"Let the Beat Hit 'Em" | ||||
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Single by Lisa Lisa and Cult Jam | ||||
from the album Straight Outta Hell's Kitchen | ||||
Released | 1991 | |||
Recorded | 1991 | |||
Genre | Hip house [1] | |||
Length | 4:38 | |||
Label | Columbia | |||
Songwriter(s) | Robert Clivillés, David Cole, Alan Friedman, Duran Ramos | |||
Producer(s) | David Cole & Robert Clivillés | |||
Lisa Lisa and Cult Jam singles chronology | ||||
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Music video | ||||
"Let the Beat Hit 'Em" on YouTube |
"Let the Beat Hit 'Em" is a song by American urban contemporary band Lisa Lisa and Cult Jam, released as the first single from their fourth and final studio album, Straight Outta Hell's Kitchen (1991). The song spent one week at number-one on the US R&B chart in the week of September 14, 1991, and also reached No. 37 on the Billboard Hot 100. [2] On the US dance charts, it was the third and final number-one for the group. [3] It also peaked at number-one on the Canadian RPM dance chart.
On "Let the Beat Hit 'Em", Lisa Lisa and Cult Jam sampled "Ghetto Heaven" by The Family Stand, The Emotions' 1977 single "Best of My Love" and "Set It Off" by Strafe. [4] and Donald Byrd Think Twice.
"Let the Beat Hit 'Em" was sampled by Kylie Minogue on the track "Too Much of a Good Thing" off her 1991 album Let's Get To It . [4]
Jose F. Promis from AllMusic viewed "Let the Beat Hit 'Em" as a "surprise 1991 house-dance smash". [5] J.D. Considine from The Baltimore Sun felt the music is "relentlessly danceable", describing the song as "insistent". [6] Larry Flick from Billboard wrote that here, the trio "ends a two-year recording silence with an insinuating pop/hip-hopper. Trademark production style of David Cole and Robert Clivillés is a fine complement to Lisa's appealing vocals. Pumped house version has already begun to jam in the clubs, while top 40 and urban radio should be joining the party any second now." [7] He added that the track "sported a deliciously contagious groove and Lisa's most spirited vocal in eons." [8]
Pan-European magazine Music & Media stated that it's produced by the "hottest team around lately", "for whom nothing can stop these beats anymore." They also noted that "just like on C&C's records, the main line of the chorus will remain in the listener's head for weeks." [9] A reviewer from People Magazine felt the song "reflect the producers' trademark '90s disco sound, minus the rock muscle that makes the Music Factory hum". [10] Al Walentis from Reading Eagle said the song "serves up the trio's most irresistible hook" since their 1987 hit "Head to Toe". [11] Stewart Walker from Toledo Blade remarked that "Let The Beat Hit 'Em" exemplified the "high-energy club feel" of the first half of the Straight Outta Hell's Kitchen album". [12]
A black-and-white music video was made to accompany the song, directed by German director Marcus Nispel.
In 1995, British DJ Pete Tong picked "Let the Beat Hit 'Em" as one of his "classic cuts", adding, "One of Clivilles & Cole's best remixes. You often find if you go into the studio where people are remixing there are loads of 12 inches lying on the floor because people are constantly inspired by what others are doing. In '91/'92 it was the perfect execution of what was going on in New York City." [13]
In 1996, British DJ and presenter Trevor Nelson chose the song as one of his favourites, "I chose this because C&C Music Factory wanted to make the perfect commercial dance record and, out of all the competition, this is the one, C&C is the best producer of dance records. Even though it's faster than most stuff I play now, it's always worked on the dance floor. It's not the coolest record I've ever bought but it's the most fun." [14]
In 1997 dance vocalist Shèna [15] [16] did a cover of "Let The Beat Hit Em" based on Clivilles' "Part Two" remix from 1991 [17] and charted at number 28 in the UK Chart. This version was then used by Dutch DJ duo Sound De-Zign for their "Happiness" track in 2001, which reached number 19 in the UK chart in 2001, a song which chart analyst James Masterton thinks may have been the direct inspiration for a number one hit of 2022. [17] [18]
In 2012, Polish Porcys ranked "Let the Beat Hit 'Em" number 68 in their list of "100 Singles 1990–1999". [19]
In 2022, "B.O.T.A. (Baddest Of Them All)" by Eliza Rose [20] and Interplanetary Criminal sampled the LL w/Love RC Mix [21] of the record, which charted at number 49 [22] in the United Kingdom as "Let the Beat Hit 'Em, Part 2" [23] in 1991, [24] with "B.O.T.A" becoming a number 1 hit in that country [25] and a number one in Ireland. [26]
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Chart (1991) | Peak position |
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Australia (ARIA) [27] | 72 |
Belgium (Ultratop 50 Flanders) [28] | 42 |
Canada Dance (RPM) [29] | 1 |
Europe (Eurochart Hot 100) [30] | 33 |
Europe (European Dance Radio) [31] | 24 |
France (SNEP) [32] | 36 |
Ireland (IRMA) [33] | 27 |
Netherlands (Dutch Top 40) [34] | 35 |
Netherlands (Single Top 100) [35] | 30 |
UK Singles (OCC) | 17 |
UK Dance ( Music Week ) [36] | 2 |
US Billboard Hot 100 | 37 |
US Hot R&B Singles ( Billboard ) | 1 |
US Hot Dance Club Play ( Billboard ) | 1 |
US Hot Dance Music/Maxi-Singles Sales ( Billboard ) | 1 |
There is also an unrelated song with the same title which has appeared in Konami's various Bemani music games.
C+C Music Factory was an American musical group formed in 1989 by David Cole and Robert Clivillés. The group is best known for their five hit singles: "Gonna Make You Sweat ", "Here We Go ", "Things That Make You Go Hmmm...", "Just a Touch of Love", and "Keep It Comin'". The band stopped recording in 1996, following Cole's death. In 2010, C+C Music Factory reformed with Eric Kupper replacing Cole. Original member Freedom Williams acquired trademark rights to the name in 2003 and still tours under that moniker.
"Emotions" is a song recorded by American singer-songwriter Mariah Carey for her second studio album of the same name (1991). It was written and produced by Carey, Robert Clivillés, and David Cole of C+C Music Factory and released as the album's lead single on August 13, 1991 by Columbia Records. The song's lyrics has its protagonist going through a variety of emotions from high to low, up to the point where she declares, "You got me feeling emotions." Musically, it is a gospel and R&B song heavily influenced by 1970s disco music and showcases Carey's upper range and extensive use of the whistle register. Jeff Preiss directed the song's music video.
Lisa Lisa and Cult Jam were an urban contemporary band and one of the first freestyle music groups to emerge from New York City in the 1980s. Cult Jam consisted of vocalist Lisa Lisa, born Lisa Velez, guitarist/bassist Alex "Spanador" Moseley, and drummer/keyboardist Mike Hughes. They were assembled and initially produced by Full Force.
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"Gonna Make You Sweat (Everybody Dance Now)" is a song by American dance music group C+C Music Factory, released by Columbia Records on November 18, 1990 as the debut and lead single from their first album, Gonna Make You Sweat (1990). The song is sung by singer Martha Wash and rapper Freedom Williams. It was written by Robert Clivillés and Williams, and produced by Clivillés and David Cole. The song charted internationally and achieved great success in Austria, Canada, Germany, Sweden, and the United States, where it reached number one on the dance charts. The accompanying music video was directed by Marcus Nispel, and features singer/dancer Zelma Davis lip-syncing to Wash's vocal parts. Billboard magazine ranked "Gonna Make You Sweat (Everybody Dance Now)" No.402 among the "500 Best Pop Songs of All Time" in 2023.
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Straight Outta Hell's Kitchen is a 1991 album by Lisa Lisa and Cult Jam, as well as their final studio album. It is best known for the lead track "Let the Beat Hit 'Em" which reached #1 on the Billboard R&B and Dance charts. The only other single released from the album was the ballad "Where Were You When I Needed You". The album's title is named for the Manhattan neighborhood in which lead vocalist Lisa Velez grew up and lived until the mid-2000s. The first half of the album was produced by C+C Music Factory's David Cole and Robert Clivillés, and the second half was produced, as with the previous Lisa Lisa and Cult Jam albums, by Full Force.
"I Wonder If I Take You Home" is a song recorded by Lisa Lisa and Cult Jam with Full Force in 1984.
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"Lost in Emotion" is a song by urban contemporary band Lisa Lisa and Cult Jam that appeared on their 1987 album Spanish Fly. The song hit number one on the Billboard Hot 100 on October 17, 1987. The song was their second number-one single, after "Head to Toe" earlier in the year. The song also went to number one on the Black Singles chart, and number eight on the dance chart.
Lisa Velez, better known by her stage name Lisa Lisa, is an American singer. She rose to fame in the 1980s as one-third of the band Lisa Lisa and Cult Jam.
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