List of fictional Scots

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Disbanded by John Pettie was used to illustrate the 1893 edition of Waverley by Sir Walter Scott. The novel is set in the Jacobite uprising of 1745 and the picture shows a returning Highland warrior. Disbanded.jpg
Disbanded by John Pettie was used to illustrate the 1893 edition of Waverley by Sir Walter Scott. The novel is set in the Jacobite uprising of 1745 and the picture shows a returning Highland warrior.

This is a list of Scottish characters from fiction.

Contents

Authors of romantic fiction have been influential in creating the popular image of Scots as kilted Highlanders, noted for their military prowess, bagpipes, rustic kailyard and doomed Jacobitism. Sir Walter Scott's Waverley novels were especially influential as they were widely read and highly praised in the 19th century. The author organised the pageantry for the visit of King George IV to Scotland which started the vogue for tartanry and Victorian Balmoralism which did much to create the modern Scottish national identity. [2] [3]

Fictional Scottish characters

Real and apocryphal Scots who have been extensively fictionalised or mythologised

The Execution of Mary Stuart was the first movie to use a special effect. (click ▶ to play)

See also

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<span class="mw-page-title-main">Scrooge McDuck</span> Disney comics character

Scrooge McDuck is a cartoon character created in 1947 for The Walt Disney Company by Carl Barks. Appearing in Disney comics, Scrooge is a Scottish-born American anthropomorphic Pekin duck. Like his nephew, Donald Duck, he has a yellow-orange bill, legs, and feet. He typically wears a red or blue frock coat, top hat, pince-nez glasses, and spats varying in color. He is portrayed in animation as speaking with a Scottish accent. Originally intended to be used only once, Scrooge became one of the most popular characters in the Disney comics world, as well as Barks' signature work. Scrooge is an extremely rich duck who lives in the fictional city of Duckburg in the fictional U.S. state of Calisota, whose claimed location is in real-world California, United States.

<span class="mw-page-title-main">Clan McDuck</span> Disney comics characters

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<span class="mw-page-title-main">Flintheart Glomgold</span> Disney comics character

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The Glasgow dialect, also called Glaswegian, varies from Scottish English at one end of a bipolar linguistic continuum to the local dialect of West Central Scots at the other. Therefore, the speech of many Glaswegians can draw on a "continuum between fully localised and fully standardised". Additionally, the Glasgow dialect has Highland English and Hiberno-English influences owing to the speech of Highlanders and Irish people who migrated in large numbers to the Glasgow area in the 19th and early 20th centuries. While being named for Glasgow, the accent is typical for natives across the full Greater Glasgow area and associated counties such as Lanarkshire, Renfrewshire, Dunbartonshire and parts of Ayrshire, which formerly came under the single authority of Strathclyde. It is most common in working class people, which can lead to stigma from members of other classes or those outside Glasgow.

<span class="mw-page-title-main">Groundskeeper Willie</span> Fictional character from The Simpsons franchise

Dr. William MacDougal, better known as Groundskeeper Willie, is a recurring character on The Simpsons, voiced by Dan Castellaneta. He is the head groundskeeper and Janitor at Springfield Elementary School. Willie is almost feral in nature and is immensely proud of his Scottish origin. He is easily identifiable by his red hair and beard, as well as his aggressive temperament and thick, stereotypical Scottish accent.

The Scottish Renaissance was a mainly literary movement of the early to mid-20th century that can be seen as the Scottish version of modernism. It is sometimes referred to as the Scottish literary renaissance, although its influence went beyond literature into music, visual arts, and politics. The writers and artists of the Scottish Renaissance displayed a profound interest in both modern philosophy and technology, as well as incorporating folk influences, and a strong concern for the fate of Scotland's declining languages.

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<span class="mw-page-title-main">Hillhead High School</span> School in Glasgow, Scotland

Hillhead High School is a day school in Glasgow, Scotland, on Oakfield Avenue, neighbouring the University of Glasgow.

<span class="mw-page-title-main">Kailyard school</span>

The Kailyard school is a proposed literary movement of Scottish fiction; kailyard works were published and were most popular roughly from 1880–1914. The term originated from literary critics who mostly disparaged the works said to be within the school; it was not a term of self-identification used by authors alleged to be within it. According to these critics, kailyard literature depicted an idealised version of rural Scottish life, and was typically unchallenging and sentimental.

<span class="mw-page-title-main">Tartanry</span> Stereotypical representation of Scottish culture

Tartanry is the stereotypical or kitsch representation of traditional Scottish culture, particularly by the emergent Scottish tourism industry in the 18th and 19th centuries, and later by the American film industry. The earliest use of the word "tartanry" itself has been traced to 1973. The phenomenon was explored in Scotch Myths, a culturally influential exhibition devised by Barbara and Murray Grigor and Peter Rush, mounted at the Crawford Centre at the University of St Andrews in the Spring of 1981. Related terms are tartanitis, Highlandism, Balmorality, Sir Walter Scottishness, tartanism, tartan-tat, and the tartan terror.

<span class="mw-page-title-main">True Scotsman</span> State of not wearing undergarments under kilts

"True Scotsman" is a humorous term used in Scotland for a man wearing a kilt without undergarments. Though the tradition originated in the military, it has entered Scottish lore as a rite, an expression of light-hearted curiosity about the custom, and even as a subversive gesture.

<span class="mw-page-title-main">Annie S. Swan</span> Scottish journalist and fiction writer, 1859–1943

Annie Shepherd Swan, CBE was a Scottish journalist and fiction writer. She wrote mainly in her maiden name, but also as David Lyall and later Mrs Burnett Smith. A writer of romantic fiction for women, she had over 200 novels, serials, stories and other fiction published between 1878 and her death. She has been called "one of the most commercially successful popular novelists of the later nineteenth and early twentieth centuries". Swan was politically active in the First World War, and as a suffragist, a Liberal activist and founder-member and vice-president of the Scottish National Party.

<span class="mw-page-title-main">Poetry of Scotland</span> Poetry written within the boundaries of modern Scotland

Poetry of Scotland includes all forms of verse written in Brythonic, Latin, Scottish Gaelic, Scots, French, English and Esperanto and any language in which poetry has been written within the boundaries of modern Scotland, or by Scottish people.

<span class="mw-page-title-main">Novel in Scotland</span> Aspect of literature in Scotland

The novel in Scotland includes all long prose fiction published in Scotland and by Scottish authors since the development of the literary format in the eighteenth century. The novel was soon a major element of Scottish literary and critical life. Tobias Smollett's picaresque novels, such as The Adventures of Roderick Random and The Adventures of Peregrine Pickle mean that he is often seen as Scotland's first novelist. Other Scots who contributed to the development of the novel in the eighteenth century include Henry Mackenzie and John Moore.

<span class="mw-page-title-main">Literature in modern Scotland</span>

Literature in modern Scotland is literature written in Scotland, or by Scottish writers, since the beginning of the twentieth century. It includes literature written in English, Scottish Gaelic and Scots in forms including poetry, novels, drama and the short story.

<span class="mw-page-title-main">Scots-language literature</span>

Scots-language literature is literature, including poetry, prose and drama, written in the Scots language in its many forms and derivatives. Middle Scots became the dominant language of Scotland in the late Middle Ages. The first surviving major text in Scots literature is John Barbour's Brus (1375). Some ballads may date back to the thirteenth century, but were not recorded until the eighteenth century. In the early fifteenth century Scots historical works included Andrew of Wyntoun's verse Orygynale Cronykil of Scotland and Blind Harry's The Wallace. Much Middle Scots literature was produced by makars, poets with links to the royal court, which included James I, who wrote the extended poem The Kingis Quair. Writers such as William Dunbar, Robert Henryson, Walter Kennedy and Gavin Douglas have been seen as creating a golden age in Scottish poetry. In the late fifteenth century, Scots prose also began to develop as a genre. The first complete surviving work is John Ireland's The Meroure of Wyssdome (1490). There were also prose translations of French books of chivalry that survive from the 1450s. The landmark work in the reign of James IV was Gavin Douglas's version of Virgil's Aeneid.

Robina Forrester Hardy, known professionally as Robina F. Hardy, was a Scottish Victorian author, poet and Christian missionary.

George Blake (1893–1961) was a Scottish journalist, literary editor and novelist. His The Shipbuilders (1935) is considered a significant and influential effort to write about the Scottish industrial working class. "At a time when the idea of myth was current in the Scottish literary world and other writers were forging theirs out of the facts and spirit of rural life, Blake took the iron and grease and the pride of the skilled worker to create one for industrial Scotland." As a literary critic, he wrote a noted work against the Kailyard school of Scottish fiction; and is taken to have formulated a broad-based thesis as cultural critic of the "kailyard" representing the "same ongoing movement in Scottish culture" that leads to "a cheapening, evasive, stereotyped view of Scottish life." He was well known as a BBC radio broadcaster by the 1930s.

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