Moog Prodigy | |
---|---|
Manufacturer | Moog Music |
Dates | 1979–1984 |
Price | £295 |
Technical specifications | |
Polyphony | Monophonic |
Timbrality | Monotimbral |
Oscillator | 2 |
LFO | 1 square/triangle |
Synthesis type | Analog Subtractive |
Filter | 24 dB/oct low-pass |
Attenuator | 2 ADS/ADR |
Aftertouch expression | none |
Velocity expression | none |
Storage memory | none |
Effects | portamento |
Input/output | |
Keyboard | 32 keys |
Left-hand control | Pitch/mod wheels |
External control | CV/Gate |
The Moog Prodigy was a monophonic analogue synthesizer produced by Moog Music from 1979 to 1984. Of the 11,000 produced, versions released after 1981 included a control voltage/gate input on the back that allowed the VCF to be triggered and controlled by an external source. These later versions began at serial number 4610. The official model number of the instrument is 336. 336A would indicate a domestic (US) model, while a 336BX would indicate an export unit.
The housing is all metal except for the wooden side panels. The power supply is inside the instrument and the mains cable is detachable.
The Prodigy featured two Voltage Controlled Oscillators (VCOs), one with a sawtooth waveform, a triangle waveform, and a pulse waveform, the second with a sawtooth, a triangle, and a square waveform. These waveforms could be detuned up or down by more than a fifth, allowing for the creation of thick pads as well as atonal sounds. The two oscillators could be synchronized as well, then altered using the pitch wheel (in sync mode, the pitch wheel would alter the tonality of the sound, not the pitch. Roaring synth leads were made possible using this feature.) The Prodigy did not feature a white noise or pink noise generator.
The voltage controlled 4-pole low-pass filter uses the typical Moog transistor ladder filter design. There is a dedicated 3-stage ADR envelope controller (ADR short for Attack Decay Release).
The Prodigy was capable of a full range of synthetic sounds, from a gentle whistle or flute in the upper ranges, to sub-sonic bass. The voltage controlled amplifier (VCA) was controllable only via a second 3-stage ADR envelope controller.
The low frequency oscillator (LFO) of the Prodigy featured a triangle and square waveform, which could be routed to the VCO or VCF to create pitch or filter modulation effects. [1]
The Moog Source, which began production in 1981, featured internal workings very similar to the Prodigy in a much sleeker physical design that featured programmability, arpeggiator / sequencer and white noise.
It inspired the name of British electronic band The Prodigy whilst recording their first album. The band's frontman, Liam Howlett, is known to have used the synthesizer in some of the songs he made in the early 1990s.
It has been used by many artists such as:
An analog synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically.
Modular synthesizers are synthesizers composed of separate modules for different functions. The modules can be connected together by the user to create a patch. The outputs from the modules may include audio signals, analog control voltages, or digital signals for logic or timing conditions. Typical modules are voltage-controlled oscillators, voltage-controlled filters, voltage-controlled amplifiers and envelope generators.
The Yamaha AN1x is a DSP-based analog modeling synthesizer, produced by Yamaha Corporation from 1997 to 1998, and was marketed as an "analog physical modelling control synthesizer".
The ARP Odyssey is an analog synthesizer introduced by ARP Instruments in 1972.
The Realistic Concertmate MG-1 is an analog synthesizer manufactured by Moog Music in 1981 and sold by Radio Shack from 1982 to 1983 under their "Realistic" brand name. It was produced without some standard Moog features, such as pitch and modulation wheels, as a cost-cutting measure aimed at achieving a lower price for the consumer market. The synthesizer also featured a pair of pass-through RCA jacks, which allowed users to mix radio or records into the final live synthesized sound output.
The Multimoog is a monophonic analog synthesizer manufactured by Moog Music from 1978 to 1981. Derived from the earlier Micromoog, the Multimoog was intended to be a less expensive alternative to the Minimoog. It nevertheless had some advanced features which the Minimoog did not—most notably, it was one of the earliest synthesizers to feature aftertouch capability.
The Moog model 2090 Micromoog is a monophonic analog synthesizer produced by Moog Music from 1975 to 1979.
The Moog Sonic Six is a duophonic analog synthesizer that was manufactured by Moog Music from 1972 to 1979. Because of its portable design and built-in speaker, the Sonic Six was widely used for lectures and educational purposes, often by Bob Moog himself.
The Korg Polysix(PS-6) is a six-voice programmable polyphonic analog synthesizer released by Korg in 1981.
The Doepfer A-100 is an analog modular synthesizer system introduced by German audio manufacturer Doepfer in 1995. Although there were only 10 module types at time of release, it currently has more than 120 modules plus several different enclosures and accessories.
The Oberheim OB•12 is a Virtual Analog synthesizer, designed and realised by the Italian musical instrument manufacturer Viscount, in production between 2000 and 2005.
The Yamaha CS30/CS30L is an analog keyboard synthesizer that was released in 1977. It is the top of the range in Yamaha's original line-up of monophonic synthesizers, others in the range being the CS5, CS10 and CS15. It features two voltage controlled oscillators (VCOs), two voltage controlled filters, two voltage controlled amplifiers (VCAs) and three envelope generators. It also sports a ring modulator and a voltage controlled low-frequency oscillator (LFO).
The Roland GR-500 is a guitar synthesizer. Manufactured by the Roland Corporation and FujiGen in 1977, it was one of the first guitar synthesizers.
A synthesizer is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments and may be synchronized to other equipment via MIDI.
The Oberheim Xpander is an analog synthesizer launched by Oberheim in 1984 and discontinued in 1988. It is essentially a keyboardless, six-voice version of the Matrix-12. Utilizing Oberheim's Matrix Modulation technology, the Xpander combined analog audio generation with the flexibility of digital controls logic.
The Korg Mono/Poly (MP-4) is a 44 key "mono-polyphonic" analog synthesizer manufactured by Korg from 1981 to 1984. This keyboard is the sister synthesizer to the Korg Polysix. It has four highly stable voltage-controlled oscillators (VCOs), a 4-pole, self-oscillating low pass filter (LPF), wide modulation capabilities and pseudo-polyphony (paraphony).
The Steiner-Parker Synthacon is a monophonic analog synthesizer that was built between 1975 and 1979 by Steiner-Parker, a Salt Lake City-based synthesizer manufacturer. It was introduced as a competitor to other analog synthesizers, like the Minimoog and ARP Odyssey.
The AX60 is a polyphonic analogue keyboard synthesizer manufactured by Akai Professional in the mid-1980s. It was Akai's answer to the popular Roland Juno series synthesizers. The AX60 uses voltage-controlled analogue oscillators and filter circuitry based on the Curtis Electronics CEM 3394 integrated circuit.
The CZ series is a family of low-cost phase distortion synthesizers produced by Casio in the mid-1980s. Eight models of CZ synthesizers were released: the CZ-101, CZ-230S, CZ-1000, CZ-2000S, CZ-2600S, CZ-3000, CZ-5000, and the CZ-1. Additionally, the home-keyboard model CT-6500 used 48 phase distortion presets from the CZ line. The CZ synthesizers' price at the time of their introduction made programmable synthesizers affordable enough to be purchased by garage bands. Yamaha soon introduced their own low-cost digital synthesizers, including the DX-21 (1985) and Yamaha DX100, in light of the CZ series' success.
The Volca Bass is an analogue bass synthesizer manufactured by the Japanese music technology company Korg. It was released in April 2013 alongside the Volca Keys and Volca Beats.
LFO ... routing to the VCF, VCO or both!