XTC were an English rock band formed in Swindon in 1972. Fronted by songwriters Andy Partridge and Colin Moulding, the band gained popularity during the rise of punk and new wave in the 1970s, later playing in a variety of styles that ranged from angular guitar riffs to elaborately arranged pop. Partly because the group did not fit into contemporary trends, they achieved only sporadic commercial success in the UK and US, but attracted a considerable cult following. They have since been recognised for their influence on post-punk, Britpop and later power pop acts.
Black Sea is the fourth studio album by the English rock band XTC, released 12 September 1980 on Virgin Records. It is the follow-up to the previous year's Drums and Wires, building upon its focus on guitars and expansive-sounding drums, but with more economical arrangements written with the band's subsequent concert performances in mind, avoiding overdubs unless they could be performed live.
English Settlement is the fifth studio album and first double album by the English rock band XTC, released 12 February 1982 on Virgin Records. It marked a turn towards the more pastoral pop songs that would dominate later XTC releases, with an emphasis on acoustic guitar, 12-string electric guitar and fretless bass. In some countries, the album was released as a single LP with five tracks deleted. The title refers to the Uffington White Horse depicted on the cover, to the "settlement" of viewpoints, and to the Englishness that the band felt they "settled" into the record.
Mummer is the sixth studio album by the English rock band XTC, released on 30 August 1983 on Virgin Records. It was the first XTC album to be recorded following the band's retirement from live performance in 1982. The album's title and artwork refers to a Mummers' play, in which the identity of the players is hidden. A working title considered for the album was Fruits Fallen From God's Garden.
White Music is the debut studio album by the English rock band XTC, released on 20 January 1978. It was the follow-up to their debut, 3D EP, released three months earlier. White Music reached No. 38 in the UK Albums Chart and spawned the single "Statue of Liberty", which was banned by BBC Radio 1 for the lyric "In my fantasy I sail beneath your skirt". In April 1978, the group rerecorded "This Is Pop" as their third single.
Drums and Wires is the third studio album by the English rock band XTC, released in 1979 on Virgin Records. It is a more pop-orientated affair than the band's previous, Go 2 (1978), and was named for its emphasis on guitars ("wires") and expansive-sounding drums. The album was their first issued in the United States and their first recorded with guitarist Dave Gregory, who had replaced keyboardist Barry Andrews earlier in 1979. It features a mix of pop, art rock, new wave and punk styles with much rhythmic interplay between XTC's two guitarists.
Skylarking is the ninth studio album by the English rock band XTC, released 27 October 1986 on Virgin Records. Produced by American musician Todd Rundgren, it is a loose concept album about a nonspecific cycle, such as a day, a year, the seasons, or a life. The title refers to a type of bird (skylark), as well as the Royal Navy term "skylarking", which means "fooling around". It became one of XTC's best-known albums and is generally regarded as their finest work.
The Big Express is the seventh studio album by the English rock band XTC, released on 15 October 1984 by Virgin Records. It is an autobiographical concept album inspired by the band's hometown of Swindon and its railway system, the Swindon Works. In comparison to its predecessor Mummer (1983), which had a modest, pastoral approach to production, the album features a bright, uptempo sound marked by studio experimentation and denser arrangements, setting a template that they further developed on subsequent albums.
"Wonderland" is a single by XTC released in June 1983, written by Colin Moulding and taken from the album Mummer.
Upsy Daisy Assortment is a U.S.-exclusive compilation by XTC, released after Geffen Records declined to distribute the 1996 double-disc Fossil Fuel: The XTC Singles 1977-1992.
"Senses Working Overtime" is a song written by Andy Partridge of the English rock band XTC, released as the lead single from their 1982 album English Settlement. He based the song on Manfred Mann's "5-4-3-2-1" (1964). The album and single became the highest-charting records XTC would ever have in the UK, peaking at number five and number 10, respectively.
"Mayor of Simpleton" is a song written by Andy Partridge of the English band XTC, released as the first single from their 1989 album Oranges & Lemons. The single reached No. 72 on the Billboard Hot 100 singles chart, No. 1 on its Alternative Songs chart, and No. 15 on its Mainstream Rock chart, becoming the band's best-performing single in the United States.
"Making Plans for Nigel" is a song by English rock band XTC, released by Virgin Records as the lead single from their 1979 album Drums and Wires. It was written by Colin Moulding, the band's bassist. The lyrics are told from the point of view of overbearing parents who are certain that their son Nigel is "happy in his world", affirming that his future, to be spent working for British Steel, "is as good as sealed", and that he "likes to speak and loves to be spoken to".
"Sgt. Rock " is a song by the British band XTC. Written by frontman Andy Partridge, it was released as the band's 12th single in December 1980, charting in the UK Singles Chart at No. 16 on 21 February 1981, being XTC's biggest single chart success to that date. The song also reached the Irish Singles Chart, peaking at No. 20.
"Generals and Majors" is a song written by Colin Moulding of the English rock band XTC, released as the first single from their 1980 album Black Sea. Moulding accordingly wrote the song as a satirical take on the phrase "oh, what a lovely war". The song charted in the UK single chart at No. 32 and No. 104 on the US singles chart, while reaching No. 28 on Billboard's Album Rock Tracks chart. It was the first XTC single to chart in the U.S., and it also had chart success in Canada, Australia and New Zealand.
"The Disappointed" is a song written by Andy Partridge of the English rock band XTC and released as the lead single from their 1992 album, Nonsuch. According to Partridge: the lyrics are about people who have been turned down romantically and come together to form an organisation "of the disappointed." It was originally inspired by Argentina's Mothers of the Disappeared. The music video was directed by a relative of Ranulph Fiennes. A home demo of the song was later released on Coat of Many Cupboards (2002).
"All You Pretty Girls" is a song written by Andy Partridge of the English rock band XTC, released on their 1984 album The Big Express. It peaked at number 55 on the UK Singles Chart, and its music video cost £33,000 to make. Partridge remembers that song came about while he was "dicking around, playing some Hendrix. ... I was just playing this little two-note, quasi-Hendrix thing, and I liked the inherent melody in it."
"Towers of London" is a song written by Andy Partridge of the English rock band XTC, released as the second single from their 1980 album Black Sea. It peaked at number 31 on the UK Singles Chart. The BBC-2 documentary XTC at the Manor featured the group recording the song in the studio. Partridge later reflected that he may have been "subconsciously" trying to rewrite the Beatles' "Rain", desiring "clangorous guitars crashing together, and sort of droning." The night after John Lennon was killed, XTC played a gig at Liverpool, where they performed both "Towers of London" and "Rain" in tribute to the Beatle.
"Ball and Chain" is a song written by Colin Moulding of XTC for their 1982 album English Settlement. It was issued as the second single from the album on 26 February 1982, following the success of the band's biggest hit "Senses Working Overtime". The single reached No. 58 in the UK Singles Chart.
"This World Over" is a song by the English rock band XTC, written by Andy Partridge, and the second single from their 1984 album The Big Express. It reached number 99 on the UK Singles Chart during a one-week stay.
