Liar Liar | |
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Directed by | Tom Shadyac |
Written by |
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Produced by | Brian Grazer |
Starring | |
Cinematography | Russell Boyd |
Edited by | Don Zimmerman |
Music by | John Debney James Newton Howard (theme) |
Production company | |
Distributed by | Universal Pictures |
Release dates |
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Running time | 86 minutes [1] |
Country | United States |
Language | English |
Budget | $45 million [2] |
Box office | $302.7 million [1] |
Liar Liar is a 1997 American fantasy comedy film directed by Tom Shadyac and written by Paul Guay and Stephen Mazur. It stars Jim Carrey as a lawyer who built his entire career on lying but finds himself cursed to speak only the truth for a single day, during which he struggles to maintain his career and to reconcile with his ex-wife and son whom he alienated with his pathological lying.
The film is the second of three collaborations between Carrey and Shadyac—the first being Ace Ventura: Pet Detective and the third being Bruce Almighty —the second of three collaborations between Guay and Mazur—the others being The Little Rascals and Heartbreakers —and the first of three collaborations between Carrey and producer Brian Grazer, the other two being How the Grinch Stole Christmas (2000) and Fun with Dick and Jane (2005).
The film was released to critical and commercial success, grossing $302.7 million against a budget of $45 million and earning positive reviews from critics and audiences, who particularly praised Carrey's performance. At the 55th Golden Globe Awards, he was nominated for Best Actor in a Motion Picture – Musical or Comedy.
Fletcher Reede is a divorced defense lawyer living in Los Angeles who loves spending time with his young son, Max. However, he has a habit of giving precedence to his career, breaking promises to Max and his ex-wife, Audrey, and then lying about the reasons. After Fletcher misses Max's birthday party when senior partner Miranda lures him to get promoted by having sex in the office, Max makes a birthday wish for Fletcher to be unable to lie for one day.
Fletcher soon discovers that he is unable to lie, mislead, or withhold the truth. This alienates him from Miranda and his secretary Greta, gets his car impounded when he confesses all of his traffic infractions and unpaid tickets to a police officer, and causes him an inability to bend the truth in court.
Fletcher's newest client is Samantha Cole, a gold digger who wants a net sum from her soon-to-be ex-husband, Richard Cole. The main witness, Kenneth Falk, with whom Samantha has been cheating, is eager to lie in court to win, but Fletcher cannot suborn perjury. Meanwhile, Audrey is planning to move to Boston with her fiancé, Jerry, and decides to take Max to protect him from future disappointments that Fletcher may cause him.
Fletcher tries to delay the case but is unable to lie his way into a continuance. Knowing that he cannot refute the proof of Samantha's adultery, he successfully disputes the validity of her prenuptial agreement after overhearing her reveal her actual age, discovering that she signed it as a minor without parental consent. This entitles Samantha to 50% of Richard's marital assets, allowing Fletcher to win the case truthfully. However, Samantha also insists on contesting custody of their children for extra child support payments. Fletcher watches as she pulls her crying children out of Richard's arms. Horrified, Fletcher demands that the decision be reversed, but the judge holds him in contempt. Fletcher calls Audrey to bail him out, but she informs him that their plane leaves for Boston that night. Greta, having realized that Fletcher turned over a new leaf, pays his bail.
Fletcher rushes to the airport, but Audrey and Max's plane has left the gate. In desperation, he hijacks a mobile stairway to pursue the plane onto the runway. He gets the plane to stop but is injured after he crashes the mobile stairway and gets thrown off. On a stretcher, Fletcher vows to Max that he will spend more time with him. He says that despite the fact that he is free to lie now that the 24 hours have elapsed, it feels better to be honest. Max believes him, and Audrey, encouraged by Jerry, decides to remain in California.
One year later, Fletcher and Audrey are celebrating Max's birthday. Max makes a birthday wish, only to find that Fletcher and Audrey are kissing when the lights come back on. Fletcher asks Max if he wished for them to get back together, but Max says he only wished for rollerblades. The family returns to normal as Fletcher chases Audrey and Max around the house with "the Claw", a game that Fletcher often plays with Max.
In addition to portraying Fletcher Reede, Carrey has a cameo appearance as Fire Marshall Bill at the end of the film, seeing to Reede's injuries after he crashes a mobile stairway, reprising his role from In Living Color . [3] Liar Liar was the film debut of actress Sara Paxton, who played one of Max's classmates who attends his birthday party. It was also the last film to feature Don Keefer, who retired in 1997 before he died in 2014, and Jason Bernard, who died shortly after filming was completed. The film was dedicated in Bernard's memory. [4]
The film was shot from July 8 to October 16, 1996, in Los Angeles.
In an interview, Jim Carrey said filming the film was very physically demanding on him, "because it was this constant suppression of angst, completely freaking out all the time. I would go home with total exhaustion". [5]
The film is the second of three Carrey/Shadyac collaborations, all of which did extremely well at the box office: the opening weekend made $31,423,025 in 2,845 theaters. [6] It was the second-highest, three-day opener ever for Universal Pictures, only coming second to Jurassic Park . [7] [8] The film also surpassed Teenage Mutant Ninja Turtles to have the largest March opening weekend. [7] It would hold this record for five years until it was taken by Ice Age in 2002. [9] At the time, Liar Liar had the second-highest opening weekend for an Imagine Entertainment film, behind Ransom . [7] The film was ranked number one during its first weekend, beating both the Special Edition release of Return of the Jedi and Selena . [7] It stayed at the top of the box office for a total of three weeks before being overtaken by Anaconda . [10] By late April 1997, Liar Liar had already surpassed the Special Edition release of Star Wars to become the top-grossing film of the year. [11] In North America, it made $181,410,615, and at the box office in other territories it made $121,300,000 for a total of $302,710,615. [1]
In Denmark, Liar Liar earned $453,000 in its opening weekend, making it the third-highest opening for any Universal film in the country, after Twister and Jurassic Park. [12]
The film received positive reviews from critics. On Rotten Tomatoes, it has a rating of 83%, based on 63 reviews, with an average rating of 6.90/10. The site's critical consensus reads, "Despite its thin plot, Liar Liar is elevated by Jim Carrey's exuberant brand of physical humor, and the result is a laugh riot that helped to broaden the comedian's appeal." [13] On Metacritic, it has a score of 70 out of 100, based on 20 critics, indicating "generally favorable reviews". [14] Audiences polled by CinemaScore gave it an "A−" grade from an A+ to F scale.[ citation needed ]
Roger Ebert of the Chicago Sun-Times gave the film three out of four stars and stated, "I am gradually developing a suspicion, or perhaps it is a fear, that Jim Carrey is growing on me," as he had given negative reviews to his previous films Dumb and Dumber and Ace Ventura: Pet Detective. [15]
Some critics noted similarities between the plot with that of an episode of The Twilight Zone entitled "The Whole Truth" where a used-car salesman comes into ownership of a car that is haunted and forces him to tell the truth so long as he owns it. In particular, one scene that bears a resemblance to an element used in Liar Liar is the part where the salesman's assistant asks for a raise, and he is compelled to come clean that there is no raise. [16] [17]
American Film Institute recognition:
This section needs additional citations for verification .(November 2022) |
The film was released for VHS and Laserdisc on September 30, 1997, by Universal Studios Home Video. [19] The DVD was released on January 20, 1998, in full screen format. DTS Full Screen and Collector's Edition Widescreen versions were also released on DVD the following year. The Blu-ray with Multi-Format (including a Digital Copy and UltraViolet) was released on July 9, 2013. It was also released on the 1990s Best of the Decade Edition on Blu-ray and re-released on October 16, 2018. A new DVD was re-released on May 10, 2016, by Universal Pictures Home Entertainment. A remastered 25th Anniversary edition was released on Blu-ray through Shout! Factory on January 18, 2022. [20]
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