Lil' Beethoven

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Lil' Beethoven
Sparks Lil beethoven.jpg
Studio album by
Sparks
ReleasedNovember 26, 2002
Recorded2001–2002
StudioSparks Studios, Los Angeles, California
Genre
Length44:36
Label
  • Palm (US)
  • Lil' Beethoven / Artful (UK)
Producer
Sparks chronology
Balls
(2000)		Lil' Beethoven
(2002)		 Hello Young Lovers
(2006)
Singles from Lil' Beethoven
  1. "Suburban Homeboy" b/w "Wunderbar (Concerto In Koch Minor)"
    Released: March 24, 2003

Lil' Beethoven is the 19th album by the American rock band Sparks, released on November 26, 2002. The album was a radical musical departure compared to their previous works. The band only used strings, piano, and voices but sporadic drums: the result was both classical and pop music.

Contents

The album was received to critical acclaim in the UK and the US.

Background

By 2002, Sparks had released eighteen albums, the last several of them in the new wave/synthpop vein. While this had been successful, breaking them in the US with 1983's "Cool Places" and in Germany with "When Do I Get to Sing 'My Way'" in 1995, it had not secured them much critical acclaim or a consistent audience. 1997's Plagiarism, which consisted entirely of new recordings of earlier material, had been intended to introduce the group's back catalog to their new German audience, while building on the success with high-profile collaborations for the UK and US audience. It had only been partially successful.

The next album, Balls, had not been at all successful and was generally perceived as Sparks treading water. [4] The duo had already written an entire album's worth of material for a follow-up, but found that they were unenthusiastic with the results and so the album was scrapped, a decision which they admitted was difficult but ultimately crucial for them to continue challenging themselves and evolving their sound.

Sparks then decided to change tack, dropping the synthpop sound, reducing the musical palette and developing the music upon piano lines and lyrics of Ron Mael and the vocals of Russell Mael.

In 2001, the Maels were commissioned by a German broadcasting company to produce a song for Günther Koch Revisited (Voll In Den Mann), an album that featured samples of sports commentator Günther Koch set to music. The band's contribution, "Wunderbar", placed Koch's highly-spirited exclamations over an orchestral backing. The duo acknowledged that making the track provided them a blueprint for the direction that they would take on Lil' Beethoven. As has been the case with each Sparks album since 1988's Interior Design , the album was self-produced by the duo and recorded in Russell Mael's home studio.

Sound

Described by the band themselves as a "career-defining opus", Lil' Beethoven saw the duo move into a more classical-influenced sound, with a heavy reliance on repetitive lyrics and piano lines, synthesized orchestration and multi-tracked vocals in place of percussion. [5] Opening track "The Rhythm Thief" is an overall introduction to the band's new direction by declaring "say goodbye to the beat". "My Baby's Taking Me Home" largely consists of the title repeated over 100 times with no other words being used, other than a spoken interlude. [6] Similarly, "Your Call Is Very Important To Us" uses a corporation style call-hold message: "Your call is very important to us. Please hold" which is then sung with some additional words: "At first she said your call is very important to us, then she said please, please hold." The only other lyrics in the song are "Red light", "Green light", "I'm Getting Mixed Signals" and "Sorry, I'm Going To Have To Put You Back On Hold". These elements are layered with a simple piano line to create a highly textured effect. [7]

The majority of the sounds on Lil' Beethoven were produced with a Yamaha S80 keyboard.

Release

Lil' Beethoven, while critically acclaimed, did not chart inside the top 100 in the UK, Germany or the US. It was released in a limited edition which had hardcover book binding. The album was promoted by the single "Suburban Homeboy" but it, too, did not chart. The single was backed two b-sides, an extended version of "Suburban Homeboy", entitled "Suburban Homeboy (Extended 'Ron Speaks' Version)", and "Wunderbar (Concerto In Koch Minor)", which samples the voice of German sports commentator Günther Koch. The band had initially planned to release the album as Lil' Beethoven rather than Sparks, so that it wasn't pigeonholed with their previous albums, but eventually decided against it.

Re-releases

In March 2004, Sparks re-issued Lil' Beethoven in a deluxe edition. This version had a black sleeve as opposed to the white original, and included three audio tracks (two of which were exclusive), a video of "The Rhythm Thief" (directed by long-time collaborators Kuntzel+Deygas), a short film by Ron Mael, and a screensaver. An LP version of the album (which did not include any bonus tracks) was also released at the same time.

A DVD produced by Demon Vision was also released of a live performance of the album. The live performance was filmed in March 2004 at the Södra Teatern in Stockholm, Sweden. The DVD features the album performed in full and in order, followed by a set of twelve other Sparks songs.

In April 2022, a remastered Lil' Beethoven was issued on LP and CD as part of the "21st Century Sparks" collection. The CD included the same bonus tracks as the 2004 reissue and two additional tracks. [8] This time the album charted, entering the UK independent albums top 50 at no. 8. [9]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [10]

The album was critically applauded, which led to renewed interest in the band. In a review titled "What the world’s been waiting for—Sparks’ very own Kid A ", Mojo praised the album as being "an audacious mélange of crafty lyrics and beguilingly repetitive orchestral melodies. [11] Record Collector magazine named the album as one of its Best New Albums of 2002, describing it as "possibly the most exciting and interesting release ever from such a long established act", [12] and later in 2003 saying "it really does feel like one of the best albums ever made." [6] In a four out of five star review, AllMusic declared: "it feels like you're listening to another record entirely -- every time you play it. And that is the magic of Lil' Beethoven." [10] When it was released in 2003 in the US, PopMatters wrote that Lil' Beethoven was "brilliant". "It may take a few listens to get there, because this is unlike any record that you're likely to hear this year". [13] In an enthusiastic review, Rolling Stone pictured the album as "nine songs of lethal grandeur built from [...] swollen waves of strings and fistfuls of piano and [...] one-man operatic chorales". Reviewer David Frickle said the album was a "perfect cocktail", remarking that there was virtually no rock guitar apart for one song, before concluding "Trust me: It's not a problem". [14] The List praised it as a "fantastic record", for its "grand symphonic sweep of piano-based orchestral music." [15]

Track listing

All tracks are written by Ron Mael and Russell Mael

Side one
No.TitleLength
1."The Rhythm Thief"5:18
2."How Do I Get To Carnegie Hall?"3:50
3."What Are All These Bands So Angry About?"3:32
4."I Married Myself"4:59
5."Ride 'Em Cowboy"4:20
Side two
No.TitleLength
6."My Baby's Taking Me Home"4:42
7."Your Call's Very Important To Us. Please Hold."4:11
8."Ugly Guys With Beautiful Girls"7:06
9."Suburban Homeboy"2:58
Deluxe edition bonus tracks (2004)
No.TitleLength
10."The Legend Of Lil' Beethoven"2:06
11."Wunderbar (Concerto In Koch Minor)"3:54
12."The Rhythm Thief (Instrumental Version)"5:24
13."The Rhythm Thief" (Video) 
14."Inspiration Behind Lil' Beethoven: "Fear of a Blank Page"" (Visual) 
15."Lil' Beethoven Screen Saver" 
BMG bonus tracks (2022)
No.TitleLength
10."The Legend Of Lil' Beethoven"2:06
11."Wunderbar (Concerto In Koch Minor)"3:49
12."Kakadu Kantata"5:19
13."Suburban Homeboy (Extended "Ron Speaks" Version)"3:50
14."The Rhythm Thief (Instrumental Version)"5:21

Personnel

DVD

Lil' Beethoven – Live in Stockholm

  1. "The Rhythm Thief"
  2. "How Do I Get to Carnegie Hall?"
  3. "What Are All These Bands So Angry About?"
  4. "I Married Myself"
  5. "Ride 'Em Cowboy"
  6. "My Baby's Taking Me Home"
  7. "Your Call's Very Important to Us. Please Hold"
  8. "Ugly Guys with Beautiful Girls"
  9. "Suburban Homeboy"
  10. "It's a Sparks Show"
  11. "National Crime Awareness Week"
  12. "Here in Heaven"
  13. "The Number One Song in Heaven"
  14. "Nothing to Do"
  15. "The Calm Before the Storm"
  16. "The Ghost of Liberace"
  17. "Talent Is an Asset"
  18. "Hospitality on Parade"
  19. "When I Kiss You (I Hear Charlie Parker Playing)"
  20. "This Town Ain't Big Enough for Both of Us"
  21. "When Do I Get to Sing 'My Way'?"
  22. "Amateur Hour"

Special features

  1. "The Legend of Lil' Beethoven"
  2. Soundcheck
  3. Backstage with Sparks
  4. Audience interviews / Meet the Fans
  5. Sparks facts

Live personnel

Charts

Chart performance for Lil' Beethoven
Chart (2022)Peak
position
Scottish Albums (OCC) [16] 13
UK Independent Albums (OCC) [17] 8

Related Research Articles

<span class="mw-page-title-main">Russell Mael</span> American musician and co-founder of the band Sparks

Russell Craig Mael is an American singer best known as the lead singer for the band Sparks which he formed in 1971 with his elder brother Ron Mael. Mael is known for his wide vocal range, in particular his far-reaching falsetto. He has a flamboyant and hyperactive stage presence which contrasts sharply with Ron Mael's inexpressive demeanour. The band released an album with British rock band Franz Ferdinand, as the supergroup FFS, titled FFS, released in 2015. The Mael brothers are the founders of Lil' Beethoven Records.

<span class="mw-page-title-main">Sparks (band)</span> American rock and pop band

Sparks is an American pop and rock duo formed by brothers Ron (keyboards) and Russell Mael (vocals) in Los Angeles. The duo is noted for their quirky approach to songwriting; their music is often accompanied by sophisticated and acerbic lyrics—often about women, and sometimes containing literary or cinematic references—and an idiosyncratic, theatrical stage presence, typified by the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. Russell Mael has a distinctive wide-ranging voice, while Ron Mael plays keyboards in an intricate and rhythmic style. Their frequently changing styles and visual presentations have kept the band at the forefront of modern, artful pop music.

<i>Kimono My House</i> 1974 studio album by Sparks

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<i>No. 1 in Heaven</i> 1979 studio album by Sparks

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<i>Terminal Jive</i> 1980 studio album by Sparks

Terminal Jive is the ninth album by the American rock band Sparks and the second recorded with Giorgio Moroder. The album has a disco-vibe like its predecessor but featured fewer synthesizers, opting instead for more electric rock guitar, resulting in a new wave sound. The album was produced by Moroder and Harold Faltermeyer, the latter of whom is claimed to have produced the majority of the album.

<i>Whomp That Sucker</i> 1981 studio album by Sparks

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<i>Angst in My Pants</i> 1982 studio album by Sparks

Angst in My Pants is the eleventh studio album by American pop and rock band Sparks. The album was released in 1982 by Atlantic Records in both the US and UK, and this was the sixth overall label that the band was signed to in the US, and, for the first time since the mid-1970s, the band would be signed to the same label in both the US and UK for three consecutive studio albums.

<i>In Outer Space</i> 1983 studio album by Sparks

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<i>Pulling Rabbits Out of a Hat</i> 1984 studio album by Sparks

Pulling Rabbits Out of a Hat is the thirteenth studio album by American pop and rock band Sparks, released in June 1984 by Atlantic Records. It was not very well received and failed to capitalise on the commercial success of their previous studio album In Outer Space (1983). The album developed the light synth-pop sound of In Outer Space but with slightly darker lyrics revolving around Ron Mael's favourite subject matter: relationships.

<i>Music That You Can Dance To</i> 1986 studio album by Sparks

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<i>Interior Design</i> (album) 1988 studio album by Sparks

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<i>Gratuitous Sax & Senseless Violins</i> 1994 studio album by Sparks

Gratuitous Sax & Senseless Violins is the 16th album by American rock band Sparks. It was released in 1994, after an absence from the music industry of 6 years, and marked the duo's transition into a more techno/Eurobeat-influenced sound, which earned them popularity in Germany.

<i>Balls</i> (Sparks album) 2000 studio album by Sparks

Balls is the 18th album by the American rock band Sparks, released in 2000.

<i>Hello Young Lovers</i> (Sparks album) 2006 studio album by Sparks

Hello Young Lovers is the 20th album by Sparks. A continuation of the repetitious, orchestral sound of their previous album Lil' Beethoven, though with a much greater emphasis on guitar and drums, it is a concept album which addresses aspects of modern love.

<i>Exotic Creatures of the Deep</i> 2008 studio album by Sparks

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<i>Hippopotamus</i> (album) 2017 studio album by Sparks

Hippopotamus is the 23rd studio album by American rock group Sparks. It was released on September 8, 2017, through BMG Rights Management and The End Records, their first record issued on a major label for decades.

<i>A Steady Drip, Drip, Drip</i> 2020 studio album by Sparks

A Steady Drip, Drip, Drip is the 24th studio album by American rock group Sparks. Recorded in gaps between Sparks' film projects, the album uses a full rock-group format to draw on the band's full range of musical styles and was universally acclaimed by critics, who praised both its lyrical and melodic content.

References

  1. ↑ "Expect the Unexpected: A Conversation with Sparks". September 13, 2017. Retrieved November 22, 2017.
  2. ↑ "Sparks - Record Collector Magazine". recordcollectormag.com. Retrieved April 28, 2019.
  3. 1 2 "Beyond Bowie: The mutating art-pop of Sparks in 10 records - The Vinyl Factory". November 17, 2015. Retrieved April 28, 2019.
  4. ↑ Encyclopedia of Popular Music. "Sparks". BBC. Retrieved April 13, 2006.[ dead link ]
  5. ↑ "Sparks - Lil' Beethoven". Allmusic. Retrieved February 8, 2015.
  6. 1 2 Easlea, Daryl (July 2003). "Sparks Interview". Record Collector Magazine Issue. 287.
  7. ↑ "Hello Young Lovers review on StylusMagazine.com". Archived from the original on March 29, 2006. Retrieved April 25, 2006.
  8. ↑ Sparks, Sparks - Lil' Beethoven. Sparks. , retrieved May 15, 2022
  9. ↑ "Official Independent Albums Chart Top 50 | Official Charts Company". www.officialcharts.com. Retrieved May 15, 2022.
  10. 1 2 Thompson, Dave. Lil' Beethoven - album review. AllMusic. Retrieved 22 September 2015.
  11. ↑ Buckley, David (December 2002). Sparks Lil' Beethoven - [review].{{cite book}}: |work= ignored (help)
  12. ↑ "Best New Albums of 2002". Record Collector. 281. January 2003.
  13. ↑ Damas, Jason (August 14, 2003). "Lil' Beethoven - album review". PopMatters . Archived from the original on August 20, 2003. Retrieved April 28, 2019.
  14. ↑ Frickle, David (April 3, 2003). "Sparks Lil' Beethoven[album review]". Rolling Stone . Archived from the original on November 3, 2008. Retrieved September 22, 2015.
  15. ↑ Fisher, Mark (October 31, 2002). Sparks Lil' Beethoven.{{cite book}}: |work= ignored (help)
  16. ↑ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved May 7, 2022.
  17. ↑ "Official Independent Albums Chart Top 50". Official Charts Company. Retrieved May 7, 2022.
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