La station thermale (1993), dramma giocoso in 3 acts, libretto by Myriam Tanant after Carlo Goldoni’s I bagni d’Abano, commissioned by the Opéra National de Lyon
Scena per Doktor Faustus (1995), choreographed poem by Heinrich Heine for 2 magnetic tapes, libretto by Lorenzo Salveti, commissioned by the Bologna Teatro Comunale.
Les oiseaux de passage (1998), opera in 5 sequences, libretto by Myriam Tanant, commissioned by the Opéra National de Lyon and the Bologna Teatro Comunale.
La burla universale. Cantata abbastanza profana (2001), in one act, for female voice, 2 baritone voices, and orchestra, libretto by Franco Marcoaldi, commissioned by Rai Radio Tre for centennial of Verdi’s death
Il letto della Storia (2003), opera in 3 acts, libretto by Franco Marcoaldi, commissioned by the Maggio Musicale Fiorentino
Macbeth (2007), incidental music for the marionette production of the Compagnia Marionettistica Carlo Colla e Figli
La madre del mostro (2007), libretto by Michele Serra, commissioned by the Accademia Musicale Chigiana
Canti di Benjaminovo (2003) for voice and string quintet, text of Franco Marcoaldi, commissioned by the Boston Musica Viva Ensemble
Memoria italiana (2003) for 4 voices, text of Franco Marcoaldi, commissioned by the Festival delle Nazioni of Città di Castello
Cjante (2004) for soprano and orchestra on a fragment of the Song of Songs translated in the Friuli dialect, commissioned by the Mittelfest of Cividale del Friuli
Irini, Esselam, Shalom (2004) for voice, violin concertante, and orchestra, text edited by Moni Ovadia, commissioned by the Orchestra Sinfonica di Milano "G. Verdi"
Voce d’altra voce (2005) for two narrators, chorus and orchestra, on a fragment of the Song of songs translated in Arabic, Hebrew, and the Friuli dialect, commissioned by the Mittelfest of Cividale del Friuli
Mi chiamo Roberta (2006) for violin, cello, percussion, piano and two narrators, text of Aldo Nove, commissioned by the Mittelfest of Cividale del Friuli
La giusta armonia (2006) for narrator and orchestra, text of Franz Heinrich Ziegenhagen, commissioned by the Salzburg Festival
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