Lucy Newlyn | |
---|---|
Born | 1956 (age 67–68) |
Occupation | Literary critic, poet, professor at Oxford University |
Education | Lawnswood High School |
Alma mater | Lady Margaret Hall, Oxford University |
Subject | Poetry, Romanticism, Reception theory, Intertextuality |
Lucy Newlyn (born 1956) is a poet and academic. She is Emeritus Fellow in English at St Edmund Hall, Oxford, having retired as a professor of English Language and Literature at the University of Oxford in 2016.
Newlyn is a specialist in eighteenth- and early nineteenth-century poetry. [1]
Lucy Newlyn was born in 1956 in Kampala, Uganda. [2] She grew up in Leeds, where she attended Lawnswood High School, winning an open scholarship to read English at Lady Margaret Hall, Oxford, in 1974. She took up her Oxford place in 1975 and graduated with a congratulatory first in 1978. Her D.Phil. thesis, supervised by Dr Roy Park, was later published as an Oxford English Monograph by Oxford University Press. [3]
In 1984 (after a year as a lecturer at Christ Church) Newlyn took up a Stipendiary Lectureship at St Edmund Hall. [4] Two years later, she was elected as the A.C. Cooper Fellow and Tutor in English there – a permanent post which she held in conjunction with a CUF Lecturership in the Oxford English Faculty. Newlyn gained the title Professor of English Language and Literature in 2005. [5] She is Honorary Professor at the University of Aberystwyth, an Advisory Editor of the journal Romanticism, [6] a Fellow of the English Association, [7] and a Patron of the Wordsworth Trust. [8] She was literary editor of The Oxford Magazine from 2011 to 2018. [9] She was co-founder, with Stuart Estell, of the Hall Writers' Forum, an online resource launched in 2013 for the exchange of writing and discussion of literature and the arts. [10] In 2015, she led the campaign to elect Wole Soyinka as Oxford Professor of Poetry. [11]
Lucy Newlyn's longstanding research interests are eighteenth- and early nineteenth-century literature, especially poetry and non-fictional prose in the Romantic period; influences on Romanticism; the reception of Romanticism; creativity and multiple authorship; allusion and intertextuality; reader-response and reception theory. [12] She is an authority on Wordsworth and Coleridge, [12] and has published extensively in the field of English Romantic literature, including four books with Oxford University Press and the Cambridge Companion to Coleridge. [13] [14] Her book Reading, Writing, and Romanticism: The Anxiety of Reception won the British Academy’s Rose Mary Crawshay prize in 2001: 'a signal contribution to British Romantic studies and literary theory'. [12] [15]
Since 2003, Newlyn has been researching the prose of Edward Thomas. Her edition of his book Oxford came out in 2005. [16] This was followed by several articles on Thomas, as well as Branch-Lines: Edward Thomas and Contemporary Poetry, co-edited with Guy Cuthbertson. [17] She is general co-editor of Edward Thomas, Selected Prose Writings, a six-volume edition for Oxford University Press. [18] Together, she and Cuthbertson edited England and Wales. Newlyn's 2013 scholarly work, her book William and Dorothy Wordsworth: All in Each Other (2013), brought together many of her research interests. [19]
Newlyn is a published poet and anthologist, as well as an academic. Her first collection, Ginnel (Oxford Poets/Carcanet, 2005) concerns her ‘intense local attachment’ to the streets and alleys of Headingley in Leeds, where she grew up. [20] ‘Baking’ was ‘Highly Commended’ by the judges of the Forward Prize and re-printed in The Forward Book of Poetry (Faber and Faber, 2005). [21] Poems from the collection have also appeared in The Guardian, The Independent, The Yorkshire Post, Oxford Today, The English Review, and The Oxford Magazine. [21] [22] A recording of Ginnel, read by Sherry Baines, has been published as a ‘Daisy Book’ CD by the Royal National Institute of Blind People (RNIB).
Newlyn's second collection, Earth's Almanac (Enitharmon Press, 2015) was written in the fifteen years after the death of her sister. [23] In 2019, Newlyn's collection of 135 sonnets about the Wordsworths, Vital Stream, was published by Carcanet, in association with the Wordsworth Trust. In 2020, Newlyn's collection, The Marriage Hearse, was published by Maytree Press. [24] The collection explores the impact of infertility on an imaginary Edwardian couple.
In 2021, she published The Craft of Poetry: A Primer in Verse, a handbook on how to write poetry, written as poetry, [25] and in 2022, her collection Quicksilver was published by Lapwing Publications in Belfast. [26]
In addition to her own poetry, Newlyn has published several anthologies of poetry and coordinated a number of collaborative writing projects. Together with Jenny Lewis, she was awarded a grant from Oxford University’s Institute for the Advancement of University Learning in 2002 to undertake research based on workshops at St Edmund Hall. [27] Their findings (together with the students’ writing) were published in Synergies: Creative Writing in Academic Practice (2003; 2004). [28] Newlyn was poet-in-residence for The Guardian in November 2005. [29] She ran university workshops on ‘The Craft of Writing’ with Christopher Ricks during his tenure as Professor of Poetry; between 2001 and 2016 she ran regular writing workshops for students at St Edmund Hall. [27] Her Facebook group The Craft of Poetry was a writing workshop which ran for one year after the publication of that book.
Newlyn's personal experience of bipolar disorder is described in her fifteen-year memoir, Diary of a Bipolar Explorer. [30] The book combines poetry with prose, and seeks to de-stigmatise mental illness. [31]
Married to economist Martin Slater, Lucy Newlyn has two step children and one daughter. [32]
Samuel Taylor Coleridge was an English poet, literary critic, philosopher, and theologian who was a founder of the Romantic Movement in England and a member of the Lake Poets with his friend William Wordsworth. He also shared volumes and collaborated with Charles Lamb, Robert Southey, and Charles Lloyd.
William Wordsworth was an English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798).
Philip Edward Thomas was a British writer of poetry and prose. He is sometimes considered a war poet, although few of his poems deal directly with his war experiences. He only started writing poetry at the age of 36, but by that time he had already been a prolific critic, biographer, nature writer and travel writer for two decades. In 1915, he enlisted in the British Army to fight in the First World War and was killed in action during the Battle of Arras in 1917, soon after he arrived in France.
Eavan Aisling Boland was an Irish poet, author, and professor. She was a professor at Stanford University, where she had taught from 1996. Her work deals with the Irish national identity, and the role of women in Irish history. A number of poems from Boland's poetry career are studied by Irish students who take the Leaving Certificate. She was a recipient of the Lannan Literary Award for Poetry.
Sara Coleridge was an English author and translator. She was the third child and only daughter of the poet Samuel Taylor Coleridge and his wife Sara Fricker.
Andrew Waterman (1940–2022) was an English poet.
Nationality words link to articles with information on the nation's poetry or literature.
Jeremy Hooker FRSL FLSW is an English poet, critic, teacher, and broadcaster. Central to his work are a concern with the relationship between personal identity and place.
Jonathan Fletcher Wordsworth was an English academic, literary critic and expert on the Romantic era in literature.
Stephen Romer, FRSL is an English poet, academic and literary critic.
Grevel Charles Garrett Lindop is an English poet, academic and literary critic.
The Lucy poems are a series of five poems composed by the English Romantic poet William Wordsworth (1770–1850) between 1798 and 1801. All but one were first published during 1800 in the second edition of Lyrical Ballads, a collaboration between Wordsworth and Samuel Taylor Coleridge that was both Wordsworth's first major publication and a milestone in the early English Romantic movement. In the series, Wordsworth sought to write unaffected English verse infused with abstract ideals of beauty, nature, love, longing, and death.
"Three years she grew in sun and shower" is a poem composed in 1798 by the English poet William Wordsworth, and first published in the Lyrical Ballads collection which was co-written with his friend and fellow poet Samuel Taylor Coleridge. As one of the five poems that make up the "Lucy series," the work describes the relationship between Lucy and nature using words and sentiments. The author creates an impression of the indifference of nature as the poem progresses. The care with which Nature had sculpted Lucy, and then casually let her "race" end, reflects Wordsworth's view of the harsh reality of life. Although Nature is indifferent, it also cares for Lucy enough to both sculpt and mould her into its own. Wordsworth valued connections to nature above all else. The poem thus contains both epithalamic and elegiac characteristics; the marriage described is between Lucy and nature, while her human lover is left to mourn in the knowledge that death has separated her from mankind, and she will forever now be with nature.
Lines Written at Shurton Bars was composed by Samuel Taylor Coleridge in 1795. The poem incorporates a reflection on Coleridge's engagement and his understanding of marriage. It also compares nature to an ideal understanding of reality and discusses isolation from others.
Lines on an Autumnal Evening was composed by Samuel Taylor Coleridge in 1793. The poem, rewritten throughout Coleridge's life, discusses nature and love. As Coleridge developed and aged, the object of the poem changed to be various women that Coleridge had feelings toward.
" Theme of A slumber did my spirit seal" is a poem that was written by William Wordsworth in 1798 and first published in volume II of the 1800 edition of Lyrical Ballads. It is part of a series of poems written about a mysterious woman named Lucy, whom scholars have not been able to identify and are not sure whether she was real or fictional. Although the name Lucy is not directly mentioned in the poem, scholars nevertheless believe it to be part of the "Lucy poems" due to the poem's placement in Lyrical Ballads.
Edna Longley, is an Irish literary critic and cultural commentator specialising in modern Irish and British poetry.
Coleridge's notebooks, of which seventy-two have survived, contain a huge assortment of memoranda set down by the poet Samuel Taylor Coleridge from 1794 until shortly before his death in 1834. Coleridge's biographer Richard Holmes summarised the range of material covered as "travels, reading, dreams, nature studies, self-confession and self-analysis, philosophical theories, friendships, sexual fantasies, lecture notes, observations of his children, literary schemes, brewing recipes, opium addiction, horrors, puns, prayers." Some of this vast storehouse of material found its way into Coleridge's published works, and it is also believed to have directly influenced Wordsworth's poems. The notebooks have been described as "unique in the annals of Romantic autobiography", and as "perhaps the unacknowledged prose masterpiece of the age".
Romanticism was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century. Scholars regard the publishing of William Wordsworth's and Samuel Coleridge's Lyrical Ballads in 1798 as probably the beginning of the movement in England, and the crowning of Queen Victoria in 1837 as its end. Romanticism arrived in other parts of the English-speaking world later; in the United States, about 1820.
Nicholas Hugh Roe, FBA, FRSE is a scholar of English literature and an academic, specialising in romantic literature and culture. Since 1996, he has been Professor of English Literature at the University of St Andrews. After completing his undergraduate degrees and doctorate at Trinity College, Oxford, Roe joined St Andrews as a lecturer in English in 1985; he was promoted to reader in 1993.
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