Makin' Love Is Good for You | ||||
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Studio album by | ||||
Released | April 25, 2000 [1] | |||
Recorded | Dockside Studio, Maurice, Louisiana, United States | |||
Genre | Blues | |||
Length | 59:02 | |||
Label | MCA | |||
Producer | B. B. King, Floyd Lieberman, Sidney A. Seidenberg | |||
B.B. King chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Penguin Guide to Blues Recordings | [2] |
Makin' Love Is Good for You is a 2000 album by American blues musician B. B. King, his thirty-eighth studio album.
Elmore James was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar".
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King. It was recorded on November 21, 1964, at the Regal Theater in Chicago. The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone's 2003 edition of the 500 Greatest Albums of All Time list, before dropping to number 299 in a 2020 revision. In 2005, Live at the Regal was selected for permanent preservation in the National Recording Registry at the Library of Congress in the United States.
Two Steps from the Blues is the debut album by American blues singer Bobby Bland, in 1961. It compiles five songs recorded between 1956 and 1960 and seven songs recorded in two sessions from August 3 to November 12, 1960. The sessions took place at Universal Recording Corporation in Chicago, where Bland and his backing band moved after a series of successful singles and albums. The backing band was composed of Joe Scott and Melvin Jackson (trumpet), Pluma Davis (trombone), Robert Skinner and L. A. Hill, Rayfield Devers, Teddy Reynolds (piano), Clarence Holloman, Wayne Bennett, Hamp Simmons (bass), and John "Jabo" Starks (drums). Scott also served as an arranger.
Live at the Apollo is a blues album by B.B. King and the Phillip Morris "Super Band" recorded at the famous Apollo Theater in Harlem, New York. It was awarded the 1992 Grammy Award for Best Traditional Blues Album.
Blues Jam in Chicago is a studio recording by the British rock band Fleetwood Mac, originally released in two single-LP volumes by Blue Horizon in December 1969. It was the result of a recording session in early 1969 at Chess Records in Chicago with Fleetwood Mac, then a young British blues band, and a number of famous Chicago blues artists from whom they drew inspiration. The album has also been released, with slightly different track listings, under the titles Blues Jam at Chess Volumes One and Two and Fleetwood Mac in Chicago, the latter by Sire Records in 1976.
Johnny Winter is Johnny Winter's second studio album. Columbia Records released the album in 1969, after signing Winter to the label for a reported $600,000. As with his first album, The Progressive Blues Experiment, Winter mixes some original compositions with songs originally recorded by blues artists. The album reached number 24 on the Billboard 200 albums chart.
Let the Good Times Roll: The Music of Louis Jordan is the thirty seventh studio album by B. B. King, released in 1999. It is a tribute album to jazz saxophonist and singer Louis Jordan, and is made up entirely of covers of songs written or performed by Jordan. The album was released in 1999 on MCA Records.
Deuces Wild is the thirty-fifth studio album by B.B. King released on November 4, 1997. Every song on the album features a second famous musician.
Blues on the Bayou is the thirty sixth studio album by B.B. King, released in 1998.
Live at San Quentin is a 1990 live album by blues guitarist B.B. King performed at San Quentin State Prison in Marin County, California.
Lucille & Friends is the thirty-fourth album by B.B. King released in 1995. On it, he is accompanied by major jazz, rock, and blues artists who collaborated on these songs over the past 25 years.
Take It Home is a studio album by the American musician B.B. King, released in 1979.
Live & Well is a live and studio album by B. B. King, released in 1969. The side A contains five tracks recorded "live" at the Village Gate, in New York City, and the side B five titles recorded in 'The Hit Factory' also in New York.
Together for the First Time... Live is a 1974 blues album by singer Bobby Bland and guitarist B. B. King. The duo later recorded Bobby Bland and B. B. King Together Again...Live. Bland and King toured together extensively in the 1970s and 1980s, which did much to keep their careers alive during a period of otherwise popular decline for the blues genre.
Now Appearing at Ole Miss is a live album by B. B. King, recorded in 1979 and released as a double album on MCA Records in 1980. The live recordings were augmented with overdubs, most notably with percussion instruments. This has been criticized by reviewers as making the album stale, and it is widely regarded as B.B. King's weakest 'live' album. One notable feature, is that the album contains the first use of the bass style of playing known as "slap" by Russell Jackson, who would go on to play in the posthumous "B.B. King Experience Band" with another B.B. King band veteran James "Boogaloo" Bolden.
King Size is a studio album by the American musician B. B. King, released in 1977.
Blues Summit is the thirty-third studio album by B.B. King released in 1993 through the MCA label. The album reached peak positions of number 182 on the Billboard 200, and number 64 on Billboard's R&B Albums chart. The album won a Grammy Award in 1994 for Best Traditional Blues Album.
Dot Com Blues is a 2001 album by the American jazz organist Jimmy Smith. The album was Smith's first recording for five years, and features guest appearances by B.B. King and Etta James.
Rocks The Blues is the first album credited to musician Ike Turner. Released in 1963 from Crown Records, it contains mostly previously released singles from the 1950s.
Blues Is King is a live album by blues musician, B.B. King recorded in Chicago in 1966 and released by the BluesWay label in 1967.