Apart from his orchestral keyboard concertos and his solo organ concertos, Johann Sebastian Bach composed keyboard concertos for unaccompanied harpsichord:
In his Weimar period, Johann Sebastian Bach transcribed Italian and Italianate concertos. Most, if not all, of the concerto transcriptions for unaccompanied harpsichord were realised from July 1713 to July 1714. Most of these transcriptions were based on concertos by Antonio Vivaldi. Other models for the transcriptions included concertos by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and Prince Johann Ernst of Saxe-Weimar. [1] [2] [3] [4] [5]
BWV | Key | Model |
---|---|---|
592a | G major | Johann Ernst of Saxe-Weimar: Violin Concerto in G major ; BWV 592 |
972 | D major | Vivaldi, Op. 3 No. 9: Violin Concerto in D major, RV 230; BWV 972a |
972a | D major | Vivaldi, Op. 3 No. 9: Violin Concerto in D major, RV 230 |
973 | G major | Vivaldi, RV 299: Violin Concerto in G major (published as Op. 7 No. 8) |
974 | D minor | Marcello, A.: Oboe Concerto in D minor [6] |
975 | G minor | Vivaldi, RV 316 (variant RV 316a, Violin Concerto in G minor, published as Op. 4 No. 6) |
976 | C major | Vivaldi, Op. 3 No. 12: Violin Concerto in E major, RV 265 |
977 | C major | |
978 | F major | Vivaldi, Op. 3 No. 3: Violin Concerto in G major, RV 310 |
979 | B minor | Vivaldi, RV 813: Violin Concerto in D minor (formerly RV Anh. 10 attributed to Torelli) [7] [8] |
980 | G major | Vivaldi, RV 383: Violin Concerto in B-flat major, (variant RV 383a published as Op. 4 No. 1) |
981 | C minor | Marcello, B.: Concerto Op. 1 No. 2 |
982 | B♭ major | Johann Ernst of Saxe-Weimar: Concerto Op. 1 No. 1 |
983 | G minor | |
984 | C major | Johann Ernst of Saxe-Weimar: Violin Concerto in C major and possibly BWV 595 |
985 | G minor | Telemann: Violin Concerto in G minor, TWV 51:g1 |
986 | G major | |
987 | D minor | Johann Ernst of Saxe-Weimar: Concerto Op. 1 No. 4 |
After Violin Concerto in G major by Prince Johann Ernst of Saxe-Weimar, and organ version BWV 592. [9]
Movements:
After Violin Concerto in D major Op. 3 No. 9 (RV 230) by Antonio Vivaldi. [10] There is an earlier version of this arrangement, BWV 972a. [11]
Movements:
After Violin Concerto in G major, RV 299, by Antonio Vivaldi (later version published as Op. 7 No. 8). [12]
Movements:
After Oboe Concerto in D minor by Alessandro Marcello. [13] [6]
Movements:
After Violin Concerto in G minor, RV 316, by Antonio Vivaldi (variant RV 316a, published as Op. 4 No. 6). [14]
Movements:
After Violin Concerto in E major Op. 3 No. 12 (RV 265) by Antonio Vivaldi. [15]
Movements:
After an unidentified model. [16]
Movements:
After Violin Concerto in G major Op. 3 No. 3 (RV 310) by Antonio Vivaldi. [17]
Movements:
After Violin Concerto in D minor, RV 813, by Antonio Vivaldi (formerly RV Anh. 10 attributed to Torelli). [18] [7] [8]
Movements:
After Violin Concerto in B-flat major, RV 383 by Antonio Vivaldi (variant RV 383a published as Op. 4 No. 1). [19]
Movements:
After Violin Concerto in C minor Op. 1 No. 2 by Benedetto Marcello. [20]
Movements:
After Violin Concerto in B-flat major Op. 1 No. 1 by Prince Johann Ernst of Saxe-Weimar. [21]
Movements:
After an unidentified model. [22]
Movements:
After the Violin Concerto in C major by Prince Johann Ernst of Saxe–Weimar (like BWV 595). [23]
Movements:
After the Violin Concerto in G minor, TWV 51:g1 , by Georg Philipp Telemann. [24]
Movements:
After an unidentified model. [25]
Movements:
After Concerto Op. 1 No. 4 by Prince Johann Ernst of Saxe-Weimar. [26]
Movements:
Bach composed unaccompanied keyboard concertos for one and two harpsichords. [2] [27]
Bach's Italian Concerto, BWV 971, was published in 1735, as first of two compositions included in Clavier-Übung II . [28] An early version of the concerto's first movement survives in an 18th-century copy. [29]
BWV 1061a, a concerto for two harpsichords without accompaniment, is Bach's original version of the Concerto for two harpsichords and strings, BWV 1061. [30]
Several concertos for unaccompanied harpsichord are listed as doubtful in Anhang II of the 1998 edition of the Bach-Werke-Verzeichnis : [31]
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: CS1 maint: location missing publisher (link)The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. It originated in the early 17th century and was a favorite chamber ensemble combination in the Baroque era.
The Brandenburg Concertos by Johann Sebastian Bach are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721. The original French title is Six Concerts Avec plusieurs instruments, meaning "Six Concertos for several instruments". Some of the pieces feature several solo instruments in combination. They are widely regarded as some of the greatest orchestral compositions of the Baroque era.
The year 1730 in music involved some significant events.
The Concerto for Two Violins in D minor, BWV 1043, also known as the Double Violin Concerto, is a violin concerto of the Late Baroque era, which Johann Sebastian Bach composed around 1730. It is one of the composer's most successful works.
L'estro armonico, Op. 3, is a set of 12 concertos for string instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711. Vivaldi's Twelve Trio Sonatas, Op. 1, and Twelve Violin Sonatas, Op. 2, only contained sonatas, thus L'estro armonico was his first collection of concertos appearing in print. It was also the first time he chose a foreign publisher, Estienne Roger, instead of an Italian. Each concerto was printed in eight parts: four violins, two violas, cello and continuo. The continuo part was printed as a figured bass for violone and harpsichord.
The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and continuo its oldest extant sources date from 1717: that year it was printed in Amsterdam, and a C minor variant of the concerto, S Z799, was written down.
The keyboard concertos, BWV 1052–1065, are concertos for harpsichord, strings and continuo by Johann Sebastian Bach. There are seven complete concertos for a single harpsichord, three concertos for two harpsichords, two concertos for three harpsichords, and one concerto for four harpsichords. Two other concertos include solo harpsichord parts: the concerto BWV 1044, which has solo parts for harpsichord, violin and flute, and Brandenburg Concerto No. 5 in D major, with the same scoring. In addition, there is a nine-bar concerto fragment for harpsichord which adds an oboe to the strings and continuo.
An organ concerto is an orchestral piece of music in which a pipe organ soloist is accompanied by an an orchestra, although some works exist with the name "concerto" which are for organ alone.
Johann Ernst of Saxe-Weimar was a German prince, son by his second marriage of Johann Ernst III, Duke of Saxe-Weimar. Despite his early death he is remembered as a collector and commissioner of music and as a composer, some of whose concertos were arranged for harpsichord or organ by Johann Sebastian Bach, who was court organist in Weimar at the time.
The concerto for two harpsichords in C minor, BWV 1060, is a concerto for two harpsichords and string orchestra by Johann Sebastian Bach. It is likely to have originated in the second half of the 1730s as an arrangement of an earlier concerto, also in C minor, for oboe and violin. That conjectural original version of the concerto, which may have been composed in Bach's Köthen years (1717–1723), is lost, but has been reconstructed in several versions known as BWV 1060R.
The Concerto, BWV 525a, is a trio sonata in C major for violin, cello and basso continuo, based on material otherwise found in Johann Sebastian Bach's first Organ Sonata, BWV 525, and Flute Sonata in A major, BWV 1032. The oldest extant manuscript containing the BWV 525a arrangement, D-B Mus.ms. Bach St 345, is dated to the middle of the 18th century. Although this version of Bach's sonata movements may have originated during his lifetime in the circle around him, it seems unlikely that the composer supervised, or even ordered, the manufacture of the string trio adaptation, thus the arrangement has been listed in BWV Anh. II, that is the Anhang (Anh.) of doubtful works, in the 1998 edition of the Bach-Werke-Verzeichnis (BWV). Breitkopf & Härtel published BWV 525a in 1965. Digital facsimiles of 18th- and 19th-century manuscript copies of the arrangement, in which the sonata is titled "Concerto", became available in the 21st century.
The Triple Concerto, BWV 1044, is a concerto in A minor for traverso, violin, harpsichord, and string orchestra by Johann Sebastian Bach. He based the composition on his Prelude and Fugue BWV 894 for harpsichord and on the middle movement of his Organ Sonata BWV 527, or on earlier lost models for these compositions.
The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717). Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar. It is thought that most of the transcriptions were probably made in 1713–1714. Their publication by C.F. Peters in the 1850s and by Breitkopf & Härtel in the 1890s played a decisive role in the Vivaldi revival of the twentieth century.
The organ concertos of Johann Sebastian Bach are solo works for organ, transcribed and reworked from instrumental concertos originally composed by Antonio Vivaldi and the musically talented Prince Johann Ernst of Saxe-Weimar. While there is no doubt about the authenticity of BWV 592–596, the sixth concerto BWV 597 is now probably considered to be spurious. Composed during Bach's second period at the court in Weimar (1708–1717), the concertos can be dated more precisely to 1713–1714.
Johann Sebastian Bach wrote his fifth Brandenburg Concerto, BWV 1050.2, for harpsichord, flute and violin as soloists, and an orchestral accompaniment consisting of strings and continuo. An early version of the concerto, BWV 1050.1, originated in the late 1710s. On 24 March 1721 Bach dedicated the final form of the concerto to Margrave Christian Ludwig of Brandenburg.
The Harpsichord Concerto in D minor, BWV 1052, is a concerto for harpsichord and Baroque string orchestra by Johann Sebastian Bach. In three movements, marked Allegro, Adagio and Allegro, it is the first of Bach's harpsichord concertos, BWV 1052–1065.
Grosso mogul, also Il grosso mogul, or capitalised [Il] Grosso Mogul, RV 208, is a violin concerto in D major by Antonio Vivaldi. The concerto, in three movements, is an early work by the Venetian composer. Around the mid-1710s Johann Sebastian Bach transcribed the concerto for organ, BWV 594, in C major. A simplified version of the violin concerto, RV 208a, without the elaborated cadenzas that appear in manuscript versions of RV 208, and with a different middle movement, was published around 1720 in Amsterdam as concerto #11 of Vivaldi's Op. 7.