A nymph is a minor female nature deity in ancient Greek folklore. Distinct from other Greek goddesses, nymphs are generally regarded as personifications of nature, are typically tied to a specific place or landform, and are usually depicted as maidens. They were immortal like other goddesses, except for the Hamadryads, whose lives were bound to a specific tree.
Hora, also known as horo and oro, is a type of circle dance originating in Aromanian and Romanian communities, especially in Romania and Moldova. It is also found in other South East European countries and culturally adopted by ethnic minorities such as the Ashkenazi Jews and the Roma.
The folklore of India encompasses the folklore of the nation of India and the Indian subcontinent. India is an ethnically and religiously diverse country. Given this diversity, it is difficult to generalize the vast folklore of India as a unit.
Chinese folklore encompasses the folklore of China, and includes songs, poetry, dances, puppetry, and tales. It often tells stories of human nature, historical or legendary events, love, and the supernatural. The stories often explain natural phenomena and distinctive landmarks. Along with Chinese mythology, it forms an important element in Chinese folk religion.
Other than the many gods and goddesses of the Slavs, the ancient Slavs believed in and revered many supernatural beings that existed in nature. These supernatural beings in Slavic religion come in various forms, and the same name of any single being can be spelled or transliterated differently according to language and transliteration system.
The samodiva, samovila or vila, are woodland fairies or nymphs found in South and West Slavic folklore.
A vrykolakas, also called vorvolakas or vourdoulakas, is a harmful undead creature in Greek folklore. It shares similarities with numerous other legendary creatures, but is generally equated with the vampire of the folklore of the neighbouring Slavic countries. While the two are very similar, a vrykolakas eats flesh, particularly livers, rather than drinking blood, which combined with other factors such as its appearance bring it more in line with the modern concept of a zombie or ghoul.
Pakistani folklore encompasses the mythology, poetry, songs, dances and puppetry from Pakistan's various ethnic groups.
Greek traditional music includes a variety of Greek styles played by ethnic Greeks in Greece, Cyprus, Australia, the United States and other parts of Europe. Apart from the common music found generally in Greece, each region of Greece contains a distinct type of folk music that originated from the region due to their history, traditions and cultural influences.
The linguistic varieties of Modern Greek can be classified along two principal dimensions. First, there is a long tradition of sociolectal variation between the natural, popular spoken language on the one hand and archaizing, learned written forms on the other. Second, there is regional variation between dialects. The competition between the popular and the learned registers culminated in the struggle between Dimotiki and Katharevousa during the 19th and 20th centuries. As for regional dialects, variation within the bulk of dialects of present-day Greece is not particularly strong, except for a number of outlying, highly divergent dialects spoken by isolated communities.
Greek dance is a old tradition, being referred to by authors such as Plato, Aristotle, Plutarch and Lucian. There are different styles and interpretations from all of the islands and surrounding mainland areas. Each region formed its own choreography and style to fit in with their own ways. For example, island dances have more of a different smooth flow to them, while Pontic dancing closer to the Black Sea, is very sharp. There are over 10,000 traditional dances that come from all regions of Greece. There are also pan-Hellenic dances, which have been adopted throughout the Greek world. These include specifically the Syrtos, Kalamatianos, Pyrrhichios, Ballos, Zeibekiko, and hasapiko.
The polyphonic song of Epirus is a form of traditional folk polyphony practiced among Albanians, Aromanians, Greeks and ethnic Macedonians in southern Albania and northwestern Greece. The polyphonic song of Epirus is not to be confused with other varieties of polyphonic singing, such as the yodeling songs of the region of Muotatal, or the Cantu a tenore of Sardinia. Scholars consider it an old tradition, which either originates from the ancient Greek and Thraco-Illyrian era, or the Byzantine era, with influences from Byzantine music.
In Greek mythology, Ceto may refer to three divine women:
It forms part of the broader musical tradition of mainland and of the southern Balkans. Compared to other regions of, the music of Macedonia is characterized by a high degree of diversity, due to the numerous influences it has received over the years from neighboring countries and particularly from refugees arriving in the early 20th century. In general terms, Macedonian music can be thought of as the connecting chain between the Western musical tradition of Epirus and Thessaly and the Eastern musical tradition of Thrace and Constantinople.
European folklore or Western folklore refers to the folklore of the Western world, especially when discussed comparatively. The history of Christendom during the Early Modern period has resulted in a number of traditions that are shared in many European ethnic and regional cultures.
Syrtos is – in classical and modern Greece – a traditional dance in which the dancers link hands to form a chain or circle, headed by a leader who intermittently breaks away to perform improvised steps.
Ukrainian folklore is the folk tradition which has developed in Ukraine and among ethnic Ukrainians. The earliest examples of folklore found in Ukraine is the layer of pan-Slavic folklore that dates back to the ancient Slavic mythology of the Eastern Slavs. Gradually, Ukrainians developed a layer of their own distinct folk culture. Folklore has been an important tool in defining and retaining a cultural distinctiveness in Ukraine in the face of strong assimilatory pressures from neighboring lands.
Danish folklore consists of folk tales, legends, songs, music, dancing, popular beliefs, myths and traditions communicated by the inhabitants of towns and villages across the country, often passed on from generation to generation by word of mouth. As in neighbouring countries, interest in folklore grew with an emerging feeling of national consciousness in 19th century Denmark. Researchers travelled across the country collecting innumerable folktales, songs and sayings while observing traditional dress in the various regions. Folklore today is part of the national heritage, represented in particular by national and local traditions, songs, folk dances and literature.
Galene in ancient Greek religion was a minor goddess personifying calm seas. Hesiod enumerates her as one of the 50 Nereids, sea-nymph daughters of the 'Old Man of the Sea' Nereus and the Oceanid Doris, perhaps identical with her sister Galatea.
Folklore of Finland refers to traditional and folk practices, technologies, beliefs, knowledge, attitudes and habits in Finland. Finnish folk tradition includes in a broad sense all Finnish traditional folk culture. Folklore is not new, commercial or foreign contemporary culture, or the so-called "high culture". In particular, rural traditions have been considered in Finland as folklore.
