List of concertos for harpsichord solo by J. S. Bach

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Weimar concerto transcriptions

In his Weimar period, Johann Sebastian Bach transcribed Italian and Italianate concertos. Most, if not all, of the concerto transcriptions for unaccompanied harpsichord were realised from July 1713 to July 1714. Most of these transcriptions were based on concertos by Antonio Vivaldi. Other models for the transcriptions included concertos by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and Prince Johann Ernst of Saxe-Weimar. [1] [2] [3] [4] [5]

Weimar concerto transcriptions (harpsichord)
BWV Key Model
592aG major Johann Ernst of Saxe-Weimar: Violin Concerto in G major  [ scores ]; BWV 592
972D major Vivaldi, Op. 3 No. 9: Violin Concerto in D major, RV 230; BWV 972a
972aD major Vivaldi, Op. 3 No. 9: Violin Concerto in D major, RV 230
973G major Vivaldi, RV 299: Violin Concerto in G major (published as Op. 7 No. 8)
974 D minor Marcello, A.: Oboe Concerto in D minor [6]
975G minor Vivaldi, RV 316 (variant RV 316a, Violin Concerto in G minor, published as Op. 4 No. 6)
976C major Vivaldi, Op. 3 No. 12: Violin Concerto in E major, RV 265
977C major
978F major Vivaldi, Op. 3 No. 3: Violin Concerto in G major, RV 310
979B minor Vivaldi, RV 813: Violin Concerto in D minor (formerly RV Anh. 10 attributed to Torelli) [7] [8]
980G major Vivaldi, RV 383: Violin Concerto in B-flat major, (variant RV 383a published as Op. 4 No. 1)
981C minor Marcello, B.: Concerto Op. 1 No. 2
982B major Johann Ernst of Saxe-Weimar: Concerto Op. 1 No. 1
983G minor
984C major Johann Ernst of Saxe-Weimar: Violin Concerto in C major  [ scores ] and possibly BWV 595
985G minor Telemann: Violin Concerto in G minor, TWV 51:g1  [ scores ]
986G major
987D minor Johann Ernst of Saxe-Weimar: Concerto Op. 1 No. 4

Concerto in G major, BWV 592a

After Violin Concerto in G major  [ scores ] by Prince Johann Ernst of Saxe-Weimar, and organ version BWV 592. [9]

Movements:

  1. [no tempo indication]
  2. Grave
  3. Presto

Concerto in D major, BWV 972

Concerto in G major, BWV 973

After Violin Concerto in G major, RV 299, by Antonio Vivaldi (later version published as Op. 7 No. 8). [12]

Movements:

  1. [no tempo indication]
  2. Largo
  3. Allegro

Concerto in D minor, BWV 974

After Oboe Concerto in D minor by Alessandro Marcello. [13] [6]

Movements:

  1. [no tempo indication]
  2. Adagio
  3. Presto

Concerto in G minor, BWV 975

After Violin Concerto in G minor, RV 316, by Antonio Vivaldi (variant RV 316a, published as Op. 4 No. 6). [14]

Movements:

  1. [no tempo indication]
  2. Largo
  3. Giga Presto

Concerto in C major, BWV 976

After Violin Concerto in E major Op. 3 No. 12 (RV 265) by Antonio Vivaldi. [15]

Movements:

  1. [no tempo indication]
  2. Largo
  3. Allegro

Concerto in C major, BWV 977

After an unidentified model. [16]

Movements:

  1. [no tempo indication]
  2. Adagio
  3. Giga

Concerto in F major, BWV 978

After Violin Concerto in G major Op. 3 No. 3 (RV 310) by Antonio Vivaldi. [17]

Movements:

  1. Allegro
  2. Largo
  3. Allegro

Concerto in B minor, BWV 979

After Violin Concerto in D minor, RV 813, by Antonio Vivaldi (formerly RV Anh. 10 attributed to Torelli). [18] [7] [8]

Movements:

  1. Allegro – Adagio
  2. Allegro
  3. Andante
  4. Adagio
  5. Allegro

Concerto in G major, BWV 980

After Violin Concerto in B-flat major, RV 383 by Antonio Vivaldi (variant RV 383a published as Op. 4 No. 1). [19]

Movements:

  1. [no tempo indication]
  2. Largo
  3. Allegro

Concerto in C minor, BWV 981

After Violin Concerto in C minor Op. 1 No. 2 by Benedetto Marcello. [20]

Movements:

  1. Adagio
  2. Vivace
  3. [no tempo indication]
  4. Prestissimo

Concerto in B-flat major, BWV 982

After Violin Concerto in B-flat major Op. 1 No. 1 by Prince Johann Ernst of Saxe-Weimar. [21]

Movements:

  1. [no tempo indication]
  2. Adagio
  3. Allegro
  4. Allegro

Concerto in G minor, BWV 983

After an unidentified model. [22]

Movements:

  1. [no tempo indication]
  2. Adagio
  3. Allegro

Concerto in C major, BWV 984

After the Violin Concerto in C major by Prince Johann Ernst of Saxe–Weimar (like BWV 595). [23]

Movements:

  1. [no tempo indication]
  2. Adagio e affettoso
  3. Allegro assai

Concerto in G minor, BWV 985

After the Violin Concerto in G minor, TWV 51:g1  [ scores ], by Georg Philipp Telemann. [24]

Movements:

  1. [no tempo indication]
  2. Adagio
  3. Allegro

Concerto in G major, BWV 986

After an unidentified model. [25]

Movements:

  1. [no tempo indication]
  2. Adagio
  3. Allegro

Concerto in D minor, BWV 987

After Concerto Op. 1 No. 4 by Prince Johann Ernst of Saxe-Weimar. [26]

Movements:

  1. [no tempo indication]
  2. Allegro
  3. Adagio
  4. Vivace

Original compositions

Bach composed unaccompanied keyboard concertos for one and two harpsichords. [2] [27]

Italian Concerto included in Clavier-Übung II

Bach's Italian Concerto, BWV 971, was published in 1735, as first of two compositions included in Clavier-Übung II . [28] An early version of the concerto's first movement survives in an 18th-century copy. [29]

Early version of Concerto for two harpsichords, BWV 1061

BWV 1061a, a concerto for two harpsichords without accompaniment, is Bach's original version of the Concerto for two harpsichords and strings, BWV 1061. [30]

Doubtful works

Several concertos for unaccompanied harpsichord are listed as doubtful in Anhang II of the 1998 edition of the Bach-Werke-Verzeichnis : [31]

Discography

BWV 592a and 972–987

Italian Concerto

BWV 909

BWV 1061a

Further reading

Manuscripts

Related Research Articles

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<span class="mw-page-title-main">Oboe Concerto (Marcello)</span>

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The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717). Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar. It is thought that most of the transcriptions were probably made in 1713–1714. Their publication by C.F. Peters in the 1850s and by Breitkopf & Härtel in the 1890s played a decisive role in the Vivaldi revival of the twentieth century.

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References

  1. Jones 2007, pp.  140–153.
  2. 1 2 Boyd 2000, pp.  80–83.
  3. Williams 2003, pp.  201–224.
  4. Schulenberg 2013, pp.  117–139 and footnotes pp. 461–463.
  5. Butler 2011.
  6. 1 2 Selfridge-Field 1990, D935.
  7. 1 2 Talbot 2011, pp.  28–29 and 54.
  8. 1 2 Schulenberg 2013, Updates 2016.
  9. "Work 675". Bach Digital . Leipzig: Bach Archive; et al.
  10. "Work 1149". Bach Digital . Leipzig: Bach Archive; et al.
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  19. "Work 1158". Bach Digital . Leipzig: Bach Archive; et al.
  20. "Work 1159". Bach Digital . Leipzig: Bach Archive; et al.
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  23. "Work 1162". Bach Digital . Leipzig: Bach Archive; et al.
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  25. "Work 1164". Bach Digital . Leipzig: Bach Archive; et al.
  26. "Work 1165". Bach Digital . Leipzig: Bach Archive; et al.
  27. Breig 1997a, p.  131.
  28. "Work 1148". Bach Digital . Leipzig: Bach Archive; et al.
  29. Beißwenger 2006
  30. "Work 1247". Bach Digital . Leipzig: Bach Archive; et al.
  31. Schmieder, Wolfgang, Alfred Dürr, and Yoshitake Kobayashi (eds.). 1998. Bach-Werke-Verzeichnis: Kleine Ausgabe (BWV2a). Wiesbaden: Breitkopf & Härtel. ISBN   978-3765102493 , pp. 459–466 (in German)

Sources