List of compositions by Moritz Moszkowski

Last updated

Moritz Moszkowski
Moritz Moszkowski.jpg
Piano Concerto No. 2, Op. 59,
2nd movement
Background information
Born(1854-08-23)23 August 1854
Breslau, Kingdom of Prussia, German Confederation
Died4 March 1925(1925-03-04) (aged 70)
Paris, French Third Republic
Genres Classical, Romantic era
Occupation(s) Pianist, composer
Instrument(s) Piano

The following is the complete List of compositions by Moritz Moszkowski.

Contents

MoszWV means Moszkowski Werkverzeichnis (=Moszkowski work directory). [ citation needed ]

Genre

  Piano left hand
  Piano 2 hands
  Piano 4 hands
  Two pianos 4 hands
  Stage music
  Vocal music
  Duo
  Trio
  Quintet
  Organ
  Orchestra with solo instrument
  Orchestra without solo instrument

Works with opus number

TitleOpusNameKeyTempoGeYearNote
Scherzo1B majorQuasi andantino1874 [n 1]
Albumblatt2A majorModerato e grazioso1875 [n 2]
Piano Concerto No. 13First movementB minorAllegro con spirito1874 [n 3]
Second movementG majorAdagio
Third movementE majorScherzo molto vivace
Fourth movementB minorAllegro con spirito l'istesso tempo
Caprice4A minorVivo1875 [n 4]
Hommage à Schumann5E majorAllegro con brio1875 [n 5]
Fantasie-Impromptu6F majorAllegretto grazioso1875 [n 6]
G minorL’istesso tempo
D minorTempo I (Allegretto grazioso)
Trois Moments Musicaux7No. 1B majorAllegramente1875 [n 7]
No. 2C minorCon moto
No. 3F majorTranquillo e semplice
Fünf Walzer8No. 1A majorAllegro moderato1875 [n 8]
No. 2A minorPesante e lugubre
No. 3E majorAllegro grazioso
No. 4G majorVivace assai
No. 5D majorPomposo ed energico, ma non troppo allegro
8aIdemIdemIdem [n 9]
Zwei Lieder9Die VerlasseneCAllegretto1876 [n 10]
Schlaflied (Berceuse)D majorAndante
Skizzen, Vier Kleine Stücke10MelodieG majorCon moto1876 [n 11]
ThemaE majorTranquillo ed espressivo
MazurkaG majorAllegro
Impromptu über SachsG minorAllegro assai
Drei Stücke11PolonaiseE majorBrioso ed energico1876 [n 12]
WalzerG majorAllegretto grazioso
Ungarischer TanzB MinorAllegro con fuoco
Spanische Tänze12 Flamenco (Gypsy Dance)C majorAllegro brioso1876 [n 13]
Romance in CórdobaG minorModerato
Juana (Andalusian Vito)A majorCon moto
MalagueñaB majorAllegro comodo
BoleroD majorCon spirito
12aIdemIdemIdem [n 14]
Drei Lieder13Bitte: Weil auf mir, du dunkles AugeD majorMolto moderato1877 [n 15]
Und wüssten's die BlumenE minorAndante melancolico
Mädchenaug'! Mädchenaug'!D majorCon vivacita
Humoreske 14D majorAllegro fastoso1877 [n 16]
Sechs Stücke15SerenataD majorAndante grazioso1877 [n 17]
ArabeskeG majorAllegro molto
MazurkaG minorAllegro
CanonD majorCon moto
WalzerD majorMolto moderato
BarcaroleA minorAndante semplice
15aSerenataIdemIdem1911 [n 18]
15bWaltzer1902 [n 19]
Zwei Konzertstücke16BalladeG minorAndante con moto1878 [n 20]
BoleroD majorAllegro spiritoso
16aBalladeIdemIdem [n 21]
Drei Klavierstücke in Tanzform17PolonaiseD majorAllegro con fuoco1878 [n 22]
MenuettG majorAllegro moderato
WaltzerA majorMolto allegro
17aMenuettIdemIdem [n 23]
Fünf Klavierstücke18MelodieF majorModerato1878 [n 24]
ScherzinoF majorAllegro
ÉtudeG majorCon agilita
MarciaG majorAllegro moderato
PolonaiseB majorCon grazia
18aMelodieIdemIdem [n 25]
Johanna d'Arc19First movementE majorAllegro comodo187576 [n 26]
Second movementAndante malinconico
Third movementMolto moderato
Fourth movementAllegro molto
19aProzessionsmarsch aus Johanna d‘ArcIdemIdem1879 [n 27]
Allegro Scherzando20E majorAllegro1879 [n 28]
Album Espagnol21G majorAllegro moderato1879 [n 29]
D majorVivace assai
F minorCon moto
D majorModerato e grazioso
Tränen. Fünf Gedichte von Adelbert von Chamisso 22Was ist's, o Vater, was ich verbrach?D majorAllegro molto1879 [n 30]
Ich habe, bevor der MorgenMolto moderato
Nicht der Tau und nicht der RegenAllegro appassionato
Denke, denke, mein GeliebterB majorAndante con moto
Wie so bleich ich geworden bin?G majorAllegretto
Aus aller Herren Länder23RusslandA minorAllegretto1879 [n 31]
DeutschlandF majorAndante
SpanienA minorMolto vivace
PolenC minorAllegro con fuoco
ItalienA majorPresto
UngarnD majorMolto allegro
23aIdemIdemIdem1884 [n 32]
23bRussischIdemIdem1879 [n 33]
Drei Konzertetüden24No. 1 Les VagueG majorAllegro patetico1880 [n 34]
No. 2 Il LamentoC minorModerato assai
No. 3C majorVivace
Deutsche Reigen25D majorModerato1880 [n 35]
A majorAllegretto con moto
F majorModerato e grazioso
A majorAllegro animato
E majorAllegro con brio, un poco meno allegro
Drei Gedichte im Volkston26Ich frage nicht, hast Du mich liebG majorAndante1881 [n 36]
O süsseste Noth, o selige PeinC minor
Auf, hinaus aus dem HausC major
Barcarole und Tarantelle27BarcaroleG majorAllegro con moto1881 [n 37]
TarantelleG majorPresto
Miniaturen28G majorAllegro moderato1882 [n 38]
C majorAllegro giocoso
E minorVivace con spirito
E majorAllegretto grazioso
G majorMolto allegro
Drei Stücke29AirG majorTranquillo e cantabile1882 [n 39]
TarentelleB majorMolto vivace
BerceuseF majorAndante
Violin Concerto30First movementC majorAllegro commodo1883 [n 40]
Second movementE minorAndante
Third movementC majorVivace
30aIdemIdemIdem [n 41]
Six Morceaux31MonologueE minorAndante sostenuto1883 [n 42]
MélodieG majorMolto vivace
Valse mélancoliqueB majorModerato
ScherzettoA majorAllegro con spirito
ImpromptuD majorTranquillo, ma non troppo lento
CapriceG majorAllegretto
31aScherzettoIdemIdem [n 43]
31bCapriceIdemIdem [n 44]
Drei Klavierstücke32In tempo di minuettoE majorModerato1883 [n 45]
ÉtudeD majorAllegro
WalzerE majorGrazioso
Vier Klavierstücke33KindermarschF majorAllegro1883 [n 46]
HumoreskeD majorAllegretto
TarantelleG minorAllegro molto
SpinnerliedA majorVivo
Trois Morceaux34ValseE majorAllegro moderato1884 [n 47]
ÉtudeC majorMolto allegro
MazurkaE majorLento
34aValseIdemIdem [n 48]
Quatre Morceaux35Caprice mélancoliqueA minorAllegretto con moto1885 [n 49]
Moment musicalC majorCon moto
Pièce drôlatiqueG majorModerato con leggerezza
ImpromptuG majorAllegro grazioso
Huit Morceaux Caractéristiques36Pièce rococoD majorModerato1886 [n 50]
RêverieA majorMolto tranquillo
ExpansionD majorAllegro anomato
En automneB minorVeloce
Air de balletG minorAllegretto
Étincelles B majorAllegro scherzando
Valse sentimentaleC majorCommodo
Pièce rustiqueE majorModerato
Caprice Espagnol37A minorVivace1885 [n 51]
Quatre Morceaux38BourréeA majorAllegro molto1886 [n 52]
BerceuseG majorAndante
MazurkaG majorAllegro moderato
Mélodie italienneA majorAllegro con spirito
Première Suite d'Orchestre39No. 1F majorAllegro molto e brioso1885 [n 53]
No. 2Allegro giojoso
No. 3 Tema con variazioniA majorAndante
No. 4 IntermezzoAllegretto con moto
No. 5 Perpetuum mobileF majorVivace
39aIdemIdemIdem [n 54]
39bIntermezzoIdemIdem [n 55]
Scherzo-Valse40G majorAllegro1886 [n 56]
Gondoliera41G minorAndante con moto1886 [n 57]
Trois Morceaux Poétiques42RomanceD minorAllegretto1887 [n 58]
SicilianoF minorCon malinconia
Momento giojosoE majorMolto vivace
Deux Morceaux43CortègeA minorAllegro ma non troppo1887 [n 59]
GavotteModerato
43aCortègeIdemIdem1888 [n 60]
Der Schäfer putzte sich zum Tanz44D majorAllegretto1887 [n 61]
44aIdemIdem [n 62]
Zwei Klavierstücke45PolonaiseD majorModerato1888 [n 63]
GuitarreG majorAllegro comodo
45aGuitarreIdemIdem [n 64]
45bGuitarreIdemIdem [n 65]
Valse et Mazurka46ValseF major1890 [n 66]
MazurkaG major
Deuxième Suite d'Orchestre47PreludioG minorLento1890 [n 67]
FugaUn pochino più animato
ScherzoMolto vivace
LarghettoLarghetto
IntermezzoD majorAllegretto con moto
MarciaG majorAllegro con brio
47aPreludio et IntermezzoIdemIdem [n 68]
Deux Études de Concert48D majorPresto1890 [n 69]
C majorAllegro brillante
Boabdil, der letzte Maurenkönig49188892 [n 70]
Balletmusik aus der Oper Boabdil49aMalagueñaAllegro pomposo1892 [n 71]
Scherzo-ValseE minor
Maurische FantasiaA major
Maurischer Marsch aus der Oper Boadbil49bB majorAllegro moderato [n 72]
Einzugsmarsch aus der Oper Boabdil49cD majorAllegro1893 [n 73]
Suite50First movementG majorAllegro moderato1892 [n 74]
Second movement. AirG majorAndante malinconico
Third movement. CapriccioG majorMolto vivace
Presto alla GigaG majorCon bravura
Fackeltanz51E majorAllegro molto moderato1893 [n 75]
51aIdemIdem [n 76]
Sechs Fantasiestücke 52LandschaftsbildchenD majorAllegro moderato1894 [n 77]
NachtstückA majorAgitato
ZwiegesangB majorAndante espressivo
Die JongleurinE majorAllegro con spirito
Maskenscherz und DemaskirungC minorAllegro appassionato
Beim FesteC majorAllegro molto
Laurin. Ballet in Six Tableaux53189295 [n 78]
Vier Stücke aus dem Ballett Laurin53aTanz der RosenelfenE majorAllegretto grazioso1895 [n 79]
Marsch der ZwergeE majorAllegro moderato
Sarabande und DoubleF majorAndante
D minorUn poco animato
Valse CoquetteG majorAllegro scherzando
Drei Stücke54Danse fantastiqueG majorAllegretto con moto1895 [n 80]
MélodieE minorAndante con moto
CapricciettoE majorAllegro giojoso
Polnische Volkstänze55MazurkaE majorAllegro1896 [n 81]
MazurkaG majorAllegro un poco moderato
PolonaiseB minorAllegretto con moto
KrakowiakG majorAllegro con spirito
55aMazurkaIdemIdem1898 [n 82]
Krakowiak
55bIdemIdemIdem1896 [n 83]
Don Juan und Faust56OvertureAllegro appassionato1896 [n 84]
Entr'acteG majorAndante
SarabandeD majorGrave
PassepiedA majorAllegro molto
IntermezzoA majorModerato
FantasmagorieE majorAndante quasi allegretto
MinuettoB majorAllegro
Six Airs de Ballet56aIdemIdemIdem1897 [n 85]
56bIdemIdemIdem [n 86]
56cSarabandeIdemIdem [n 87]
PassepiedIdemIdem
Frühling. Fünf Stücke57UngeduldE majorAllegro affettuoso1896 [n 88]
FrühlingsläutenB majorAllegretto con moto
BlumenstückF majorModerato
ZephyrD majorAllegretto animato
LiebeswalzerA majorTempo giusto
Tristesses et Sourires58EffusionE majorCon moto agitato1896 [n 89]
ConsolationA majorAllegro moderato
Près du berceauA majorAllegretto grazioso
Vieux souvenirC minorAllegro comodo
Historiette d'enfantsD majorVivace
MélancolieA minorAndante semplice
Rêve étrangeG majorAllegro con spirito
RésignationB minorAndante con moto
58aPrès du berceauIdemIdem [n 90]
58b [n 91]
Piano Concerto No. 2 59First movementE majorModerato1897 [n 92]
Second movementC minorAndante
Third movementC minorScherzo vivace
Fourth movementE majorAllegro deciso
59aIdemIdemIdem [n 93]
Trois Mazurkas60MazurkaG minorAllegro moderato1898 [n 94]
F majorAllegretto graziotto
D majorCon fuoco
60aIdemF majorIdem [n 95]
60bIdemD majorIdem [n 96]
Trois Arabesques61No. 1A majorAllegretto anomato1899 [n 97]
No. 2D majorAllegro piacevoe
No. 3G majorAllegro
Romance et Scherzo62RomanceA majorAndante espressivo1899 [n 98]
ScherzoG minorPresto con leggierezza
Trois Bagatelles63No. 1D majorAllegro comodo1899 [n 99]
No. 2C minorAllegro non troppo
No. 3F majorAllegretto scherzando
École des Doubles-Notes64

Les gammes en tierces
Les gammes en sixtes
Les gammes majeures en quartes
Gammes chromatiques







1900 [n 100]
Collection d'exercices en doubles notes
Quatre grandes études

A major
B major
B major
E major

Allgro molto
Allegro
Vivace
Appassionato

Neue Spanische Tänze65No. 1E majorAllegro ma non troppo1900 [n 101]
No. 2A minorAndante con moto
HabaneraF majorAllegretto
65aHabaneraIdemIdem1901 [n 102]
65b1904 [n 103]
65cSpanischer TanzIdemIdem1911 [n 104]
Trois Pensées Fugitives66No. 1F minorAgitato1900 [n 105]
No. 2E majorAllegretto con moto
No. 3F majorVivo
Deux Morceaux67Poème de maiB majorCon moto1901 [n 106]
ÉtudeG minorVivace
67aIdemIdemIdem1906 [n 107]
67b1904 [n 108]
Quatre Morceaux68NocturneF minorAndante con moto1902 [n 109]
MinuettoF majorAllegro moderato
Au crépusculeA majorLento
Danse russeB minorAllegro con spirito
Valse de Concert69F majorAllegro1902 [n 110]
Deux Morceaux70Caprice-ÉtudeD minorVeloce1902 [n 111]
ImprovisationG majorAndante con moto
Suite für Zwei Violinen und Klavier71No. 1G minorAllegro energico1903 [n 112]
No. 2G majorAllegro moderato
No. 3E minorLento assai
No. 4G majorMolto vivace
Quinze Études de Virtuosité72No. 1E majorVivace1903 [n 113]
No. 2G minorAllegro brillante
No. 3G majorVivo e con fuoco
No. 4C majorAllegro moderato
No. 5C majorVeloce e leggiero
No. 6F majorPresto
No. 7E majorAllegro energico
No. 8C majorAllegro energico
No. 9D minorAllegro
No. 10C majorAllegro
No. 11A majorPresto e con leggierezza
No. 12D majorPresto
No. 13A minorMolto animato
No. 14C minorModerato
No. 15B majorAllegro
Trois Morceaux73Esquisse vénitienneA minorAllegreto1904 [n 114]
ImpromptuA majorAllegro con spirito
Course folleG majorAllegro molto
Kaleidoskop74E majorMolto allegro con fuoco1904 [n 115]
G minorPresto
D majorAndante
F minorAllegro moderato e grazioso
B majorAllegro con spirito
E minorMesto
A majorTempo di valse
Deux Morceaux75CapriceA majorAllegro con leggiereza1906 [n 116]
L'agilitàG minorMolto allegro
Trois Morceaux76Souvenir du Pausilippe A minorAllegretto con moto1906 [n 117]
Valse-CapriceA majorMolto vivace
Fabliau G majorAllegro moderato
Dix Pièces Mignonnes77TristesseA minorAndante1907 [n 118]
ScherzinoC majorAllegro vivace
Romance sans parolesE majorAndante espressivo
InquiétudeA minorAllegro molto
IntimitéF majorAllegro comodo
TarentelleD minorPresto
ImpromptuE majorAllegro moderato
PantomimeE minorAllegro con spirito
MélodieD majorAllegretto
MenuetG majorMolto moderato
Drei Etüden78No. 1F majorVivace1907 (?) [n 119]
No. 2A majorAllegro grazioso
No. 3A majorModerato e cantabile
Troisième Suite d'Orchestre79No. 1A majorAllegro1908 [n 120]
No. 2F majorMolto moderato (La note obstinée)
No. 3D majorTempo di valse, non troppo allegro
No. 4A majorAllegro deciso
Valse pour Piano79aNo. 3IdemIdem [n 121]
Deux Morceaux80Pièce romantiqueA majorAllegretto moderato1908 [n 122]
Mit Fächer und Mantilla (Con Mantilla y Abanico)F majorAllegro leggiero
Six Morceaux81CanonA majorAllegro grazioso1909 [n 123]
Allegro agitatoF minorAllegro agitato
Étude de legatoD majorModerato
HumoresqueD minorAllegro scherzando
RomanceF minorModerato e dolente
Melodia appassionataE minorAllegro leggiero
Quatre Morceaux82Les nymphesA minorAllegro leggiero1909 [n 124]
CapriceA minorAllegretto
MélodieG majorModerato
HumoresqueD majorAllegro con spirito
Six Morceaux83ÉlégieF minorMolto moderato ed espressivo1909 [n 125]
Sur l'eauF majorAllegretto animato
Vieux pastelG majorComodo
CanonB majorAndante cantabile
Chanson populaireG majorAllegretto semplice
Chanson napolitaineG majorVivacissimo
Quatre Moments Musicaux84No. 1B majorCon moto1910 [n 126]
No. 2F majorModerato e grazioso
No. 3C minorMaestoso
No. 4G majorAnimato ma non troppo
Präludium und Fuge85PräludiumD minorModerato1910 [n 127]
FugeF majorAllegro energico
Trois Morceaux86Feuillet d'albumE majorAnimato e con leggierezza1911 [n 128]
GavotteG minorAllegro deciso
Scherzo-ÉtudeE minorPresto
Trois Morceaux87ComplainteC minorAndante1911 [n 129]
OffrandeD majorAnimato ma non tropo
ImpromptuF majorAllegro grazioso
Grande Valse de Concert88G majorModerato1912 [n 130]
Tanz-momente89Valse-préludeB majorAllegro con fuoco1912 [n 131]
Valse mignonneG majorAnimato e grazioso
Valse tristeB majorModerato ed espressivo
Valse tendreF majorTempo commodo
Valse-TourbillonA majorVivace
Introduction et Allegro pour l‘Orgue Aeolien901913? [n 132]
Vingt Petites Études91No. 1G majorCon moto1913 [n 133]
No. 2C majorVivace
No. 3C majorVivace
No. 4F majorAllegro
No. 5B majorTempo animato
No. 6E majorAllegro ma troppo
No. 7G majorAllegro brillante
No. 8B minorModerato
No. 9G majorComodo
No. 10G minorAndante con moto
No. 11C majorAllegro ma non troppo
No. 12C majorVeloce
No. 13F minorCon moto ma non troppo
No. 14C majorAnimato e leggiero
No. 15E majorAllegro non troppo, ma molto energico
No. 16G minorAllegro energico
No. 17E majorModerato e cantabile
No. 18A minorVivo
No. 19E majorPresto
No. 20G majorAllegro moderato
12 Études de Piano pour la Main Gauche Seule92No. 1C majorAllegro energico1915 [n 134]
No. 2A minorAllegro ma un poco moderato
No. 3A minorAllegro ma non troppo
No. 4E minorAllegro moderato
No. 5G majorAndante espressivo
No. 6G minorPresto
No. 7G majorAllegretto scherzando
No. 8G minorVeloce
No. 9E majorTempo animato
No. 10A majorVeloce et con leggierezza
No. 11D majorModerato e cantabile
No. 12B minorAllegro impetuoso
Six Morceaux93Miniature (Memories)E majorModerato e grazioso1916 [n 135]
Mélodie Élégiaque (Plaintive Thoughts)F minorAndante
Au fil de l'eau (By the Stream)G majorCon moto moderato
Étude (Exultation)A minorTempo animato
Impromptu (Mockery)B majorAllegretto animato
Mousse de champagne
(Glittering Dewdrops)
D majorPresto
Dix Petits Morceaux94Prélude (On Restless Seas)G minorAllegro energico1916 ca. [n 136]
Calme du soir (Evening in the Vale)D majorMolto moderato
Idylle (Waterlilies)G majorAndante quasi allegretto
Étude (April weather)G majorVivo
Aux vieux temps (From long ago)D majorAllegro con spiriro
Danse de la magicienne (Enchantress)D minorModerato
Bagatelle (Southern Breezes)F majorAllegretto anomato
Cantilena (Dawn in the Forest)A majorAndante
Pensée fugitive (Moonbeams)F minorAndante con moto
Rondo joyeuse (Midsummer)D majorVivacissimo
Cinq Pièces Brèves95Mélodie plaintiveC minorAndante con moto1920 [n 137]
ScherzinoC majorAllegro animato
MinuettoB majorModerato
ArabesqueF majorAllegretto grazioso
Câlinerie B majorTempo comodo
Le maître et l'élève96PrologueC majorAllegro brioso1920 [n 138]
Moment musicalC minorMolto moderato
MélodieE majorAllegro moderato
Air de balletG minorAndante con moto
ArabesqueB majorAllegretto animato
BerceuseD majorAndante
ValseA majorTempo moderato
TarentelleC majorMolto vivace
Esquisses techniques97No. 1C majorTempo comodo1920 [n 139]
No. 2A minorMolto allegro energico
No. 3C majorAllegro molto
No. 4F minorAllegro ma non troppo
No. 5C majorAllegrissimo
No. 6A majorAllegro assai
No. 7C majorPuittosto allegro
No. 8C majorAllegro ma non troppo
No. 9C minorTempo animato
No. 10G minorMolto animato e leggero
No. 11B majorMolto vivace
No. 12G minorAllegretto
No. 13D majorAllegro grazioso
No. 14C majorCon moto ma non troppo
No. 15F minorCon moto ma non troppo
No. 16D majorPresto
No. 17A majorVivo

Works without opus number

TitleWVNameKeyTempoGeYearNote
Mazurka63G major1873 [n 140]
Conservatoristen-Polka64G major1875 [n 141]
Valse brillante65A majorAllegro con brio1877 [n 142]
La Danse661888 [n 143]
Pensée fugitive67E minorAndante malinconico1898 [n 144]
Valse de Concert68E majorAllegro1901 [n 145]
Valse-Impromptu69A majorAllegro moderato1901 [n 146]
Lumières du matin70A majorAllegro moderato1906 [n 147]
Valse mignonne71G majorModerato1912 [n 148]
Momento-Scherzo721913 [n 149]
Étude mélodique73A majorMolto animato e leggiero1913 [n 150]
Mélodie [et Morceau]1201906 [n 151]
Stücke für Violine und Klavier1331865-69 [n 152]
Quintett für Klavier und Streichquartett136No. 1 IntroductionD minorGrave1872 ca. [n 153]
No. 2 Allegro con brioF majorAlla breve
No. 3 MinuettoF majorAllegro assai
Overture 145D major187172 [n 154]
Symphony 146No. 1D minorMaestoso, Allegro appassionato, piu mosso1873 [n 155]
No. 2 ScherzoF majorVivo
No. 3B majorLarghetto
No. 4 FinaleD minor - D majorPresto non tanto, piu mosso
Zwei Lieder174Lied der Pixies1907 [n 156]
Der Regenbogen
Mein Engel, Du! (La Jota)175D minorAllegretto1884 [n 157]
Anton Notenquetscher205Theme (Im Grunewald ist Holzauktion)E minor1896 [n 158]
Var. 1 Czerny Con velocita
Var. 2 Clementi Allegro moderato
Var. 3 Bach Moderato
Var. 4 Brahms Allegretto tranquillo
Var. 5 Weber Allegro ma non troppo
Var. 6 Chopin Maestoso
Var. 7 Rubinstein Con bravura
Var. 8 Liszt Allegretto
Sechs Menuette für Orchester210No. 2 (Menuett)G major1918 [n 159]
Violinsonate211No. 2C minorAdagio cantabile1919 [n 160]
Klavierkonzert No. 5212E majorAdagio un poco moto1921 [n 161]
Don Giovanni213MenuettG majorModerato1919 [n 162]
Klavierkonzert No. 202142nd movement (Romanze)D minorRomance1919 [n 163]
Rinaldo215Lascia ch’io piangaF majorLargo1919 [n 164]
Judas Maccabäus216Chor: Seht den Sieger ruhmgekrönt!G major1919 [n 165]
Ein Sommernachtstraum217NocturnoC minorCon moto tranquillo1919 [n 166]
Chor aus Judas Maccabäus230Chor [n 167]
Minuett aus Don Giovanni231MenuettG major [n 168]
Carmen250Chanson bohèmeE minorAllegretto1906 [n 169]
Hoffmann's Erzählungen251BarcaroleB minorModerato1910 [n 170]
Isoldens Tod252Lento e languido1910 ca. [n 171]
Der Venusberg253Venusberg-BacchanaleE majorAllegro191011 [n 172]
Ungarische Tänze260No. 1G minorAllegro1904 [n 173]
No. 2D minorAllegro non asai - Vivo
No. 3F majorAllegretto
No. 4F minorPoco sostenuto - Vivace
No. 5F minorAllegro - Viivace
No. 6D majorVivace - Molto sostenuto
No. 7A majorAllegretto
No. 8A minorPresto
No. 9E minorAllegro - Poco sostenuto
No. 10E majorPresto
Valse261No. 1 (Minute Waltz)D majorVivace1919 [n 174]
Toccata262C majorAllegro commodo1919 [n 175]
Étude2631906 [n 176]
Jupiter Symphonie2641891 [n 177]
Havanaise265 [n 178]
Zwei Etüden ?No. 1E majorAllegro con brio ? [n 179]
No. 2A majorAllegro ma non troppo

Additional information

Notes
  1. MoszWV 1 → A scherzo composed under Moszkowski's alternative name: Anton Notenquetscher. Published by Simon.
  2. MoszWV 2Album leaf is a short instrumental composition usually for piano, and quite often light in character. Published by Hainauer.
  3. MoszWV 160 → Moszkowski began working in his first Piano concerto, with the orchestra consisting of piano, 1 piccolo, 2 flutes, 2 oboes (English horn), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, triangle, violin 1, violin 2, violas, cellos, and double basses, in 1873 at the age of 19 (Moszkowski played this composition, with Franz Liszt on the second piano, in a matinee in Weimar, prompting him to praise Moszkowski admiringly). While Moszkowski later dismissed his Opus. 3 as worthless, he called his Piano Concerto in E major, Op. 59, his best work. In a letter to his publisher in April 1875, Moszkowski said: "I should be happy to send you my piano concerto but for two reasons: first, it is worthless; second, it is most convenient (the score being four hundred pages long) for making my piano stool higher when I am engaged in studying better works." Dedicated to Franz Liszt, it was neglected in an archive at the Bibliothèque nationale de France for 140 years, until the manuscript was found three years prior to its premiere performance at the National Philharmonic Hall in Warsaw, Poland, with the Rzeszow Philharmonic Orchestra conducted by Vladimir Kiradjiev, and soloist Ludmil Angelov, on January 9, 2014. It was then published by Symétrie, Lyon.
  4. MoszWV 3Caprice is an instrumental free form musical composition with improvisatory style. Dedicated to Frau Helene v. Schack née v. Lynker. Published by Hainauer.
  5. MoszWV 5 → Fantasie is a free composition written according to the composer's imagination. Published by Hainauer.
  6. MoszWV 5 → Fantasie-Impromptu is a free-style composition. Composed and dedicated to Mademoiselle Johanna Wenzel. Published by Simon.
  7. MoszWV 6 → A free composition published by Hainauer.
  8. MoszWV 100 → Moszkowski began writing his first composition for piano four hands on 4 November 1875 (published in 1876), likely dedicated to Dr. Alfred Pringsheim most probably because the Trois Moments Musicaux, Op. 7 (MoszWV 6), had already been dedicated to Constantin Sternberg. After the success of this composition, and the subsequent Op. 11, it was natural for Moszkowski to write even more pieces for piano four hands. Published by Simon.
  9. MoszWV 80a → Arranged for piano two hands. Published by Simon. Arrangement for MoszWV 80a was probably written the same year as MoszWV 100.
  10. MoszWV 170 → A composition for soprano (Regina Moszkowska was for one year (probably 1902) singing teacher at the Stern Conservatory in Berlin) and piano with libretto by Wilhelm Sachs. No. 1 complete title is Die Verlassene: "Einsam dort am Bache kauert, and no. 2 is Schlaflied: "Schlaf, Bubchen, schlaf" with respective high key in D major, middle in C major, and low in B major. Published by Julius Hainauer.
  11. MoszWV 7 → Four little pieces for piano published by Hainauer. No. 4 is translated as: Sachs, a family surname.
  12. MoszWV 101 → A composition for piano four hands published by Hainauer. Dedicated to his friend Carl Wittkowsky.
  13. MoszWV 102 → A composition for piano four hands dedicated to his brother Alexander Moszkowski. Later publishers found, among other things, a new title for every piece: No. 1 Madrid, No. 2 Sevilla, No. 3 Barcelona, No. 4 Valencia, No. 5 Málaga. They were published by Simon. In 1902 Moszkowski wrote: I think it was about the middle of my seventeenth year that, as often happens to both old and young musicians, I was in sore need of money. I could think of only two ways to get what I wanted: to borrow or to compose something. After turning over, for several days, the advantages and disadvantages of both ways of bettering my circumstances, I concluded I would borrow. Therefore, I went to those two of my colleagues with whom I was on most familiar terms: Philipp and Xaver Scharwenka, in hope that I should not find their fortunes at so low an ebb.
    Theodor Wedepohl - Bildnis Franz Xaver Scharwenka, 1920.jpg
    Philipp was at home, sitting on a sofa and smoking a pipe. I sat down by him and asked if he had a cigar. He said that he was out of cigars, but that I could smoke a pipe. So I took a pipe and looked around for tobacco, but sought and sought in vain. Finally Philipp said: "You needn’t hunt hunt any longer, Moritz; there is no tobacco here." Then I began to grow a little angry and said: "Do you know, Philipp, that is drawing it rather strong? You offer me an empty pipe, let me look for tobacco in vain and then coolly tell me there is none here, and yet you yourself are smoking. Give me some tobacco." "If you will smoke what I am smoking, I am satisfied." answered Philipp, who emptied his pipe and prepared anew by drawing out a hole in the sofa some of the sea-grass used to stuff it, which he put in his pipe. For a moment I was speechless with astonishment. Now it was clear that I could not borrow money from a man who was using his sofa for smoking. I went back home, sat down at my table, and began to look through my sketch book. A motive of Spanish character struck my eyes, and at the same moment arose the thought that I would write a set of Spanish dances. I worked rapidly, and in several days had finished my Opus 12, the Spanish Dances for four hands. I had only the last few notes to write as [Xaver] Scharwenka stepped into my room. "Good day, Moritz," he said; "you may be glad that you need not to go out, for it is wretched weather." "Since we are speaking of wretched things," said I, "what are you composing now?" "Oh, nothing," said Xaver, who was accustomed to this kind of conversational tone from me; "but you appear to be at work: do you need money?" Right you are," said I, "and you can do me a service by playing through these four-hand pieces and telling me what you think of them." We tried the dances, and then Xaver said: "I would rather have lent you some money, so that you would not have had to compose." But that was only a return thrust. An hour later I called on Simon the publisher, who promised to let me know in a few days if he would bring the pieces out. When I saw him several days later he said he had shown the pieces to several experienced critics and they had advised him to take them. The question now was, what I wanted from them. "I have a brilliant idea," I said: "I propose that you pay me an exceptionally good price which will get talked about in the papers and thus make a big stir about the pieces." But it made no impression on the publisher. He thought that so pretty pieces needed no such advertising, and besides that, Beethoven, Mozart, Schubert and others always had sold their compositions cheaply, and as a publisher he felt obliged to accept such traditions. In vain I sought to change his mind by suggesting that he ought not to compare me with Beethoven; he would listen to no distinction between us in that respect, and paid me a small price with which I finally withdrew, tolerably well satisfied, at least, to be relieved of my present necessities. When the Spanish Dances were published, several weeks later, they found a good sale. Some years later they were known everywhere, being taken up in various editions and arrangements. I consider this as one of the works which first made me known to the musical world in general. Of course the publisher profited largely by it, and all because Philipp Scharwenka had no tobacco and could not lend me money.
  14. MoszWV 102a → Chamber music for clarinet and piano, first published by Bote & Bock. It was orchestrated by Philipp Scharwenka (No. 2 and No. 5) and Valentin Frank (No. 1, No. 3 and No. 4) in 1880. Published by Edition Peters.
  15. MoszWV 171 → A composition for soprano and piano. No. 1 uses a text by Nikolaus Lenau, No. 2 by Heinrich Heine, and No. 3. Julius Wolff. Published by Hainauer.
  16. MoszWV 8 → A Humoresque composition characterized by pieces with fanciful humor. Dedicated to Xaver Scharwenka. Published by Hainauer.
  17. MoszWV 9 → A composition for piano solo. No. 1 Serenata was the first revised, personally corrected by the composer himself, Moritz Moszkowski, and authorized edition ever published in an American magazine (The Ladies' Home Journal, No. 8, July 1905). Published by Hainauer.
  18. MoszWV 9a → A composition for piano 4 hands (after Op. 15, No. 1). Published by Hainauer.
  19. MoszWV 9b → Chamber music for cello and piano (after Op. 15, No. 5). Published by Hainauer.
  20. MoszWV 130 → Chamber music originally composed for violin and piano and published with a companion piece, a Bolero, Op 16, No 2. No. 1 Ballade has for tempo Andante con moto (part 1), and Tempo animato, quasi allegro (part 2). This is Moszkowski earliest orchestral work (Spanish Dances, Op 12, which appeared earlier, was orchestrated by Philipp Scharwenka and Valentin Frank). No. 1 was dedicated to German composer and violin-virtuoso Gustav Hille (born 21 May 1851), who had studied at the Kullak Academy along with Moszkowski, and No. 2 Bolero to Fräulein Marianne Stresow. Published by Hainauer.
  21. MoszWV 130a → A ballad for violin and orchestra (after Op. 16) composed of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, harp (opt), and strings. It was dedicated to Marianne Stresow two years prior to her marriage with Philipp Scharwenka (1847-1917). Published by Hainauer.
  22. MoszWV 10 → A composition for piano. Published by Hainauer.
  23. MoszWV 10a → A Minuet for piano four hands (after Op. 17, No. 2). Published by Hainauer.
  24. MoszWV 11 → A composition for piano solo. Published by Hainauer.
  25. MoszWV 11a → Chamber music for cello and piano (after Op. 18, No. 1). Published by Hainauer.
  26. MoszWV 140 → A Symphonic Poem in four movements from Friedrich Schiller's Jungfrau von Orleans for orchestra (piccolo, 2 flutes, 2 oboes, 2 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, timpani, percussion, harp, and strings) without solo instrument. Titles read: No. 1 Joan's pastoral life. A vision brings them to awareness of their high position, No. 2 Internal discord - back memories, No. 3 Enter the winner to be crowned in Rheims, No. 4 Joan in captivity. Victory, death and transfiguration. The premiere of this composition was held in the Berlin Symphony Chapel under the direction of Franz Mannstädt on 23 February 1877, and the British premiere at St. James Hall in London, where he conducted the Philharmonic Society Orchestra on May 20, 1885. It was the first of a series of six concerts that he should give for the Company. Dedicated to his friend Philipp Scharwenka, it was published by Hainauer, appearing in print two years later.
  27. MoszWV 140a → A composition for two pianos. Published by Hainauer.
  28. MoszWV 12 → A Scherzo for piano. Dedicated to Monsieur Jules Zarębski. Published by Hainauer.
  29. MoszWV 103 → A composition for piano four hands. Published by Hainauer.
  30. MoszWV 172 → A composition for voice and piano dedicated to Frau Dr. Arthur Levysohn. It was published by Hainauer.
  31. MoszWV 104 → A composition for piano four hands later orchestrated by the composer. Also published for piano solo. Published by Hainauer.
  32. MoszWV 104a → A composition for orchestra. Published by Hainauer.
  33. MoszWV 104b → Chamber music for cello and piano (after Op. 23, No. 1). Published by Hainauer.
  34. MoszWV 13 → An Étude for piano and orchestra. Dedicated to Theodor Kullak. Published by Hainauer.
  35. MoszWV 105 → A composition for piano four hands. Published by Hainauer.
  36. MoszWV 173 → A composition for voice and piano with libretto by Carl Wittkowsky. Published by Hainauer.
  37. MoszWV 14 → A composition entitled Barcarole and Tarantelle for piano. Dedicated to Baroness Henriette Senfft von Pilsach. Published by Hainauer.
  38. MoszWV 15 → A small scale composition for piano. Dedicated to his friend Monsieur Henri Steinkühler. Published by Hainauer.
  39. MoszWV 131 → Chamber music for cello and piano. Published by Hainauer.
  40. MoszWV 161 → A composition in three movements for violin and orchestra composed of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani, and strings. Dedicated to Émile Sauret. Published by Bote & Bock.
  41. MoszWV 161a → Chamber music for violin and piano. Published by Bote & Bock.
  42. MoszWV 16 → A set of morceaux for piano. No. 4 was also arranged for two pianos 8 hands by F. Brissler. Published by Ries & Erler.
  43. MoszWV 16a → A Scherzino for two pianos 4 hands (after Op. 31, No. 4). Published by Ries & Erler.
  44. MoszWV 16b → A Capriccio for two pianos 4 hands (after Op. 31, No. 6). Published by Ries & Erler.
  45. MoszWV 17 → A composition for piano dedicated to his friend Austrian pianist and composer Alfred Grünfeld. Published by Bote & Bock.
  46. MoszWV 106 → A composition for piano four hands. No. 3 is also known as Pièce drôlatique (Humorous piece) in later editions. It was first published by Hainauer.
  47. MoszWV 18 → Morceau No. 1 was dedicated to Monsieur Théodore Ritter, No. 2. to Monsieur Louis Coenen, and No. 3. to Mademoiselle Clotilde Kleeberg. Published by Hainauer.
  48. MoszWV 18a → A waltz made easier by the composer for piano two hands. Published by Édition facilitée Hainauer.
  49. MoszWV 19 → "A composition for piano dedicated for his wife Henriette Chaminade, sister of Cécile Chaminade. Published by Hainauer. "In the 1880s, a neurological problem with Moszkowski’s arm curtailed his career as a pianist, and he became increasingly devoted to composition. In 1884, he married Henriette Chaminade, the youngest sister of Cécile Chaminade; they had two children, Marcel and Sylvia. In 1890, Henriette left Moszkowski for the poet Ludwig Fulda, and a divorce was issued 2 years later. In 1897, Moszkowski moved to Paris. Henriette died in 1900. Moszkowski’s own health deteriorated, and in 1906, he lost his 17-year-old daughter. In Berlin his home was in Genthiner Strasse, where he resided with his mother and children. The desertion of his wife, who was the pianiste Chaminade’s sister, is a subject never alluded to by him, nor does he encourage mention of it by others." Professor Bernhard Pollack (1865–1928) of Friedrich Wilhelm University, Berlin: Neurohistologist, Ophthalmologist, Pianist Lazaros C. Triarhou (2012). → Back to List of compositions by Cécile Chaminade
  50. MoszWV 20 → Morceau No. 1 dedicated to Madame Bertha Moszkowski, wife of his brother Alexander, No. 2 to Monsieur Arthur De Greef, No. 3 to Giuseppe Buonamici, No. 4 to Józef Wieniawski, No. 5 to W. Goldner, No. 6 to Max Schwarz, No. 7 to English pianist and composer Francesco Berger, and No. 8 to Alexander Lambert. A composition for piano. Published by Hainauer.
  51. MoszWV 21 → A composition for piano solo dedicated to Mademoiselle Neally Stevens. Published by Peters.
  52. MoszWV 22 → A composition for piano solo dedicated "To my dear mother". Published by Hainauer.
  53. MoszWV 141 → Composed and dedicated to the Philharmonic Society of London. Published by Hainauer.
  54. MoszWV 141a → Version for piano four hands. Published by Hainauer.
  55. MoszWV 141b → Version for piano (after Op. 39, No. 4). Published by Hainauer.
  56. MoszWV 23 → A Scherzo-Valse for piano two hands. Dedicated to Madame Annette Essipoff-Leschetitzky. Published by Peters.
  57. MoszWV 24 → A composition for piano two hands most probably with ideas borrowed very slightly in feeling and form from Mendelssohn's Venetian Gondola songs. Dedicated to Monsieur Joseph Pollack. Published by Peters.
  58. MoszWV 25 → A composition for piano two hands. Published by Bote & Bock.
  59. MoszWV 107 → A composition for piano four hands dedicated to Messier Frédéric de Schennis. Published by Peters.
  60. MoszWV 107a → A composition for orchestra subtitled as Fantastischer Zug. Published by C. F. Peters.
  61. MoszWV 200 → A composition for soli, chorus and small orchestra whose title is translated as The shepherd dressed for the dance from a scene in Goethe's Faust. Published by Hainauer.
  62. MoszWV 200a → A composition for piano solo arranged by the composer. Published by Hainauer.
  63. MoszWV 26 → A composition for piano solo. No. 1 dedicated to Monsieur Felix Dreyschock, and No. 2 to Herrn Sally Liebling. Published by Peters.
  64. MoszWV 26a → Chamber music for cello and piano. Published by Peters.
  65. MoszWV 26b → Chamber music for violin and piano (arranged by Pablo de Sarasate). Published by Peters. Often mentioned as Op 45, No. 2
  66. MoszWV 27 → A composition for piano solo. Published by Hainauer.
  67. MoszWV 142 → An orchestral composition (written for piccolo, flutes, oboes, clarinets, bassoons, contrabassoon, horns, trompe, timpani, triangle, bass drum and cymbals, trombones and tuba, harp, violin I, violin II, viola, cello, double bass, and organ) dedicated to composer Hans von Bülow. Published by Hainauer.
  68. MoszWV 142a → A composition for piano solo (after Op. 47, No. 1 & No. 5). Published by Hainauer.
  69. MoszWV 28 → An étude for piano which Moszkowski began writing between June and July 1889 (?). A year later, he wrote to his publisher Max Abraham saying: "I will send you at the same time my newly completed Op. 48 for piano (2 Concert Etudes). Although the manuscript is well written and is very accurate, I would like to ask you to send the last proof. The price for this piece is 1500 Mk. I hope you hereby agree. [...] The title is: Deux Etudes de Concert pour le Piano composée par Maurice Moszkowski - Oeuvre 48". Étude No. 1 was dedicated to Monsieur Max Pauer, and No. 2 to Paul de Schlözer. It was then published by Peters.
  70. MoszWV 201 → Opera in three acts with libretto by Carl Wittkowsky. Published by Peters.
  71. MoszWV 201a → A composition for piano solo. There may be an arrangement (MoszWV 49d) for parts Maurischer Marsch [und Einzugsmarsch] for piano four hands. Published by Peters.
  72. MoszWV 201b → Arranged for piano solo. Published by Peters.
  73. MoszWV 201c → Arranged for piano solo. Published by Peters.
  74. MoszWV 29 → A composition for piano solo, first published by Peters.
  75. MoszWV 202 → Translated as Danse aux Flambeaux (Torchlight Dance), it is an orchestral composition (Stage music) dedicated to the Corps de Ballet of the Royal Opera in Berlin, to which it was commissioned without being discussed with the directorship of the theatre where it was first performed. The Berlin premiere of the play, which was staged in samples together with the ballet music from Boabdil, caused Moszkowski much concern. It premiered in the US on 2 February 1894, in Chicago, with Theodore Thomas as conductor of the Chicago Symphony Orchestra. Published by Peters.
  76. MoszWV 202a → Arranged for piano published by Peters.
  77. MoszWV 30 → A composition for piano solo whose titles in French are: No. 1 Landscape image, No. 2 Night Piece, No. 3 Duet, No. 4 The juggler, No. 5 Carnivalesque intrigue, and No. 6 At the party. Dedicated to Frau Carrie B. Johnson, it was published by Peters.
  78. MoszWV 203Ballet music for orchestra over the poem Laurin about Theodoric the Great, with libretto by Emil Taubert and choreography by Emil Graeb. It premiered on 28 February 1896 at the Opera House of the Royal Shows in Berlin under the baton of music director Steinmann. Dedicated to Fräulein Régine Nicol. Published by Bote & Bock.
  79. MoszWV 203a → Arranged for piano solo (there may be a piano reduction of this composition - MoszWV 203b) whose titles translate: No. 1 Dance of the Rose Elves, No. 2 March of the Dwarfs, No. 3 Sarabande (F major) und Double (D minor), are divided in two pieces, and No. 4. Valse Coquette. Published by Bote & Bock.
  80. MoszWV 31 → A composition for piano solo dedicated to Frau Fannie Bloomfield Zeisler. Published by Peters.
  81. MoszWV 108 → A composition for piano four hands dedicated to Frau Aniela Fürstenberg. Published by Peters.
  82. MoszWV 108a → Arranged for orchestra (after Op. 55, No. 1 & No. 4) between May–June 1898. Published by Peters.
  83. MoszWV 108b → Arranged for piano solo by Moszkowski in October 1896. Published by Peters the following year.
  84. MoszWV 204 → Overture and incidental music. Published by Ries & Erler.
  85. MoszWV 204a → Arranged for two pianos four hands (after Op. 56, No. 2, No. 3, No. 5, No. 6). Published by Ries & Erler.
  86. MoszWV 204b → Arranged for piano four hands. Published by Ries & Erler.
  87. MoszWV 204c → Chamber music for violon and piano (after Op. 56, No. 3 & No. 4). Published by Enoch.
  88. MoszWV 32 → A composition for piano solo with titles translated as: Spring. Five Pieces No. 1 Impatience, No. 2 Spring chime, No. 3 Flower piece, No. 4 Zephyr (the God of the West Wind or the west wind personified), No. 5 Love waltz. First published by Peters.
  89. MoszWV 33 → A composition for piano solo whose title comes from an 1883 novel by Antoine Gustave Droz. Published by Hainauer.
  90. MoszWV 33a → Chamber music for violin and piano. Published by Enoch.
  91. MoszWV 33b → An arrangement for orchestra. Published by Enoch.
  92. MoszWV 162 → This piano concerto was first performed in Britain on 12 May 1898. Dedicated "à Monsieur Josef Casimir Hofmann", it was scored for brass, woodwind and strings, making also use of a harp and triangle. Composer and musical critic Hubbard William Harris provided the following musical analysis: "The first movement is a brilliant composition, opening with what may he taken as its principal theme, inasmuch as it furnishes most of the material for the development, and also reappears in the last movement as a climax to the whole work. The announcement of this resolute subject, by the flutes and oboes accompanied lightly by other woodwind, and deeper strings, is followed by a short solo cadenza, after which the unfolding of the musical picture begins. As this proceeds several subsidiary melodies come to notice, prominent among them being one which (while hinted at before) does not assume its formal shape until given out, grazioso, by the pianoforte alone following a short upward chromatic scale passage. This graceful subject also figures, conspicuously in the development, which after passing through a succession of interesting stages, culminates finally in a rousing climax. The second movement is an eloquent, nocturne-like effusion, of which the principal thematic element is the expressive subject given out softly at the commencement by the clarinet, and bassoons, staccato, and the strings, pizzicato - this being taken up shortly and carried on by the solo instrument. An agreeably contrasting intermediary section follows, after which the expressive first theme returns - now in the harp and strings against flowing figurations in the solo instrument. Lastly a short free conclusion passage leads us into the third movement. The vivace is a lively, sparkling composition in Moszkowski's characteristically brilliant manner, and commences with the statement of a nimble running theme by the solo instrument. After this vivacious subject and its derivatives have been worked over briefly another buoyant theme comes to notice in the flutes and clarinets, over a strumming guitar-like accompaniment in the pianoforte. The development from here runs mainly on this theme, leading finally to a short cantabile passage for the solo instrument (unaccompanied), following which the movement proceeds quickly to a dashing conclusion. The fourth and last movement opens with a short flourishing introductory passage which leads to the statement of a resolute theme by the solo instrument. After this has been developed at considerable length the pianoforte introduces a contrasting theme of flowing character, to which the clarinet attaches itself shortly. Presently the development of the resolute opening theme is resumed, leading to the entrance of still another subject, given out softy but decidedly by the clarinet and the violas, and worked up forthwith in alternation and combination with the resolute opening theme. The flowing second theme returns, the movement mounting thence to a climax, at the pinnacle of which the resolute opening theme of the first movement reappears in enlarged rhythm." Published by Peters.
  93. Piano duet → Arrangement for two pianos four hand. Published by Peters.
  94. MoszWV 34 → Three Mazurkas. A composition for piano. Published by Ries & Erler
  95. MoszWV 34a → A composition for 2 pianos (after Op. 60, No. 2). Published by Ries & Erler.
  96. MoszWV 34b → A composition for 2 pianos (after Op. 60, No. 3). Published by Ries & Erler.
  97. MoszWV 35 → A composition for piano solo, first published by Peters.
  98. MoszWV 36 → A composition for piano solo, first published by Peters.
  99. MoszWV 37 → A composition for piano solo, first published by Peters.
  100. MoszWV 38a → A collection of exercises for piano divided in 3 Books dedicated to Louis Diémer [1843–1919], pianist, composer and professor at the Conservatoire de Paris. Together with MoszWV 38b, Le Livre des Gammes (1904), divided in two parts: Les Gammes en notes simples (Die Tonleitern in einfachen Noten) and Les Gammes en double notes [Extraites de l‘Ecole des Doubles-Notes], it forms a work partly consistent with Opus 64 (MoszWV 38a) in 4 parts. The so-called part 5, "Observations sur le doigté" (Observations on the fingering of scales in single and double notes), is not part of this set of studies, but just commentaries on the technique used in the exercises. First published by Enoch.
  101. MoszWV 109 → A composition for piano four hands. No. 3 is entitled Habanera. Dedicated to Monsieur Théodore Jelowicki, it was published by Peters.
  102. MoszWV 109a → Arranged for piano solo. Published by Peters.
  103. MoszWV 109b → Arranged for orchestra without solo instrument. Published by Peters.
  104. MoszWV 109c → Arranged for orchestra (after Op. 65, No. 2). Published by Peters.
  105. MoszWV 39 → A composition for piano solo dedicated to Mlle. Maud Johnson. It was published by Edition Peters.
  106. MoszWV 40 → A composition for piano solo. Dedicated to Mlle. Celeste Nellis, it was published by Ries & Erler.
  107. MoszWV 40a → A composition for two pianos 4 hands. Published by Ries & Erler.
  108. MoszWV 40b → A composition for two pianos 4 hands. Published by Ries & Erler.
  109. MoszWV 41 → A composition for piano solo dedicated to Romanian concert pianist Mademoiselle Constance Erbiceanu (1874-1961). She studied in Leipzig and was a pupil of Karl Reinecke (1894-1898). Published by Enoch.
  110. MoszWV 42 → A composition for piano dedicated to Mr. Charles Förster. It was first published by Julius Hainauer.
  111. MoszWV 43 → A composition for piano solo first published by Enoch.
  112. MoszWV 135 → Chamber music for 2 violins and piano (apparently commissioned) written and dedicated to Mlle. Isabelle Levallois. First published by Peters.
  113. MoszWV 44 → An étude for piano solo whose subtitle is Per aspera ad astra. In a letter that Moszkowski wrote to his publisher Henri Hinrichsen on 13 February 1902 in Paris, he mentioned that these etudes would be an average about four printed pages in length and should be a kind of modern school of velocity, as they were a continuation of the difficult études of Czerny, who had among his students Theodor Kullak, founder of the Neue Akademie der Tonkunst. Dedicated to Monsieur Alexandre Michalowski, it was published by Enoch.
  114. MoszWV 45 → Morceau No. 1 dedicated to Mademoiselle Annie Crosby, No. 2 to Mademoiselle Eugénie Wehrmann, and No. 3 to Madame Marie Nemès. Published by Hainauer.
  115. MoszWV 110 → A composition for piano four hands with subtitle Miniaturbilder, dedicated to Fräulein Louise Péraux-La Roche. It was first published by Peters.
  116. MoszWV 46 → A morceau for piano dedicated to Mademoiselle Hélène Collin. No. 2 is an étude. Published by Junne.
  117. MoszWV 47 → A morceau for piano dedicated to Mademoiselle Nellie Kauffmann-Kendall. Published by Forberg.
  118. MoszWV 48 → A composition for piano solo dedicated to Mademoiselle Gabrielle Turpin. Published by Schott.
  119. MoszWV 49 → An étude for piano. Published by Schott.
  120. MoszWV 143 → A composition orchestra. Moszkowski wrote to his publisher, Henri Hinrichsen, on 25 August 1907 in Paris: "I have currently finished my Opus 79, a four-movement orchestral suite which I have to perform in the first half of September. The premiere in Lausanne is to make any remaining correction. The score is currently with the copyist and once it is finished, I believe it will have about 165 pages (in press maybe 150.) The first two movements are quite symphonic, the third is a waltz that will probably be playing a lot separately, and may also become a piano piece. The second movement is likely to be suitable for a single output. That is, I hope that it may be convenient for you, and if this is the case, I suggest you a fee of 3,000 Marks for it. I do not think you'll find that amount too high, especially if you consider that I will have to pay about 450 Francs for the copy of the score and 200 Francs for a sample. I intend to travel to Lausanne on September 1, therefore I would be grateful if you would let me go." This composition was dedicated to Polish composer and conductor Monsieur Alex Z. Birnbaum, and published the following year by Bote & Bock.
  121. MoszWV 143a → A composition for piano solo (after Op. 79, No. 3). Published by Bote & Bock.
  122. MoszWV 50 → Two morceaux for piano, being No. 1. dedicated to Madame Dora Bright, and No. 2. to Madame Berthe Riché. Published by Bote & Bock.
  123. MoszWV 51 → A morceau for piano solo. No. 1 was dedicated to Monsieur J. Joachim Nin, No. 2. to Madame Marie Panthès-Kutner, No. 3. to Madame Eugénie Schaffner, No. 4. to Monsieur Josef Lhévinne, No. 5. to Monsieur Ossip Gabrilowitsch, and No. 6. to Monsieur Léopold Godowski. Published by Schott.
  124. MoszWV → Chamber music for violin and piano. Dedicateers are: 1. Monsieur Pierre Sechiari, 2. Monsieur Alberto Abraham Bachmann, 3. Monsieur Israel Mendels, 4. Monsieur George Enescu. Published by Peters.
  125. MoszWV 52 → A morceau for piano solo. No. 1, 2 and 3 was dedicated to Monsieur Paul Braud Cahier II, who taught at the Conservatory of Marseille, and No. 4, 5, and 6 to Madame Hélène Wittkowsky. Published by Hainauer.
  126. MoszWV 53 → Four morceaux for piano solo written at Villa Murg in Marlotte (Seine-et-Marne), France. Published by Schott.
  127. MoszWV 144 → Moszkowski wrote Prelude and Fugue for string quartet, which he describes as "serious", shortly after the death of his mother Salomia on 13 April 1910. Moszkowski demanded six hundred francs for the work, but Henri Hinrichsen, his publisher from C. F. Peters, had given him more and published the work in September 1911. Shortly before that, on 17 December of that year, his Opus 85 premiered in his presence at the Covent Garden Theatre, in London, under the direction of his former pupil Thomas Beecham. By the initiative of well-known French musician colleagues such as Saint-Saëns, Massenet, Widor, Fauré, Dubois, Debussy, Dièmer, Guilmant, Paladilhe, Wormser, Moszkowski received in the fall of 1910 the rank of Chevalier of the French Légion d'Honneur. Dedicated to the Polish composer Zygmunt Stojowski.
  128. MoszWV 54 → Three morceaux for piano solo. There was a print error when Feuillet d'album was published by Schott as plate number 29085 on Opus 85 and 86, and Gavotte as plate number 29086. Scherzo-etude was apparently published only as Op. 85. No. 1 was dedicated to Mlle. Hélène Augustin, No. 2 to Mr. William H. Sherwood, and No. 3 to Mlle. Catherine Linn.
  129. MoszWV 55 → Three morceaux for piano solo. No. 1 was dedicated to Mademoiselle Yvonne Galliet, No. 2 to Monsieur Carl Stasny and No. 3 to Monsieur Sam Fleishman. It was first published by Enoch.
  130. MoszWV 56 → A composition for piano solo dedicated to his friend Monsieur Isidore Philipp. Published by Theodore Presser, and later by Enoch.
  131. MoszWV 57 → A composition for piano. No. 3 changes from B minor to B major as well. Published by Hainauer.
  132. MoszWV 128 → A composition for aeolian organ. Unpublished work.
  133. MoszWV 58 → An étude for piano solo dedicated to Madame M. T. Amirian who was Moszkowski' student and late life partner. Published by Leduc.
  134. MoszWV 117 → A composition for piano solo left hand dedicated to Monsieur Harold Bauer. Published by Enoch.
  135. MoszWV 59 → Six morceaux for piano solo. No. 1 (as entitled in the Schmidt edition), 2 (as entitled in the Schmidt edition), and 3 were dedicated to Monsieur André Gresse, and No. 4, 5, and 6 to Mme. Riss-Arbeau. Published by Arthur P. Schmidt.
  136. MoszWV 60 → Ten morceaux for piano solo. No. 1, 2, 3, 4 and 5 were dedicated to piano teacher Mme. Berte Cahn, who taught at the German Conservatory in New York, and No. 6, 7, 8, 9 and 10 to piano teacher Mme. Hélène Chaumont. No. 8 (Cantilena) is "a short poetic composition usually written for voice or an instrumental passage" (Diccionario enciclopédico de la lengua castellana - 1895). The two sets were published under the name Decameron in the US, with descriptive English titles for each of the pieces. Published by Schott, London.
  137. MoszWV 61 → Six morceaux for piano solo. Published by Enoch.
  138. MoszWV 111: → Alternative title: Huit Petits Morceaux a Piano Quatre Mains avec des Basses sur cinq notes. A composition for piano four hands dedicated to Mademoiselle Diane de Rothschild. It was first published by Enoch.
  139. MoszWV 62 → A composition for piano divided in two books dedicated to Mesdemoiselles Marguerite and Henriette Debrie. Published by Leduc.
  140. MoszWV 63 → A composition for piano solo. This was Moszkowski first published composition. It appeared in the women's magazine Der Bazar der Bazar-Actien-Gesellschaft, a kind of monthly almanac to everyday life. Published by Verlag der Bazar-Actien-Gesellschaft.
  141. MoszWV 64 → A composition for piano solo (such as 'Anton Notenquetscher, Op.½'). Published by Ludwig Troll, Cassel.
  142. MoszWV 65 → One of Moszkowski early compositions for piano solo which possibly dates from 1876-77. It was Moszkowski contribution for a 475-page collection of piano selections called the Family Gift-Book, along with those of Vincenz Lachner, Josef Löw, Xaver Scharwenka, and other composers. The book was compiled by Ernst Pauer and published by Augener, in London.
  143. MoszWV 66 → A composition for piano solo (such as 'Anton Notenquetscher, Op.½'). Published by Le Gaulois.
  144. MoszWV 67 → Another contribution of Moszkowski for a 312-page book entitled Das Klavier und seine Meister with many portraits, illustrations and facsimiles of original sheet music by Wilhelm Kienzl, Philipp Scharwenka, Eugene D'Albert, and Richard Strauss. It was compiled by Oskar Bie and published by F. Bruckmann.
  145. MoszWV 68 → A composition for piano solo dedicated to Monsieur F. Toledo. Published by E. Chatenay.
  146. MoszWV 69 → A composition for piano solo. Published by G. Schirmer.
  147. MoszWV 70 → A composition for piano solo translated as Morning Lights (The Ladies’ Home Journal). Published by G. Schirmer.
  148. MoszWV 71 → A composition for piano solo. Published by Hainauer.
  149. MoszWV 72 → A composition for piano solo. Published by Senart.
  150. MoszWV 73 → A composition for piano solo divided into two parts. The first section consists of a melody played in A major and the second section in two different keys, C minor and A major again, with the third section leading to a coda. It was published by Saint Louis: Art Publication Society.
  151. MoszWV 120 → A composition for two pianos 4 hands (also appeared in an edition with Poème de Mai, Op 67. Deux Morceaux pour deux pianos à quatre mains par Maurice Moszkowski). Published by Ries & Erler.
  152. MoszWV 133 → One of Moszkowski early works together with MoszWV 136. At the time of his life he was taking lessons at the Dresden Conservatory with Prof. Leonhardt (piano), Mr. Risch Biele (harmony), and violin lessons. He left school and was taught by private tutors. Unpublished work.
  153. MoszWV 136 → Quintet for piano, 2 violins, viola, and violoncello. One of Moszkowski early works together with MoszWV 133. Unpublished work.
  154. MoszWV 145 → A composition for large orchestra written in the winter 1871-72. Moszkowski Overture for orchestra had been considered lost, but was found during the research for this catalog of works in Paris. Also, Moszkowski fellow student Jean Louis Nicodé wrote an overture at the Academy. In the original handwritten abbreviations instrumentation: Flauto I,Flauto II, Oboe, Clarinet in A, Bassoon, Cornet in D, Horn in D, Timpani in D and A, Trombone Alto, Trombone Tenore, Trombone Basso, Violin I, Violin II, Viola, Cello, and Basso. Unpublished work.
  155. MoszWV 146 → A composition for orchestra written in the summer of 1873. Moszkowski Overture for Orchestra and Symphony had been considered lost and found during the research for this catalog of works in Paris. Also, Moszkowski fellow student Jean Louis Nicodé wrote a symphony at the Academy. Unpublished work.
  156. MoszWV 174 → A composition for female voice and piano. No. 1 translated as Song of the Pixies (adapted from words of Samuel Taylor Coleridge) and No. 2 The Rainbow (adapted from words of Mrs. Heman). Published by Augener.
  157. MoszWV 175 → A composition (La jota) for soprano and piano. Published by Saint Louis: Kunkel Bros.
  158. MoszWV 205 → Anton Notenquetscher at the piano. Variations in the style of modern composers, from Czerny to Liszt. Published by Steinitz. A composition written on the occasion of a ceremony to Carl Bechstein's seventieth birthday on June 1, 1896.
  159. MoszWV 210 → Transcription for piano of Beethoven's Sechs Menuette für Orchester (the original version is lost, only an arrangement for piano is extant) in G major, WoO 10, No. 2.
  160. MoszWV 211 → Transcription for piano of Beethoven's Adagio cantabile aus der Violinsonate in C minor, Opus 30, No. 2.
  161. MoszWV 212 → Transcription for piano of Beethoven's Piano Concerto No. 5 (Emperor) in E major, Opus 73. This fragment of Beethoven's Emperor Concerto was transcribed by Moszkowski in 1921.
  162. MoszWV 213 → Transcription for piano of Mozart's Menuett aus der Oper Don Giovanni, K. 527 (the final part of Act I).
  163. MoszWV 214 → Transcription for piano of Mozart's Romanze aus dem Klavierkonzert No. 20, KV 466.
  164. MoszWV 215 → Transcription for piano of Händel's Aria Lascia ch'io pianga aus Rinaldo.
  165. MoszWV 216 → Transcription for piano of Händel's Act III Chor (See the Conquering Hero Comes), aus dem oratorio Judas Maccabäus, HWV 63.
  166. MoszWV 217 → Transcription for piano of Mendelssohn's Nocturne aus Ein Sommernachtstraum, (Midsummer Night’s Dream) Opus 61.
  167. MoszWV 230 → Transcription for piano four hands of Handel's Chor aus Judas Maccabäus, HWV 63.
  168. MoszWV 231 → Transcription for piano four hands of Mozart's Menuett from the opera Don Giovanni, KV 527.
  169. MoszWV 250Transcription for four hands of Georges Bizet's Chanson bohème from the Opera Carmen. Dedicated to Monsieur Moriz Rosenthal. Published by Hainauer.
  170. MoszWV 251 → Transcription of Jacques Offenbach's The Tales of Hoffmann for piano. Dedicated to Mademoiselle Elizabeth Strauss. Published by Peters.
  171. MoszWV 252 → Paraphrase for piano of Richard Wagner's Tristan und Isolde's final scene. Dedicated to Ferruccio Busoni. Published by Peters.
  172. MoszWV 253 → Paraphrase for piano of Richard Wagner's scene Venusberg-Bacchanale from Tannhäuser. Dedicated to Mark Hambourg. Published by Peters.
  173. MoszWV 260 → Transcription for piano solo of Brahms' Ungarische Tänze, WoO 1. Published by Augener Limited.
  174. MoszWV 261 → Transcription for piano of Frédéric Chopin's Minute Waltz, Opus 64, No. 1. Dedicated to Countess Delfina Potocka, née Komar. Published by Peters.
  175. MoszWV 262 → Transcription for piano of Carl Czerny's Toccata, Opus 92. Published by Julius Hainauer.
  176. MoszWV 263 → Transcription for piano solo of Carl Czerny's Étude.
  177. MoszWV 264 → Transcription for two pianos (four hands) of Mozart's Jupiter Symphonie.
  178. MoszWV 265 → Indication of the existence of Saint-Saëns's Havanaise (manuscript) in France (private property).
  179. Étude → The two études attributed to Paul de Schlözer and published by him as Op. 1 (his only known published work), are believed by some historians to have actually been written by Moszkowski. The similarities between de Schlözer's Étude No. 2 in A major and the 11th of Moszkowski’s 15 Études de Virtuosité, Op. 72, also in A major, are striking. However, it may be that these similarities themselves gave rise to the legend that the de Schlözer pieces were written by Moszkowski. The story goes that Moszkowski wrote them, but lost the manuscript in a card game to Schlözer, who first published them in Viena through Schreiber in 1875-1876 as his own works.
References
  • Sadie, Stanley; Tyrrell, John (2001); The New Grove Dictionary of Music and Musicians, Grove, New York, ISBN   9781561592395
  • Assenov, Bojan (2010); Moritz Moszkowski (1854–1925). Biographie und Werkverzeichnis, Göttingen, Hainholz Verlag, ISBN   9783869882109
  • Feofanov, Dmitry (1984); I. Glinka, Michail; Rare Masterpieces of Russian Piano Music Ed. Dover Publications, New York, ISBN   9780486246598

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