Gamelan is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones and a set of hand-drums called kendang, which keep the beat. The kemanak, a banana-shaped idiophone, and the gangsa, another metallophone, are also commonly used gamelan instruments on Bali. Other notable instruments include xylophones, bamboo flutes, a bowed string instrument called a rebab, and a zither-like instrument called a siter, used in Javanese gamelan. Additionally, vocalists may be featured, being referred to as sindhen for females or gerong for males.
Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Indonesian, Arabic, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others.
The music of Sri Lanka has its roots in five primary influences: ancient folk rituals, Hindu religious traditions, Buddhist religious traditions, the legacy of European colonisation, and the commercial and historical influence of nearby Indian culture—specifically, Kollywood cinema and Bollywood cinema.
The sārangī is a bowed, short-necked three-stringed instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, Sindhi folk music, Haryanvi folk music, Braj folk music, and Boro folk music – in Pakistan, South India and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as Gamaks or Gamakam (shakes) and meends. The Nepali sarangi is similar but is a folk instrument, unornate and four-stringed.
The music of Qatar is based on sea folk poetry, song and dance. The historical importance of pearl fishing have deeply resonated within the region's artistic expression, manifesting in melodies, tunes, and dances that reflect the enduring bond between humanity and the sea. Traditional dances in Doha are performed on Friday afternoons; one such dance is the Ardah, a stylized martial dance performed by two rows of dancers who are accompanied by an array of percussion instruments, including al-ras, mirwas and cymbals with small drums. Other folk instruments include the oud and rebaba, both string instruments, as well as the ney and sirttai, which are types of flutes.
Brahmapur is a city on the eastern coastline of Odisha, India.
Music of Punjab reflects the traditions of the Punjab region associated with Punjabi language. Punjab is currently divided into two parts: East Punjab, in India, and West Punjab, the most populous province of Pakistan. The Punjab has diverse styles of music, ranging from folk and Sufi to classical, notably the Patiala gharana. Contemporary Punjabi music has tended to include more modern hip-hop and R&B sounds. While this style of music is obviously most popular in Punjab, it has seen popularity across the subcontinent and areas with large Punjabi diaspora populations, such as Canada, the United Kingdom, and the United States.
Folk music of Haryana has two main forms: classical folk music of Haryana and desi folk music of Haryana. They take the form of ballads and pangs of parting of lovers, valor and bravery, harvest and happiness.
Chhattisgarh is a state of India with strong tribal traditions of music and dance. The state of Chhattisgarh is best known for its deep roots in folk music, which originated from its long history of tribal involvement.
Ustad Bismillah Khan, often referred to by the title Ustad, was an Indian musician credited with popularizing the shehnai, a reeded woodwind instrument. He played it with such expressive virtuosity that he became a leading Hindustani classical music artist. His name was indelibly linked with the woodwind instrument. While the shehnai had importance as a folk instrument played primarily by musicians schooled in traditional ceremonies, Khan is credited with elevating its status and bringing it to the concert stage.
Chhau, also spelled Chhou, is a semi classical Indian dance with martial and folk traditions. It is found in three styles named after the location where they are performed, i.e. the Purulia Chhau of West Bengal, the Seraikella Chhau of Jharkhand and the Mayurbhanj Chhau of Odisha.
Sikh music, also known as Gurbani Sangeet , and as Gurmat Sangeet, or even as Shabad Kirtan, is the classical music style that is practised within Sikhism. It exists in institutional, popular, and folk traditions, forms, and varieties. Three types of Sikh musicians are rababis, ragis, and dhadhis. Sikh music exists in various melodic modes, musical forms, styles, musicians, and performance contexts.
Odissi music is a genre of classical music in India, originated from the eastern state of Odisha. The traditional ritual music for the service of Lord Jagannatha, Odissi music has a history spanning over two thousand years, authentic sangita-shastras or treatises, unique Ragas & Talas and a distinctive style of rendition.
The hsaing waing, commonly dubbed the Burmese traditional orchestra (မြန်မာ့ဆိုင်း), is a traditional Burmese folk musical ensemble that accompanies numerous forms of rituals, performances, and ceremonies in modern-day Myanmar (Burma).
Gendang beleq is a dance and music performance from Lombok island, Indonesia. It is a popular performance among the native Sasak people.
Several folk dance forms evolved in different regions of Odisha, Odissi and Chhau being some popular forms. Sambalpuri dance is most popular dance of western Odisha and is enjoyed by many.
Dalkhai is a popular folk dance of the Adivasis of Odisha, India.
The history and development of jazz in Bulgaria was significantly influenced by the cultural and political changes in the country during the 20th century, which led to the emergence of a genre blending western jazz styles with Bulgarian folk music influences.
Dhemsa is a traditional folk dance of tribal people of southern Odisha, Chhattisgarh, and Andhra Pradesh in southern India. Dhemsa is performed in groups. The dancers hold each other by the shoulder and waist, then dance to the rhythm of traditional instruments. Traditional folk instruments that are used in this dance are dhol, tamak', changu, and mahuri. The dance is generally performed late at night by the tribes called "Desia" or "Adivasis" in the annual ceremonies of Chait Parab and Pus Puni or Pus Parab. The person playing mohuri is called Mohuria; the drummers follow.
