Medicine Music | ||||
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Studio album by | ||||
Released | 1990 | |||
Genre | Vocal, jazz | |||
Length | 48:55 | |||
Language | English | |||
Label | EMI [1] | |||
Producer | Bobby McFerrin [2] | |||
Bobby McFerrin chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [3] |
Chicago Tribune | [1] |
The Encyclopedia of Popular Music | [4] |
The Rolling Stone Album Guide | [5] |
Medicine Music is a studio album by Bobby McFerrin, released in 1990. [6] [7] The album reached number 146 on the Billboard 200 and number 2 on the Top Contemporary Jazz Albums chart. [8] [9]
The album was nominated for a 1991 Grammy Award, in the "Best Contemporary Jazz Performance" category. [10]
Voicestra, a 10-member a capella group formed by McFerrin, and Robert McFerrin, Bobby's father, appear on the album. [11] "Common Threads" served as the theme song to the documentary Common Threads: Stories from the Quilt . [11] McFerrin wrote all of the songs on Medicine Music. [12] The lyrics to "Discipline" are based on several verses of the chapter Hebrews 12 from the New Testament, while the lyrics to "The 23rd Psalm" are based on Psalm 23 from the Old Testament. [13]
The Los Angeles Times wrote that "McFerrin sings splendidly, his intonation never faltering as he goes from throbbing bass notes to a soaring, light falsetto." [2] The Austin American-Statesman wrote that "McFerrin's penchant for unusual vocal innovation is present throughout the album, but it is the songs without words, nominally called instrumentals in the McFerrin musical universe, that are the most challenging." [14]
No. | Title | Length |
---|---|---|
1. | "Medicine Man" | 4:19 |
2. | "Baby" | 3:02 |
3. | "Yes, You" | 3:13 |
4. | "The Garden" | 3:26 |
5. | "Common Threads" (theme song from the documentary) | 4:16 |
6. | "Sweet in the Morning" (Featuring Voicestra) | 4:57 |
7. | "Discipline" (Featuring Robert McFerrin and Voicestra) | 4:40 |
8. | "He Ran All the Way" | 4:05 |
9. | "Angry (Gima)" | 3:45 |
10. | "The Train" | 6:16 |
11. | "Soma So De La Sase" | 4:00 |
12. | "The 23rd Psalm" | 3:08 |
All music and lyrics composed by Bobby McFerrin; ©ProbNoblem Music/BMI - except "The 23rd Psalm" (Music: Bobby McFerrin/English text arranged by Bobby McFerrin; ©ProbNoblem Music/BMI)
"Mack the Knife" or "The Ballad of Mack the Knife" is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama The Threepenny Opera. The song tells of a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title.
Robert Keith McFerrin Jr. is an American jazz singer, songwriter, and conductor. He is known for his vocal techniques, such as singing fluidly but with quick and considerable jumps in pitch—for example, sustaining a melody while also rapidly alternating with arpeggios and harmonies—as well as scat singing, polyphonic overtone singing, and improvisational vocal percussion. He is widely known for performing and recording regularly as an unaccompanied solo vocal artist. He has frequently collaborated with other artists from both the jazz and classical scenes.
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Common Threads: Stories from the Quilt is a 1989 American documentary film that tells the story of the NAMES Project AIDS Memorial Quilt. Narrated by Dustin Hoffman, with a musical score written and performed by Bobby McFerrin, the film focuses on several people who are represented by panels in the Quilt, combining personal reminiscences with archive footage of the subjects, along with footage of various politicians, health professionals and other people with AIDS. Each section of the film is punctuated with statistics detailing the number of Americans diagnosed with and dead from AIDS through the early years of the epidemic. The film ends with the first display of the complete Quilt at the National Mall in Washington, D.C., during the 1987 Second National March on Washington for Lesbian and Gay Rights.
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"Come Sunday" is a piece by Duke Ellington, which became a jazz standard. It was written as a part of the first movement of a suite entitled Black, Brown and Beige. Ellington was engaged for a performance at Carnegie Hall on January 23, 1943, for which he wrote the entire composition. In 1958 he revised the suite and recorded it in its entirety for that year's album titled after the suite. "Come Sunday" was originally a centerpiece for alto saxophone player Johnny Hodges; the 1958 album, which contained a vocal version of the piece with new lyrics by Ellington featuring gospel singer Mahalia Jackson, greatly increased its popularity.
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