"Lover, You Should've Come Over" | |
---|---|
Song by Jeff Buckley | |
from the album Grace | |
Released | August 23, 1994 |
Studio | Bearsville Recording, Woodstock, New York |
Genre | Folk-pop [1] |
Length | 6:43 |
Label | Columbia |
Songwriter(s) | Jeff Buckley |
Producer(s) | Andy Wallace |
"Lover, You Should've Come Over" is a song by American singer-songwriter Jeff Buckley. It is the seventh track on his only studio album Grace , which was released on August 23, 1994, by Columbia Records.
Musically, "Lover, You Should've Come Over" is a folk-pop [1] and soul ballad. [2] The song has a length of 6:43, [3] and is composed in 6
8 time and the key of D major. It moves at a tempo of 120 beats per minute, and Buckley's vocal range spans more than two octaves, from B3 to D6. [4] The song begins with an "ethereal, droning" [5] harmonium passage. [6]
Inspired by the ending of the relationship between Buckley and Rebecca Moore, [7] the lyrics concern the despondency of a young man growing older, finding that his actions represent a perspective he feels that he should have outgrown. [2] Biographer and critic David Browne describes the lyrics as "confused and confusing" and the music as "a languid beauty". [7]
On August 23, 2019–the 25th anniversary of the release of Grace–Columbia/Legacy Recordings published unreleased footage of Buckley performing the song on February 19, 1994, at Middle East in Cambridge, Massachusetts. [8] [9]
The song was covered by the English jazz pianist songwriter Jamie Cullum on his 2003 album Twentysomething . It has also been covered live by Australian singer-songwriter Matt Corby, English rock band Nothing But Thieves, and American singer-songwriter John Mayer, who named it the best song of all time in a 2003 interview with Rolling Stone 's Austin Scaggs. [10] The song was also featured in the third episode of the ABC series FlashForward titled "137 Sekunden". The song was covered by Natalie Maines on her 2013 solo album Mother , with NPR's Ann Powers calling it "the sort of careening soul-metal epic that few vocalists even dare to attempt". [11] [12] American singer Nikka Costa included a version of the song on her 2017 album Underneath and in Between. In 2021, Joey Landreth (of The Bros. Landreth) released his cover version.
In 2019, Paste 's Steven Edelstone ranked "Lover, You Should've Come Over" as number one on his list of "The 10 Best Jeff Buckley Songs". Edelstone deemed the song "lyrical perfection" and its bridge an "all-timer": "It's never over, my kingdom for a kiss upon her shoulder / It's never over, all my riches for her smiles when I slept so soft against her / It's never over, all my blood for the sweetness of her laughter / It's never over, she's the tear that hangs inside my soul forever." [13] Arun Starkey of Far Out magazine described the song's harmonium intro as "one of the most moving musical moves ever put to wax." [5] Jacob Nierenberg of Consequence of Sound wrote that the song served as a "[reminder] that Buckley was making some of the most unique and unabashedly beautiful music of the 90s." [14]
Region | Certification | Certified units/sales |
---|---|---|
New Zealand (RMNZ) [15] | Gold | 15,000‡ |
United Kingdom (BPI) [16] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
Ustad Nusrat Fateh Ali Khan, also known by his initials NFAK, was a Pakistani singer, songwriter, and music director. He was primarily a singer of qawwali, a form of Sufi devotional music. Often referred to as the "Shahenshah-e-Qawwali", he is considered by The New York Times as the greatest qawwali singer of his generation and as the fourth greatest singer of all time by LA Weekly in 2016. He was known for his vocal abilities and could perform at a high level of intensity for several hours. Khan is widely credited with introducing Qawwali music to international audiences. He was also a master of Hindustani classical music.
Jeffrey Scott Buckley was an American musician. After a decade as a session guitarist in Los Angeles, Buckley amassed a moderate following in the early 1990s performing at venues in East Village, Manhattan such as Sin-é. After rebuffing interest from record labels and Herb Cohen—the manager of his father, singer Tim Buckley—he signed with Columbia, recruited a band, and released his only studio album, Grace, in 1994.
Timothy Charles Buckley III was an American musician. He began his career based in folk rock, but subsequently experimented with genres such as psychedelia, jazz, the avant-garde, and funk paired with his unique five-octave vocal range. His commercial peak came with the 1969 album Happy Sad, reaching No. 81 on the charts, while his experimental 1970 album Starsailor went on to become a cult classic. The latter contained his best known song, "Song to the Siren." Buckley died at the age of 28 from a heroin and morphine overdose, leaving behind one biological son, Jeff, and one adopted son, Taylor.
Grace is the only studio album by the American singer-songwriter Jeff Buckley, released on August 15, 1994 in Europe and on August 23, 1994 in the United States by Columbia Records. It was produced by Buckley and Andy Wallace.
"Hallelujah" is a song written by Canadian singer Leonard Cohen, originally released on his album Various Positions (1984). Achieving little initial success, the song found greater popular acclaim through a new version recorded by John Cale in 1991. Cale's version inspired a 1994 recording by Jeff Buckley that in 2004 was ranked number 259 on Rolling Stone's "the 500 Greatest Songs of All Time".
Live À L'Olympia is a live album by Jeff Buckley, released in 2001. It is the second posthumous live album released since his death in 1997. The CD consists of performances taken from two separate concerts Buckley and his band played on July 6/7, 1995 at Paris Olympia. The French crowd were very receptive as he was well regarded there, as shown when he was awarded France's prestigious "Grand Prix International du Disque" earlier that year. Buckley paused midway in some of the songs to address the crowd and "Hallelujah" features ad-libbed lyrics in response to their enthusiasm. The album also features a version of a song from Nina Simone's repertoire, "That's All I Ask". It is one of two versions of the song officially released, the other appearing on a three-track bonus disc issued with Australian copies of Buckley's Mystery White Boy live album. Buckley played the song at various concerts on his 1995 European tour.
Live in Chicago is a live DVD by Jeff Buckley, recorded on May 13, 1995 at Cabaret Metro during the Mystery White Boy tour. Soul Coughing co-headlined the show, and only audio of their set was recorded. Originally broadcast on Chicago music video program JBTV, it was released on DVD and VHS on May 9, 2000. In 2007 it was re-released with a different cover to accompany the release of So Real: Songs from Jeff Buckley.
"Mojo Pin" is the first song on Jeff Buckley's 1994 album Grace. It was written by Jeff Buckley and Gary Lucas, and was first introduced on his EP, Live at Sin-é. Buckley stated that the song was about a dream of a black woman. Through a wash of bizarre images, the lyrics convey a feeling of addiction, either to drugs or a person. In Buckley's words, "Sometimes if somebody you feel you need... the whole universe tells you that you have to have her, you start watching her favorite TV shows all night, you start buying her the things she needs, you start drinking her drinks, you start smoking her bad cigarettes, you start picking up her nuances in her voice, you sleep in safe sometimes the most dangerous thing... this is called Mojo Pin."
Songs to No One 1991–1992 is an album of material from studio sessions, home tapes, and club performances recorded during the collaboration between Jeff Buckley and Gary Lucas.
"Grace" is the title track from Jeff Buckley's debut album Grace (1994). It was the album's first single, and was also released as a video.
"Eternal Life" is a song composed by Jeff Buckley, released as the fourth and final single from his album Grace. It is believed to have been influenced by a long-time love for Led Zeppelin's music and a wish to emulate them in this song. The track is something of an exception on the album, featuring aggressive, overdriven guitar and bass riffs that contrast with the more intimate, melodic format that otherwise characterizes the album. "Eternal Life" can also be found on his 1993 EP Live at Sin-é.
The Tiki Bar is Open is singer-songwriter John Hiatt's sixteenth album released on September 11, 2001. It was his last album with Vanguard Records. *Although they are uncredited, the album features backing band The Goners, the same cadre of friends who backed Hiatt in his 1988 release Slow Turning.
So Real: Songs from Jeff Buckley is a 'best of' compilation album of Jeff Buckley material, released on May 25, 2007.
This is a discography for the American singer-songwriter and guitarist Jeff Buckley.
"Song to the Siren" is a song written by Tim Buckley and Larry Beckett, first released by Buckley on his 1970 album Starsailor. It was also later released on Morning Glory: The Tim Buckley Anthology, the album featuring a performance of the song taken from the final episode of The Monkees.
"Should've Said No" is a song written and recorded by the American singer-songwriter Taylor Swift for her debut studio album Taylor Swift (2006). The song was released to US country radio as the album's fifth and final single on May 19, 2008, by Big Machine Records. Produced by Nathan Chapman, "Should've Said No" combines country rock, pop rock, and post-grunge with banjo and distorted guitars. The lyrics are about Swift's contempt for a cheating ex-lover.
Grace Around the World is a DVD and CD by Jeff Buckley compiling live, international performances from his album, Grace. It was released in two packages. The Standard Edition includes a live DVD and an accompanying CD counterpart. The Deluxe Edition includes a bonus DVD of the documentary, Amazing Grace: Jeff Buckley.
Late Night Tales: Jordan Rakei is a DJ mix album curated by New Zealand-Australian musician Jordan Rakei for Late Night Tales series, released by Night Time Stories on 9 April 2021. It marks the 20th anniversary of the series. It includes cover versions of Radiohead's "Codex" and Jeff Buckley's "Lover, You Should've Come Over", and an original song by Rakei, "Imagination".
Amazing Grace: Jeff Buckley is a 2004 documentary film about American singer-songwriter Jeff Buckley. It was shot, directed, and produced by first-time filmmakers Nyla Bialek Adams & Laurie Trombley. The film officially premiered at the Woodstock International Film Festival on October 15, 2004 and in 2009 was released as a bonus DVD for the extended edition of the album Grace Around the World.
Wednesday is the third extended play by American singer-songwriter Madison Cunningham. It was released on November 6, 2020, through Verve Forecast Records. Recorded and released during the COVID-19 pandemic, Wednesday consists of four covers of songs by Tom Waits, John Mayer, the Beatles, and Radiohead. The vinyl edition of the album contains three extra tracks – covers of Jeff Buckley and Rufus Wainwright, alongside a new original song, "Broken Harvest", whilst the "extended edition" contains the former two bonus tracks.
After he signed with Columbia in the fall of 1992, Jeff treated himself to a few pieces of gear—a new acoustic guitar, a small amp, and, seen here, a used harmonium. A portable keyboard operated by way of a pump that pushes air into it, the harmonium is prevalent in Qawwali, the South Asian devotional music that made such an impression on Jeff when he first came to New York. Part of Jeff's devotion to Qawwali involved learning how to play the instrument, which can be heard on the introduction of "Lover, You Should've Come Over (as well as on a cover of Van Morrison's "Madame George" cut during his 1993 session with producer Steve Addabbo). He also purchased language tapes to properly learn Urdu. Jeff could be seen walking around New York with this harmonium under his arm, wrapped in a blanket.