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This is a list of musical works which consist mostly or entirely of silence.
| | This article needs additional citations for verification .(March 2023) |
This is a list of musical works which consist mostly or entirely of silence.
Some composers have discussed the significance of silence or a silent composition without ever composing such a work. In his 1907 manifesto, Sketch of a New Esthetic of Music, Ferruccio Busoni described its significance: [1]
That which, within our present-day music, most nearly approaches the essential of the art, is the Rest and the Hold (Pause). Consummate players, improvisers, know how to employ these instruments of expression in loftier and ampler measure. The tense silence between two movements—in itself music, in this environment—leaves wider scope for divination than the more determinate, but therefore less elastic, sound.
After Paul Hindemith read this, he suggested a work consisting of nothing but pauses and fermatas in 1916. [2]
A number of classical compositions consisting primarily of silence have been composed since 1896:
"Samuel was attempting a different means of writing one of his humorous critiques on musical society, mainly in Florence. All the techniques used are well developed and extremely diversified for a piece having no pitch and with a skill that only Erik Satie could match at that time. He highlights and questions every compositional cliché that was in vogue during the period among traditional Italian composers and the growth of modernist avant-garde arts, using humor as a mechanism of critique". [3]
Twenty-four blank measures. Earlier title: "Great sorrows are mute: incoherent funeral march". The composer instructed: "Great sorrows being mute, the performers should occupy themselves with the sole task of counting the bars, instead of indulging in the kind of indecent row that destroys the august character of the best obsequies." [4]
silent; notated in great rhythmic detail, employing bizarre time signatures and intricate rhythmic patterns. [5]
The band was going through all the motions: the swart, longish-haired leader led away; the brasses, the saxophones, the clarinets made a great show of fingering and blowing, but the only sound from the stage was a rhythmic swish-swish from the trap-drummer, a froggy slap-slap from the bull-fiddler, a soft plunk-plunk from the pianist. [6]
in two movements, a single 20-minute sustained chord followed by a 20-minute silence [7]
silent; in three movements lasting a total of four minutes and 33 seconds, for any instrument or combination of instruments
Also known as 0'00"; the performer determines the extent to which the piece is silent, mostly silent, noisy, or raucous.
The composer instructed: "In a situation provided with maximum amplification, perform a disciplined action. The performer should allow any interruptions of the action, the action should fulfill an obligation to others, the same action should not be used in more than one performance, and should not be the performance of a musical composition." [8]
Found on pages 295-297 of Source: Music of the Avant Garde magazine, Issue No. 9. Performers/listeners are to rub their fingers against pieces of fur interpreting the texture of the fur as they may within their heads. This may often result in silence.
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This is a dynamic list of songs and may never be able to satisfy particular standards for completeness. You can help by expanding it with reliably sourced entries.| | This section needs additional citations for verification .(March 2023) |
John Milton Cage Jr. was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.
Juan María Solare is an Argentine composer and pianist.
4′33″ is a modernist composition by American experimental composer John Cage. It was composed in 1952 for any instrument or combination of instruments; the score instructs performers not to play their instruments throughout the three movements. It is divided into three movements, lasting 30 seconds, two minutes and 23 seconds, and one minute and 40 seconds, respectively, although Cage later stated that the movements' durations can be determined by the musician. As indicated by the title, the composition lasts four minutes and 33 seconds and is marked by a period of silence, although ambient sounds contribute to the performance.
Silence is the absence of ambient audible sound, the emission of sounds of such low intensity that they do not draw attention to themselves, or the state of having ceased to produce sounds; this latter sense can be extended to apply to the cessation or absence of any form of communication, whether through speech or other medium.
Graphic notation is the representation of music through the use of visual symbols outside the realm of traditional music notation. Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation. Graphic notation was influenced by contemporary visual art trends in its conception, bringing stylistic components from modern art into music. Composers often rely on graphic notation in experimental music, where standard musical notation can be ineffective. Other uses include pieces where an aleatoric or undetermined effect is desired. One of the earliest pioneers of this technique was Earle Brown, who, along with John Cage, sought to liberate performers from the constraints of notation and make them active participants in the creation of the music.
The Poem of the End is the name of two poems by Russian poets of the early 20th century.
Erwin Schulhoff was an Austro-Czech composer and pianist. He was one of the figures in the generation of European musicians whose successful careers were prematurely terminated by the rise of the Nazi regime in Germany and whose works have been rarely noted or performed.
Tacet is Latin which translates literally into English as "(it) is silent". It is a musical term to indicate that an instrument or voice does not sound, also known as a rest. In vocal polyphony and in orchestral scores, it usually indicates a long period of time, typically an entire movement. In more modern music such as jazz, tacet tends to mark considerably shorter breaks. Multirests, or multiple-measure rests, are rests which last multiple measures.
Silence is the lack of audible sound.
The Wandelweiser Group is a collective for composers and performers of contemporary classical music. Inspired by the work of John Cage, the Wandelweiser Group writes experimental music, which is typically of a very quiet nature and often incorporates performance art. The musicologist Tim Rutherford-Johnson describes them as a "significant feature of art music in the 21st century."
In music, a lacuna is an intentional, extended passage in a musical work during which no notes are played. A lacuna acts as "negative music" to induce a state of serenity in the listener through its contrast to "normal" music consisting of sounded notes. Though no notes are sounded during a lacuna, it is a purposeful musical passage used for a specific effect in the context of the overall work. Lacunae may be of any duration, as indicated by the composer.
Indeterminacy is a composing approach in which some aspects of a musical work are left open to chance or to the interpreter's free choice. John Cage, a pioneer of indeterminacy, defined it as "the ability of a piece to be performed in substantially different ways".
The Planets was a classical crossover music band formed by Mike Batt in 2001. The Planets made their public debut supporting Deep Purple's 2002 UK tour.
6 Songs for Bruce, also commonly known as the 4-Track Demo, is an early single-sided demo cassette tape by American rock band Soundgarden.
Three Bagatelles, for David Tudor, better known by its original French title Trois bagatelles, is a 1961 solo piano composition by Hungarian composer György Ligeti. The composition is well known for its tacet sections.
Sleepify is an album by the American funk band Vulfpeck. The release does not contain any audible sound; instead, it consists solely of ten roughly 30-second-long tracks of silence. The album was made available on the music streaming service Spotify, where the band encouraged consumers to play the album on a loop while they slept. In turn, royalties from the playing of each track on the "album" were to be used to crowdfund a free concert tour by the band.
Vulfpeck is an American funk band founded in 2011 in Ann Arbor, Michigan, by Jack Stratton, Theo Katzman, Woody Goss and Joe Dart. The band has released four extended plays, six studio albums and one live album through their own record label. The band gained recognition in 2014 for releasing Sleepify, a silent album that exposed a loophole in Spotify's royalty distribution and funded an admission-free tour. The band is one of the first to sell out Madison Square Garden without a manager or backing label, and released the recorded performance as a live album in 2019. The band's most recent album, Schvitz, was released in December 2022.
Literalism in music is a technique that emerged in the late 20th century. It involves composing music by utilising tangible representations of musical elements. With this approach, composers craft a diverse range of compositions, spanning from classical orchestral works to seemingly structureless instances of noise.