outta Hell's Kitchen is a 1991 album by Lisa Lisa and Cult Jam, as well as their final studio album. It is best known for the lead track "Let the Beat Hit 'Em" which reached #1 on the Billboard R&B and Dance charts. The only other single released from the album was the ballad "Where Were You When I Needed You". The album's title is named for the Manhattan neighborhood in which lead vocalist Lisa Velez grew up and lived until the mid-2000s. The first half of the album was produced by C+C Music Factory's David Cole and Robert Clivillés, and the second half was produced, as with the previous Lisa Lisa and Cult Jam albums, by Full Force.

<span class="mw-page-title-main">I Wonder If I Take You Home</span> 1985 single by Lisa Lisa and Cult Jam with Full Force

"I Wonder If I Take You Home" is a song recorded by Lisa Lisa and Cult Jam with Full Force in 1984. Record Producer Kenny Beck discovered the song in a "discard bin" at Personal Records while looking for songs to include on his debut album with the label. He was so impressed that he created a compilation break-dancing album, CBS/SuzyQ, just to include the song. He released the album in Europe on CBS Records, and it immediately gained popularity as a dance hit with club DJs there. Soon American DJs began playing the song in the United States on Columbia Records. After the song received heavy play from these DJs, "I Wonder If I Take You Home" reached No. 1 on the Billboard Hot Dance Club Play chart for one week in June 1985. On other US charts, it peaked at No. 6 on the R&B chart and reached No. 34 on the Hot 100. In 1991, the single was certified gold in the US by the RIAA. Overseas, it charted at No. 12 on the UK Singles Chart and number 41 in the Netherlands.

<span class="mw-page-title-main">Head to Toe (Lisa Lisa and Cult Jam song)</span> 1987 single by Lisa Lisa and Cult Jam

"Head to Toe" is a song recorded by Lisa Lisa and Cult Jam that appeared on their 1987 album Spanish Fly. The song hit number one on three charts: Billboard Hot 100 on June 20, 1987, the Hot Black Singles charts on May 30 of that year, and the dance charts on May 30. In Canada, the song topped the RPM 100 national singles chart on July 25 of the same year. The song sports a retro Motown flavor mixed with the Freestyle sound for which they were known.

<span class="mw-page-title-main">Lost in Emotion</span> 1987 single by Lisa Lisa and Cult Jam

"Lost in Emotion" is a song by urban contemporary band Lisa Lisa and Cult Jam that appeared on their 1987 album Spanish Fly. The song hit number one on the Billboard Hot 100 on October 17, 1987. The song was their second number-one single, after "Head to Toe" earlier in the year. The song also went to number one on the Black Singles chart, and number eight on the dance chart.

<span class="mw-page-title-main">Lisa Lisa</span> American singer

Lisa Velez, better known by her stage name Lisa Lisa, is an American singer. She rose to fame in the 1980s as one-third of the band Lisa Lisa and Cult Jam.

<span class="mw-page-title-main">Can You Feel the Beat</span> 1985 single by Lisa Lisa and Cult Jam

"Can You Feel the Beat" is a song recorded by Lisa Lisa and Cult Jam and Full Force from their 1985 album Lisa Lisa & Cult Jam with Full Force. The song hit number 69 on the Billboard Hot 100 and number 40 on the R&B singles chart in December 1985. It achieved its biggest success on the Billboard Dance chart, where it peaked at number six.

"All Cried Out" is a song recorded by American band Lisa Lisa and Cult Jam from their 1985 album Lisa Lisa & Cult Jam with Full Force. The song became a major hit, reaching number eight on the US Billboard Hot 100 chart in October 1986. It was also a major hit on the US R&B singles chart, peaking at number three.

Robert Clivillés and David Cole (1962–1995), known collectively as Clivillés and Cole, were American record producers, songwriters, and remixers active from the late 1980s who achieved success in the 1990s.

<span class="mw-page-title-main">Never Gonna Let You Go (Tina Moore song)</span> 1995 single by Tina Moore

"Never Gonna Let You Go" is a song by American singer Tina Moore. Originally released as a single in May 1995 from her self-titled debut album, the song reached number 27 on the US Billboard Hot R&B/Hip-Hop Songs chart. In August 1997, a UK garage remix of the song by Kelly G was released on the Delirious label and became a top-10 hit in the UK, peaking at number seven on the UK Singles Chart. On the Eurochart Hot 100, it reached number 23 in September 1997. Several remixes are included on the CD and 12-inch formats, such as the 'Tuff Jam Classic Vocal Mix' and 'Warehouse Junkie Mix'.

<span class="mw-page-title-main">A Deeper Love</span> 1991 single by Clivillés & Cole

"A Deeper Love" is a song written by American producers Robert Clivillés and David Cole, and performed by them as Clivillés & Cole featuring vocals by Deborah Cooper. Released by Columbia in 1991, the song was the duo's fifth number-one on the US Billboard Hot Dance Club Play chart. On other US charts, "A Deeper Love" peaked at number 83 on the soul singles chart and number 44 on the pop chart. Overseas, especially in Europe the single charted higher, going to number 15 in the UK and number eight on the Dutch Top 40.

<i>Greatest Remixes Vol. 1</i> 1992 compilation album by Clivillés Cole

Greatest Remixes Vol. 1 is a compilation album of remixes by American dance music record producers Clivillés + Cole, released in 1992. The album includes remixes of Clivillés + Cole's own tracks along with their remixes of songs by other artists.

<span class="mw-page-title-main">Ghetto Heaven</span> 1990 single by The Family Stand

"Ghetto Heaven" is a song by American soul and R&B group the Family Stand, released in 1990 by Atlantic Records as the group's debut single, from their second album, Chain (1989). The song features vocals by lead-singer Sandra St. Victor, who also co-wrote it, and was an international hit, peaking at number ten in the UK in April 1990. Eight years later, in January 1998, the song again charted on the UK Singles Chart, peaking at number 30. Additionally, it was a top 10 hit in Luxembourg and a top 20 hit in New Zealand. Its music video features the group performing in an urban city setting. American band Lisa Lisa and Cult Jam sampled "Ghetto Heaven" on their 1991 hit, "Let the Beat Hit 'Em".

References

  1. Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942–2004. Record Research. p. 354.
  2. Whitburn, Joel (2004). Hot Dance/Disco: 1974–2003. Record Research. p. 157.
  3. 1 2 "Lisa Lisa and Cult Jam: Let the Beat Hit 'Em". genius.com.
  4. Promis, Jose F. "Lisa Lisa & Cult Jam – Past, Present & Future". AllMusic . Retrieved November 8, 2020.
  5. Considine, J.D. (1991). "Lisa Lisa and Cult Jam – Straight Outta Hell's Kitchen. The Baltimore Sun – via Milwaukee Journal . (22 Sep 1991).
  6. Flick, Larry (June 15, 1991). "Single Reviews" (PDF). Billboard . p. 65. Retrieved January 25, 2018.
  7. Flick, Larry (December 21, 1991). "Dance Trax: 1991: A Last Dance For Many In Biz" (PDF). Billboard . p. 35. Retrieved October 11, 2020.
  8. "New Releases: Singles" (PDF). Music & Media . August 24, 1991. Retrieved November 23, 2017.
  9. "Picks and Pans Review: Straight Outta Hell's Kitchen". People . September 23, 1991. Retrieved November 13, 2020.
  10. Walentis, Al (September 6, 1991). "Recordings". Reading Eagle . Retrieved March 16, 2020.
  11. Walker, Stewart (December 1, 1991). "Classics of British rock". Toledo Blade . Retrieved March 16, 2020.
  12. "Jock On His Box" (PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). May 27, 1995. p. 5. Retrieved May 9, 2021.
  13. "Jock On His Box" (PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). April 13, 1996. p. 5. Retrieved August 15, 2021.
  14. "SHENA | full Official Chart History | Official Charts Company". Official Charts .
  15. "let the beat hit 'em | full Official Chart History". Officialcharts.com. Retrieved May 23, 2023.
  16. 1 2 "Week Ending September 15th 2022". Chart-watch.uk.
  17. "SOUND DE-ZIGN | full Official Chart History | Official Charts Company". Official Charts .
  18. "100 Singli 1990–1999". Porcys (in Polish). August 20, 2012. Retrieved April 2, 2020.
  19. "Eliza Rose | full Official Chart History | Official Charts Company". Official Charts .
  20. "Week Ending August 25th 2022". Chart-watch.uk.
  21. "let the beat hit 'em, part two | full Official Chart History". Officialcharts.com. Retrieved May 23, 2023.
  22. 1991 Columbia Records/Sony Music 6573746
  23. "LISA LISA & CULT JAM | full Official Chart History | Official Charts Company". Official Charts .
  24. "Official Singles Chart Top 100 | Official Charts Company". Official Charts .
  25. "Official Irish Singles Chart Top 50 | Official Charts Company". Official Charts .
  26. Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (PDF ed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p. 167.
  27. "Lisa Lisa & Cult Jam – Let the Beat Hit 'Em" (in Dutch). Ultratop 50. Retrieved August 20, 2022.
  28. "Canadian dance peak". Collectionscanafa.gc.ca. Retrieved May 23, 2023.
  29. "Eurochart Hot 100 Singles" (PDF). Music & Media . August 3, 1991. Retrieved March 19, 2018.
  30. "European Dance Radio" (PDF). Music & Media . September 28, 1991. p. 13. Retrieved October 26, 2021.
  31. "Let The Beat Hit 'Em", Dutch and French Singles Charts Lescharts.com (Retrieved February 8, 2008)
  32. "The Irish Charts – Search Results – Let the Beat Hit". Irish Singles Chart.
  33. "Nederlandse Top 40 – Lisa Lisa & Cult Jam" (in Dutch). Dutch Top 40.
  34. "Lisa Lisa & Cult Jam – Let the Beat Hit 'Em" (in Dutch). Single Top 100.
  35. "Top 60 Dance Singles" (PDF). Music Week . July 13, 1991. p. 20. Retrieved September 27, 2020.