Little Rope | ||||
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Studio album by | ||||
Released | January 19, 2024 | |||
Studio | Flora Recording & Playback, Portland, Oregon | |||
Genre | Punk rock [1] | |||
Length | 33:59 | |||
Label | Loma Vista | |||
Producer | John Congleton | |||
Sleater-Kinney chronology | ||||
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Singles from Little Rope | ||||
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Little Rope is the eleventh studio album by American rock band Sleater-Kinney, released on January 19, 2024, on Loma Vista. Produced by John Congleton, the album was preceded by the singles: "Hell", "Say It Like You Mean It", and "Untidy Creature".
Released to positive reception, Little Rope was completed in the aftermath of a deadly car accident involving band member Carrie Brownstein's mother and stepfather in late 2022. Dealing with this event, the duo had to face up to questions surrounding "how we navigate grief, who we navigate it with, and the ways it transforms us" during the recording process. [2]
The duo were joined in the studio by touring member Angie Boylan, who recorded the album's drum parts; Death Cab for Cutie's Dave Depper; and Outer Orbit's Galen Clark.
The idea of another Sleater-Kinney album was initially "up in the air", as an introduction video of their previous album Path of Wellness (2021) resulted in a vague answer as to whether the duo would ever record another album. [3] However, after the release of their tenth studio album they turned to John Congleton to produce their next record. They had planned to work with Congleton "for a long time" but had to wait for "the stars" to align. Recording took place at Flora Recording & Playback in Portland, Oregon. [4]
Half of the record had been written prior to Brownstein's mother's death, with the remaining tracks "approached with grief hanging heavy". [5] As a result, Little Rope deals with topics including "global crisis and personal tragedy". [6] Described as "one of the finest, most delicately layered" within their discography, the record is enriched through "complex, ambitious instrumentation". [7]
The duo announced the album on October 3, 2023, alongside the release of the single "Hell", a "moody and eerie" track with an "explosive chorus" that was billed "pure Sleater-Kinney". [8]
On September 3 2024, it was announced that a deluxe version of the album would be released on October 4. [9] The song “Here Today” was released on the same day. Two more songs, entitled “This Time” and “Nothing to Lose” were announced to be released on the deluxe album. [10]
Aggregate scores | |
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Source | Rating |
Metacritic | 78/100 [11] |
Review scores | |
Source | Rating |
DIY | [12] |
The Line of Best Fit | 7/10 [13] |
Mojo | [14] |
MusicOMH | [15] |
The Observer | [16] |
Pitchfork | 7.7/10 [17] |
Record Collector | [18] |
The Skinny | [19] |
Slant Magazine | [20] |
Uncut | 7/10 [1] |
Little Rope received a score of 78 out of 100 on review aggregator Metacritic based on 20 critics' reviews, indicating "generally favorable" reception. [11] Kitty Empire of The Observer found it to be "one of Sleater-Kinney's most taut and focused outings, with every crisp guitar line and expressive vocal showcased in textured relief". [16] Uncut wrote that "Sleater-Kinney strike a finer balance between their established punk sound and the New Wave references that gummed up recent records". [1] Mojo felt that the album "carves space for the well-worn mind, offering sharp perspective on moments when everything seems blunted". [14] Jenn Pelley of Pitchfork called it Sleater-Kinney's "sturdiest, catchiest rock record since 2015's hiatus-breaking No Cities to Love and their most somber since 1999's The Hot Rock ". [17]
DIY 's Elvis Thirlwell remarked that with "none" of the band's "classic late-'90s output diluted by the passage of time, Little Rope sloshes up nothing less than a condensed, rocket-punch collection of ten three-minute bangers". [12] Reviewing the album for The Line of Best Fit , Tom Williams stated that "this is still not the Sleater-Kinney of old, and longtime fans of the band who were previously left wanting by the band's work post-Weiss are unlikely to be entirely won over by Little Rope". He elaborated that "the ultimate sound and energy of Little Rope seems intentional – the duo's departure from their previously established winning formula, a conscious choice rather than a regretful necessity". [13]
John Murphy of MusicOMH described the album as "a huge return to form" and "the sound of a band who have done some recalibrating and are back to doing what they do best", finding there to be "an intensity and focus about the band's 11th album that has been sorely missing on more recent outings". [15] Record Collector called it "a fraught album that reaches out furiously for release, forming a push-pull of pressure and release around the band's defining attributes: Tucker's tumultuous vocals and Brownstein's livid guitar". [18]
Writing for Slant Magazine , Lewie Parkinson-Jones stated that "Weiss's skill as an arranger is still missed here" but "Tucker and Brownstein deserve credit for continuing to take risks and experiment with Sleater-Kinney's established sound, resulting in another solid effort in an unexpectedly fruitful late period". [20] The Skinny 's Cheri Amour found Little Rope to be "raw but still leaves us hankering for more", concluding: "Give us the electrifying assault and brutal guitar tones to fill those tiny cracks now present in our hearts. Give us a little more rope." [19]
All tracks are written by Carrie Brownstein and Corin Tucker.
No. | Title | Length |
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1. | "Hell" | 3:14 |
2. | "Needlessly Wild" | 2:51 |
3. | "Say It Like You Mean It" | 3:44 |
4. | "Hunt You Down" | 3:32 |
5. | "Small Finds" | 3:07 |
6. | "Don't Feel Right" | 3:50 |
7. | "Six Mistakes" | 3:08 |
8. | "Crusader" | 3:37 |
9. | "Dress Yourself" | 3:28 |
10. | "Untidy Creature" | 3:28 |
Total length: | 33:59 |
Sleater-Kinney
Additional contributors
Chart (2024) | Peak position |
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Scottish Albums (OCC) [21] | 9 |
UK Album Downloads (OCC) [22] | 15 |
Sleater-Kinney is an American rock band that formed in Olympia, Washington, in 1994. The band's lineup features Corin Tucker and Carrie Brownstein, following the departure of longtime member Janet Weiss in 2019. Sleater-Kinney originated as part of the riot grrrl movement and has become a key part of the American indie rock scene. The band is also known for its feminist and progressive politics.
Heavens to Betsy was an American punk band formed in Olympia, Washington in 1991 with vocalist and guitarist Corin Tucker and drummer Tracy Sawyer. The duo were part of the DIY riot grrrl, punk rock underground, and were Tucker's first band before she co-formed Sleater-Kinney.
Corin Lisa Tucker is an American singer, songwriter, and guitarist best known for her work with rock band Sleater-Kinney. Tucker is also a member of the alternative rock supergroup Filthy Friends, and previously recorded with the punk band Heavens to Betsy as well as The Corin Tucker Band.
Carrie Rachel Brownstein is an American musician, actress, writer, director, and comedian. She first came to prominence as a member of the band Excuse 17 before forming the rock trio Sleater-Kinney.
Mary Bozana Timony is an American independent singer-songwriter, guitarist, keyboardist, bassist, and violist. She has been a member of the bands Helium, Autoclave, Wild Flag, and Hammered Hulls, and currently fronts Ex Hex.
Excuse 17 was a punk rock band from Olympia, Washington, US, that performed and recorded from 1993 to 1995. The band consisted of Becca Albee, Carrie Brownstein, and Curtis James (drums). The band recorded two full-length albums and a single, and contributed to several compilation albums.
The Woods is the seventh studio album by American rock band Sleater-Kinney. It was released in 2005 on Sub Pop. The album was produced by Dave Fridmann and recorded in late 2004. The album received widespread critical acclaim.
Janet Lee Weiss is an American rock drummer, a member of Quasi and former member of Sleater-Kinney. She was the drummer for Stephen Malkmus and the Jicks, leaving after the album Mirror Traffic, and contributed to the Shins' fourth studio album, Port of Morrow (2012). She was also the drummer for the supergroup Wild Flag.
Sleater-Kinney is the debut studio album by the American rock band Sleater-Kinney, released in 1995 by Chainsaw Records. The album received favorable reviews from critics.
One Beat is the sixth studio album by the American rock band Sleater-Kinney, released on August 20, 2002, by Kill Rock Stars. It was produced by John Goodmanson and recorded between March and April 2002 at Jackpot! Studio in Portland, Oregon. The album peaked at number 107 in the United States on the Billboard 200 and entered the Billboard Top Independent Albums at number five. One Beat was very well received by critics. Praise centered on its cathartic musical delivery and progressive politics.
Dig Me Out is the third studio album by the American rock band Sleater-Kinney, released on April 8, 1997, by Kill Rock Stars. The album was produced by John Goodmanson and recorded from December 1996 to January 1997 at John and Stu's Place in Seattle, Washington. Dig Me Out marked the debut of Janet Weiss, who would become the band's longest-serving drummer. The music on the record was influenced by traditional rock and roll bands, while the lyrics deal with issues of heartbreak and survival. The album cover is an homage to the Kinks' 1965 album The Kink Kontroversy.
All Hands on the Bad One is the fifth studio album by the American rock band Sleater-Kinney, released on May 2, 2000, by Kill Rock Stars. The album was produced by John Goodmanson and recorded from December 1999 to January 2000 at Jackpot! Studio in Portland, Oregon and John & Stu's Place in Seattle, Washington. The music on the record ranges from softer melodies to fast punk rock guitar work, while the lyrics address issues such as women in rock, morality, eating disorders, feminism, music journalism, and media.
The Hot Rock is the fourth studio album by the American rock band Sleater-Kinney, released on February 23, 1999, by Kill Rock Stars. It was produced by Roger Moutenot and recorded at the Avast! recording studio in Seattle, Washington in July 1998. The Hot Rock marks a considerable change in the band's sound, veering into a more relaxed and gloomy direction than the raucous punk rock style of its predecessors. The lyrical themes of the album explore issues of failed relationships and personal uncertainty.
Call the Doctor is the second studio album by the American rock band Sleater-Kinney. It was released on March 25, 1996, by Chainsaw Records to critical acclaim.
Wild Flag was an American four-piece indie rock supergroup based in Portland, Oregon and Washington, D.C. The group consisted of Carrie Brownstein, Mary Timony, Rebecca Cole and Janet Weiss, who were ex-members of the groups Sleater-Kinney, Helium and the Minders.
1,000 Years is the first album by the Corin Tucker Band, released on October 5, 2010, and the first album Tucker released since Sleater-Kinney went on "hiatus" in 2006. She recorded the album along with Seth Lorinczi and Julianna Bright of both Golden Bears and Circus Lupus, as well as Sara Lund of Hungry Ghost and Unwound. Lorinzci was also the album's producer. The only single released from 1,000 Years was "Doubt".
No Cities to Love is the eighth studio album by American rock band Sleater-Kinney, released on January 20, 2015, through Sub Pop. It is the first album following a decade-long hiatus and the band's 2005 release, The Woods. The album received universal acclaim from music critics and was listed on several "Best Albums of 2015" lists.
Filthy Friends is an alt-rock supergroup based in Portland, Oregon. The band is fronted by Corin Tucker and guitarist Peter Buck The other members of the band include alumni from bands such as the Minus 5, King Crimson, The Baseball Project and Steve Wynn & the Miracle 3.
The Center Won't Hold is the ninth studio album by American rock band Sleater-Kinney, released on August 16, 2019 by Mom + Pop Music. The album was produced by St. Vincent and is the last album with drummer Janet Weiss, who announced her departure from the band on July 1, 2019, a month before the album was released. Upon release, the album received generally favorable reviews from critics.
Path of Wellness is the tenth studio album by the American rock band Sleater-Kinney. The album was released on June 11, 2021 by Mom + Pop Music.