Japanese art is collected by museums, galleries and private collectors in many countries around the world.
Country | City | Institution | Collection size | Notes | Official web site | Ref. |
---|---|---|---|---|---|---|
Australia | Sydney | Art Gallery of New South Wales | 1,561 | |||
Canada | Ontario | Royal Ontario Museum | 10,000 | Most items are from Edo period | ||
Germany | Neuss | Langen Foundation | 350 | |||
Israel | Haifa | Tikotin Museum of Japanese Art | 8,500 | 17th to 19th century | ||
Japan | Kitakyushu | Kitakyushu Municipal Museum of Art | 7,500 | [1] | ||
Japan | Kyoto | Kyoto National Museum | 8,000+ | Art, archaeology, Buddhist art, and history | [1] [2] | |
Japan | Nagoya | Aichi Prefectural Museum of Art | 1,000 | [1] | ||
Japan | Nagoya | Nagoya City Museum | [1] | |||
Japan | Nara | Nara National Museum | 1,200 | Art, archaeology, Buddhist art, and history | [1] | |
Japan | Osaka | Museum of Oriental Ceramics, Osaka | Ceramics and pottery | [1] | ||
Japan | Tokyo | National Museum of Modern Art, Tokyo | [1] | |||
Japan | Tokyo | Suntory Museum of Art | [1] | |||
Japan | Tokyo | Tokyo National Museum | Art, archaeology and history | [1] | ||
Japan | Tokyo | Yamatane Museum | 1,800 | |||
Japan | Osaka | National Museum of Art, Osaka | 8,200 (As of February 2022 [update] ) | Modern art | [3] | |
Japan | Tokyo | Sumida Hokusai Museum | Ukiyoe prints; P. Morse collection, M. Narashige collection [4] | [5] | [6] | |
Poland | Kraków | Manggha Museum of Japanese Art and Technology | ||||
United Kingdom | London | British Museum | ||||
United Kingdom | London | Nasser D. Khalili Collection of Japanese Art | 1,600 | Decorative arts of the Meiji era | ||
United Kingdom | London | Victoria and Albert Museum | 30,000+ | Mostly from Edo and Meiji periods | ||
United Kingdom | Maidstone | Maidstone Museum | 4,000 | Edo and Meiji-period decorative arts | [7] | |
United Kingdom | Oxford | Ashmolean Museum | ||||
USA | Feinberg Collection | 300 | ||||
USA | Manyo'an Collection of Japanese Art | Hosted by the Gitter-Yelen Art Study Center | ||||
USA | Bartlesville, Oklahoma | Price Collection | Arts of the Edo period | |||
USA | Boston | Museum of Fine Arts | includes the Leonard A. Lauder collection of more than 20,000 postcards | |||
USA | Cleveland | Cleveland Museum of Art | 1,950 | [8] | ||
USA | Eugene, Oregon | Jordan Schnitzer Museum of Art | 3,000+ | Mainly Edo period prints | ||
USA | Los Angeles | Pavilion for Japanese Art, Los Angeles County Museum of Art | ||||
USA | Newark, New Jersey | The Newark Museum of Art | 7,000 | Concentrated in Edo, Meiji and Showa periods | ||
USA | New York | Ronin Gallery | 17th – 21st century woodblock prints | |||
USA | New York | Metropolitan Museum of Art | 17,000 | |||
USA | Washington, D.C. | Library of Congress | 2,500 | Woodblock prints and drawings, 17th to 20th centuries | ||
USA | Washington, D.C. | National Museum of Asian Art (Freer/Sackler) |
Katsushika Hokusai, known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. His woodblock print series Thirty-Six Views of Mount Fuji includes the iconic print The Great Wave off Kanagawa. Hokusai was instrumental in developing ukiyo-e from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. His works had a significant influence on Vincent van Gogh and Claude Monet during the wave of Japonisme that spread across Europe in the late 19th century.
Hiroshi Teshigahara was a Japanese avant-garde filmmaker and artist from the Japanese New Wave era. He is best known for the 1964 film Woman in the Dunes. He is also known for directing other titles such as The Face of Another (1966), Natsu no Heitai, and Pitfall (1962), which was Teshigahara's directorial debut. He has been called "one of the most acclaimed Japanese directors of all time". Teshigahara is the first person of Asian descent to be nominated for the Academy Award for Best Director, accomplishing this in 1964 for his work on Woman in the Dunes. Apart from being a filmmaker, Teshigahara also practiced other arts, such as calligraphy, pottery, painting, opera and ikebana.
The Nezu Museum, formerly known as the Nezu Institute of Fine Arts, is an art museum in the Minato district of Tokyo, Japan.
The Great Wave off Kanagawa is a woodblock print by Japanese ukiyo-e artist Hokusai, created in late 1831 during the Edo period of Japanese history. The print depicts three boats moving through a storm-tossed sea, with a large, cresting wave forming a spiral in the centre over the boats and Mount Fuji visible in the background.
The Hokusai Manga is a collection of sketches of various subjects by the Japanese artist Hokusai. Subjects of the sketches include landscapes, flora and fauna, everyday life and the supernatural.
Richard Douglas Lane (1926–2002) was an American art critic, collector, dealer, historian, and writer. He was dealer of Japanese art, lived in Japan for much of his life, and had a long association with the Honolulu Museum of Art in Hawaii, which now holds his vast art collection.
Minoru Kawabata was a Japanese artist. Kawabata is best known for his color field paintings. Between 1960 and 1981, Kawabata had 11 solo shows at the prominent Betty Parsons Gallery in New York. At the 31st Venice Biennale in 1962, Kawabata’s work was exhibited in the Japan Pavilion alongside that of four other Japanese artists. Kawabata has had solo exhibitions at the Everson Museum of Art in 1974, the Museum of Modern Art, Kamakura in 1975, the National Museum of Modern Art, Kyoto and Ohara Museum of Art in 1992, and Yokosuka Museum of Art in 2011. Kawabata’s works are in the collection of the Albright-Knox Art Gallery, Artizon Museum, Everson Museum of Art, Museum of Contemporary Art Tokyo, the Museum of Modern Art, Kamakura & Hayama, the Museum of Modern Art, São Paulo, the National Museum of Art, Osaka, the National Museum of Modern Art, Kyoto, the National Museum of Modern Art, Tokyo, the Newark Museum of Art, Ohara Museum of Art, Solomon R. Guggenheim Museum, Yokohama Museum of Art, Yokosuka Museum of Art, among others.
Edo Porn is a 1981 Japanese biographical drama film written and directed by Kaneto Shindō. It is based on Seiichi Yashiro's stage play on the life of Japanese artist Hokusai.
Katsushika Ōi, also known as Ei or Ei-jo, was a Japanese Ukiyo-e artist of the early 19th century Edo period. She was a daughter of Hokusai from his second wife. Ōi was an accomplished painter who also worked as a production assistant to her father.
Sumikko Gurashi (すみっコぐらし) is a set of fictional characters produced by the Japanese company San-X. The name directly translates to "life in the corner". The main Sumikko characters are Shirokuma, a polar bear who dislikes the cold, Penguin? who is unsure of being a penguin, Tonkatsu, a piece of leftover pork cutlet, Neko, a timid and anxious cat, and Tokage, a dinosaur who pretends to be a lizard. Minor Minikko characters include Furoshiki, a polka dot furoshiki cloth, Zassou, a weed with a positive attitude, and Tapioca, multi-colored leftover tapioca pearls. The characters were created by Yuri Yokomizo, a graphic designer working for San-X, and the first products were released in 2012. Their main inspiration was the feeling of comfort when one is near a corner, and they were based on Yokomizo's notebook doodles when she was a student. A wealth of merchandise, such as stationery, plush toys, and clothing, is sold. Books, mobile apps, and video games based on the franchise have also been produced. Three animated films with Sumikko Gurashi were released in 2019, 2021, and 2023.
The Great Daruma was a monumental portrait created by Japanese artist Hokusai on 5 October 1817. Also known as the Great Bodhidarma, the work is a depiction of Bodhidharma, known in Japan as Daruma, a revered Buddhist monk of the 5th or 6th century. The original artwork was destroyed by the bombing of Nagoya in May 1945.
Kawanabe Kyōsui was a Meiji era painter for nihonga and ukiyoe.
Kazuya Shimizu is a Japanese futsal player who plays for Nagoya Oceans and the Japanese national futsal team.
Shimeji Simulation is a Japanese four-panel surreal comedy manga series written and illustrated by Tsukumizu. It was serialized in Media Factory's Comic Cune magazine from January 2019 to November 2023 and compiled into five tankōbon volumes.
Sumida Aquarium is a public aquarium located on the 5th and 6th floors of the Tokyo Skytree in Sumida, Tokyo. It opened in 2012 at the same time as Tokyo Skytree itself. It is managed by ORIX real estate corporation.
Teach Me, Hokusai! is a Japanese manga written and illustrated by Naoto Iwakiri. The original name of this manga is Yume wo Kanaeru Bakusho! Nihon Bijutsu Manga Oshiete Hokusai! but, it has been serialized in cakes website as Oshiete Hokusai! from August 9, 2016, to February 7, 2017, and has been collected in single tankōbon volume. This single volume manga was published by Sunmark Publishing on June 30, 2017. A short original net animation (ONA) series adaptation by CoMix Wave Films premiered from March 7, 2021, to March 14, 2021.
Hiroshi Masumura is a Japanese manga artist. He is best known for his adaptations of Kenji Miyazawa's children novels, including his work on the anime film Night on the Galactic Railroad (1985), and for several manga series set in the fantasy universe Atagoul. Several of his manga feature anthropomorphic cats as protagonists.
Hiroko Okada also known as Okada Hiroko, is a Japanese contemporary artist, known for her provocative work that challenges societal standards around the construct of family, love, childbirth, and child-rearing. She works within the mediums of video art, photography, painting, installation, and performance.
Yuki Iiyama is a Japanese contemporary artist and lecturer at Tama Art University.
Yoshio Fujimaki (January 19, 1911 – disappeared September 2, 1935)was a Japanese printmaker who was part of the Sōsaku-hanga movement. He focused mainly on depicting the Shitamachi area of Tokyo during the 1930s, and is known for creating a long Hakubyō scroll print focusing on areas surrounding the Sumida River. Fujimaki became an obscure figure after his disappearance at the age of 24, but a 1978 exhibition renewed interest in his work.