List of compositions by Pyotr Ilyich Tchaikovsky

Last updated

Pyotr Ilyich Tchaikovsky Tchaikovsky2.jpg
Pyotr Ilyich Tchaikovsky

Pyotr Ilyich Tchaikovsky wrote several works well-known to the general classical public: Romeo and Juliet , the 1812 Overture , and the ballets Swan Lake , The Sleeping Beauty and The Nutcracker . These, along with two of his four concertos, three of his symphonies and two of his ten operas, are among his most familiar works. Almost as popular are the Manfred Symphony, Francesca da Rimini , the Capriccio Italien , and the Serenade for Strings.

Contents

Works by opus number

Works with opus numbers are listed in this section, together with their dates of composition. For a complete list of Tchaikovsky's works, including those without opus numbers, see here. [1] For more detail on dates of composition, see here. [2]

Opp. 75–80 were published posthumously.

Works by genre

Ballets

Operas

Symphonies

Concertos and concertante pieces

Other orchestral works

Program music and commissioned pieces

Orchestral suites and Serenade

Incidental music

  • Dmitri the Pretender and Vassily Shuisky (1867), incidental music to Alexander Ostrovsky's play Dmitri the Pretender
  • The Snow Maiden (Snegurochka), Op. 12 (1873), incidental music for Ostrovsky's play of the same name. Ostrovsky adapted and dramatized a popular Russian fairy tale, [4] and the score that Tchaikovsky wrote for it was always one of his own favorite works. It contains much vocal music, but it is not a cantata or an opera.
  • Montenegrins Receiving News of Russia's Declaration of War on Turkey (1880), music for a tableau.
  • The Voyevoda (1886), incidental music for the Domovoy scene from Ostrovsky's A Dream on the Volga
  • Hamlet , Op. 67b (1891), incidental music for Shakespeare's play. The score uses music borrowed from Tchaikovsky's overture of the same name, as well as from his Symphony No. 3, and from The Snow Maiden, in addition to original music that he wrote specifically for a stage production of Hamlet. The two vocal selections are a song that Ophelia sings in the throes of her madness and a song for the First Gravedigger to sing as he goes about his work.

Piano

Chamber music

Choral music

A considerable quantity of choral music (about 25 items), including:

Arrangements of the works of others [8]

ComposerWork and forcesArranged forDate
Beethoven Piano Sonata No. 17 in D minor, Op. 31, No. 2, "Tempest", first movementOrchestra (4 versions)1863
Beethoven Violin Sonata No. 9 in A, Op. 47 "Kreutzer", first movementOrchestra1863–64
Bortniansky Complete Church Music, choirChoir, editedJuly – November 1881
Cimarosa "Le faccio un inchino", trio from Il matrimonio segreto (available for 3 voices and piano)3 voices and orchestra1870
Dargomyzhsky Little Russian Kazachok, orchestraPiano1868
Dargomyzhsky"The golden cloud has slept", 3 voices and piano3 voices and orchestra1870
DubuqueMaria Dagmar Polka, pianoOrchestra1869
Glinka "Slavsya" from A Life for the Tsar , arr, coupletsMixed chorus and orchestraFebruary 1883
Joseph Gungl Le Retour, waltz, pianoOrchestra1863–64
Haydn "Gott erhalte Franz den Kaiser", 4 voicesOrchestraby 24 February 1874
Kral"Ceremonial March", pianoOrchestraMay 1867
Herman Laroche Karmosina, Fantasy Overture, pianoOrchestraAugust – September 1888
Liszt "Es war ein Konig in Thule", voice and pianoVoice and orchestra3 November 1874
Alexei Lvov "God Save the Tsar!" (the then national anthem), chorus and pianoMixed chorus and orchestraFebruary 1883
Sophie Menter Ungarische Zigeunerweisen , piano (short score)Piano and orchestra1892
Mozart 4 worksarr. orchestra as Mozartiana (Suite No. 4)June – August 1887
MozartFantasia in C minor, K. 475, pianoVocal quartet (Night)15 March 1893
Anton Rubinstein Ivan the Terrible, Op. 79, orchestraPiano duet18 October – 11 November 1869
Anton RubinsteinDon Quixote, Op. 87, orchestraPiano duet1870
Schumann Symphonic Studies , Op. 13 (piano), Adagio and Allegro brillanteOrchestra1864
Schumann"Ballade vom Haidenknaben", Op. 122, No. 1, declamation and pianoDeclamation and orchestra11 March 1874
Stradella [a 4] "O del mio dolce", song with pianoVoice and orchestra10 November 1870
TarnovskySong "I remember all", arr. Dubuque for pianoPiano duet1868
Weber Piano Sonata in A, J. 199, Scherzo MenuettoOrchestra1863
WeberPiano sonata in C, J. 138 – Perpetuum mobilePiano left hand1871

See also

Related Research Articles

<span class="mw-page-title-main">Anton Arensky</span> Russian composer, pianist and professor of music

Anton Stepanovich Arensky was a Russian composer of Romantic classical music, a pianist and a professor of music.

<span class="mw-page-title-main">Joachim Raff</span> German-Swiss composer and pianist (1822–1882)

Joseph Joachim Raff was a German-Swiss composer, pedagogue and pianist.

<span class="mw-page-title-main">Anatoly Lyadov</span> Russian composer, teacher and conductor (1855–1914)

Anatoly Konstantinovich Lyadov was a Russian composer, teacher and conductor.

<span class="mw-page-title-main">Sergei Lyapunov</span> Russian composer, pianist, and conductor (1859–1924)

Sergei Mikhailovich Lyapunov was a Russian composer, pianist and conductor.

<span class="mw-page-title-main">Alexander Goedicke</span> Russian composer (1877–1957)

Alexander Fyodorovich Goedicke was a Russian and Soviet composer and pianist.

Georgy Lvovich Catoire was a Russian composer of French heritage.

<span class="mw-page-title-main">Jaroslav Řídký</span> Czech composer (1897–1956)

Jaroslav Řídký was a Czech composer, conductor, harpist, and music teacher.

<span class="mw-page-title-main">Peter Katin</span> British pianist and teacher (1930–2015)

Peter Roy Katin was a British classical pianist and teacher.

<span class="mw-page-title-main">Aleksander Zarzycki</span>

Aleksander Zarzycki was a Polish pianist, composer and conductor. Author of piano and violin compositions, mazurkas, polonaises, krakowiaks, and songs.

<span class="mw-page-title-main">Music of Pyotr Ilyich Tchaikovsky</span>

While the contributions of the Russian nationalistic group The Five were important in their own right in developing an independent Russian voice and consciousness in classical music, the compositions of Pyotr Ilyich Tchaikovsky became dominant in 19th century Russia, with Tchaikovsky becoming known both in and outside Russia as its greatest musical talent. His formal conservatory training allowed him to write works with Western-oriented attitudes and techniques, showcasing a wide range and breadth of technique from a poised "Classical" form simulating 18th century Rococo elegance to a style more characteristic of Russian nationalists or a musical idiom expressly to channel his own overwrought emotions.

<span class="mw-page-title-main">Paul Lacombe (composer)</span> French composer and pianist

Paul Lacombe was a Languedocien (French) composer and pianist.

<span class="mw-page-title-main">Valse-Scherzo (Tchaikovsky)</span>

The Valse-Scherzo in C major, Op. 34, TH 58, is a work for violin and orchestra by Pyotr Ilyich Tchaikovsky, written in 1877.

References

  1. "Works - Tchaikovsky Research".
  2. "Detailed Calendar". www.geocities.com. Archived from the original on 27 October 2009. Retrieved 12 January 2022.
  3. "Paul Collin" . Retrieved 21 June 2015.
  4. Russian Fairy Tales, Spring 1998: Snow Maiden Archived 1997-11-09 at the Wayback Machine
  5. John Warrack, Tchaikovsky, Comprehensive List of Works: Choral Works, p. 273
  6. 9 Sacred Pieces (Tchaikovsky, Pyotr) : Scores at the International Music Score Library Project
  7. "Tchaikovsky Research: Nine Church Pieces (TH78)". Tchaikovsky Research. Retrieved 21 June 2015.
  8. John Warrack, Tchaikovsky, Comprehensive List of Works, p. 279

Notes

  1. Not related to the much later symphonic ballad The Voyevoda , Op. 78.
  2. Revised later as Cherevichki
  3. Originally performed on a double-bill with The Nutcracker
  4. The aria is now believed to have been written by Gluck, from his opera Paride ed Elena : "O, del mio dolce ardor (Gluck)". Tchaikovsky Research. Retrieved 20 May 2020.

Bibliography