| Lifemask | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | February 1973 | |||
| Recorded | Abbey Road Studios, London [1] [ better source needed ] | |||
| Genre | Progressive folk, folk baroque, folk rock | |||
| Length | 43:59 | |||
| Label |
| |||
| Producer | Peter Jenner | |||
| Roy Harper chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
Lifemask is the sixth album by English folk / rock singer-songwriter and guitarist Roy Harper, and was first released in 1973 by Harvest Records.
Lifemask was written by Harper during a period of illness when HHT, which leads to polycythemia, threatened his health and incapacitated him. With thoughts of life and death upon his mind, side two of the album features a lengthy 23-minute track entitled "The Lord's Prayer" which Harper described as "my last will and testament".
The gatefold album cover is a representation of Harper's 'death mask'. [3] that opens centrally to reveal Harper, very much alive, "fixing the listener with one of his trademarked intense stares." [4] As such it, in fact, shows Harper's 'life mask' as opposed to the death mask it could have been.
Some of the songs were included in the soundtrack for the John Mackenzie-directed film Made which was on general release at the time, the story of a relationship between a young single mother, played by Carol White, and an insecure rock star, 'Mike Preston' played by Harper. An excerpt is taken from "The Lord's Prayer", a live excerpt from "Highway Blues" and a live session of "Little Lady" and "Bank of the Dead" (a.k.a. "The Social Casualty" and "Valerie's Song") sung with alternative lyrics are heard.
The 1987 Awareness Records cassette release of Lifemask (AWT 1007) contained 4 bonus tracks not included on any other Lifemask release. [5]
A retrospective compilation album, A Breath of Fresh Air – A Harvest Records Anthology 1969–1974 , was released in 2007. This 3 disc compilation contained the album track "South Africa".
This song had previously been released on a 1971 Harvest sampler The Harvest Bag , under the working title "Living Here Alone".
All tracks credited to Roy Harper
| No. | Title | Length |
|---|---|---|
| 1. | "Highway Blues" | 6:34 |
| 2. | "All Ireland" | 2:52 |
| 3. | "Little Lady" | 4:19 |
| 4. | "Bank of the Dead" | 3:13 |
| 5. | "South Africa" | 4:06 |
| No. | Title | Length |
|---|---|---|
| 6. | "The Lord's Prayer"
| 22:55 |
| No. | Title | Original release | Length |
|---|---|---|---|
| 7. | "Ballad of Songwriter" | US release of Folkjokeopus | |
| 8. | "Zaney Janey" | US release of Folkjokeopus | |
| 9. | "Midspring Dithering" | Single released in 1967 | |
| 10. | "Zengem" | B-side of "Midspring Dithering" |
A 7-inch single was released on the Harvest record label (HAR 5059). This single contained the alternate versions of the album tracks that appeared in the movie Made.
Roy Harper is an English folk rock singer, songwriter, and guitarist. He has released 22 studio albums across a career that stretches back to 1966. As a musician, Harper is known for his distinctive fingerstyle playing and lengthy, lyrical, complex compositions, reflecting his love of jazz and the poet John Keats. He was also the lead vocalist on Pink Floyd’s “Have a Cigar.”
The Waterboys is the debut studio album by the Waterboys, released by Ensign Records in July 1983. The album was recorded in several studio sessions between December 1981 and November 1982. Allmusic describes the sound of the album as "part Van Morrison, part U2".
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The Lord's Prayer is a central prayer in Christianity.
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'Marking a transition in its development between the advanced swing of the early Chicago-era recordings and the increased free-form experimentation of its New York tenure, this album also reveals the first recorded versions of two Ra standards, "Friendly Galaxy" and "Love in Outer Space." Accessible, yet segueing into vanguard territory, this album highlights a fertile period in the Arkestra's history. Looser and more aggressive than its Chicago recordings, these pieces find the Arkestra pushing at the limits of harmony and tonality.' Troy Collins
